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From Barnes & NobleThe Barnes & Noble Review
Paul Auster is a superb memoirist (The Invention of Solitude), an original, sometimes enigmatic novelist (The New York Trilogy), and a screenwriter responsible for such idiosyncratic creations as Smoke and Lulu on the Bridge. The Book of Illusions brings together his gift for fluid, evocative prose and his ongoing fascination with the aesthetics of film to produce a dark, moving meditation on the power -- and fragility -- of art.
College professor David Zimmer succumbs to an extended, near-suicidal depression when his wife and sons die in a plane crash. While mindlessly channel-surfing one drunken evening, he stumbles across a clip from a silent comedy starring Hector Mann, a mysterious figure who disappeared in 1929. Intrigued -- then ultimately obsessed -- by Mann, Zimmer devotes himself to a rigorous examination of Mann's 12 films and eventually publishes a critical study on them. When the book comes out, a stranger contacts Zimmer, informing him that Mann is very much alive and inviting him to the filmmaker's private hideaway in New Mexico. What follows is a complex, constantly surprising story -- a narrative of Zimmer's cross-country journey and a series of revelations about the guilty secret that warped Mann's life, changing him from an ambitious artist to a reclusive genius living in a self-contained world.
Packed with narrative pleasures -- most notably the detailed analyses of Mann's films, descriptions so precise and thoroughly real it's difficult to believe the films don't actually exist -- The Book of Illusions is an intelligent, elegantly written novel that displays Auster's prodigious talent for creating dark atmosphere and exposing the mysterious connections between art and life. Bill Sheehan