Born in the U.S.A.

Born in the U.S.A.

4.8 16
by Bruce Springsteen
     
 

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Bruce Springsteen had become increasingly downcast as a songwriter during his recording career, and his pessimism bottomed out with Nebraska. But Born in the U.S.A., his popular triumph, which threw off seven Top Ten hits and became one of the best-selling albums of all time, trafficked in much the same struggle, albeit set toSee more details below

Overview

Bruce Springsteen had become increasingly downcast as a songwriter during his recording career, and his pessimism bottomed out with Nebraska. But Born in the U.S.A., his popular triumph, which threw off seven Top Ten hits and became one of the best-selling albums of all time, trafficked in much the same struggle, albeit set to galloping rhythms and set off by chiming guitars. That the witless wonders of the Reagan regime attempted to co-opt the title track as an election-year campaign song wasn't so surprising: the verses described the disenfranchisement of a lower-class Vietnam vet, and the chorus was intended to be angry, but it came off as anthemic. Then, too, Springsteen had softened his message with nostalgia and sentimentality, and those are always crowd-pleasers. "Glory Days" may have employed Springsteen's trademark disaffection, yet it came across as a couch potato's drunken lament. But more than anything else, Born in the U.S.A. marked the first time that Springsteen's characters really seemed to relish the fight and to have something to fight for. They were not defeated ("No Surrender"), and they had friendship ("Bobby Jean") and family ("My Hometown") to defend. The restless hero of "Dancing in the Dark" even pledged himself in the face of futility, and for Springsteen, that was a step. The "romantic young boys" of his first two albums, chastened by "the working life" encountered on his third, fourth, and fifth albums and having faced the despair of his sixth, were still alive on this, his seventh, with their sense of humor and their determination intact. Born in the U.S.A. was their apotheosis, the place where they renewed their commitment and where Springsteen remembered that he was a rock & roll star, which is how a vastly increased public was happy to treat him.

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Product Details

Release Date:
10/25/1990
Label:
Sony
UPC:
0074643865326
catalogNumber:
38653

Tracks

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Album Credits

Performance Credits

Bruce Springsteen   Primary Artist,Bass,Guitar,Harmonica,Vocals
Clarence Clemons   Primary Artist,Percussion,Saxophone,Vocals,Background Vocals,Track Performer
Roy Bittan   Primary Artist,Synthesizer,Piano,Keyboards,Background Vocals,Track Performer
Danny Federici   Primary Artist,Organ,Piano,Glockenspiel,Keyboards,Vocals,Track Performer
Garry Tallent   Primary Artist,Bass,Horn,Background Vocals,Track Performer
Max Weinberg   Primary Artist,Drums,Background Vocals,Track Performer
Ruth Jackson   Background Vocals
Bamba   Background Vocals
Richie Rosenberg   Trombone
Steven Van Zandt   Guitar,Mandolin,Vocals,Vocal Harmony
E Street Band   Group
Steve VanZandt   Acoustic Guitar,Mandolin,Track Performer,Vocal Harmony

Technical Credits

Bruce Springsteen   Producer
Jon Landau   Producer,Management
Chuck Plotkin   Producer
Bill Scheniman   Engineer
Toby Scott   Engineer
Steven Van Zandt   Producer
Andrea Klein   Art Direction,Cover Design
Steve VanZandt   Producer

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