Borrowers

Overview

A perceptive boy enters into the miniature world of "the little people" who live under the floor in an old country house and borrow their necessities from its human inhabitants.

Miniature people who live in an old country house by borrowing things from the humans are forced to emigrate from their home under the clock. Includes a letter and a sketch of Homily and Arrietty by the author.

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The Borrowers

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Overview

A perceptive boy enters into the miniature world of "the little people" who live under the floor in an old country house and borrow their necessities from its human inhabitants.

Miniature people who live in an old country house by borrowing things from the humans are forced to emigrate from their home under the clock. Includes a letter and a sketch of Homily and Arrietty by the author.

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Editorial Reviews

Publishers Weekly
For 50 years, fans have enjoyed Mary Norton's classic story of The Borrowers, the tiny family (Pod, Homily and their daughter, Arrietty) that secretly lives under the floorboards. This new gift edition features sepia-toned pen-and-inks that Diana Stanley drew for the original 1952 British edition a new foreword by Leonard Marcus explains the book's history, and a ribbon bookmark keeps the place for avid fans. Copyright 2003 Reed Business Information.
Children's Literature
Long winter nights are perfect for delving into the hidden rooms of The Borrowers. The handsome 50th anniversary edition provides a remarkable reading adventure—and insight into the book's creation and popularity, thanks to a foreword by literary critic Leonard Marcus and an author's introduction. From her own childhood imaginings, author Mary Norton wrote this children's classic about three tiny people living under the floorboards of an English country house. To survive, they secretly "borrow" needles, spools and other household items from the human inhabitants. They are careful never to be seen. When the lonely daughter, six-inch-high Arrietty, befriends a human boy, her parents fear danger. Before long, Mrs. Driver, the efficient housekeeper, discovers their little home—and they are doomed. Only the boy can help them. 2003 (orig. 1952), Harcourt, Ages 8 up.
—Mary Quattlebaum
Children's Literature - Deborah Palgon
In a quiet, old house in the countryside of England, hidden beneath the floorboards of the kitchen, live the Borrowers. They are the Clock family: Pod, Homily, and their daughter Arriety, miniature people who live by "borrowing" what they need from the human beings who live above them. Postage stamps are used for paintings, matchboxes are used for chests of drawers and miniature doll teacups and saucers are borrowed because they are just the right size for the Borrowers. All is quiet until Arriety, the daughter, ventures out and is discovered by a young boy living in the house. Written over forty years ago, the appeal of this fantasy continues with the release this year of the movie version. 1981 (orig.
Children's Literature - Marilyn Courtot
This fist in a series of tales about miniature people, who live in an old country house by borrowing things from the humans has recently been reissued. Pod and Homily and their daughter Arriety are the clock family, so named because they live under the grandfather clock that has stood in the hall for 200 years. In this book they are forced to emigrate from their home under the clock and a friendship blossoms between the grandnephew of the bedridden mistress of the house and Arrietty. Winner of the Carnegie Medal as the outstanding children's book of 1952. The entire series has been reissued in hard and soft cover due to the soon to be released film. The other titles include The Borrowers Afield, The Borrowers Afloat, The Borrowers Aloft, and The Borrowers Avenged. 1971 (orig.
From the Publisher
Praise for Mary Norton's The Borrowers:
"A book that begs to be shared."—The Horn Book

"The magic and charm of the writing convince children and grown-ups, too, that Borrowers really do exist."—School Library Journal

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Product Details

  • ISBN-13: 9784001140620
  • Publisher: Iwanami Shoten/Tsai Fong Books
  • Publication date: 9/28/2000
  • Language: Japanese
  • Pages: 273
  • Product dimensions: 4.70 (w) x 6.70 (h) x 0.60 (d)

Meet the Author

Mary Norton (1903-1992) lived in England, where she was an actress, playwright, and award-winning author of the classic Borrowers novels.

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Read an Excerpt

Chapter One

IT WAS Mrs. May who first told me about them. No, not me. How could it have been me-a wild, untidy, self-willed little girl who stared with angry eyes and was said to crunch her teeth? Kate, she should have been called. Yes, that was it-Kate. Not that the name matters much either way: she barely comes into the story.

Mrs. May lived in two rooms in Kate's parents' house in London; she was, I think, some kind of relation. Her bedroom was on the first floor, and her sitting room was a room which, as part of the house, was called "the breakfast-room." Now breakfast-rooms are all right in the morning when the sun streams in on the toast and marmalade, but by afternoon they seem to vanish a little and to fill with a strange silvery light, their own twilight; there is a kind of sadness in them then, but as a child it was a sadness Kate liked. She would creep in to Mrs. May just before tea-time and Mrs. May would teach her to crochet.

Mrs. May was old, her joints were stiff, and she was-not strict exactly, but she had that inner certainty which does instead. Kate was never "wild" with Mrs. May, nor untidy, nor self-willed; and Mrs. May taught her many things besides crochet: how to wind wool into an egg-shaped ball; how to run-and-fell and plan a darn; how to tidy a drawer and to lay, like a blessing, above the contents, a sheet of rustling tissue against the dust.

"Where's your work, child?" asked Mrs. May one day, when Kate sat hunched and silent upon the hassock. "You mustn't sit there dreaming. Have you lost your tongue?"

"No," said Kate, pulling at her shoe button, "I've lost the crochet hook." They were making a bed-quilt-in woolen squares: there were thirty still to do. "I know where I put it," she went on hastily; "I put it on the bottom shelf of the bookcase just beside my bed."

"On the bottom shelf?" repeated Mrs. May, her own needle flicking steadily in the firelight. "Near the floor?"

"Yes," said Kate, "but I looked on the floor. Under the rug. Everywhere. The wool was still there though. Just where I'd left it."

"Oh dear," exclaimed Mrs. May lightly, "don't say they're in this house too!"

"That what are?" asked Kate.

"The Borrowers," said Mrs. May, and in the half light she seemed to smile.

Kate stared a little fearfully. "Are there such things?" she asked after a moment.

"As what?"

"As people, other people, living in a house who...borrow things?"

Mrs. May laid down her work. "What do you think?" she asked.

"I don't know," Kate said, pulling hard at her shoe button. "There can't be. And yet"-she raised her head-"and yet sometimes I think there must be."

"Why do you think there must be?" asked Mrs. May.

"Because of all the things that disappear. Safety pins, for instance. Factories go on making safety pins, and every day people go on buying safety pins and yet, somehow, there never is a safety pin just when you want one. Where are they all? Now, at this minute? Where do they go to? Take needles," she went on. "All the needles my mother ever bought-there must be hundreds-can't just be lying about this house."

"Not lying about the house, no," agreed Mrs. May.

"And all the other things we keep on buying. Again and again and again. Like pencils and match boxes and sealing wax and hairpins and drawing pins and thimbles-"

"And hat pins," put in Mrs. May, "and blotting paper."

"Yes, blotting paper," agreed Kate, "but not hat pins."

"That's where you're wrong," said Mrs. May, and she picked up her work again. "There was a reason for hat pins."

Kate stared. "A reason?" she repeated. "I mean-what kind of a reason?"

"Well, there were two reasons really. A hat pin is a very useful weapon and"-Mrs. May laughed suddenly-"but it all sounds such nonsense and"-she hesitated-"it was so very long ago!"

"But tell me," said Kate, "tell me how you know about the hat pin. Did you ever see one?"

Mrs. May threw her a startled glance. "Well, yes-" she began.

"Not a hat pin," exclaimed Kate impatiently, "a-what-ever-you-called-them-a Borrower?"

Mrs. May drew a sharp breath. "No," she said quickly, "I never saw one."

"But someone else saw one," cried Kate, "and you know about it. I can see you do!"

"Hush," said Mrs. May, "no need to shout!" She gazed downwards at the upturned face and then she smiled and her eyes slid away into distance. "I had a brother-" she began uncertainly.

Kate knelt upon the hassock. "And he saw them!"

"I don't know," said Mrs. May, shaking her head, "I just don't know!" She smoothed out her work upon her knee. "He was such a tease. He told us so many things-my sister and me-impossible things. He was killed," she added gently, "many years ago now, on the North-West Frontier. He became colonel of his regiment. He died what they call 'a hero's death'..."

"Was he your only brother?"

"Yes, and he was our little brother. I think that was why"-she thought for a moment, still smiling to herself-"yes, why he told us such impossible stories, such strange imaginings. He was jealous, I think, because we were older-and because we could read better. He wanted to impress us; he wanted, perhaps, to shock us. And yet"-she looked into the fire-"there was something about him-perhaps because we were brought up in India among mystery and magic and legend-something that made us think that he saw things that other people could not see; sometimes we'd know he was teasing, but at other times-well, we were not so sure...." She leaned forward and, in her tidy way, brushed a fan of loose ashes under the grate, then, brush in hand, she stared again at the fire. "He wasn't a very strong little boy: the first time he came home from India he got rheumatic fever. He missed a whole term at school and was sent away to the country to get over it. To the house of a great-aunt. Later I went there myself. It was a strange old house...." She hung up the brush on its brass hook and, dusting her hands on her handkerchief, she picked up her work. "Better light the lamp," she said.

"Not yet," begged Kate, leaning forward. "Please go on. Please tell me-"

"But I've told you."

"No, you haven't. This old house-wasn't that where he saw-he saw...?"

Mrs. May laughed. "Where he saw the Borrowers? Yes, that's what he told us...what he'd have us believe. And, what's more, it seems that he didn't just see them but that he got to know them very well; that he became part of their lives, as it were; in fact, you might almost say that he became a borrower himself...."

"Oh, do tell me. Please. Try to remember. Right from the very beginning!"

"But I do remember," said Mrs. May. "Oddly enough I remember it better than many real things which have happened. Perhaps it was a real thing. I just don't know. You see, on the way back to India my brother and I had to share a cabin-my sister used to sleep with our governess-and, on those very hot nights, often we couldn't sleep; and my brother would talk for hours and hours, going over old ground, repeating conversations, telling me details again and again-wondering how they were and what they were doing and-"

"They? Who were they-exactly?"

"Homily, Pod, and little Arrietty."

"Pod?"

"Yes, even their names were never quite right. They imagined they had their own names-quite different from human names-but with half an ear you could tell they were borrowed. Even Uncle Hendreary's and Eggletina's. Everything they had was borrowed; they had nothing of their own at all. Nothing. In spite of this, my brother said, they were touchy and conceited, and thought they owned the world."

"How do you mean?"

"They thought human beings were just invented to do the dirty work-great slaves put there for them to use. At least, that's what they told each other. But my brother said that, underneath, he thought they were frightened. It was because they were frightened, he thought, that they had grown so small. Each generation had become smaller and smaller, and more and more hidden. In the olden days, it seems, and in some parts of England, our ancestors talked quite openly about the 'little people.'"

"Yes," said Kate, "I know."

"Nowadays, I suppose," Mrs. May went on slowly, "if they exist at all, you would only find them in houses which are old and quiet and deep in the country-and where the human beings live to a routine. Routine is their safeguard. They must know which rooms are to be used and when. They do not stay long where there are careless people, or unruly children, or certain household pets.

"This particular old house, of course, was ideal-although as far as some of them were concerned, a trifle cold and empty. Great-Aunt Sophy was bedridden, through a hunting accident some twenty years before, and as for other human beings there was only Mrs. Driver the cook, Crampfurl the gardener, and, at rare intervals, an odd housemaid or such. My brother, too, when he went there after rheumatic fever, had to spend long hours in bed, and for those first weeks it seems the Borrowers did not know of his existence.

"He slept in the old night-nursery, beyond the schoolroom. The schoolroom, at that time, was sheeted and shrouded and filled with junk-odd trunks, a broken sewing-machine, a desk, a dressmaker's dummy, a table, some chairs, and a disused pianola-as the children who had used it, Great-Aunt Sophy's children, had long since grown up, married, died, or gone away. The night-nursery opened out of the schoolroom and, from his bed, my brother could see the oil painting of the battle of Waterloo which hung above the schoolroom fireplace and, on the wall, a corner cupboard with glass doors in which was set out, on hooks and shelves, a doll's tea-service-very delicate and old. At night, if the schoolroom door was open, he had a view down the lighted passage which led to the head of the stairs, and it would comfort him to see, each evening at dusk, Mrs. Driver appear at the head of the stairs and cross the passage carrying a tray for Aunt Sophy with Bath Oliver biscuits and the tall, cut-glass decanter of Fine Old Pale Madeira. On her way out Mrs. Driver would pause and lower the gas jet in the passage to a dim, blue flame, and then he would watch her as she stumped away downstairs, sinking slowly out of sight between the banisters.

"Under this passage, in the hall below, there was a clock, and through the night he would hear it strike the hours. It was a grandfather clock and very old. Mr. Frith of Leighton Buzzard came each month to wind it, as his father had come before him and his great-uncle before that. For eighty years, they said (and to Mr. Frith's certain knowledge), it had not stopped and, as far as anyone could tell, for as many years before that. The great thing was-that it must never be moved. It stood against the wainscot, and the stone flags around it had been washed so often that a little platform, my brother said, rose up inside.

"And, under this clock, below the wainscot, there was a hole...."

Text copyright 1952 and renewed 1980 by Mary Norton
Introduction copyright © 1991 by Mary Norton
Illustrations by Diana Stanley copyright Orion Publishing Group Ltd 1952
Illustration by Mary Norton copyright © 2003 by Abacus London Ltd
Foreword copyright © 2003 by Leonard S. Marcus

All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical,
including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher.

Requests for permission to make copies of any part of the work should be mailed to the following address: Permissions Department, Harcourt, Inc., 6277 Sea Harbor Drive, Orlando, Florida 32887-6777.

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