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Overview
Imagine if we as a people, all people in the United States, are speaking an Indigenous language rather than English; that the English language exists merely as a language of the colonial past. White explores and experiments with this particular colonizing language, because that language remains a kind of cultural/intellectual/social threat to Indigenous thought, as English was imposed to dehumanize Indigenous peoples from their culture, language, and consciousness.
White's Diné perspective poetically reveals audience notion of linguistic dehumanization within the Bone Light volume. Non-Natives, throughout American history, have documented the Indigenous Americas using the dominant written word of English. Thus, as an artist, White writes what he writes to document as well, but also to create something a bit more beautiful (intriguing) than harmful (erasing). White is not attempting critique of the English language; he is working with it to gain a better understanding of viewpoints, veritably creating a relationship by way of exploring language.
Product Details
ISBN-13: | 9781597091350 |
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Publisher: | Red Hen Press |
Publication date: | 02/15/2009 |
Edition description: | 1 |
Pages: | 64 |
Product dimensions: | 5.90(w) x 8.80(h) x 0.40(d) |
About the Author
Table of Contents
CONTENTS TO SEE LETTERS 7.THE i IS A CRICKET 11.
BONE LIGHT 12. SENTENCE 14.ATS’ÍÍSTS’IN 15.
FILL IN THE BLANK 16.
LIGHT BULB EYE 18.
DISSOLVE 19.
CIRCLE SHAPE 20.
OPEN DARK 21.
HUMAN CLOCK 22.
FROM SKIN TO BONE 24.
BLEACH INK 26.
BLANK CIRCLE 27.
ON THE ZERO’S EYE 28.
SKIN OF LETTER 29.
SKELETON 30.
SQUARE LIPS 32.
IMPERATIVE 34.
BONE MILK 37.
IMAGES OF MYSELF 39.
BLANK SKULL 40.
LOWER CASE iAND j 41.
i WITHOUT j 42.
i-j 43.
ANALOGY 44.
i NEXT TO j 45.
ARS POETICA 46.
DOT FLY 48.
DISCOURSE 49.
MEDITATION 51.
QUIETUS 52.
WRIT 53.