Borrowed Hearts: New and Selected Stories

Overview

Rick DeMarinis stands alongside Raymond Carver, James Welch, and Jim Harrison as a major voice of the American West. Known for his dark, sardonic, and often hilarious writing, DeMarinis is a consummate craftsman; he can make disparate voices his own, which allows readers to establish a disarming intimacy with his characters. This collection of DeMarinis's short stories includes 11 new works and 21 stories from three previous critically acclaimed books.
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Overview

Rick DeMarinis stands alongside Raymond Carver, James Welch, and Jim Harrison as a major voice of the American West. Known for his dark, sardonic, and often hilarious writing, DeMarinis is a consummate craftsman; he can make disparate voices his own, which allows readers to establish a disarming intimacy with his characters. This collection of DeMarinis's short stories includes 11 new works and 21 stories from three previous critically acclaimed books.
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Editorial Reviews

Publishers Weekly - Publisher's Weekly
"The Boys We Were, The Men We Became," the title of one of the 11 new stories in this compilation, also serves as shorthand for the themes that DeMarinis (The Year of the Zinc Penny) explores here. Taken together, the 21 intricately layered short narratives from previous collections and the new entries under the title "Borrowed Hearts" produce a poignant, dark yet often humorous portrait of American boyhood in the shadow of WWII, and American manhood in the gloom of confused values. Bludgeoned by misinformation from lost but overbearing adults, his boys find solace in the mechanics of ham radios and propeller planes. They become men confounded by hypocrisy, adultery and a tendency toward entropy. In "Fault Lines," Alfredo--stunned by his wife's indifference and the relentless chatter of his hyperactive young son, fearful of the directions his cholesterol and testosterone numbers are taking-- tells a colleague he's a peaceful man. "That's the world's number one oxymoron" is the reply. Leon in the title story is in his mid-60s when he develops an ability to smell the past and all the nostalgia it evokes; the cause is pathology, an aneurysm that has to be removed. Bernard, in "The Boys We Were..." can't understand how his father returned from the war both fat and empty. Most of his characters are sympathetic; however, DeMarinis also produces a number of grotesques: missile-silo watchmen, door-to-door salesmen, the couple who abandon their children. DeMarinis's true territory is the isolation of men who yearn for a home that doesn't exist, boys who learned to be James Dean, Aldo Ray, Marlon Brando, then grew up to discover there was no market for that facility, and became men with spiritual indigestion. Author tour. (June)
From The Critics
Borrowed Hearts: New And Selected Stories showcases the work of Rick DeMarinis, a major, award-winning American literary talent, and the author of six novels and three previous collections of short fiction. Borrowed Hearts is a showcase anthology that includes twenty-one selections from his three previous collections and eleven new stories never before published. Borrowed Hearts is "must" reading for all DeMarinis fans, and will serve as an ideal introduction for those becoming acquainted with his literary skills and story telling expertise for the first time.
Marc Smirnoff
...[A]n ideal curbside roost from which to contemplate his tantalizing, if often brooding, artistry....It's almost as if DeMarinis...enjoys throwing his suffering people into a variety of scenarios...just to see what happens....[Ultimately, it's] . as if De Marinis has discovered that good things happen in the world too, often when you least expect them.
The New York Times Book Review
Kirkus Reviews
A whopping gathering of thirty-two abrasive and colorful stories: twenty-one drawn from DeMarinis's three earlier collections, along with eleven previously uncollected tales. DeMarinis (The Mortician's Apprentice, 1994, etc.), is one of our most underrated writers: a master of aslant character portrayal whose impressively zany fictions feature teenagers maturing (usually in the 1940s) into worlds distorted by adult lust or hypocrisy ("Safe Forever," "Experience"); loners and grifters who reshape their worlds to accommodate their often unspeakable appetites ("Under the Wheat," "Medicine Man"); and exhausted Everymen whose mundane disillusionments metastasize alarmingly into comic-horrible crises (the computer executive of "Disneyland," drawn helplessly into the absurd orbits of his clinically depressed wife, suicidal son, and the latter's airheaded girlfriend, is a classic example). Here and there, we catch echoes of T.C. Boyle ("Life Between Meals") or Stanley Elkin ("An Airman's Goodbye"). Then again, who but DeMarinis could concoct such beguiling horrors as a serial killer in a pawnshop "trying to trade a necklace made of human kneecaps for a machete" or a toddler traumatized by science-fiction movies who "mutilated his new teddy bear with a steak knife"? There are few stories here that don't raise the pulse rate. Noteworthy among the newer are a complex, funky threnody on the physical sensations of aging ("Borrowed Hearts"); the understandably irritable confessions of a gun moll's eternally uprooted ten-year-old ("On the Lam"); and a beautifully developed (perhaps autobiographical) episodic story about surviving childhood within a chaotically fragmented family ("The Boys WeWere, The Men We Became"). Comic surrealism fashioned with rowdy wit and apparently inexhaustible creative energy.
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Product Details

  • ISBN-13: 9781583220405
  • Publisher: Seven Stories Press
  • Publication date: 10/3/2000
  • Pages: 336
  • Product dimensions: 5.98 (w) x 9.01 (h) x 0.93 (d)

Meet the Author

RICK DEMARINIS is the author of several novels and collections of short fiction. His stories have appeared in Harper's, Antaeus, Story, Epoch, and many others. In 1990 he received a Literature Award from the American Academy and Institute of Arts and Letters.

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Table of Contents

Introduction
Under the Wheat 3
Billy Ducks Among the Paraohs 12
Life Between Meals 27
The Smile of a Turtle 37
Weeds 42
The Handgun 55
disneyland 62
Romance: A Prose Villanelle 81
Your Story 93
Pagans 102
Your Burden Is Lifted, Love Returns 107
Medicine Man 113
Safe Forever 135
Desert Places 149
Paraiso: An Elegy 158
An Airman's Goodbye 167
Aliens 179
Horizontal Snow 189
Wilderness 198
The Voice of America 211
Insulation 216
Borrowed Hearts 225
A Romantic Interlude 231
Experience 238
Fault Lines 248
Feet 255
Hormone X 261
Novias 269
On the Lam 277
Sieze the Day 287
The Boys We Were, The Men We Became 295
The Singular We 316
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First Chapter

Chapter One


Under the Wheat


Down in D-3 I watch the sky gunning through the aperture ninety-odd feet above my head. The missiles are ten months away, and I am lying on my back listening to the sump. From the bottom of a hole, where the weather is always the same cool sixty-four degrees, plus or minus two, I like to relax and watch the clouds slide through the circle of blue light. I have plenty of time to kill. The aperture is about fifteen feet wide. About the size of a silver dollar from here. A hawk just drifted by. Eagle. Crow. Small cumulus. Nothing. Nothing. Wrapper.


Hot again today, and the sky is drifting across the hole, left to right, a slow thick wind that doesn't gust. When it gusts, it's usually from Canada. Fierce, with hail the size of eyeballs. I've seen wheat go down. Acres and acres of useless straw.

But sometimes it comesout of the southeast, from Bismarck, bringing ten-mile-high anvils with it, and you find yourself looking for funnels. This is not tornado country to speak of. The tornado path is to the south and west of here. They walk up from Bismarck and farther south and peter out on the Montana border, rarely touching ground anywhere near this latitude. Still, you keep an eye peeled. I've seen them put down gray fingers to the west, not quite touching but close enough to make you want to find a hole. They say it sounds like freight trains in your yard. I wouldn't know. We are from the coast, where the weather is stable and always predictable because of the ocean. We are trying to adjust.


I make five hundred a week doing this, driving a company pickup from hole to hole, checking out the sump pumps. I've found only one failure in two months. Twenty feet of black water in the hole and rising. It's the company's biggest headache. The high water table of North Dakota. You can dig yourself a shallow hole, come back in a few days and drink. That's why the farmers here have it made. Except for hail Mostly they are Russians, these farmers.


Karen wants to go back. I have to remind her it's only for a year. Ten more months. Five hundred a week for a year. But she misses things. The city, her music lessons, movies, the beach, excitement. We live fairly close to a town, but it's one you will never hear of, unless a local goes wild and chainsaws all six members of his family. The movie theater has shown Bush Pilot, Red Skies of Montana, Ice Palace, and Kon Tiki so far. These are movies we would not ordinarily pay money to see. She has taken to long walks in the evenings to work out her moods, which are getting harder and harder for me to pretend aren't there. I get time and a half on Saturdays, double time on Sundays and holidays, and thirteen dollars per diem for the inconvenience of relocating all the way from Oxnard, California. That comes to a lot. You don't walk away from a gold mine like that. I try to tell Karen she has to make the effort, adjust. North Dakota isn't all that bad. As a matter of fact I sort of enjoy the area. Maybe I am more adaptable. No, scratch that. I am more adaptable. We live close to a large brown lake, an earthfill dam loaded with northern pike. I bought myself a little boat and often go out to troll a bit before the car pool comes by. The freezer is crammed with fish, not one under five pounds.


There's a ghost town on the other side of the lake. The houses were built for the men who worked on the dam. That was years ago. They are paintless now, weeds up to the rotten sills. No glass in the windows, but here and there a rag of drape. Sometimes I take my boat across the lake to the ghost town. I walk the overgrown streets and look into the windows. Sometimes something moves. Rats. Gophers. Wind. Loose boards. Sometimes nothing.


When the weather is out of Canada you can watch it move south, coming like a giant roll of silver dough on the horizon. It gets bigger fast and then you'd better find cover. If the cloud is curdled underneath, you know it means hail. The wind can gust to one hundred knots. It scares Karen. I tell her there's nothing to worry about. Our trailer is on a good foundation and tied down tight. But she has this dream of being uprooted and flying away in such a wind. She sees her broken body caught in a tree, magpies picking at it. I tell her the trailer will definitely not budge. Still, she gets wild-eyed and can't light a cigarette.


We're sitting at the dinette table looking out the window, watching the front arrive. You can feel the trailer bucking like a boat at its moorings. Lightning is stroking the blond fields a mile away. To the southeast, I can see a gray finger reaching down. This is unusual, I admit. But I say nothing to Karen. It looks like the two fronts are going to butt heads straight over the trailer park. It's getting dark fast. Something splits the sky behind the trailer and big hail pours out. The streets of the park are white and jumping under the black sky. Karen has her hands against her ears. There's a stampede on our tin roof. Two TV antennas fold at the same time in a dead faint. A jagged Y of lightning strikes so close you can smell it. Electric steam. Karen is wild, screaming. I can't hear her. Our garbage cans are rising. They float past the windows into a flattened wheat field. This is something. Karen's face is closed. She doesn't enjoy it at all, not at all.


I'm tooling around in third on the usual bad road, enjoying the lurches, rolls, and twists. I would not do this to my own truck. The fields I'm driving through are wasted. Head-on with the sky and the sky never loses. I've passed a few unhappy-looking farmers standing in their fields with their hands in their pockets, spitting, faces frozen in expressions of disgust. Toward D-8, just over a rise and down into a narrow gulch, I find a true glacier. It's made out of hail stones welded together by their own impact. It hasn't begun to melt yet. Four feet thick and maybe thirty feet long. You could stand on it, blind in the white glare. You could tell yourself you are inside the Arctic circle. What is this, the return of the Ice Age?


Karen did not cook tonight. Another "mood." I poke around in the fridge. I don't know what to say to her anymore. I know it's hard. I can understand that. This is not Oxnard. I'll give her that. I'm the first to admit it. I pop a beer and sit down at the table opposite her. Our eyes don't meet. They haven't for weeks. We are like two magnetic north poles, repelling each other for invisible reasons. Last night in bed I touched her. She went stiff. She didn't have to say a word. I took my hand back. I got the message. There was the hum of the air conditioner and nothing else. The world could have been filled with dead bodies. I turned on the lights. She got up and lit a cigarette after two tries. Nerves. "I'm going for a walk, Lloyd," she said, checking the sky. "Maybe we should have a baby?" I said. "I'm making plenty of money." She looked at me as if I had picked up an ax.


I would like to know where she finds to go and what she finds to do there. She hates the town worse than the trailer park. The trailer park has a rec hall and a social club for the wives. But she won't take advantage of that. I know the neighbors are talking. They think she's a snob. They think I spoil her. After she left I went out on the porch and drank eleven beers. Let them talk.


Three farm kids. Just standing outside the locked gate of D-4. "What do you kids want?" I know what they want. A "look-see." Security measures are in effect, but what the hell. There is nothing here yet but a ninety-foot hole with a tarp on it and a sump pump in the bottom. They are excited when I open the access hatch and invite them to climb down the narrow steel ladder to the bottom. They want to know what ICBM stands for. What is a warhead? How fast is it? How do you know if it's really going to smear the right town? What if it went straight up and came straight down? Can you hit the moon? "Look at the sky up there, kids," I tell them. "Lie on your backs, like this, and after a while you sort of get the feeling you're looking down, from on top of it." The kids lie down on the concrete. Kids have a way of giving all their attention to something interesting. I swear them to secrecy, not for my protection, because who cares, but because it will make their day. They will run home, busting with secret info. I drive off to D-9, where the sump trouble was.


Caught three lunkers this morning. All over twenty-four inches. It's 7:00 a.m. now and I'm on Ruby Street, the ghost town. The streets are all named after stones. Why, I don't know. This is nothing like anything we have on the coast. Karen doesn't like the climate or the people and the flat sky presses down on her from all sides and gives her bad dreams, sleeping and awake. But what can I do?


I'm on Onyx Street, number 49, a two-bedroom bungalow with a few pieces of furniture left in it. There is a chest of drawers in the bedroom, a bed with a rotten gray mattress. There is a closet with a raggedy slip in it. The slip has brown water stains that look like burns. In the bottom of the chest is a magazine, yellow with age. Secret Confessions. I can imagine the woman who lived here with her husband. Not much like Karen at all. But what did she do while her husband was off working on the dam? Did she stand at this window in her slip and wish she were back in Oxnard? Did she cry her eyes out on this bed and think crazy thoughts? Where is she now? Does she think, "This is July 15, 1962, and I am glad I am not in North Dakota anymore"? Did she take long walks at night and not cook? I have an impulse to do something odd, and do it.


When a thunderhead passes over a cyclone fence that surrounds a site, such as the one passing over D-6 now, you can hear the wire hiss with nervous electrons. It scares me because the fence is a perfect lightning rod, a good conductor. But I stay on my toes. Sometimes, when a big cumulus is overhead stroking the area and roaring, I'll just stay put in my truck until it's had its fun.


Because this is Sunday, I am making better than twelve dollars an hour. I'm driving through a small farming community called Spacebow. A Russian word, I think, because you're supposed to pronounce the e. No one I know does. Shade trees on every street. A Russian church here, a grain elevator there. No wind. Hot for 9:00 a.m. Men dressed in Sunday black. Ladies in their best. Kids looking uncomfortable and controlled. Even the dogs are behaving. There is a woman, manless I think, because I've seen her before, always alone on her porch, eyes on something far away. A "thinker." Before today I've only waved hello. First one finger off the wheel, nod, then around the block once again and the whole hand out the window and a smile. That was last week. After the first turn past her place today she waves back. A weak hand at first, as if she's not sure that's what I meant. But after a few times around the block she knows that's what I meant. And so I'm stopping. I'm going to ask for a cup of cold water. I'm thirsty anyway. Maybe all this sounds hokey to you if you're from some big town like Oxnard, but this is not a big town like Oxnard.


Her name is Myrna Dan. That last name must be a pruned-down version of Danielovitch or something because the people here are mostly Russians. She is thirty-two, a widow, one brat. A two-year old named "Piper," crusty with food. She owns a small farm here but there is no one to work it. She has a decent allotment from the U.S. Government and a vegetable garden. If you are from the coast you would not stop what you were doing to look at her. Her hands are square and the fingers stubby, made for rough wooden handles. Hips like gateposts.


No supper again. Karen left a note. "Lloyd, I am going for a walk. There are some cold cuts in the fridge." It wasn't even signed. Just like that. One of these days on one of her walks she is going to get caught by the sky which can change on you in a minute.


Bill Finkel made a remark on the way to the dispatch center. It was a little personal, and coming from anybody else I would have called him on it. But he is the lead engineer, the boss. A few of the other guys grinned behind their hands. How do I know where she goes or why? I am not a swami. If it settles her nerves, why should I push it? I've thought of sending her to Ventura to live with her mother for a while, but her mother is getting senile and has taken to writing mean letters. I tell Karen the old lady is around the bend, don't take those letters too seriously. But what's the use when the letters come in like clockwork, once a week, page after page of nasty accusations in a big, inch-high scrawl, like a kid's, naming things that never happened. Karen takes it hard, no matter what I say, as if what the old lady says is true.


Spacebow looks deserted. It isn't. The men are off in the fields, the women are inside working toward evening, Too hot outside even for the dogs, who are sleeping under the porches. Ninety-nine. I stop for water at Myrna's. Do you want to see a missile silo? Sure, she says, goddamn right, just like that. I have an extra hard hat in the truck but she doesn't have to wear it if she doesn't want to. Regulations at this stage of the program are a little pointless. Just a hole with a sump in it. Of course you can fall into it and get yourself killed. That's about the only danger. But there are no regulations that can save you from your own stupidity. Last winter when these holes were being dug, a kid walked out on a tarp. The tarp was covered with light snow and he couldn't tell where the ground ended and the hole began. He dropped the whole ninety feet and his hard has did not save his ass. Myrna is impressed with this story. She is very anxious to see one. D-7 is closest to Spacebow, only a mile out of town. It isn't on my schedule today, but so what. I hand her the orange hard hat. She has trouble with the strap. I help her cinch it. Piper wants to wear it too and grabs at the straps, whimming. Myrna has big jaws. Strong. But not in an ugly way.

    I tell her the story about Jack Stern, the Jewish quality-control man from St. Louis who took flying lessons because he wanted to be able to get to a decensized city in a hurry whenever he felt the need. This flat, empty farm land made his ulcer flare. He didn't know how to drive a car, and yet there he was tearing around the sky in a Bonanza. One day he flew into a giant hammerhead—thinking, I guess, that a cloud like that is nothing but a lot of water vapor, no matter what shape it has or how big—and was never heard from again. That cloud ate him and the Bonanza. At the airport in Minot they picked up two words on the emergency frequency, "Oh no," then static.

    I tell her the story about the motor pool secretary who shot her husband once in the neck and twice in the foot with a target pistol while he slept. Both of them pulling down good money, too. I tell her the one about the one that got away. A northern big as a shark. Pulled me and my boat a mile before my twelve-pound test monofilament snapped. She gives me a sidelong glance and makes a buzzing sound as if to say. That one takes the cake, Mister! We are on the bottom of D-7, watching the circle of sky, lying on our backs.


The trailer stinks. I could smell it from the street as soon as I got out of Bill Finkel's car. Fish heads, Heads! I guess they've been sitting there like that most of the afternoon. Just the big alligator jaws of my big beautiful pikes, but not the bodies. A platter of them, uncooked, drying out, and getting high. Knife, fork, napkin, glass. I'd like to know what goes on inside her head, what passes for thinking in there. The note: "Lloyd, eat your fill." Not signed. Is this supposed to be humor? I fail to get the point of it. I have to carry the mess to the garbage cans without breathing. A big white fire is blazing in the sky over my shoulder. You can hear the far-off rumble, like a whale grunting. I squint west, checking for funnels.


Trouble in D-7. Busted sump. I pick up Myrna and Piper and head for the hole. It's a nice day for a drive. It could be a bearing seizure, but that's only a percentage guess. I unlock the gate and we drive to the edge of it. Space-age artillery, I explain, as we stand on the lip of D-7, feeling the vertigo. The tarp is off for maintenance and the hole is solid black. If you let your imagination run, you might see it as bottomless. The "Pit" itself. Myrna is holding Piper back. Piper is whining, she wants to see the hole, Myrna has to slap her away, scolding. I drain my beer and let the can drop. I don't hear it hit. Not even a splash. I grab the fussing kid and hold her out over the hole. "Have yourself a good look, brat," I say. I hold her by the ankle with one hand. She is paralyzed. Myrna goes so white I have to smile. "Oh, wait," she says. "Please, Lloyd. No." As if I ever would.


Myrna wants to see the D-flight control center. I ask her if she has claustrophobia. She laughs, but it's no joke. That far below the surface inside that capsule behind an eight-ton door can be upsetting if you are susceptible to confinement. The elevator is slow and heavy, designed to haul equipment. The door opens on a dimly lit room. Spooky. There's crated gear scattered around. And there is the door, one yard thick to withstand the shock waves from the Bomb. I wheel it open. Piper whines, her big eyes distrustful of me now. There is a musty smell in the dank air. The lights and blower are on now, but it will take a while for the air to freshen itself up. I wheel the big door shut. It can't latch yet, but Myrna is impressed. I explain to her what goes on in here. We sit down at the console. I show her where the launch-enabling switches will be and why it will take two people together to launch an attack, the chairs fifteen feet apart and both switches turned for a several-second count before the firing sequence can start, in case one guy goes berserk and decides to end the world because his old lady has been holding out on him, or just for the hell of it, given human nature. I show her the escape hole. It's loaded with ordinary sand. You just pull this chain and the sand dumps into the capsule. Then you climb up the tube that held the sand into someone's wheat field. I show her the toilet and the little kitchen. I can see there is something on her mind. Isolated places make you think weird things. It's happened to me more than once. Not here, but in the ghost town on the other side of the lake.


Topside the weather has changed. The sky is the color of pikebelly, wind rising from the southeast. To the west I can see stubby funnels pushing down from the overcast, but only so far. It looks like the clouds are growing roots. We have to run back to the truck in the rain, Piper screaming on Myrna's hip. A heavy bolt strikes less than a mile away. A blue fireball sizzles where it hits. Smell the ozone. It makes me sneeze.


This is the second day she's been gone. I don't know where or how. All her clothes are here. She doesn't have any money. I don't know what to do. There is no police station. Do I call her mother? Do I notify the FBI? The highway patrol? Bill Finkel?


Everybody in the car pool knows but won't say a word, out of respect for my feelings. Bill Finkel has other things on his mind. He is worried about rumored economy measures in the assembly and check-out program next year. It has nothing to do with me. My job ends before that phase begins. I guess she went back to Oxnard, or maybe Ventura. But how?


We are in the D-flight control center. Myrna, with her hard hat cocked to one side, wants to fool around with the incomplete equipment. Piper is with her grandma. We are seated at the control console and she is pretending to work her switch. She has me pretend to work my switch. She wants to launch the entire flight of missiles, D-1 through D-10 at Cuba or Panama. Why Cuba and Panama? I ask. What about Russia? Why not Cuba or Panama? she says.

Besides, I have Russian blood. Everyone around here has Russian blood. No, it's Cuba and Panama. Just think of the looks on their faces. All those people lying in the sun on the decks of those big white holiday boats, the coolies out in the cane fields, the tinhorn generals, the whole shiteree. They'll look up trying to shade their eyes but they won't be able to. What in hell is this all about, they'll say, then zap, poof, gone.

    I feel it too, craziness like hers. What if I couldn't get that eight-ton door open, Myrna? I see her hard hat wobble, her lip drop. What if? Just what if? She puts her arms around me and our hard hats click. She is one strong woman.

    Lloyd, Lloyd, she says.

    Yo.

    Jesus.

    Easy.

    Lloyd!

    Bingo.

    It's good down here—no rules—and she goes berserk. But later she is calm and up to mischief again. I recognize the look now. Okay, I tell her. What next, Myrna? She wants to do something halfway nasty. This, believe me, does not surprise me at all.

    I'm sitting on the steel floor listening to the blower and waiting for Myrna to finish her business. I'm trying hard to picture what the weather is doing topside. It's not easy to do. It could be clear and calm and blue or it could be wild. There could be a high, thin overcast or there could be nothing. You can't know when you're this far under the wheat. I can hear her trying to work the little chrome lever, even though I told her there's no plumbing yet. Some maintenance yokel is going to find Myrna's "surprise." She comes out, pretending to be sheepish, but I can see that the little joke tickles her.


Something takes my book and strips off ten yards of line, then stops dead. Snag I reel in. The pole is bend double and the line is singing. Then something lets go but it isn't the line because I'm still snagged. It breaks the surface, a lady's shoe. It's brown and white with a short heel. I toss it into the bottom of the boat. The water is shallow here, and clear. There's something dark and wide under me like a shadow on the water. An old farmhouse, submerged when the dam filled. There's a deep current around the structure. I can see fence, tires, an old truck, feed pens. There is a fat farmer in the yard staring up at me, checking the weather. I jump away from him, almost tipping the boat. I am not the weather! I want to say. My heart feels tangled in my ribs. But it's only a stump with arms.

    The current takes my boat in easy circles. A swimmer would be in serious trouble. I crank up the engine and head back. No fish today. So be it. Sometimes you come home empty-handed. The shoe is new, stylish, and was made in Spain. I'm standing on the buckled porch of 49 Onyx Street. Myrna is inside reading Secret Confessions: "What My Don Must Never Know." The sky is bad. The lake is bad. It will be a while before we can cross back. I knock on the door, as we planned. Myrna is on the bed in the stained, raggedy slip, giggling. "Listen to this dogshit, Lloyd," she says. But I'm not in the mood for weird stories. "I brought you something, honey," I say. She looks at the soggy shoe. "That?" But she agrees to try it on, anyway. I feel like my own ghost, bumping into the familiar but run-down walls of my old house in the middle of nowhere, and I remember my hatred of it. "Hurry up," I say, my voice true as a razor.


A thick tube hairy with rain is snaking out of the sky less than a mile away. Is it going to touch? "They never do, Lloyd. This isn't Kansas. Will you please listen to this dogshit?" Something about a pregnant high school girl, Dee, locked in a toilet with a knitting needle. Something about this Don who believes in purity. Something about bright red blood. Something about ministers and mothers and old-fashioned shame. I'm not listening, even when Dee slides the big needle in. I have to keep watch on the sky, because there is a first time for everything, even if this is not Kansas. The wind is stripping shingles from every roof I see. A long board is spinning like a slow propeller. The funnel is behind a bluff, holding back. But I can hear it, the freight train. Myrna is standing behind me running a knuckle up and down my back. "Hi, darling," she says. "Want to know what I did while you were out working on the dam today?" The dark tube has begun to move out from behind the bluff, but I'm not sure which way. "Tell me," I say. "Tell me."

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