Bootleg, Vol. 1: Personal File

Editorial Reviews

All Music Guide - Thom Jurek
This double-disc collection of unreleased material from Legacy is a rare thing. These tapes are not dead-dog files from Columbia's vaults. Instead, they contain songs Johnny Cash cut at his home studio in Hendersonville, Tennessee between July of 1973 and December of 1983. While closing down the House of Cash studio, museum, and store, John Carter Cash invited Steve Berkowitz and some colleagues to sort through the material and tapes housed in Cash's personal vault. They found some tidy white tape boxes marked "Personal File"; these are those tapes. Some of the songs here are traditional and spiritual songs Cash sang as a boy or heard from his companions. He tells stories to...
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Editorial Reviews

All Music Guide - Thom Jurek
This double-disc collection of unreleased material from Legacy is a rare thing. These tapes are not dead-dog files from Columbia's vaults. Instead, they contain songs Johnny Cash cut at his home studio in Hendersonville, Tennessee between July of 1973 and December of 1983. While closing down the House of Cash studio, museum, and store, John Carter Cash invited Steve Berkowitz and some colleagues to sort through the material and tapes housed in Cash's personal vault. They found some tidy white tape boxes marked "Personal File"; these are those tapes. Some of the songs here are traditional and spiritual songs Cash sang as a boy or heard from his companions. He tells stories to introduce many of the tunes, and these recollections become as important as the songs themselves. When he introduces "Far Away Places," he tells a story about one of his first talent contests he got only two votes and reveals that his selection of material cost him first place. You can hear the memories, painful and hopeful, float back through his delivery, spoken and sung. His reading of "Saginaw, Michigan" contains no peremptory tale, but the song says it all, and Cash brings the tune's tragic narrative to life in the listener's present. Likewise, three other Northern-themed numbers -- "When It's Springtime in Alaska," "Girl from Saskatoon" co-written with Johnny Horton, and a devastating read of Robert Service's poem "Cremation of Sam McGee" -- add to this narrative. "It's All Over" is an original that comes from Cash's early days but was never recorded properly. There are also covers of tunes by the Louvin Brothers, John Prine, Doug Kershaw, Rodney Crowell, and Carlene Carter. Disc two is primarily made up of devotional songs; they range from well-known hymns -- "Lily of the Valley," "Farther Along," and "The Way Worn Traveler" -- to provocative tunes of unknown origin -- "If Jesus Ever Loved a Woman It Was Mary Magdalene." There are gorgeous original songs such as "No Earthly Good," "What Is Man?," and the track Greil Marcus bases his new liner notes on, "A Half a Mile a Day." Marcus does his usual riff, appropriating French critical theory to misinterpret the American experience with claims that "the songs sing the singer," and Cash "disappears into the songs"; but he's wrong. Both the original and historical songs become the stuff of myth and pathos instead of quaint, dusted-off reflections from musical history as we eavesdrop on Cash's voice; he delivers them from the ashes with his authority as an artist because he couldn't help but do that. Cash recorded the cover tunes, folk songs, and hymns because they meant something to him; he cut the songs he wrote in order to simply not forget them. Bootleg, Vol. 1: Personal File is a slice of musical autobiography cut in a setting of solitude for the sake of documenting it audio-journal style. For Cash fans, this is simply essential listening.
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Product Details

  • Release Date: 2/22/2011
  • Label: Sony Legacy
  • UPC: 886978301529
  • Catalog Number: 783015
  • Sales rank: 22,889

Tracks

Disc 1
  1. 1 The Letter Edged In Black (2:38)
  2. 2 There's a Mother Always Waiting At Home (4:21)
  3. 3 The Engineer's Dying Child (2:07)
  4. 4 My Mother Was a Lady (3:36)
  5. 5 The Winding Stream (2:37)
  6. 6 Far Away Places (2:23)
  7. 7 Galway Bay (1:45)
  8. 8 When I Stop Dreaming (3:11)
  9. 9 Drink To Me Only With Thine Eyes (3:32)
  10. 10 I'll Take You Home Again Kathleen (2:28)
  11. 11 Missouri Waltz (2:00)
  12. 12 Louisiana Man (3:28)
  13. 13 Paradise (3:03)
  14. 14 I Don't Believe You Wanted To Leave (2:56)
  15. 15 Jim, I Wore a Tie Today (2:47)
  16. 16 Saginaw, Michigan (2:29)
  17. 17 When It's Springtime In Alaska (It's Forty Below) (2:16)
  18. 18 Girl In Saskatoon (2:17)
  19. 19 The Cremation of Sam McGee (5:33)
  20. 20 Tiger Whitehead (4:44)
  21. 21 It's All Over (2:49)
  22. 22 A Fast Song (2:32)
  23. 23 Virgie (2:57)
  24. 24 I Wanted So (2:41)
  25. 25 It Takes One To Know Me (3:14)
Disc 2
  1. 1 Seal It In My Heart and Mind (1:51)
  2. 2 Wildwood In the Pines (2:41)
  3. 3 Who At My Door is Standing (2:31)
  4. 4 Have Thine Own Way Lord (3:43)
  5. 5 Lights of Magdala (2:26)
  6. 6 If Jesus Ever Loved a Woman (2:39)
  7. 7 The Lily of the Valley (1:45)
  8. 8 Have a Drink of Water (3:36)
  9. 9 The Way Worn Traveler (2:03)
  10. 10 Look Unto the East (2:12)
  11. 11 Matthew 24 (is Knocking At the Door) (1:57)
  12. 12 The House is Falling Down (2:51)
  13. 13 One of These Days I'm Gonna Sit Down and Talk To Paul (3:20)
  14. 14 What On Earth (Will You Do For Heaven's Sake) (2:44)
  15. 15 My Children Walk In Truth (2:50)
  16. 16 No Earthly Good (1:51)
  17. 17 Sanctified (2:33)
  18. 18 Lord, Lord, Lord (2:20)
  19. 19 What is Man (2:23)
  20. 20 Over the Next Hill (We'll Be Home) (2:55)
  21. 21 A Half a Mile a Day (4:25)
  22. 22 Farther Along (2:57)
  23. 23 Life's Railway To Heaven (2:14)
  24. 24 In the Sweet Bye and Bye (2:50)
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Album Credits

Performance Credits
Johnny Cash Primary Artist, Guitar, Vocals
Technical Credits
Rodney Crowell Composer
John Prine Composer
Charlie Bragg Engineer
A.P. Carter Composer
Gregg Geller Producer
Ira Louvin Composer
Charlie Louvin Composer
C. Walker Composer
Greil Marcus Liner Notes
Vic Anesini Mastering
Randall Martin Art Direction
Robert W. Service Composer, Poetry
John Carter Cash Executive Producer
Traditional Composer
Lou Robin Executive Producer
Charles William Fry Composer
J.R. Cash Composer
Jim Marshall Cover Photo
Dr. Arthur Colahan Composer
J.C. Cash Composer
A. Kramer Composer
J. Whitney Composer
J. R. Shannon Composer
T.P. Westendorf Composer
D. Wayne Composer
J. Thornton Composer
B. Deaton Composer
B. Anderson Composer
J.P. Webster Composer
F.K. Logan Composer
C.D. Tillman Composer
A.B. Everett Composer
W.S. Hays Composer
S.F. Bennett Composer
M.E. Abey Composer
M.B.C. Slade Composer
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