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The Book of Eleanor

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Eleanor of Aquitaine—dazzling Queen of France and England, shrewd politician, passionate lover—has been celebrated throughout history by her contemporaries, descendents, and biographers. You may remember Katharine Hepburn’s Oscar-winning portrayal of Eleanor in The Lion in Winter, or Alison Weir’s recent New York Times bestselling biography of Eleanor. In this mesmerizing new novel by bestselling author Pamela Kaufman, Eleanor’s story springs to life as never before, revealing the complex inner workings of one of...
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2002 Hard cover New in new dust jacket. Book and dust jacket in excellent clean tight unmarked condition Sewn binding. Cloth over boards. 528 p. Audience: General/trade.

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Overview

Eleanor of Aquitaine—dazzling Queen of France and England, shrewd politician, passionate lover—has been celebrated throughout history by her contemporaries, descendents, and biographers. You may remember Katharine Hepburn’s Oscar-winning portrayal of Eleanor in The Lion in Winter, or Alison Weir’s recent New York Times bestselling biography of Eleanor. In this mesmerizing new novel by bestselling author Pamela Kaufman, Eleanor’s story springs to life as never before, revealing the complex inner workings of one of the greatest women in history. Torn between her devotion to her chosen lover and her responsibility to her children and their political destinies; headstrong and proud, yet seized as a pawn by power-hungry men—Eleanor is a timeless and gripping heroine. Combining meticulous research with the seductive touch of a master storyteller, Pamela Kaufman speaks to us in Eleanor’s voice, drawing us deeply into the richly textured world of medieval royalty, and into the unforgettable life that has captured imaginations for centuries. This guide is designed to help direct your reading group’s discussion of Kaufman’s stunning The Book of Eleanor.
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Editorial Reviews

Publishers Weekly
Medieval chronicler Kaufman (Shield of Three Lions; Banners of Gold) turns her attention to the eponymous Eleanor of Aquitaine in this earnest first-person account of life, power and passion in 12th-century Europe. The novel opens in 1174 with the kidnapping of 52-year-old Eleanor by the men of her second husband, Henry II. Wanting to keep Eleanor's sons from the throne, Henry sentences her to imprisonment in the drafty Welsh tower of Old Sarum for 17 years, where she uses her time to pen the autobiographical account forming the body of the book. When she was 15, the beautiful, spirited daughter of the duke of Aquitaine fell in love with her kinsman, Baron Rancon, but had to forsake him to marry the religiously obsessed and sexually repressed King Louis VII of France for political gain. After she was granted an annulment finally approved by the pope, Eleanor planned to wed Rancon, but she was kidnapped and forced into marriage once again by the ambitious, redheaded Henry II, duke of Normandy and soon-to-be king of England. Henry and Eleanor, both natural leaders, are an explosive pair, but Eleanor will not give up Rancon, defying Henry until the end. Kaufman peppers her narrative with snatches from troubadour songs and interjections like "God's eyes!" but the tale lacks atmospheric richness. However, her presentation of one of history's larger-than-life heroines as an early feminist will engage and entertain readers with an interest in the life stories of powerful women. (Mar.) Forecast: Kaufman's novel lacks the verve of Rosalind Miles's Guenevere trilogy, but the perennial appeal of Eleanor of Aquitaine and the general popularity of feminist-inflected historical fiction should assure respectable sales. Copyright 2001 Cahners Business Information.
Library Journal
Though one might question the need for another novel about Eleanor of Aquitaine, this version by Kaufman makes even such well-traveled territory fresh. Narrator Eleanor recalls her life and her family in fascinating detail, with stories of everyone from her grandfather, the first troubadour, to her many children a who's who of the heads of Europe. Among the characters are Eleanor's two husbands, Louis VII and Henry II; Thomas Becket; the nasty Bernard of Clairvaux; and the cunning but somehow lovable Abbot Suger of Saint Denis. There is a Crusade, and there are battles. There is also a romance, which, in the true spirit of courtly love, involves neither of Eleanor's husbands. Above all, though, there is Eleanor, with a wit and spirit so fierce that she is able to stand beside and even above the most powerful men in the Western world during a time when women are considered by the Church to be a biological afterthought. As in her previous medieval novels (Banners of Gold, Shield of Three Lions), Kaufman renders the details with perfection the sounds, sights, and (often unpleasant) smells. For all historical fiction collections. [Sharon Kay Penman also retells the story of Eleanor and Henry in Time and Chance, the second volume in her historical trilogy. Ed.] Wendy Bethel, Southwest P.L., Columbus, OH Copyright 2002 Cahners Business Information.
Kirkus Reviews
A romantic take on the powerful medieval queen. A central figure in the 12th-century wars between France and England, Eleanor, at 15, became Duchess of Aquitaine, a wealthy and independent French province coveted by both countries. While still a teenager, she married Louis VII, a religious zealot who kept her closely confined, and after years of conflict, she persuaded the Pope to annul her marriage. Within a year she married again, this time to the brutal English Henry II. Despite bearing him eight children, the two came to hate each other. As her children grew, she persuaded them to revolt against their father, who in turn imprisoned her for 17 years, though in the end she had the last laugh, serving as regent after his death while her son, Richard the Lionhearted, crusaded in the Holy Land. Historians are silent on Eleanor's sex life, but Kaufman (Shield of Three Lions, 1983) well understands that romance requires romance and so she invents the great Baron Rancon of Aquitaine and recounts a secret, dangerous, and passionate affair, Eleanor's only consistent joy during years of unhappiness. Kaufman is unarguably an expert on the period, but her tale is told at the level of, say, a Hollywood epic, whose historical characters behave like modern Americans except for the funny clothes. Heroine Eleanor is a fiery queen, dazzlingly beautiful yet as skilled in statecraft and horsemanship as any man. She's also a feminist, outraged at the treatment of women in medieval Europe. Because Kaufman doesn't re-create a world through the narrative, she is forced to stop the action periodically and have a character to deliver a lecture on, say, the structure of feudalism (" . .. any child knows thesystem of homage and overlords. My father used to call it a pyramid with the king at the top . . . "). Historical fiction for the Barbara Cartland set.
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Product Details

  • ISBN-13: 9780609609064
  • Publisher: Crown Publishing Group
  • Publication date: 3/12/2002
  • Pages: 528
  • Product dimensions: 6.54 (w) x 9.46 (h) x 1.62 (d)

Meet the Author

Pamela Kaufman, Ph.D., is the author of the bestselling medieval novels Shield of Three Lions and Banners of Gold. She lives in Los Angeles.
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First Chapter

Carcerem
1174

We departed London on the Winchester Royal Road riding ten abreast, a royal guard in smart scarlet, helmets and swords glittering in the low winter sun, and my spirits suddenly burst with happiness. I'm not called "Joy" for nothing, eh? I loved being in open air again, loved the jingle of harnesses and clop of hooves, even loved the bright crimson standard with its three lions bobbing ahead of me; most of all, I was happy that it was necessary to move me. We must be winning-otherwise, why whisk me out of the White Tower without the other women? Why send me to the great palace at Winchester? For where else did this road lead?

We stopped about an hour short of Winchester at the river ford.

"Perhaps they're worried about the ice," I said to my handmaid.

Amaria's green eyes slid toward the wood. "Or those men?"

At first the branches looked bare, but gradually I saw men as alike as mushrooms crouched silently on the limbs, men with shaved pates and legs, white tunics with green sashes, toes curled around icy bark.

"Welshmen! God's feet, what are they doing here?"

I spurred my steed to the front of the line where Ranulf de Glanvill was talking to a dour middle-aged Welshman with a scarlet cape over his white tunic.

"Why have we stopped, my lord?" I demanded.

Glanvill's darting black eyes avoided me. "Queen Eleanor, may I present Lord Ciarron ap Dwyddyn?" He raised his arm abruptly and shouted, "Reverse direction!"

The lines of ten abreast turned smartly around and began trotting back to London with their jingling harnesses and standard. Instantly, I roiled my horse to join them, but Glanvill andCiarron crowded my mount on either side and I found myself splashing across a shallow ditch directly into the forest with Amaria beside me. I was too shocked to be afraid, but I certainly recognized the danger.

"Stop at once!" I jerked my reins. "I'll not leave the road!"

Ciarron grabbed my bridle.

"Lord Glanvill!" I cried.

He stared straight ahead, and I knew my fate. Who hasn't heard of the forest executions of political prisoners? We rode deeper and deeper into the bare trees in the company of the ghostly Welshmen, until the tangle became so thick that we were forced into the river, riding in icy water to our hips, with our longcarts floating behind us. Amaria reached for my gloved hand.

Then the ring of an ax. Again I looked at Glanvill's profile. Malevolent he might be, but I could hardly believe that such an important officer would do the bloody deed, a job fit only for an anonymous brute. The sound of ax blows came closer.

Suddenly we entered a small clearing where woodmen were felling trees, some chopping limbs off trunks to make palings for a wall almost fifteen feet high, looming before us. Above us on the guard platform, Welshmen sat dangling filthy feet. The gate swung open.

We entered a broad compound covered with a light fall of snow. Ice-crusted sheep cast long shadows across the yard. Workmen rested on their tools to stare with open-mouthed curiosity. In the distance, over the tops of brown trees, I spotted Clarendon Lodge. I'd gazed down on this clearing many times from above and so knew exactly where I was: Old Sarum, an ancient Saxon tower, a square, squat donjon constructed of crumbling dry wall atop a steep motte encircled by a wide weed-choked moat. It had been uninhabitable for centuries, but now the new huts and fences told another tale.

I was so angry that I could hardly speak. "Lord Glanvill, is this a joke?"

"King's orders. Dismount, if you please."

"I'll not spend ten heartbeats in that windy ruin. Depend on it!"

His eyes ceased darting. "Must I force you?"

I reared my horse and crashed down on the nearest guards.

A hundred men fell on me. From the icy ground, I bit every dirty ankle I could reach, fought my way to my feet, scratched bare scalps, stamped on Welsh toes with my golden boots. One churl put his hand across my mouth, and I bit his thumb. Blood spurted everywhere. I clung to my horse's neck.

"Help me!" I cried. "Someone help! I'll reward-"

At least twenty men dragged me to the moat bridge. I reached out my foot and tripped a guard, who fell backward through the thin scum of ice. I went limp, made them carry me up the motte, through the tower door into pitch-blackness, up a dark stair, where I banged my head on low beams, then up again to the middle room, up a third stair to the uppermost level of this bat-filled eyrie.

Glanvill stood on the top step, panting. "With the Devil as my witness, I'm enjoying this."

"Even the infidel doesn't enjoy killing women!"

He bared his teeth. "No one's killed you."

"No, nor given me a trial! How dare you, a man of the law, treat me like a common criminal! You think I don't know the purpose of Old Sarum? First Saxons, then Normans incarcerated ruffians here to die a cruel death, but no one-I repeat, no one-ever tortured a woman thus! Certainly not a queen!"

"You will have a trial."

"You take me for a fool? After a year? Capture me, hide me, and maybe I'll cooperate by expiring 'naturally' because your king lost his balls after the Becket scandal. Aye, and he'll weep over my grave as he did over Thomas's! Hypocrite!"

"The king wants to be lenient."

"Ha!"

"He offers you a fine position: You may become abbess of Fontevrault, with all the perquisites of your station, a worthy end to your life."

"If I what?"

He came closer. "Recant your orders to your sons."

"So that he can punish them?"

"The king is prepared to be lenient there as well. He loves his princes." He came closer still. I could smell his sour stomach. "Recant, Queen Eleanor."

"I'm tempted . . ." I groped, as if for my kerchief, and found my quoit.

In a flash I whipped him across his eyes. Again! Again! He stumbled backward. Down the stairs: Thump! Thump! Thump! I ran down after him, hitting on his face, his ears, his throat. "Are you dead, Lord Glanvill?"

He groaned.

"Still alive? Pity." I kicked him in the ribs.

He rolled to his stomach, then to his knees. I followed as he stumbled to the bottom of the tower and out the door.

"Lord Glanvill!"

He paused.

"I will make your king the Pope-a fitting end to his life!"

I returned to the top floor, where Amaria crouched by a stone latrine carved in the wall.

"He means us to die, Am."

"I know." Her teeth chattered.

"Stay here while I examine our great hall."

The tower was built of large uneven stones without mortar and would have fallen long ago except for a tough woody vine snaking around it as support. I could put my fist through the spaces between stones; wind whistled through in strange harmonies, and snow was fast piling at the base. The roof and flooring had once been of wood; since the roof was long gone, I could only surmise that the floors had been replaced, though they were far from secure. One space between stones was larger than the others, possibly an arrow slit. I gazed down on the moat we'd just crossed and saw a suspicious mound beyond it, which might be a mass grave. Then, as I turned, a skull rolled at my feet.

I went back to Amaria.

"Follow me."

I led her down the stairs, where they bisected the middle floor, down to the bottom in the dark. There we huddled on bare ground under the steps, the warmest place in the tower. I hastily felt with my hands for more gruesome souvenirs of the past so that my handmaid might be spared. Then I wrapped her in my sables. Our soaked tunics were fast turning to ice.

We heard Glanvill's fanfare and horses.

"We're alone with all those savages," Amaria whimpered. "What will we do?"

"We'll survive." My voice shook with rage. "My sons will rescue us." I hugged her close.

The door opened; a shaft of icy air blew inward. "Queen Eleanor!"

"Here!"

Lord Ciarron carried a lantern in one hand, a smoking pot in the other. "I've brought your food." At least the churl spoke French, albeit with a goatish Welsh tongue.

Stiffly, Amaria and I became two people again. Lord Ciarron placed the lantern on a step while he unwrapped his packet. Instead of bread, we had thin pancakes to dip into a hot gruel, and the wine had likewise been heated. We gulped eagerly. I didn't recognize the mess, though it certainly contained a little lamb gristle. Never mind, it was hot.

Ciarron's lean wolf face watched us without expression, yet even curs respond to gratitude, eh?

"This is delicious," I lied. "Is it Welsh fare?"

"Lagana," he said, pointing to the pancakes.

Amaria was more direct. "Do you plan for us to freeze tonight, my lord?"

He shifted his weight. "You have furs."

"But no roof, no walls." She pointed to snow falling through the open space above, to small drifts piling along the dry walls. "We're not bears, my lord."

I said bluntly, "We'll be dead by morning."

"Help us!" Amaria pleaded. "I've heard that the Welsh are the most hospitable people on earth."

Wordlessly, he took his lantern to leave, when the beam suddenly fell directly on Amaria's face. My handmaid has never been beautiful, even when she was young, with her red hair and freckles, but in this pale glow, her delicate features with their green eyes had a poignant appeal, enough to make him hesitate. I held my breath, but he turned and we were plunged into darkness.

"You know, Am, that the Welsh are last in hospitality, not first."

"He seemed a little more civilized than the others."

We wrapped ourselves against the snow.

"Listen!" Amaria stirred.

Steps, then two lanterns. Between them, Ciarron and another Welshman carried eight sheepskins, smelling like glue and crawling with maggots, but welcome as fine down. Weighting two pelts with rocks, they formed walls against the steps, then piled the rest inside.

Again the lantern caught Amaria's face-deliberately?

"Thank you, Lord Ciarron," I said.

After they'd left, we squirmed onto our rough hides, snug as wood lice.

I had never been so cold. An icy gale howled unimpeded across Salisbury Plain, past the flapping sheepskins, to bite the very bone. The dark was a feral presence, enhancing the cold. My jaw ached in an effort to control my chattering teeth; I tried to warm my hands with my breath; I couldn't feel my feet. Eeeeeoooo! Eeeeoooo!

"Was that a wolf?" Am cried.

"The wind, dear."

"I don't want to be eaten!"

Nor did I.

"Come closer. We must warm each other." We rearranged my sables so we could slip our hands under each other's tunics.

The low mournful tone resumed. Elegiac. Tomorrow never comes, a voice from my past. Was this my last night on earth? Would Ciarron discover Amaria and me in a deathly embrace? Then, to be flung into a common grave, perhaps with victims of the Black Death when the spring thaw came. Stay awake, I ordered myself; don't succumb.

***

I woke with a start. Disoriented. Where was I? What was that peculiar glow on the beam above? Heart tripping, I slipped out from my sables. The glow had a shape-a naked man's shape! Long pale hair, eyes like blue lances, an apparition to be sure, but familiar. I chilled in a different manner.

"Grandfather, is that you?"

He mocked gently. "Joy, is that you?"

I licked my cold lips. "I'm not going with you, Grandfather. I'm not going to die!"

"Of course you are! We all die, eh?" He somersaulted through the air to a lower beam. "Oc, the same azure eyes, cherry lips, cheeks round as peaches, golden hair-the wintry wind makes merit grow-come while you're still young, dear. Five is a delicious age."

"I was five when you died; I'm fifty-two now."

"And still delectable! You take after me-you know they called me 'Junior.' Did anyone ever tell you why?"

Had he really been so vain? "Junior for Juvenile, eh?"

He leapt again; something brushed my cheek. "And Joy for passion! Aren't we a pair?"

"No, Grandfather, we're not! I won't die!"

He reached a delicate hand. "You have no choice, Milord."

"You couldn't take me before-remember?"

"In laudes Innocentium! Sallat chorus infantium!" he chanted.

"Please, Grandfather, I'm determined to live. Survival will be my revenge for this slow execution! Tell me how-you're the wisest man I ever knew!"

"Am I truly?" His hair rose in a cloud. "Well, perhaps I am, though the competition was dull." He covered his eyes, laughing silently. Then he became serious. "Life is love, my dear, my song and my wisdom. You learned my lesson the best."

"But the world prevailed against us, eh?" A wave of deep despair clutched my vital spirits. "If life is love, Grandfather, than I am truly dead."

"You don't yet know the meaning of death, Milord. You breathe, you experience time, and therefore you yet have hope of love."

"Hope in this windy spike? Of love?"

"You're asleep on your horse, not yet asleep. Carpe diem! Make a tryst, darling!"

"Would you have me seduce a sheep in its pen?"

"Many a man wears a sheepskin as disguise!" He pulled his lower eyelid. "Use your furry flower-you know the tricks!"

"Grandfather! I'm an old lady!"

"Still young enough to be a trickster! However, I grant that your opportunities are limited." His cloudy hair drooped, then rose again. "But not your memories, eh? If you insist upon living, let your gaudy flowers bloom on your vellum! Remember how I scribbled my verses well into my dotage? Love is in your heart-now make it your art!"

With an eerie laugh, he shot straight up and disappeared.

"Levis insurgit, William," I whispered.

***

I lay under the sable again, colder than ever from my mesclatz conversation with a ghost. I closed my eyes; something struck me on the nose! Grandfather being playful? I was struck again-on the forehead this time. Cold, wet. Ice! I sat upright. Heaven help us, the snow had changed to hard pellets. Hail? No, this ice cut; it was sleet! Huge shards, like glass tinkling and banging noisily. I pulled the fur over Amaria's head, which left me exposed.

Surely the rattle and banging would wake her. The cacophony rose to a friendly racket: Tic! Tac! Hic! Hac! Tiket! Taket! Tic! Tac! Down the stone steps marched the pellets, like horses dancing across cobbles, while on the rotting beams tee, tee, tee echoed the beat of the clappers, of the tambors, and a lusty voice rang out:

Time may come and turn and go
through days and years, sun and snow
[tic, tac, tee, tee, ton]
While I am dumb
With desire, ever new;
My senses numb.
I so want you!
[Ticket, tacket, tic, tic, tic]
Yet the season goes apace
Will nothing halt my heart's mad race!


Aquitaine! Hugh and Guy and Aimar and Achilles cantering down the summer paths, ready for war and love, Cercamon strumming his lyre, Marcabru!

"Did you feel that, Joy?"

"It's only sleet. Try to sleep."

"You sleep! I'll place the fur over your head."

"I dozed a bit; I'm awake now."

And curiously excited. We might be lying in a grave, the sleet might be our final shroud, Grandfather might yet have his way, but I felt alive. My vital spirits leapt to the hot Aquitanian rhythms. And Grandfather was right-I did remember!

"Listen, Am! Did you bring vellum in your longcart?"

"Of course." Her voice was concerned. "Do you think this is the time to write a lai?"

"That's for you to decide, dear. I have my own project. May I borrow a few pages?"

"If I can reach the cart, of course." Now her voice was worried. "To write troubadour songs?"

As if talent ran in the blood. As if this setting could inspire licentious verse!

"Oh no, something more mundane. I must send letters abroad."

"Of course." Her tone filled with pity.

My brain grew more fevered; my heart raced to the drumming around me. While I drew breath, while memory was still alive, let me record my tale. Oc, let the winds taunt, the sleet cut, but let me not slide mutely into my pauper's grave. Let my words live on; let the record relate how he so doted on me that he must have me dead. No doubt he, too, would take up his stylus-or hire some fawning prelate to echo his lies-but somewhere in the crevices of this ancient tomb would lie another story, one of a king's hypocrisy, duplicity, murderous cruelty. He would accomplish my death, no doubt, but never avoid his own guilt, testa me ipso. I laughed aloud-and felt Amaria start.

"What amuses you, Joy?" She thought me mad with fear.

"I was trying to recall that verse from Edras, something about victory."

"Edras one, three: ten: 'Truth beareth away victory.'"

"That's the one-thank you."

Tic, tac, tee, tee . . .

And my tract must also record the secret heart that beat under my royal vestments. What mattered a scandal after my death? The royal scribes would deflate my worldly accomplishments, no doubt, but no one could challenge my private feelings. Not for nothing was I born granddaughter of the first and most famous troubadour of them all, Duke William IX, infamous for his own scandalous life. Not that my passion ever became the stuff of common gossip, nor were the manufactured rumors ever close to the truth.

Amusing.

Yes, I would tell my dual stories, both the public and the private, with a dual purpose, as Grandfather suggested. "He who writes of his life of passion lives two lives." There, I'd made myself smile, for the true maxim is: "He who writes of his life of virtue lives two lives."

My life of virtue would make a short book.

Shall I begin with my birth in Aquitaine? The misery of my parents? The internecine warfare between my aunts and my mother? My father's dour fate? So much, so much. All poignant to me, the rich soil in which I was nurtured, but it was their story, not mine. My childhood was paradise, as I remember it-did the adults shield me from their misery and resentments? I doubt it. I think rather that they all loved me, whatever their other allegiances and resentments toward one another, for love is what makes a child happy, eh? I hoped my own children would remember that. No, my own tale began when I was fifteen, the night when I stepped center stage in the world's drama.

The north wind soughed again, and now it sounded friendly, like the autun wind of the south blowing when I became duchess. Oooo, oooo, the sigh carried me back, and I slipped into the skin of the earlier Eleanor.
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Reading Group Guide

1. Throughout her life, Eleanor experiences a series of apparitions of her dead grandfather, William the IX, famed for his troubadour songs. She communicates with him right before she discovers Lady Rosamond hiding in Tintagel; again at the tomb of Henry I right before young William dies; and again in her prison tower when she is not sure she will live through the night. What do these apparitions signify? Why is her grandfather always naked and attempting to lure her away from life?

2. Abbot Suger blackmails Eleanor, ostensibly to ensure that Louis will have an heir to the throne. What are the terms of the blackmail? What does Suger really want? How does Eleanor turn the situation around and blackmail Suger? Why is Louis’s spiritual adviser, Thierry of Galeran, an enemy to them both?

3. How does Louis’s religious fanaticism—his “beatific affectation” as Eleanor calls it—impact the French and Aquitainian crusade to Antioch and Jerusalem? Why is his increasing madness to blame for the death of Eleanor’s uncle, Raymond? On what grounds does Eleanor finally achieve her annulment from Louis, and how does she play the religious system, particularly with Bernard of Clairvaux, to accomplish it?

4. Do you think there is a defining moment when Eleanor softens her feelings toward Henry? How does their spring spent together in Falaise affect her attitude toward him? Does he purposely lull her into a false sense of comfort, or do you think Eleanor creates this comfort for her children’s sake and for her own sanity?

5. Henry forfeits the region of Toulouse when Louis talks him into retreating along with his army. What doesLouis offer him in exchange, and why? Why does Rancon see this event as the signal to begin an attack on Henry, and why does Eleanor refuse to seize the opportunity?

6. Why is it in Henry’s best interest to delay the appointment of an archbishop of Canterbury? What does he hope to achieve by appointing Thomas Becket, and how does his plan backfire? What does Becket achieve by keeping Young Henry as a hostage (in the guise of a student), but not crowning him?

7. One great schism in Eleanor’s heart is the divide between her loyalty to Aquitaine and her loyalty to her children. Where in the story do you see this conflict demonstrated? What are the results?

8. Do you see Eleanor as hungry for power? How much does her desire to be Queen of England influence what she’ll put up with from Henry? What subtle message does Eleanor glean from Henry’s mother, Empress Matilda?

9. Not long before Becket commits treason and incites an insurrection against Henry, he visits Eleanor to beg for her intercession with Henry. Why do you think Eleanor agrees to keep her meeting with him a secret?

10. Eleanor describes her Court of Love as a rebellion against Ovid, and his influence in developing a social structure that devalues men and women and their natural inclination toward egalitarian love, and warps them into “hunter and prey, always sensing that we have betrayed the central meaning of life.” Where in the book do you see Kaufman exploring the theme of hunter and prey—in the realms of marriage, religion, monarchy, politics, family, etc. When is Eleanor willing to play the hunter and prey game for personal gain, and when does she draw the line?

11. What is Princess Alais’ secret? Do you think she is an innocent victim of Henry’s brutality, or a willing lover and spy as Henry claims? What does Eleanor plan for Alais when she orders her locked in the White Tower?

12. Eleanor’s and Rancon’s seemingly doomed romance is underscored by the Tristan and Iseult legend they emulate. How does this legend frame and influence their long-suffering relationship?

13. Why does Eleanor purposely provoke Henry’s temper into a rage with the elaborate song and dance performance about a wife who seeks a suitable punishment for a wayward husband? Where else do we see Eleanor manipulating Henry’s moods for her own purposes? Is she successful in this particular plot?

14. What attitudes about love, power, and/or rebellion does Eleanor learn from her grandmother, Dangereuse? From her sister, Petronilla? From Empress Irene of Greece? From her handmaid, Amaria? Do you think the female relationships in the book are as significant as the male-female relationships? Why or why not?

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Customer Reviews

Average Rating 4
( 12 )
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Sort by: Showing all of 4 Customer Reviews
  • Anonymous

    Posted November 9, 2004

    Dramatic and Intellectual Excellence

    As a tourism student with a true fascination with European history, I found this novel to be entertaining if not intellectually stimulating. Following her heart-wrenching love-affair, determination to save her children, and her unwillingness to let her beloved Aquitaine be conquered, the reader falls head-over-heels for this tragic Queen. Kaufman weaves a tale of tears, courage, and hope which any fan of History can enjoy and appreciate. I highly recommend this beautiful tapestry of historic fact and fictional glory.

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  • Anonymous

    Posted November 9, 2002

    Lovely story, bad descriptions

    This was a pretty good story, with one of my favourite historical characters ever, but I was very disappointed with some of the portrayals of Eleanor. In a time when most modern historians discredit the scandalous rumours that Eleanor had ever been unfaithful to her husband(s), and when just about every historian (modern and otherwise) can give account that Eleanor was not only willing to marry Henry but very eager, I found this novel to be something of a comedy. The discriptions of her 'courts of love' are lude and unnecessary, the way she manipulated her children in these 'courts' was disgusting, and they tragic but happy ending after her imprisonment made it sound as if everything was simply perfect, but for Eleanor's age, I do say.. please. Great if you love fiction, bad if you like fact.

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  • Anonymous

    Posted September 16, 2002

    A Feminist Queen

    Eleanor of Aquitaine is without a doubt one of the most intriguing women in history, and various fictional interpretations have been put on her life and character. Pamela Kaufman's Eleanor is strong, assertive, and politically astute. Not easy when you are a woman in the Middle Ages. Miss Kaufman does sacrifice some historical detail in her focus on politics and dialogue, but Eleanor lived a long (82 years) and full life, and lengthy details of costume and setting might have detracted from the narrative. The author does a creditable job in covering Eleanor's marriages to two kings, her passionate love affair with a knight, her relationships with her ten children - not to mention the lady's endless political maneuvering. This is a lively account, with an Eleanor most modern women will love. As an aside: Those who think modern song lyrics are shameless will REALLY blush at some of the ancient verses sung at Eleanor's "court of love".

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  • Anonymous

    Posted May 27, 2002

    Very Amazing

    I have for years been fascinated by the life of Eleanor of Aquitaine, and when this novel came out I wasted no time in reading it. It is a very detailed piece of fiction that is definitely worth the time and money. I have read and own many of the biographies of Eleanor, but this novel has something these historical documents do not contain: the thoughts of Eleanor, so researched and so possibly near to what Eleanor may have been thinking. The Book of Eleanor has also put to light some interesting new theories never put into print in other books. A definite recomendation.

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