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Born Under a Million Shadows

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Overview

A moving tale of the triumph of the human spirit amidst heartbreaking tragedy, told through the eyes of a charming, impish, and wickedly observant Afghan boy

The Taliban have withdrawn from Kabul?s streets, but the long shadows of their regime remain. In his short life, eleven-year-old Fawad has known more grief than most: his father and brother have been killed, his sister has been abducted, and Fawad and his mother, Mariya, must rely on the ...

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Born Under a Million Shadows

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Overview

A moving tale of the triumph of the human spirit amidst heartbreaking tragedy, told through the eyes of a charming, impish, and wickedly observant Afghan boy

The Taliban have withdrawn from Kabul’s streets, but the long shadows of their regime remain. In his short life, eleven-year-old Fawad has known more grief than most: his father and brother have been killed, his sister has been abducted, and Fawad and his mother, Mariya, must rely on the charity of parsimonious relatives to eke out a hand-to-mouth existence.

Ever the optimist, Fawad hopes for a better life, and his dream is realized when Mariya finds a position as a housekeeper for a charismatic Western woman, Georgie, and her two foreign friends. The world of aid workers and journalists is a new one for Fawad, and living with the trio offers endless curiosities—including Georgie’s destructive relationship with the powerful Afghan warlord Haji Khan, whose exploits are legendary. Fawad grows resentful and worried, until he comes to learn that love can move a man to act in surprisingly good ways. But life, especially in Kabul, is never without peril, and the next calamity Fawad must face is so devastating that it threatens to destroy the one thing he thought he could never lose: his love for his country.

A big-hearted novel infused with crackling wit, Andrea Busfield’s brilliant debut captures the hope and humanity of the Afghan people and the foreigners who live among them.

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Editorial Reviews

From the Publisher
"In her indelible first novel, Busfield, a British journalist who has lived in Afghanistan, describes post- Taliban Kabul from the viewpoint of precocious, 11-year-old Fawad.... Poetic, bawdy, hilarious, and achingly wise, Busfield’s debut is a love story many times over: between a man and a woman, the author and Afghanistan, and an irrepressible boy and the wild world at large."—Gillian Engberg, Booklist (starred review)

"In her debut novel [Busfield] does a bang-up job of channeling an 11-year-old boy named Fawad. Born Under a Million Shadows is set in Kabul after the fall of the Taliban in late 2001. Fawad's father and brother have been killed and his sister kidnapped by the Taliban.... Fawad—ever resourceful and not above a little chicanery—makes small change by stealing from the foreigners who have flooded the city. Things might be tough for Fawad, but he's filled with an impish optimism. . . . There's much love in this gentle, buoyant tale — romantic and otherwise. And to experience it through the eyes of a beguiling, mischievous little boy is sheer joy."—Donna Marchetti, Plain Dealer (Cleveland)  

"Andrea Busfield’s lyrical novel, Born Under a Million Shadows, chronicles the life of an impish 11-year-old boy in Kabul."—Marie Claire

 

"Readers who like to explore other cultures and current events through fiction will find here an intriguing picture of contemporary Afghanistan."—Library Journal

 

"Fawad's observations and concerns about his new experiences living with English-speaking, godless foreigners are told with humor and heartbreak. One of his primary concerns is the poignant love story involving his beloved British landlady and wealthy, yet dangerous Afghan Haji Khan. Busfield tells this story through the eyes of a child, reflecting the optimism and humanity of the resilient people she encountered while she lived in Kabul, a refreshing viewpoint not conveyed in other contemporary novels about Afghanistan."—School Library Journal

"From the first page, this beautifully told tale will capture the reader's heart and imagination.... Powerful and moving."—The Sun (UK)

"Beautifully written, touching and laced throughout with humor.... A stunningly assured debut novel from a writer who looks set to be a big star."—The News of the World (UK)

Library Journal
Former journalist Busfield first traveled to Afghanistan in 2001 to cover the fall of the Taliban. Her first novel presents the aftermath of that event through the eyes of an 11-year-old boy. Fawad has experienced grief during his short life: his father and brother have been killed, his sister has been abducted, and he and his mother are living as little better than servants in the home of his mother's sister. Things start looking up when Fawad's mother, Mariya, gets a position as housekeeper for a British woman, who lives with two other Westerners. Unfortunately, Fawad's voice doesn't quite ring true, with Fawad sometimes seeming far younger than he is and sometimes seeming to possess an adult comprehension of events well beyond that of the adults themselves. In addition, his resilience and ability to let go of learned prejudices (one of the Westerners is a lesbian, something that initially troubles him but that he quickly accepts) seem unrealistically utopian. Busfield might have been able to tell the story more convincingly had one of the women narrated. VERDICT This novel is certainly no Kite Runner, but readers who like to explore other cultures and current events through fiction will find here an intriguing picture of contemporary Afghanistan. Extras for book clubs are appended.—Debbie Bogenschutz, Cincinnati State Technical & Community Coll.
School Library Journal
Adult/High School—Fawad, an 11-year-old Muslim Afghan boy, was born under the shadow of the Taliban, according to his mother, but he remains an optimist despite the lingering tragedy in his life. He and his mother are struggling to survive after his father and brother are killed and his sister is abducted by the Taliban. Their lives change dramatically when Fawad's mother is hired to work in a house with three Westerners in an affluent suburb of Kabul. Streetwise Fawad no longer has to beg and steal with his friends and grows more responsible and mature after accepting an after-school job in a shop with a wisecracking blind man he befriends. Fawad's observations and concerns about his new experiences living with English-speaking, godless foreigners are told with humor and heartbreak. One of his primary concerns is the poignant love story involving his beloved British landlady and wealthy, yet dangerous Afghan Haji Khan. Busfield tells this story through the eyes of a child, reflecting the optimism and humanity of the resilient people she encountered while she lived in Kabul, a refreshing viewpoint not conveyed in other contemporary novels about Afghanistan.—Melanie Parsons, Fairfax County Public Library, VA
Kirkus Reviews
Life in post-liberation Kabul, as observed by a streetwise Afghan boy with active hormones. British journalist Busfield's debut takes a lightweight, often jaunty look at Afghan society through the eyes of a child whose family was destroyed by the Taliban. Fawad's father and brother died fighting with the Northern Alliance, and his sister Mina was abducted. After a miserable period living with relatives, Fawad's mother finds work as housekeeper for three Westerners, Georgie, James and May. Living under their roof offers the boy an insight into foreign ways and the author an opportunity to deliver lessons in cultural contrast. The story develops into a series of social episodes, often centered around romance. Fawad develops a strong affection for Georgie and is drawn into her problematic love affair with Haji Khan, a powerful, wealthy and handsome Afghan. Fawad's mother finds a new suitor, and there are love interests too for James and May. The death of one of Fawad's friend in a bombing temporarily darkens the mood, but Busfield's preference for fairy-tale, comic and soap-opera developments means that happy endings can be expected. A derivative title that invites comparison with Khaled Hosseini, but this self-consciously charming coming-of-age story can't match A Thousand Splendid Suns (2007) for emotional engagement, resonance or authenticity.
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Product Details

  • ISBN-13: 9780805090611
  • Publisher: St. Martin's Press
  • Publication date: 2/2/2010
  • Pages: 320
  • Sales rank: 329,176
  • Product dimensions: 5.16 (w) x 7.90 (h) x 0.88 (d)

Meet the Author

Andrea Busfield is a British journalist who first traveled to Afghanistan to cover the fall of the Taliban in 2001 as a reporter for the News of the World. She is now a full-time writer living in Bad Ischl, Austria. Born Under a Million Shadows is her first book.

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Read an Excerpt

1

My name is Fawad, and my mother tells me I was born under the shadow of the Taliban. Because she said no more, I imagined her stepping out of the sunshine and into the dark, crouching in a corner to protect the stomach that was hiding me, while a man with a stick watched over us, ready to beat me into the world.

But then I grew up, and I realized I wasn’t the only one born under this shadow. There was my cousin Jahid, for one, and the girl Jamilla—we all worked the foreigners on Chicken Street together—and there was also my best friend, Spandi. Before I knew him, Spandi’s face was eaten by sand flies, giving him the one-year sore that left a mark as big as a fist on his cheek. He didn’t care, though, and neither did we, and while the rest of us were at school he sold spand to fat Westerners, which is why, even though his name was Abdullah, we called him Spandi.

Yes, all of us were born during the time of the Taliban, but I only heard my mother talk of them as men making shadows, so I guess if she’d ever learned to write she might have been a poet. Instead, and as Allah willed it, she swept the floors of the rich for a handful of afs that she hid in her clothes and guarded through the night.

"There are thieves everywhere," she would hiss, an angry whisper that tied the points of her eyebrows together.

And, of course, she was right. I was one of them.

At the time, none of us thought of it as stealing. As Jahid explained, because he knew about such things, "It’s the moral distribution of wealth."

"Sharing money," added Jamilla. "We have nothing, they have everything, but they are too greedy to help poor people like us, as it is written in the Holy Koran, so we must help them be good. In a way, they are paying for our help. They just don’t know that they’re doing it."

Of course, not all the foreigners paid for our "help" with closed eyes. Some of them actually gave us money—sometimes happily, sometimes out of shame, sometimes just to make us go away, which doesn’t really work because one group is quickly replaced by another when dollars are walking the street. But it was fun. Born under a shadow or not, me, Jahid, Jamilla, and Spandi spent our days in the sun, distributing the wealth of those who’d come to help us.

"It’s called reconstruction," Jahid informed us one day as we sat on the curb waiting for a 4 × 4 to jump on. "The foreigners are here because they bombed our country to kill the Taliban, and now they have to build it again. The World Parliament made the order."

"But why did they want to kill the Taliban?"

"Because they were friends with the Arabs and their king Osama bin Laden had a house in Kabul where he made hundreds of children with his forty wives. America hated bin Laden, and they knew he was fucking his wives so hard he would one day have an army of thousands, maybe millions, so they blew up a palace in their own country and blamed it on him. Then they came to Afghanistan to kill him, his wives, his children, and all of his friends. It’s called politics, Fawad."

Jahid was probably the most educated boy I’d ever known. He always read the newspapers we found thrown away in the street, and he was older than the rest of us, although how much older nobody knows. We don’t celebrate birthdays in Afghanistan; we only remember victories and death. Jahid was also the best thief I’d ever known. Some days he would come away with handfuls of dollars, taken from the pocket of some foreigner as us smaller kids annoyed them to the point of tears. But if I was born under a shadow, Jahid was surely born under the full gaze of the devil himself because the truth was he was incredibly ugly. His teeth were stumpy smudges of brown, and one of his eyes danced to its own tune, rolling in its socket like a marble in a box. He also had a leg so lazy that he had to force it into line with the other.

"He’s a dirty little thief," my mother would say. But she rarely had a kind word to say about anyone in her sister’s family. "You keep away from him . . . filling your head with such nonsense."

How my mother actually thought I could keep away from Jahid was anyone’s guess. But this is a common problem with adults: they ask for the impossible and then make your life a misery when you can’t obey them. The fact is I lived under the same roof as Jahid, along with his fat cow of a mother, his donkey of a father, and two more of their dirty-faced children, Wahid and Obaidullah.

"All boys," my uncle would declare proudly.

"And all ugly," my mother would mutter under her chador, giving me a wink as she did so because it was us against them and although we had nothing at least our eyes looked in the same direction.

Together, all seven of us shared four small rooms and a hole in the yard. Not easy, then, to keep away from cousin Jahid as my mother demanded. It was an order President Karzai would have had problems fulfilling. However, my mother was never one for explaining, so she never told me how I should keep my distance. In fact, for a while my mother was never one for talking full stop.

On very rare occasions she would look up from her sewing to talk about the house we had once owned in Paghman.

I was born there, but we fled before the pictures had time to plant themselves in my head. So I found my memories with the words of my mother, watching her eyes grow wide with pride as she described painted rooms lined with thick cushions of the deepest red; curtains covering glass windows; a kitchen so clean you could eat your food from the floor; and a garden full of yellow roses.

"We weren’t rich like those in Wazir Akbar Khan, Fawad, but we were happy," she would tell me. "Of course that was long before the Taliban came. Now look at us! We don’t even own a tree from which we can hang ourselves."

I was no expert, but it was pretty clear my mother was depressed.

She never talked about the family we had lost, only the building that had once hidden us—and not very effectively as it turned out. However, sometimes at night I would hear her whisper my sister’s name. She would then reach for me, pulling me closer to her body. And that’s how I knew she loved me.

On those occasions, lying almost as one on the cushions we sat on during the day, I’d be burning to talk. I’d feel the words crowding in my head, waiting to spill from my mouth. I wanted to know everything; about my father, about my brothers, about Mina. I was desperate to know them, to have them come alive in the words of my mother. But she only whispered my sister’s name, and like a coward I kept quiet because I was afraid that if I spoke I would break the spell and she would roll away from me.

By daylight, my mother would be gone from my side, already awake and pulling on her burka. As she left the house she would bark a list of orders that always started with "Go to school" and ended with "Keep away from Jahid."

In the main these were orders I tried to follow out of respect for my mother— in Afghanistan our mothers are worth more than all the gold that hides in the basement of the president’s palace—but it wasn’t easy. And though I knew she wouldn’t beat me if I disobeyed her, unlike Jahid’s father, who seemed to think he had a God-given right to hit me in the face on any day the sun came up, she would have that look in her eyes, a disappointed stare I suspected had been there from the day I crept out of the shadow.

I am only a boy, but I recognized our life was difficult. Of course, it had always been the same for me; I knew no different. But my mother, with her memories of deep-red cushions and yellow roses, was trapped by a past I had little knowledge of, so I spent most of my days on the outside of her prison, looking in. It had been like this for as long as I could clearly remember, yet I like to think she was happy once: laughing with my father by the clear waters of Qargha Lake, her green eyes— the eyes I inherited—smiling with love, her small hands, soft and clean, playing with the hem of a golden veil.

My mother was once very beautiful—that’s what my aunt told me in a surprising burst of talking. But then the shadow fell, and although she never said so, I guessed my mother blamed me. I was a reminder of a past that had dragged her into the fl owerless hell that was her sister’s house, and from what I could tell, my mother hated her sister even more than she hated the Taliban.

"She’s just jealous!" my mother once screamed, loud enough for my aunt to hear in the next room. "She’s always been jealous—jealous of my ways, of the fact that I married an educated man, of our once happy life . . . and I long got over apologizing for it. If Allah blessed her with the face of a burst watermelon and a body to match, it is not my fault!"

"They’re women, they’re born that way," Jahid told me one afternoon as we escaped once again from the screams and insults flying around the house to steal from the foreigners in the center of town. "They are never happier than when they are fighting with each other. When you are older you will understand more. Women are complicated, that’s what my father says."

And maybe Jahid was right. But the argument that had just taken place had more to do with money than being women. My aunt wanted us to pay rent, but we could barely afford the clothes on our backs and the food in our bellies. The few afs my mother earned from cleaning houses along with the dollars I picked up in the street were all we had.

"Maybe if you gave a little more of your dollars to your mother she wouldn’t be so angry with my mother," I suggested, which was obviously the wrong thing to suggest because Jahid punched me hard in the head.

"Look, you little bastard, my mother gave your mother a roof when you had no place to stay. Coming to our home begging like gypsy filth, forcing us to give up our room and put food in your idle fucking bellies. How do you think we felt? If we weren’t good Muslims, your mother would be pimping your ass to every fucking homo who passed by. In fact, you want to help? Go pimp your own fucking ass! Pretty boy like you should make enough afs to keep the women happy."

"Yeah?" I spat back. "And maybe they’d pay just as much money to keep the donkey’s ass that’s your face away from them!"

And with that I ran off, leaving my cousin shouting curses about camels and cocks in my direction while dragging his dead leg in fury behind him.

That day I ran from Jahid until I thought my legs would die. By the time I reached Cinema Park I could barely breathe, and I realized I was crying— for my mother and for my cousin. I had been cruel. I knew that. I understood why he was saving his money, why he buried it under the wall when he thought no one was looking. He wanted a wife. "One day I will be married to the most beautiful woman in Afghanistan," he always bragged. "You wait. You’ll see." And that’s why he needed the money, because with a face like his he’d have to come up with a hell of a dowry to make that dream come true. It’s not even as if he could rely on the force of his personality to win over a wife. He had the foulest mouth I had ever heard, even more so than the National Police who cluttered the city’s roundabouts, barking curses and demanding bribes, even from crippled beggars. In fact, the only other thing that could have saved Jahid was school, where he’d shown an unlikely talent. He threw himself into his learning as only a boy with no friends can do. But then the torment and the beatings he took day after day finally drove him away, and he became increasingly hard.

My country can be a tough place to live in if you’re poor, but it’s even tougher if you’re poor and ugly. And now Jahid was like stone, a stone that knows he will never find a woman who will willingly marry him, but whose father might agree for the right price.

"Come on, Fawad, let’s go to Chicken Street."

Through my tears I saw Jamilla standing before me, the sun throwing an angel’s light around her body. She was small, like me. And she was pretty.

Jamilla reached for my hand, and I dragged myself up from the ground to stand by her side, wiping my face dry on the sleeves of my clothes.

"Jahid," I said by way of explanation.

Jamilla nodded. She didn’t talk much, but I guessed she would grow into that if Jahid was right about the ways of women.

Jamilla was my main rival on Chicken Street. She cleaned up with the foreign men, who melted under the gaze of her big brown eyes, while I cleaned up with the women, who fell in love with my big green eyes. We were a good team whose pickings pretty much depended on who was passing by, so if we found ourselves working on the same day we would split our money.

Fridays were the best, though. It was a holiday, there was no school, no work, and the foreigners would come, stepping out of their Land Cruisers to trawl Kabul’s tourist area for souvenirs of "war-torn" Afghanistan: jewelry boxes made of lapis lazuli; silver imported from Pakistan; guns and knives apparently dating back to the Anglo-Afghan wars; pakols, patus, blankets, carpets, wall hangings, bright-colored scarves, and blue burkas. Of course, if they walked twenty minutes into the heaving mess of Kabul’s river bazaar, they would find all these items for half the price, but the foreigners were either too scared or too lazy to make the journey—and too rich to care about the extra dollars that would feed most of our families for a week. Still, as Jahid noted, their laziness was good for business, and Chicken Street was their Mecca.

Along with the aid workers, now and again we would see white-faced soldiers hunched over the counters of stores selling silver, looking at rings and bracelets for the wives they’d left behind in their own countries. They were mainly tall men with big guns, metal jackets, and bowl-shaped helmets strapped to their heads. They came in groups of four or five, and one would always stand guard in the street as the others did their shopping, watching out for suicide bombers. "America good!" we would shout—a trick that always earned us a couple of dollars. Money in hand, we would then move away, farther down the street, just in case there were actually suicide bombers around.

Most of the other foreigners, though, were less interested in America, so we used different tactics to win their dollars, following them as they weaved their way from shop to shop and yelling out all the English we could remember. "Hello, mister! Hello, missus! How are you? I am your bodyguard! No, come this way, I find you good price." And we would take their hands and drag them to a store where we could earn a few afs’ commission. Most of us were on the payroll of four or more shopkeepers, but only if we brought in customers. Therefore, if the foreigners didn’t bend to our thinking, we would follow them into stores, tutting and shaking our heads in pretend concern, but carefully out of sight of the owners. "No, missus, he is thief, very bad price. Come, I show you good price." We would then lead them to the shops that paid us, telling the owners of the figure given by one of their rivals so that he could begin his bargaining at a lower but still profitable price.

Meanwhile, as the foreigners argued a few extra dollars away, the women who also worked the street but knew no English would descend, hovering in shop doorways to reach out with their dirty hands, grab at elbows, and cry into their burkas. They all come from the same family, but the foreigners don’t know this, and as woman after woman would come to break down in tears pleading for money for her sick, dying baby, this would usually be the point when it became too much for the Westerners and they would climb back into their cars, trying to avoid our eyes as their drivers sped them away from our poverty and back to their privileged lives.

However, as the Land Cruisers screeched out of Chicken Street and into the gridlocked traffic of Shahr-e Naw, Spandi would appear to tap his black fingers on their windows and hold out the bitter, smoking can of herbs that we call spand, the smell of which is so unbelievably foul it is said to chase away evil spirits. Without doubt this is the worst of all our jobs because the smoke gets in your hair and your eyes and your chest and you end up looking like death. But the money is pretty okay because even if the tourists aren’t superstitious it’s hard to ignore a boy at a car window whose scarred face is the color of ash.

On a good day on Chicken Street we didn’t need to hustle.

The foreign women would happily hand over their bags as they struggled with headscarves they had yet to grow used to, and I would carry their shopping until they called it a day, sometimes earning five dollars for my trouble. Jamilla would smile prettily and get the same for carrying nothing.

"And what is your name?" the women would ask slowly. Pretty white faces with smiling red lips.

"Fawad," I would tell them.

"Your English is very good. Do you go to school?"

"Yes. School. Every day. I like very much."

And it was true, we all went to school—even the girls if their fathers let them—but the days were short and the holidays long with months off in the winter and summer when it became too cold or too hot to study. However, the English we learned came only from the street. It was easy to pick up, and the foreigners liked to teach us.

And even if Jahid was correct and they did come to bomb our country and rebuild it again, I quite liked the foreigners with their sweaty white faces and fat pockets—which was just as well really, because that day I returned to my aunt’s house to be told we were going to live with three of them.

Excerpted from Born Under A Million Shadows by Andrea Busfield.

Copyright © 2009 by Andrea Busfield.

Published in 2010 by Henry Holt and Company, LLC.

All rights reserved. This work is protected under copyright laws and reproduction

is strictly prohibited. Permission to reproduce the material in any manner or

medium must be secured from the Publisher.

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Reading Group Guide

1. Born Under a Million Shadows is narrated by Fawad, a young boy, rather than by an adult. What is the purpose in having the novel narrated from a child’s point of view? Are events in the novel clarified or obstructed by the use of this perspective? Can you think of any examples?

2. How is the Taliban depicted in this novel? Did the novel change your perceptions of the Taliban? Of the Afghan people?

3. Fawad, Jamilla, and Spandi are very close friends. Does their friendship help to protect them from some of the dangers of Kabul? How does poverty affect their bond?

4. What are some of the major differences between Afghan and Western societies shown in the novel? Are there certain aspects of Afghan society (its famous hospitality or deference to elders, for example) that you’d like to see more of in Western society? What about vice versa?

5. Ismerai tells Fawad, “Education is the key to Afghanistan’s successful future.” The importance of education is one of the novel’s main themes— how is this shown? What does Georgie do that makes this clear? What about Pir Hederi, Haji Khan, or Shir Ahmad?

6. The “foreigners” in the novel form a close friendship—a family, really—despite being from different backgrounds and having differing opinions. Do you think their bond is stronger than it might have been otherwise because of their expatriate status? Have you ever made friends with someone you might not have usually because you found yourself in the same position as that person?

7. Fawad notes that “Afghanistan is famous for two things: fighting and growing poppies.” Jahid declares, “This ‘stop growing poppy’ shit is the West’s problem, not ours.” Do you think that’s true? Would Afghanistan be better off without poppy farming, or is it merely the West’s “war on drugs” that has made poppy farming so contentious? How is drug use portrayed in the novel?

8. What role does Fawad’s stabbing of Philippe play in the novel? Is it just comic relief or is it more than that?

9. Haji Khan and Georgie’s love affair is one of the central points of the novel. Do you think they’re meant to be together? Did your opinion of their love change as the novel progressed? Can two people from totally different worlds really put their differences aside and live happily ever after? Do you think you would be able to make the sacrifices Georgie makes for Haji Khan or the sacrifices he makes for her?

10. What role does religion play in the novel? Georgie calls herself a “Godless kafir” at one point, but by the novel’s end she has professed her belief and converted to Islam. Do you think that she truly believes?

11. How does Spandi’s death affect Fawad? Fawad says, “Although more than half of my family had gone the same way, it had never seemed real.” Can you remember the first time death seemed real to you?

12. How does the ending reinforce some of the novel’s major themes? Is it an ending worthy of Laila and Majnun, the couple in Jamilla’s mother’s story? Do you think it’s a hopeful ending—not just for the characters of the novel but also for Afghanistan?

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Customer Reviews

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  • Posted September 18, 2011

    highly reccomended

    I grabbed this as a pleasure read, which is odd for me because i don't usually read just for funsies. anyway, it was a really good book. I love the style that it is written. It really draws you into the story. I also was greatly fascinated by the culture, and learned so much. It's nice to be able to get a different perspective of the things going on in the Middle East. Only negative comment I have to say is that the ending all happended really fast and I wasn't 100% satisfied with the ending.
    -Highly reccomended!

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  • Posted September 1, 2010

    more from this reviewer

    Beautifully reveals Afghanistan to the Western world...

    Fawad is a charming boy. Smart, good-humored, brave and strong, you find yourself praying that life goes well for him. I mean, things are stacked against him, and you really want him to find a way to have everything he dreams of. This book portrays the complex and dark beauty of Afghanistan's face, as well as its dark underbelly. At times you find yourself in awe at the kindness of the people, the love they have for their country, their humor and passion. At other times you cringe at the cruelty, the blatant disregard for humanity, the ugly complexity of their hierarchical and tribal society and its tenuous relationship with surrounding countries, primarily Pakistan. This is a country that has spent much of its existence "occupied", under the rule of some governing power that is unwanted. There is such a dichotomy in the rich tapestry of Afghanistan. I just can't get over the complexity found in its simplicity. Or is it simplicity in its complexity? My mind is shaky with exhaustion in trying to wrap itself around it. This story has a wealth of wonderful characters, from housemates Georgie, James and May, streetmates Spandi and Jamilla, the dark and tormented beauty of Haji Khan (who himself could represent for me the country of Afghanistan), the hope of Shir Ahmad, the quirky and endearing character of Pir Hederi, and even Pir the Madman. In the end, I'm left with hope. Hope for Fawad and the realization of his dreams, hope for Jamilla and her happiness and freedom from the tyranny of men, hope for impossible romance, hope for compassion amidst such cruelty and beauty amid such horror-- hope for Afghanistan. Andrea Busfield-- I think I'm in love with you...

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  • Posted May 14, 2010

    Excellent!

    In 21st century Afghanistan, war has shaped much of life for several generations. After the Afghans were finally liberated from Russian occupation in 1989, the power vacuum was filled by rival warlords, and the country was consumed by civil war. Then the rise of the Taliban finally brought peace, but at a terrible price.

    Fawad, the perceptive, funny eleven-year-old narrator of Born Under a Hundred Shadows, sees the Taliban fall in 2001. Fawad and his mother have lost most of their family and rely on the charity of relatives. His father and brother were killed, and his sister was abducted by Taliban forces and never seen again. Along with his friends and cousins, Fawad tries to earn or beg for money, on the streets of Kabul, to help them survive.

    Then Fawad's mother, Mariya, finds a housekeeping position with a group of foreigners. They go to live with her employers, including Georgie, a British aid worker, and May, an engineer from America, who are helping with the gradual process of rebuilding Afghanistan. Their household also includes, James, a British journalist. The lifestyles and values of their housemates are very different from the strict Muslim way Fawad and his mother have always lived. James is in inveterate drinker and fancies himself a bit of a ladies' man. May is a lesbian, and Georgie is involved with the powerful Afghan warlord Haji Khan, a dangerous man who may be involved in the opiate trade. Despite their differences, bonds of affection quickly grow, and Fawad, Mariya, and their English-speaking housemates form a colorful, unusual sort of family.

    British journalist Andrea Busfield has lived and worked in Afghanistan, and her passion for this beautiful, war-torn country illuminates Born Under a Million Shadows. She vividly paints the streets of Kabul and the mountainous countryside, and reading this novel, I absorbed some of her love and understanding of the Afghan culture.

    While this book deals with grim subjects, it is not a sad book. It doesn't shy away from the suffering woven throughout the story, but it doesn't sink into despair, either. Death and violence are part of daily life in Kabul, so people just carry on, striving to survive, looking out for friends and relatives, offering hospitality to guests, celebrating holidays, and falling in love. What really stands out in this book - aside from the strong sense of time and place - is the vibrant cast of characters, the connections among them, and the humor that flows throughout the story. I think this book will appeal to a wide range of fiction lovers, particularly those who enjoy delving into other places and cultures.

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  • Posted March 12, 2010

    I Also Recommend:

    A lovely, heart-warming novel

    This book is beautiful and the characters inside of it are even more than that. The main character, precious Fawad, is a young boy that I would take in as my own. He's beautiful. The characters around him are like a family and I didn't want to let them go. There are few books that I take with me but Born Under a Million Shadows will stay warm in my heart forever. This book embodies everything that we all hope for, cry for and love, while at the same time giving a new perspective on a war-torn country whose beauty is often buried under stories of horror. The reader is taken into a world of a culture so wrapped in familial values and love. It is a chance for Afganistan and Islam to show their good as they have unfairly been cheated of that opportunity. Let this book take you away into its pages; it has so much to offer.

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