Blind Luck (Team Red Series #6)

by T. Hammond

Overview

What happens in Reno should stay in Reno. Unfortunately, Red has never learned to keep a secret.

Teresa March and the Team Red detail are off to Nevada to help authorities solve a series of escalating violent crimes. Assault, robbery, rape, and most recently – murder, spreading from Tahoe's rugged lakeside trails to Reno's desert recreation areas. Tensions and altitudes are high.

David remains in Spokane at Marcia's bedside, and Bastian is on the East Coast completing PreClan military software installations. Both men worry about Teresa as she and Red close in on the vicious gang cutting a bloody swath of terror through the Sierra Mountains.

Sifting through forensic evidence is barely finished when tragedy strikes; an avalanche and missing skiers whose only hope is top notch rescue dog. Team Red has never been more in demand.

WELCOME TO TEAM RED!
The series brings you Laugh-Out-Loud, extra-spicy romance with a paranormal twist. Team Red books contain a feisty blind woman with a sassy attitude, a snarky German shepherd who stalks low flying objects (and the occasional cat), two sexy retired Navy men with a talent for tactical planning, a man-cave with secret tunnels and classified military toys, Marilyn Monroe and other celebrity voices, and a herd of Mustangs (okay, maybe “herd” is a slight exaggeration).

This book is INTENDED FOR MATURE ADULTS OVER 18. Sexual situations and adult language (which is unfortunate, as the dog repeats everything).

Product Details

BN ID:	2940151901383
Publisher:	T Hammond
Publication date:	05/13/2015
Series:	Team Red Series , #6
Sold by:	Smashwords
Format:	eBook
File size:	377 KB
Age Range:	18 Years

About the Author

T. Hammond lives in Western WA State with her bi-color German shepherd, Molly (aka: Sater-Nordlicht Hot Tamale v. Wil-bar), and a dozen freshwater fish. Her pets have yet to start a conversation in her mind, but Molly is pretty adept at head tilts and sign language. T feels that writing is not a calling so much as it is a compulsion. No one is more surprised than she is when characters take over the plot and dialog, (re)directing stories in directions she had not (consciously) intended. Although she starts out each novel with a basic outline, she finds that one or two chapters into the novels, not only have the characters shredded her outline into tiny unidentifiable pieces, they use the resulting confetti in a nose-thumbing parade. She is fully convinced the writer is the tool a story uses to tell its tale.