Brand New Human Being [NOOK Book]

Overview

When your compass is taken away, how do you navigate? Stay-at-home dad Logan Pyle is holding his life together by a thread: his larger-than-life father, Gus, has just died, his wife is distant, and his kindergarten-age son has regressed to drinking from a baby bottle and sucking his thumb. Complicating matters further is Bennie, Gus’s beautiful young widow, with whom Logan has a troubled past. When the thread finally snaps, Logan’s actions threaten to tear the family he treasures apart. Carried by Logan’s wry, ...
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Brand New Human Being

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Overview

When your compass is taken away, how do you navigate? Stay-at-home dad Logan Pyle is holding his life together by a thread: his larger-than-life father, Gus, has just died, his wife is distant, and his kindergarten-age son has regressed to drinking from a baby bottle and sucking his thumb. Complicating matters further is Bennie, Gus’s beautiful young widow, with whom Logan has a troubled past. When the thread finally snaps, Logan’s actions threaten to tear the family he treasures apart. Carried by Logan’s wry, original voice, this moving debut follows one man’s journey from child to parent.
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Editorial Reviews

The Washington Post
…compelling…The strength of Brand New Human Being is its realistic portrayal of trauma and its aftermath. Death, birth, disease and survival all have their messy consequences in these pages. Miller…is especially good at showing the sloppy nature of relationships in the wake of upheaval.
—Lisa Page
Publishers Weekly
The inadequacies of the father are visited upon the son in this touching, if uneven, debut. Logan Pyle had been on track to get his American history Ph.D. when his new girlfriend, Julie, got pregnant. Now, five years into their marriage, 36-year-old Logan is a stay-at-home dad to their four-year-old son, Owen, who is having difficulties at his Montessori preschool. Julie, a “knockout” and high-powered lawyer, is consumed by her latest case, and Logan is struggling to preserve his recently deceased father’s legacy, a highly-taxed “rocky rhomboid” on Missoula, Mont.’s Clark Fork Riverfront, the last remaining parcel of privately owned land. When he walks in on Julie kissing another man, Logan snaps, seizing Owen and heading on a journey that forces him to confront lingering elements of his history with his father. Compre-hending the complexities of one’s father through the lens of one’s own imperfect fatherhood is nothing new, but Miller explores Logan’s resentments and insecurities with sensitivity and nuance. The portrayals of young Owen and particularly Julie, however, remain largely flat, leaving readers to wonder whether narrator Logan will ever see his family with as much clarity as he hopes to view his own history. Agent: Lisa Bankoff, ICM. (June)
From the Publisher
"A fast-paced tale of family life ." 
— Real Simple

"What a treat to read Miller's whip-smart first novel. Brand New Human Being gripped me with its wry humor and wonderfully real characters, and kept me captivated until the last page. This is a fast-paced, first-rate book by an immensely talented new writer ."
—Curtis Sittenfeld

Miller's debut novel tackles the meaning of parenthood in the modern world . Introspective and honest, it focuses on the small dramas inside Everyman's living room: the way all parents strive to be better than they are, the way a marriage can start to fray even with the best intentions, and the way love, however elusive, is always worth fighting for. Miller’s novel is sometimes funny, sometimes heartbreaking, but always a worthy, exciting read .”
—Siobhan Fallon, author of You Know When the Men are Gone

"The strength of BRAND NEW HUMAN BEING is its realistic portrayal of trauma and its aftermath . Death, birth, disease and survival all have their messy consequences in these pages. Miller...is especially good at showing the sloppy nature of relationships in the wake of upheaval."
Washington Post

"Touching...Miller explores Logan’s resentments and insecurities with sensitivity and nuance ."
Publishers Weekly

"Miller is at her best in scenes with Logan and Owen together—dad’s brutal honesty with his son about death in general (and Owen’s near-death experience in particular) exposes the depths of his emotional frustration...the first-person-present narration gives the novel a breezy energy.  A solid debut..."
—Kirkus Reviews

Library Journal
Logan Pyle is a frustrated stay-at-home dad who doesn't know what he wants to do with his life. He abandoned his Ph.D. dissertation to marry his pregnant girlfriend, Julie, who is now an ambitious lawyer. He is increasingly resentful of his four-year-old son, Owen, who acts like an infant. Plus, Logan has complicated feelings for his father's much-younger widow, Bennie. When he stumbles upon Julie in a compromising situation with another man, Logan loses it, snatching Owen and running off to his dad's rustic cabin in Montana to regroup. One wishes for more description of the Montana setting and a greater emphasis on a side plot involving the mining industry. The ending and Logan's turnaround are abrupt. VERDICT This uneven first novel fits into a subgenre of lad lit: sad dad lit. While Logan's irrational decisions and immaturity seem realistic, not all of his interactions with his son ring true. A recurring theme is Logan's big heart, yet there is not much evidence that he has one. For a humorous, less cynical take on modern fatherhood, read Greg Olear's Fathermucker.—Christine Perkins, Bellingham P.L., WA
Kirkus Reviews
A family man is tested by his father's death, his wife's emotional distance and his son's exasperating behavior--and the crush he's nursing on his widowed stepmom isn't helping. As Miller's debut novel opens, narrator Logan Pyle is just barely keeping it together as a stay-at-home dad. His 4-year-old son, Owen, has become increasingly closed-off and rude. His lawyer wife, Julie, is little help, working long hours on a case involving ailing miners. And he's feeling pressured to sell the valuable Montana lakefront land his late father left him. Cue some heavy-handed symbolism (Logan stocking life preservers in a boating shop on the property) and a few scenes driven by Logan's fuming at helicopter moms and wealthy know-it-all dads, and it's clear a crisis is coming. Sure enough, he catches Julie flirting heavily with another man, prompting him to take Owen on an impromptu road trip to visit Bennie, the young widow of Logan's father. The two work through their own history (including a drunken flirtation that went too far) and Logan's crumbling marriage, speeding up a long-avoided reckoning with the past. Miller is at her best in scenes with Logan and Owen together--dad's brutal honesty with his son about death in general (and Owen's near-death experience in particular) exposes the depths of his emotional frustration. The sexual tension between Logan and Bennie is convincing, and the first-person-present narration gives the novel a breezy energy. Even so, stiff moments abound, as when Logan and Owen visit a church and joshingly baptize themselves, and much of the dialogue is earnestly engineered to push the chess pieces into their proper positions. The sense of manipulation increases in the closing pages, which tie the bow in a satisfying but not especially surprising way. A solid debut, though its redemption arc is predictable comfort food.
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Product Details

  • ISBN-13: 9780547734491
  • Publisher: Houghton Mifflin Harcourt
  • Publication date: 6/12/2012
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 288
  • Sales rank: 220,897
  • File size: 610 KB

Meet the Author

EMILY JEANNE MILLER studied religion at Princeton University and worked as a journalist for several newspapers before entering the Environmental Studies Program at the University of Montana. In 2002 she completed an MFA from the University of Florida.

Emily Jeanne Miller worked as a journalist for several western newspapers before earning an MS from the Environmental Studies Program at the University of Montana and an MFA from the University of Florida in Gainesville. Her short stories have appeared in The Portland Review and the North American Review, and she has been a resident at Yaddo and at the Vermont Studio Center. She lives in Washington, D.C.

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Read an Excerpt

1

MY NAME IS Logan Pyle. My father is dead, my wife is indifferent, and my son is strange. I’m thirty-six years old. My life is nothing like I thought it would be.
   The three of us plus one dog, Jerry, live in my childhood home, a sweet and sturdy Craftsman-style bungalow on a quiet block in a tree-lined section of a small Western city that was until the end of the last ice age the bed of a glacial lake. We sit at the confluence of three rivers, two of which — the Clark Fork and the Blackfoot — come together just east of town. A few miles downstream they receive a third, the Bitterroot, and the three persist across the Idaho panhandle and into the great Northwest as one. The scenery — the natural world in general — gets a lot of attention here. We’re ringed on all sides by mountains, and the sugar maples that line our streets turn outrageous shades of red and orange and gold every fall.
   So here we are, autumn. Another early morning, this one a Saturday, which means swimming lessons at Owen’s school. I’m up in his room, digging through his top drawer with one hand, balancing him awkwardly on my hip with the other.
   “Where’s the blue, Jules?” I shout in the direction of the stairs. “It’s a blue day, but I only see red. Julie,” I shout once more. A sudden pain clutches at my spine. “Fuck. Four is too big to be carried,” I tell Owen, depositing him a little roughly on the bed. Right away, his thumb is in his mouth.
   “You sure it’s blue?” asks Julie, rather dreamily, from downstairs.
   “It’s the twentieth,” I shout back. “Odd, red, even, blue.”
   “Four and three-quarters,” he says, showing me the fingers of his free hand.
   “Exactly my point. Now come on. Take that thumb out and help me look.”
   He frowns. “I don’t want to.”
   “Julie,” I shout again. I give up on the top drawer and start in on the middle. “Sometimes in life we have to do things we don’t want to do,” I tell Owen. “It builds character.”
   “What’s character?” he asks, around the thumb.
   “Pardon? I can’t understand you with that thumb in the way.”
   He takes the thumb out and says, “What’s character?” then pops it right back in. Flipping over, he buries his face in the pillow and sticks his rear end in the air.
   “Sit up like a big kid, please,” I say.
   He shakes his head, squeezes his eyes shut. “Shh. Baby sleeping.”
   “Christ, Owen, now? We have to go.”
   “Baby sleeping,” he says again. I sit down next to him and rest my hand on his rump.
   He’s been carrying on this way for weeks now — “regressing,” according to one or another of the myriad parenting books Julie’s perpetually reading half of, then quoting to me. Besides the thumb, he’s gone back to the bottle and climbing into our bed in the middle of the night, and he even insists on wearing a diaper some days under his pants. And now and then he’ll slip into an odd, German-sounding baby talk it pains me to hear. Julie insists it’s normal, or at least common — “‘a phase many children experience,’” she read aloud to me last week, while we were getting ready for bed. “‘It’s incumbent that the parents of the distressed child recognize his or her behavior as expressing a critical emotional need and react accordingly,’” she said, laying the book down. “What that means is that we have to act like whatever Owen does is okay.”
   “But it’s not okay,” I said, right before she turned out the light.
   Now I reach up and pluck his thumb out of his mouth. “Julie,” I shout once more. “Could I get a hand up here?”
   “Just give me a sec, babe,” she calls back.
   I hate yelling between floors; it’s no way to communicate. I tell Owen to stay put, but he follows me down the stairs anyway and into the kitchen, his bare feet slapping the terra cotta tiles. Julie is not here. She’s not in the living room, either, or at the built-in desk we share under the stairs, where she sometimes works in the mornings, before Owen and I get up.
   I find her in the dining room, standing in a square of sunlight by the picture window, braiding and unbraiding her hair, looking out. I pause in the doorway. I can see she’s deep in thought, and I wouldn’t be hard-pressed to guess about what. She’s a lawyer, and to say the case she’s working on at the moment takes up all her time is a gross understatement of the facts.
   I watch her take her braid in one hand and reach for the teardrop-shaped prism that hangs in the window with the other. She gives it a spin, sending shards of colored light racing around the room. Bennie, my father’s widow, hung it twenty years ago, when she first moved in. She used to say that the way the sunlight went into a prism and came spilling out in every direction was like God’s love in our hearts. Bennie is always proffering this brand of hokey/deep spiritual wisdom, which doesn’t bother me but drives Julie up the wall. After Gus died, Julie wanted to take down the prism and everything else Bennie left here, but I said no. I’m not a sentimental man, per se, but some things you just don’t feel right tossing in the trash.
   “Earth to Jules,” I say. “Come in, Jules.”
   “Mm-hm?” she says.
   She’s a knockout, my wife — by far the most attractive woman I’ve ever been with. I thought so the very first time I saw her. She was twenty-four then, an intern at my father’s firm, and she was hiding behind some holly outside the offices of Mayfield and Pyle, sneaking a cigarette. I watched her through the window while I waited for Gus. She’s a petite woman, almost a whole foot shorter than me, with long red hair that tends toward the wild, and dark, lake-water-blue eyes. And when she smiles — something she used to do regularly — she shows the sexy, sweet gap between her two front teeth, a feature she loathes no matter how many times, or in what manner, I protest.
   Watching her now, though, I’m mostly aware of how thin she’s gotten. With her hair pulled to the side, I can see the outline of her shoulder blades perfectly through the thin cotton of the old T-shirt of mine she wears, and her formerly snug Levi’s hang off her hips. When I’ve told her how skinny she looks, she smiles and says flattery will get me nowhere. “Too skinny,” I say, but she just rolls her eyes and says with everything going on with the case, she forgets half the time to eat. Meanwhile, I seem to be remembering for the both of us. Last week on the scale in the men’s locker room at the pool, I had the pleasure of learning I’m pushing two hundred pounds.
   Her mug of green tea rests on the windowsill, its paper tag hanging down one side. She picks it up to take a sip.
   “The suit?” I repeat.
   “What about it? Did Stan call back?”
   “The swimsuit, Jules, Jesus,” I say.
   “Right, of course.” She takes a Mayfield and Pyle pen from behind her ear and, leaning over the dining-room table, scribbles something on a yellow pad. When she finishes, she taps the pad with the pen, which she tucks back behind her ear. From the doorway Owen says, “Morning, Mama,” and holds up his arms.
   “Morning, baby,” she says.
   I wish she wouldn’t call him that. I shoot her a look, but it’s lost on her as she scoops him up under the arms and sets him on her hip. She may be scrawny these days but she’s still very strong. I forget how strong, sometimes. She carries him through the kitchen into the laundry room, saying, “Who’s my favorite little boy in the whole, wide world?”
   Stepping into the sunny spot she abandoned, I pick up her mug and look out at the yard (my yard, I keep having to remind myself). It’s November, but you’d never guess. Not only are the mountaintops around town still bare, we haven’t had a single hard freeze yet — barely even a frost. Fall crocuses are blooming, birds are singing. Julie takes her morning power walks in shorts. I’m not a superstitious person, I never have been, but sixty-five degrees and sunny, five days before Thanksgiving, in this part of the world? It’s just not right.
   From upstairs I hear Jerry migrating from Owen’s bedroom to the hall, his nails clicking on the hardwood floors. You know those dogs who stay right by their master’s side, every minute of the day? Who follow you from room to room, sleep under the table with their head on your feet, never let you out of their sight? Well, Jerry isn’t one of those.
   I watch a squirrel chase another up the old crabapple tree’s trunk. When Julie first moved in, five falls ago, she was enchanted (her word) with that tree. She grew up in the city and always fantasized, she told me, about having a yard with a giant apple tree. She used to talk about hanging a swing from its branches, baking pies with its fruit. But she used to talk about a lot of things. That very first October, when she actually went out and filled a bucket, she found the apples were sour, like I’d told her, and a nightmare to peel, and every year since we’ve let them fall to the ground and rot.
   This morning, I notice what a disaster the yard (my yard) has become: a muck of dead leaves and fallen fruit atop unmown grass that should have turned brown by now but has not; my father, Gus, would be appalled. He was a fanatic about the yard. If he wasn’t working, or in his workshop building or fixing things, then he’d be out here — mowing, weeding, mulching, planting vegetables every spring, waxing philosophical about the value of dirt under one’s nails.
   A not-so-minor celebrity in these parts, Gus spent the first twenty years of his career as a wunderkind systems engineer, designing and building state-of-the-art gold mines all over Montana, until one day he shocked everyone — including me — and quit. He’d been getting a law degree on the sly, and he set up shop with his old friend Stan Mayfield. Together they spent the next twenty years working to shut the gold mines down.
   My middle name, Augustus, comes from him, but that’s where the commonality ends. I’m nothing like Gus. I have no aptitude for science or math, I don’t garden, I’m no good at fixing or building anything, and most of all, I have no interest in fame. I always wanted to write. I was supposed to live a life of the mind. I was going to be a professor; when I met Julie, I was just a couple hundred pages away from my American history PhD. But then she got pregnant with Owen and, like I said, here we are. Now, instead of hallowed halls, fawning students, and microfiche, my days consist of folding laundry, shuttling Owen to and from his pricey private school, and spending what’s left of the money Julie makes, lawyering, on cruelty-free cleaning products and organic food.
   I turn away from the window just as Julie emerges from the kitchen with Owen still on her hip, only now he’s wearing his blue swimsuit, goofy yellow rain boots, his Superman cape from Halloween, and nothing else. I glance at him and quickly look away. Though he’s had it his whole life, his scar, a ragged, dark red S that runs from sternum to navel, still has the power to catch me off-guard. I’m ashamed of my squeamishness, but thankfully neither of them is focused on me.
   She puts him down and squats to his level. “Now scurry upstairs and get your backpack, quick like a bunny. Mama’s got to make a stop on the way.” Once he’s gone, she stands, smoothes down her jeans, rests her hands on her jutting hips, and looks at me. “You coming with?”
   “I can’t. I have to go to the store first. Fall inventory’s three weeks late, and we can’t open back up until it’s done.”
   “Mm,” she says, and turns to check her reflection in the ornate, gilt-framed mirror that’s been hanging on the dining-room wall since I was a kid. “Isn’t that Bill’s job?” She pulls back her hair, inspecting one side of her face and then the other. “I hope he’s paying you overtime,” she adds — a barb, since we both know Bill doesn’t pay me at all. Technically, I pay him. Bill Hawks is my oldest friend as well as my business partner; together, we run an outdoor-equipment store called The Gold Mine, though I’ll admit that in the four-plus years it’s been open, it’s been anything but.
   “Time and a half,” I say, to lighten the mood. I don’t tell Julie that I haven’t spoken to Bill in days — that Bill and I seem not to be speaking to each other — because then I’d have to tell her about the most recent offer to buy the store and the land it sits on (both of which, as of Gus’s death, belong to me), and then we’d have to devote a portion of the increasingly paltry slot of time we spend together these days not arguing, to argue about that.
   “Can you be back by noon?” she says. “Stan and I have to do phone interviews this afternoon and I haven’t prepared anything yet. I’m totally swamped.” She goes to the counter, leans on her elbows, and starts thumbing through a thick file. Her hair falls forward, hiding her face.
   That I’m not jealous, by nature, has served me well these past two months, because the fact is there’s another man in my wife’s life; or rather, there are upwards of thirty-five other men — the plaintiffs in Thomas Edgar Kowalski et al. v. Holliman Industries, some of whom are alive and many of whom are dead. Since September, when Stan promoted Julie to the case, these men have ruled our lives, or ruled Julie’s life, which in turn rules mine. I’ve tried to make her understand what it’s like, taking a back seat to these admittedly unfortunate vermiculite miners, but she isn’t particularly sympathetic. She tells me sometimes people need to put their own needs aside for a greater good, and that Stan thinks this might go all the way to the Supreme Court. It’s not only me I’m worried about, I explain; Owen’s suffering, too. “You know who’s suffering? Those poor men. This is about getting justice for them,” she says. And her ace in the hole: “Causes like this one are why your father founded Mayfield and Pyle in the first place.” The fact that her long hours mean more money, in which we’re not exactly awash these days, does little to bolster my case.
   When Owen comes back downstairs, he’s got his Mickey Mouse backpack over his cape, and he’s changed into sneakers, but still no shirt. I want to tell him to get one but a stern glance from Julie stops me cold. “Say ’bye to Dad,” she tells him, digging for her keys in her purse.
   “’Bye to Dad,” he says, and comes over to hug my legs.
   “Give ’em hell, champ,” I say, palming the top of his head. He has Julie’s blue eyes and fair skin, everyone says, and my mouth and disposition, but his dark gold curls came straight from Gus. “Remember, paddles,” I say, holding my hands up and pressing my fingers together.
   “Right, Dad, paddles,” he says, and does the same.

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Customer Reviews

Average Rating 4.5
( 23 )
Rating Distribution

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(19)

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See All Sort by: Showing 1 – 20 of 23 Customer Reviews
  • Posted June 16, 2012

    more from this reviewer

    Emily Jeanne Miller's debut novel tackles the meaning of fatherh

    Emily Jeanne Miller's debut novel tackles the meaning of fatherhood in the modern world, giving readers a flawed protagonist, Logan, who is doing the best he can to keep his family together. The scenes between Logan and his young son are heartbreakingly beautiful as Logan tries to be the kind of father he himself did not have, and yet he never quite hits the mark.
    Introspective and honest, this novel focuses on the small dramas inside Everyman's living room: the way all parents intend on being better than they are, the way a marriage can start to fray even with the best intentions, the way that love, however allusive it might be, is always worth fighting for. Logan, for all of his misunderstandings and mistakes, grows up himself over the course of the novel, and his journey is a worthy, exciting read.

    2 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted June 13, 2012

    I had no idea where this book was going or where it would take m

    I had no idea where this book was going or where it would take me, but I do know I couldn't stop reading it. The marital stress brought on by being parents was so relatable (scarily so!) and dead on. The characters were rich and real and evoked strong emotions that I found myself thinking about the wife when not reading the book and hating her while simultaneously understanding what she was going through. There's so much more I could say, but don't want to give away the complicated plot line which is FABULOUS. You won't be disappointed!

    2 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted July 31, 2012

    Beetalclaw

    I vote yes! We must stay strong!

    1 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted July 30, 2012

    Shatterstar, Volcanofang, Nightstar, Sunrise, and Treekit

    All declare war on the "major" clans.

    1 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted July 30, 2012

    3 rps

    Yes yes yes. This counts three times for three different cats.

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted June 7, 2012

    I make a point of reading new authors and, sadly, find many lac

    I make a point of reading new authors and, sadly, find many lacking. What I think Emily Jeanne Miller accomplished in her first novel was noteworthy for a number of reasons. In fewer than 300 pages, she managed to introduce the reader to characters who stayed with me and, in two cases, left me concerned about their futures. I finished the book wanting to know what would happen to Logan and his son and perhaps we will find out if the author decides to let us know in her next book. If not, I can speculate and, because they were so effectively presented, that option has its own appeal and is quite possible. I look forward to more from Ms. Miller, hopefully sooner than later.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted June 7, 2012

    I DEVOURED this book. I literally couldn't do anything else bes

    I DEVOURED this book. I literally couldn't do anything else besides read it--I took it to work to read at my desk while I ate my lunch, and found myself sitting in front of a "sleeping" computer at 2:30 in the afternoon, Brand New Human Being in hand, deadlines looming. And even then, I couldn't put it down. This is the kind of book that leaves you feeling a bit depressed when you are done, but only because you don't get to read any more of it. And yet, the characters live on. Even months after finishing it, I find myself thinking about them and what they were going through, inexplicably wondering how they are doing now. The dialogue is pitch-perfect, real and unforced--the conversations read the way conversations actually sound. And in spite of the fact that the novel is about a difficult time in the main character's life, the author has created a nuanced story is funny and hopeful. She writes so well that I recall the book as if it were a movie: I can literally picture the people and the places she describes. I hope I won't have to wait too long to read another book by Emily Miller.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted June 5, 2012

    I really enjoyed this book, and the characters have really staye

    I really enjoyed this book, and the characters have really stayed with me. The author was able to capture the male mind really well with Logan-- you really felt like you could get inside his head and see things through his eyes, through his marriage difficulties, his struggle against his father's memory, and his attempts to be a good father despite those things. And the female characters were really complex and realistic. I found myself really disliking Julie (the wife) at times, but at the same time I understood her perspective and felt for her. The writer was able to tell a meaningful, deep story that really engaged me. I found myself thinking about it even when I wasn't reading it, and I finished it in 2 days.

    I would really recommend this book and look forward to reading more from this author!

    1 out of 1 people found this review helpful.

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  • Posted November 18, 2013

    This book has been on my "want to read" list for a whi

    This book has been on my "want to read" list for a while. Having just finished it yesterday, I can honestly say I wish I had read it much sooner. This book was so well written that it is hard to believe that it was the author's first novel! Some reviews complain about not enjoying flawed characters. I disagree - these characters are real life. Her writing about fatherhood made me think how amazing that this book was written by a woman - WOW!! I did not want to put this book down even when I was supposed to be doing something else. I am hoping that Emily is hard at work writing her second novel - please!!

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  • Anonymous

    Posted November 9, 2013

    ????

    Strange, mismatched eyes peered through a window, then vanished.

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  • Anonymous

    Posted November 9, 2013

    Jade

    Sits here in the nice house. Plenty of room.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 17, 2013

    Grace

    Walks to her game room and puts blavk ops 2 in her xbox and sat in her gamer chair. She started playing zombies when she got a phone call. "Can you see im busy killing zombies?!" She yelled at her phone.~Grace

    0 out of 2 people found this review helpful.

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  • Anonymous

    Posted October 5, 2012

    Overall a good book

    0 out of 2 people found this review helpful.

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  • Anonymous

    Posted July 31, 2012

    Flamekit

    Yes... i want lilypaw and nightpaw and me to have our own clan or make one up... we ha ve our rites

    0 out of 2 people found this review helpful.

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  • Anonymous

    Posted July 31, 2012

    Cats

    Yes! Stay strong!

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  • Anonymous

    Posted July 31, 2012

    Wllowheart

    The loner pads in. "Mousebrained fools. You might as well be destroying yourselves" she meowed. Even though she was quite young her eyes had the wisdom of age

    0 out of 2 people found this review helpful.

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  • Anonymous

    Posted July 31, 2012

    Skystep onetail willowkit rockkit spinkit echopaw sparrowpaw berryleaf and blossomwing

    Skystep onetail willowkit rockkit spinkit berryleaf echopaw sparrowpaw and blosomwing all say yes!

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted July 30, 2012

    Darkturret

    War on the 7 clans!

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  • Anonymous

    Posted August 1, 2012

    All the cats i rp

    That counts as twenty say yes!

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  • Anonymous

    Posted July 30, 2012

    Pebblestream

    Pebblestream: yes.

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