Bone Song

( 20 )

Overview

In this darkly luminous thriller, John Meaney blends gritty futuristic noir with gothic fantasy to create a stunningly seductive world of death and desire. Here an honest cop must face his own darkest impulses as he hunts a perverse killer through a city of the dead.

There have been four celebrity murders already. Now it’s up to Lieutenant Donal Riordan to make sure that Tristopolis isn’t the scene of a fifth. But the necropolis’s vast underground network is already mobilizing ...

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Overview

In this darkly luminous thriller, John Meaney blends gritty futuristic noir with gothic fantasy to create a stunningly seductive world of death and desire. Here an honest cop must face his own darkest impulses as he hunts a perverse killer through a city of the dead.

There have been four celebrity murders already. Now it’s up to Lieutenant Donal Riordan to make sure that Tristopolis isn’t the scene of a fifth. But the necropolis’s vast underground network is already mobilizing for a battle of epic proportions against a powerful death cult whose dark influence reaches up to the highest echelons of Tristopolis’s elite. Riordan’s only hope is an unlikely alliance with a para-live female agent as they hunt—both aboveground and below—among gargoyles and zombies, spirit slaves and assassins, for the killers even the dead have reason to fear.

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Editorial Reviews

From the Publisher
"A remarkable book featuring a unique dark Fantasy/SF world and great writing. The police procedural plot, creepy technology, and seamless, fascinating world make it a real page turner, full of great twists and details. Bone Song has really got it all: fantasy, horror, science fiction, cops, crime—even a love story and a dose of dark, dry humor. A great read and I can't wait for the next one."—Kat Richardson, author of Greywalker

"John Meaney brings a city of death to richly textured life. In an amazing blend of noir mystery and dark fantasy, Meaney doesn’t just build a world–he creates an eerie culture that you can truly visualize and feel. Bone Song is a thrilling and suspenseful beginning to a great new series."—Mark Del Franco, author of Unshapely Things

“Brilliantly fuses SF with elements of gothic fantasy.” —SFX

“Crisply written and vividly portrayed.”—Guardian, UK

“Grittiness is a word that all too often is thrown around, but I will apply it to the street-level, no nonsense Riordan. Fast paced, very entertaining and out of the ordinary…both haunting and engaging.”—SFFWorld.com

“[A] fanciful, macabre romp... straddles the line between gothic fantasy and detective fiction.”—Booklist

From the Hardcover edition.

Publishers Weekly

This mélange of mystery, dark fantasy and over-the-top gothic horror marks a dramatic departure from Meaney's existential SF epic, the Nulapeiron Sequence. In Tristopolis, where corpses are incinerated by the thousands to produce the "necroflux" that sustains the city and its undead inhabitants, police lieutenant Donal Riordan learns that a disturbingly well-organized cult is killing the world's most talented artists. Tasked with keeping a visiting opera diva safe, the intrepid cop soon finds himself caught up in a sweeping necromantic conspiracy that could involve the very highest ranks of government. Meaney makes extensive use of dark colors and gothic imagery ("a golden clock, formed of interlocking metal bones"; "the bat-winged ambulance"), and Tristopolis is at times more fascinating than its inhabitants or the relatively conventional hard-boiled story line. With many plot threads left untied or simply ignored, readers will have to wait until future installments to pass judgment on this ambitious saga. (Feb.)

Copyright 2007 Reed Business Information
School Library Journal

In a city based around death, murder still stands out as a crime-particularly when the murderer is targeting celebrities. Police Lieutenant Donal Riordan's task is to prevent any more murders in the vast necropolis known as Tristopolis. Together with a "para-live" female agent who holds a forbidden attraction for him, they search through a world filled with zombies, spirit slaves, and other strange beings, some living, some not quite alive. Dark, humorous, and in places, poignant, Meaney's (Sharp Tang; To Hold Infinity) series opener blends gothic urban fantasy with sf and horror to create a uniquely atmospheric detective thriller that belongs in most libraries.


—Jackie Cassada

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Product Details

  • ISBN-13: 9780553590951
  • Publisher: Random House Publishing Group
  • Publication date: 12/30/2008
  • Format: Mass Market Paperback
  • Edition description: Reprint
  • Pages: 464
  • Sales rank: 546,294
  • Product dimensions: 4.20 (w) x 6.80 (h) x 1.10 (d)

Meet the Author

John Meaney is the author of four previous novels. His novelette Sharp Tang was short-listed for the British Science Fiction Award, and To Hold Infinity and Paradox both appeared on the BSFA short lists for Best Novel. Meaney has a degree in physics and computer science and holds a black belt in Shotokan karate. He lives with his wife in Kent, where he is at work on his next novel, Black Blood, the sequel to Bone Song.

From the Hardcover edition.

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Read an Excerpt

Chapter One

Donal sketched a fingertip salute to the shadows beyond the stone steps. Stuffing his hands in his overcoat pockets, he looked up at the two hundred stories of police HQ rearing upward, dark and uncompromising. It was late and cold and the sky appeared deep purple, heavily opaque.
Somewhere near the top, Commissioner Vilnar's office waited. And reading between the lines of this morning's phone call, the commissioner had a new job lined up for him—something Donal was not going to enjoy.

"Son of a bitch," he muttered.

From the shadows came a low growl.

"No offense," Donal added.

Donal unbuttoned his coat and moved easily up the steps, two treads at a time, passing between the glowing pillars that lined the stairway. He stopped at the big bronze-and-steel doors.

"Lieutenant Donal Riordan." He spoke clearly. "Badge number two-three-omicron-nine."
A tingling swept down Donal's skin, then huge locks rotated and clunked, and the doors swung inward. Donal passed inside, into the vaultlike reception area.

To the right, the duty sergeant, Eduardo, was a shadowy figure above the imposing granite block of his desk; otherwise, the place was deserted. Donal's footsteps echoed back as he headed for the bank of cylindrical lifts at the rear, his coat swirling capelike in the mixed cool and hot breezes that swept through this place.

He stepped into an empty elevator shaft.

"Hey, Gertie. Floor One Eighty-seven, please."

For a moment, nothing. Then:

*Anything for you, hon.*

The words felt like a caress.

Donal's stomach tipped as he shot upward.

Ten seconds later, he stepped out into a half-lit corridor.

*Later, darlin'.*

"See ya."

In the reception offices, Commissioner Vilnar's secretary, known to every cop as Eyes, was sitting with her back to Donal. Slender silver cables hung around her switchboardlike console. Without turning, she waved her pale hand, which Donal took as a signal to go straight in.

"Thank you."

"You're welcome, Lieutenant."

Donal strode past a row of ordinary-looking filing cabinets. Each was marked secure, imprinted with a tiny fist-shaped sigil. He wondered what they contained. Probably the commissioner's expense sheets.

The black doors in front of Donal pulled apart, and he stepped through into Commissioner Vilnar's office. There was a lone visitor's chair made of black iron set before the imposing desk. Behind Donal, the doors closed with a faint screech.

On the other side of the desk, the big chair rotated, revealing the commissioner's bald head, the wide shoulders of his black suit.

"Sit down."

"Thanks."

"Have you ever been to the opera, Riordan?"

"Sir?"

"That"—the commissioner's flat features moved; a sketched rehearsal for a smile—"is what I thought you'd say. Read this."

A desk drawer slid open, and Commissioner Vilnar pulled out a broadsheet newspaper. It looked like a luxury edition, warm yellow vellum bearing a curlicued violet script: a copy of the Fortinium Times. Its layout was similar to the Tristopolitan Gazette, though not the flimsy edition that Donal read: the plebeian version shredded apart within hours.

"Um . . ."

There was a gangland killing featured on the bottom of the first page. A blue-and-white photograph showed an innocent victim, a passing nurse who'd stepped between a slowing car and the real target, Bugs Lander.

"Try the Culture section," said the commissioner. "Under Theater."

"You're kidding." Donal turned the heavy pages. "This? About the opera singer?"

Purple ink shimmered as his gaze moved across the description of Maria daLivnova's performance in The White Masque.

"I don't see—oh. She's coming to Tristopolis. The Theatre du Loup Mort."

The venue was an ornate building off Hoardway that Donal had passed many times.

"That's right. And while the diva is here"—Commissioner Vilnar reached over and retrieved the paper—"absolutely nothing bad is going to happen to her. Am I right?"

Donal closed his eyes, opened them again.

"Are you suggesting protection duty, sir?"

"I don't have to suggest anything."

"Um . . . no, sir."

From another drawer, the commissioner removed separate vellum sheets. Indigo typeface delineated a series of crime-report summaries, each headed with a location and date, the first crime scene being in the city of Fortinium. Two other sheets were reprinted newspaper articles.

"Six months ago," said Donal.

"Read the details."

The report described a famous actor falling dead onstage, accompanied by surprised applause from some of the audience who failed to realize how premature the death scene was.

"A fake ambulance crew," added Commissioner Vilnar before Donal could finish the paragraph, "came to take the body away. Five minutes before the real medics arrived."

"Thanatos," muttered Donal.

Commissioner Vilnar frowned: he disapproved of bad language. Donal continued to read scanning reports from three other countries in Transifica, plus one from Zurinam.

"The bodies. That's the common factor." Donal looked up. "Someone's after the performers' bodies."

"That's right." Commissioner Vilnar pointed at the third report, of family bodyguards at a heavily fortified mausoleum, who shot first and asked no questions. They had killed two of the intruders and driven off the others. "That was Trelway Boskin the Third, and his body is still in its sarcophagus."

One of the dead actors, Sir Alyn Conroly, had made it as far as the city morgue. That was in Lorgonne, on the dank south coast. There, forensic seers had found microscopic holes left by toxic slivers that had already dissolved.

But the morning after their examination, when a seer's assistant pulled open the lead-lined drawer that should have contained Conroly, the drawer was empty.

"And it is murder," said Donal. "Not just body-snatching."

"In a courtroom, in the other cases, that would be idle speculation."

"Yes. I see."

The reports covered twelve murders in total.

In Zurinam, where a popular foreign singer called Shalaria was visiting—just Shalaria, no last name—the same kind of thing had occurred. But after Shalaria's collapse, according to local custom, city officials had fed her corpse to the glistening albino snakes that lived in the city's largest cathedral.

In the blue-and-white photograph, the snakes were coiled impassively around the stone columns, while a congregation prayed. There were no signs of the digested remains.

The reprinted article, written by a Tristopolitan journalist, commended the city fathers for their speed in committing Shalaria to the snakes without those bothersome delays incurred by forensic examinations. Luckily, the authorities were trustworthy, the article continued, otherwise one might even doubt that it was Shalaria's body at all.

Donal pushed the papers aside.

"It could be coincidence."

"So. What else could it be?"

"A conspiracy across two continents. With resources and rigorous planning."

"And a burning desire," said Commissioner Vilnar, "to go for lucky thirteen?"

"It could be." Donal tapped the papers. "Even if not, this diva will need a protection detail. It's a question of how thorough the protection is."

What Donal meant was, how much money the department was prepared to spend. For a moment, a flash of something that might have been humor passed through the commissioner's eyes.

"She'll be safe in our city."

Donal understood that statement for what it was.

"When do I start, sir?"

"You just did."

In the antechamber, a folder was waiting for Donal on the desktop. He opened it and drew out a letter.

"You're supposed to read it," Eyes said.

Donal checked the letterhead, which bore the embossed Tree Frog insignia of the City Borough Federation, as well as the federal Salamander-and-Eagle.

Xoram Borough Council
99 Phosphorus Way
Xoram Precinct
Tristopolis TS 66A-298-omega-2
Tristopolis Police Headquarters
1 Avenue of the Basilisks
Tristopolis TS 777-000
Quatrember 42, 6607

Re: Meeting with Malfax Cortindo, Director, City Energy Authority

Dear Commissioner Vilnar,

It has been absolutely my pleasure to arrange a meeting between one of your officers and Director Cortindo of the City Energy Authority. The latter body is, of course, a credit to our city, and the director evinced no hesitation in assuring me that he will be overjoyed to provide any technical assistance that is germane.

I have communicated with Director Cortindo that Lieutenant Donal Riordan will be meeting with him, as per your indicated request of 40th ult., on the evening of Quintember 37 at nineteen o'clock, at the Downtown Core Station. All facilities will be placed at the lieutenant's disposal.
Kindest regards,

K. Finross
Alderman Kinley Finross

P.S. All best to your honored wife. Sally and I hope to return the favor at the Styxian Ball.
Donal checked his watch. The appointment was for tonight in less than an hour.

"Sweet bleeding Death. How am I supposed to get there on time?"

Eyes shrugged without turning away from her console.

"Sorry. I didn't make the arrangements."

"No, of course not." Donal replaced the letter in the folder. "You want me to leave this here?"

"Yes, please."

"Then I'll get going."

Gertie quickly took Donal down to the twenty-seventh floor without a word: Donal's mood was obvious. He swept through the squad room, ignoring Levison, who was waving a piece of paper. There was no time.

Inside his office, Donal slammed the door shut with his heel.

"Death damn it."

Putting his phone's handset to his ear, he spun the first four combination wheels to dial an internal number, then waited.

"Garage."

"Hey, Sam. It's Donal. You got any squad cars down there ready to go?"

"Sorry, Lieutenant. O'Doyle and Zachinov took the last one. The others are still hooked up to the—"

"Shit."

Donal hung up. How—

A dark cable hung outside his office window, and he remembered that the cleaners were working on the exterior this week.

I must be insane.

But he was in a real hurry now, so he reached inside his desk drawer, hooked out a pair of black liquid-metal gloves, and pulled them on. Flipping up the window locks, he took hold and heaved the pane open.

It was a long drop down.

Ah, shit.

He flexed the black metal gloves, thought about it for a moment, then climbed up onto the windowsill and threw himself out.

The gloves took hold of the rope by themselves, and a smell like burning oil rose up. The air was cold as Donal's feet touched the wall every fifty feet or so—an insane rappel—while behind a window, a woman jumped back, her mouth wide in an unheard scream.

Gripping harder now, the gloves slowed Donal's descent—for Thanatos's sake—leaving it to the last moment, but his feet touched lightly, and he was down.

A purple taxi slowed, the driver catching sight of Donal, but then began to speed up again.

"Hey!" shouted Donal.

Just then a dark shape shot into the road from beyond the HQ steps. Amber eyes blazed and the taxi screeched to a halt, rocking on its suspension. Donal stared for a moment, then pocketed his gloves and strode to the taxi, his heart still beating fast from the effort and adrenaline.

He pulled open the passenger door and stopped.

"Thanks, FenSeven!"

The huge deathwolf grinned, sitting on its haunches in front of the vehicle. Then it nodded and trotted back to its place in the shadows as Donal climbed inside the taxi and pulled the door shut.

"Police emergency," he said.

"Uh . . . yeah?"

"Thousand Seventh Street. Let's not hang around."

The driver turned, an unlit black cigar hanging from his lips.

"Police?"

"What, you want to see my handcuffs? Or my gun?"

"No, chief." The driver gunned the engine and pulled away from the curb. "No need."

"Good." Donal's voice was soft. "That's a good thing."

From the corner of Avenue of the Basilisks and Hellvue Boulevard, a white-skinned woman in a pale-gray skirt suit watched the taxi depart, admiring the efficiency of the man's exit.
"That's a quality that could be useful."

At her words, a street cleaner paused on the other side of the street, curious. Just then, there was a shimmering movement in the air.

Grabbing a broom from his cart, the cleaner got to work in the gutter, no longer looking up or sideways. Not even from the edge of his vision. Some things are not meant to be stared at directly.

*You think he's honest?* the air whispered.

The woman in gray pulled a compact out of her handbag and flipped it open. The mirror was one-third silver, the remaining two-thirds black but still reflective: plenty of time remaining.
She snapped the compact shut, replaced it beside her platinum-coated pistol, and slung the bag back over her shoulder.

*Well?*

"I don't know," she said. "Do you think we could use him if he isn't?"

*No.*

"Neither do I." The woman looked down the long perspective of the dark avenue, watching as the taxi hooked into a fast left turn and was gone. "If he doesn't survive, it doesn't matter either way."

*I thought I was the negative one.*

The woman turned and strode toward the nearest black hydrant. Her dark, finned car—a Vixen—was waiting at the curb. As she walked, a half-glimpsed ripple passed through the air alongside her, keeping pace.

*Or maybe you're afraid to let yourself admire him. Is that it?*

The woman stopped, fingers touching the car's door handle. She looked up at the air.

"Am I that transparent?"

There was another ripple, altering the outline of the art gallery beyond.

*Is that meant to be funny?*

"Well, I laughed." The woman got inside the car and slammed the door.

After a moment, she opened the passenger door from the inside, waited for approximately thirty seconds, then reached across and pulled it shut.

"Let's go keep watch. If Lieutenant Riordan doesn't reappear, we'll have someone to charge with his murder. There's always a bright side, Xalia. Didn't you know?"

*I prefer the darkness, Laura.*

"You would."

*And you don't?*

The car slid away from the curb.

Two great pillars of stone reached up. If a visitor craned his head back, he would see, against a background of purple sky, that each pillar was surmounted by a skull wearing an Ouroboros headband, a flattened Mobius serpent twisting around and swallowing its own tail.

Lowering his gaze just a little, he would register the immense size and weight of the solid black iron gates and the great walls formed of granite stretching off to either side, encircling the Downtown Core Complex.

The taxi stopped, small in the foreshortened black drive that stopped at the gates. Behind the taxi, beyond the street, rose the attenuated blocks of old denuded buildings, empty niches showing where gargoyles once perched.

"Man," murmured the taxi driver. "This place . . ."

Donal said: "Sound your horn."

"Oh, I don't—"

"Sound it."

A long howl rose from under the taxi's purple hood. "There. Are you—"

There was a grinding sound, and the taxi shuddered as the gates began to move, sliding to either side. Donal remained impassive while the driver swallowed twice, three times, then rolled the taxi forward.

As they entered a gargantuan courtyard, the driver almost had his eyes shut, but Donal was scanning the environment, checking the gun slits on the walls, noting the internal stairs that led to watchtowers.

Then the taxi slowed and halted on a brass circular area at the courtyard's center. The brass disk's diameter was perhaps twice the length of a delivery truck.

"PLEASE CUT THE ENGINE." The voice reverberated around the courtyard.

"Oh, man . . ."

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Customer Reviews

Average Rating 4
( 20 )
Rating Distribution

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(6)

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See All Sort by: Showing 1 – 20 of 21 Customer Reviews
  • Posted February 10, 2011

    more from this reviewer

    a new favorite of mine...

    The first of a series (The Tristopolis series) this novel features Donal, an investigator for Police Headquarters. Only this police dept is nothing like any department we might have. In fact, Tristopolis is nothing like any city we have on Earth. No, Tristopolis is a city that is powered by the bones of the dead....and apparently it's still a bit....uncomfortable. There are many species inhabiting this city - and working for the police dept. Deathwolves, wraiths, zombies....

    In the beginning of the book Donal is given the task of protecting a visiting Diva from an apparent conspiracy...In preparation for this job, Donal is sent to the power company to do some research. The danger the Diva is in involves murder, appropriation of the murder victim's bones, and the apparent use of the bones. Bones sing. Not everyone can hear their song, but something happens to Donal during his visit to the power company and when he leaves, he finds that he frequently hears a voice inside his head that asks him "do you hear the..." He always interrupts the question, sometimes answering, sometimes telling it to shut-up. The thing I loved about this development is that throughout the whole novel, we hear from this voice...it's like a supporting cast.

    There is complication - Donal fails in his protective mission (not a spoiler, this info is given on the back of the book), Donal ends up in a hospital and then is recruited by an elite squad within the police department, trying to find out if there is a traitor within the police department, if there is indeed a conspiracy, etc. There are many wonderful characters to read, and lots of great dialogue.

    The worldbuilding is .....exquisite. Think of a blend of Gotham City (Batman), a fantasy setting with purple skies, furniture and appliances a la Beauty and the Beast (wraiths occupy them), steampunk-like gadgets run by magic or hexes and a wonderful array of characters that you could find in many fantasy and urban fantasy novel. It all works so well together in John Meaney's creation. Bone Song is rich in details, good writing, suspense and also has some chuckles.

    This book was so interesting and entertaining that I found myself wondering halfway through if there was going to be a sequel. I've only felt like that with a few series.

    Needless to say, I am looking forward to acquiring the sequel to this (Black Blood in the US and Dark Blood in the UK) and hope it will be soon. Both books, Bone Song and DarkBlood/Black Blood are available now.

    I recommend this to lovers of fantasy and urban fantasy.

    1 out of 1 people found this review helpful.

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  • Posted October 14, 2010

    Slow to start, but really picks up.

    I found this under zombies. There are zombies, but there is so much more. Total Fantasy! It started really slow, but picked up halfway through. I will keep reading this trilogy.

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  • Posted November 28, 2009

    more from this reviewer

    I Also Recommend:

    There is a Siren's Song at the Heart of Us, Buried in Our Bones

    Death. Lieutenant Donal Riordan's world is enveloped in it if not powered by it and its inevitable byproducts, bones. Someone has taken an unhealthy interest in not only Donal but also some very interesting bones. Too bad the person they belong to are alive- but for how long? Donal's ordinary life is turned upside down when he accepts the assignment to watch over the visiting Diva Maria daLivnova whom the ossiophiliac Black Circle have targeted for their next acquisition. Gone is the small apartment and day by day drudgery Donal has always known, replaced by a surprising relationship, involvement in a new special team in the police force, and the strange song of bones that keeps infiltrating his thoughts. Now Donal becomes the target of long range manipulations, suspicions of collusion and international intrigue.

    John Meaney's Thanotopic world is like no other and that pure originality is an excellent reason to pick up this book. Bone Song bristles with creativity and ideas. Meaney also brings his sharp wit to bear and the while the tone may stray towards noir, the dialog is snappy and pointed. He has an intresting array of characters all of which enjoy brief moments in the spotlight. There is a shift in the story from a single to multiple viewpoints that feels a bit abrupt but on the whole it was an enjoyable read.

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  • Posted May 24, 2009

    more from this reviewer

    I Also Recommend:

    Wonderful Gothic Crime Fantasy

    This book combines gothic horror/science-fiction with a police-crime plot. At first the fantastic dark imagery and bizarre denizens tend to overwhelm everything except the engaging main character, lieutenant detective Donald Riordan. Raised as an orphan, Riordan works under the indigo skies of Tristopolis, an urban necropolis powered by the bones of the dead. The plot and pace quickly escalates when an opera star, whom Riordan and other police are guarding, is publicly murdered to harvest the addictive resonance of her bones. This book is completely enthralling and occasionally poignant. I heartily recommend it along with its sequel "Black Blood".

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  • Posted May 3, 2009

    I Also Recommend:

    Good start to a new series

    Meaney has created a very original world and stocked it with interesting characters although some of the characterization was a bit shallow. The tone and setting are dark but he is careful not to make it over the top. This is a very well crafted novel. I expect his follow up work, as he gets more comfortable in his world, to be superb.

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  • Anonymous

    Posted April 16, 2009

    Bone Song

    Bone Song is a good start to a new series (hopefully). I look forward to John Meaney's next book.

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  • Posted March 30, 2009

    I Also Recommend:

    Bone Song

    What would happen if the Dead were used as a power source, I mean we all have to die sometime don't we, and this book gives a whole new meaning to the afterlife.

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  • Posted December 9, 2008

    more from this reviewer

    This is a fascinating police procedural urban fantasy

    Four famous performers have been recently murdered in different countries. At least of the actor Sir Alyn Conolly made it to the morgue in Lorgonne, where an autopsy revealed toxic slivers that resolved left behind micro holes.------------- In Tristopolis the multiple incinerations of the dead serve the undead living by providing the 'necroflux'. The Police Commissioner is concerned with the upcoming appearance of opera singer Maria daLivnova at the Theatre du Loup Mort. He orders Police Lieutenant Donal Riordan to insure the diva is kept safe from an apparent deadly cult. However the dedicated courageous cop soon concludes that the cult¿s necromantic success is fostered by those at the untouchable top of the government. He must find a way to stop those who kill the dead with impunity.------------- This is a fascinating police procedural urban fantasy in which 'There are eight million stories in the Naked City¿ of Tristopolis John Meaney introduced many of them but left them open. The Noir investigation is fun to follow and the paranormal species ¿living¿ above and under ground seem genuine, but it is the colorful dark description of the city that steals the show in this first of what looks to be a long running series.------------- Harriet Klausner

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    Posted July 6, 2010

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    Posted January 11, 2010

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    Posted December 28, 2010

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    Posted February 11, 2010

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    Posted December 14, 2009

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