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2005, New. 78'11. Opera Rara (CD). Daedalus Books, quality books, CDs and DVDs at bargain prices since 1980.

Ships from: Columbia, MD

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Product Details

  • Release Date: 8/9/2005
  • Label: Opera Rara Uk
  • UPC: 792938023120
  • Catalog Number: 231

Tracks

Disc 1
  1. 1 Eloisa, scena for voice & orchestra: Scena. Alta è la notte - Michael Costa & Avril Bardoni (4:36)
  2. 2 Eloisa, scena for voice & orchestra: Aria. Suon profondo - Michael Costa & Avril Bardoni (4:54)
  3. 3 Eloisa, scena for voice & orchestra: Cabaletta. Gemo, sospiro e fremo - Michael Costa & Avril Bardoni (3:24)
  4. 4 Bianca e Falliero, opera: Allegro. Tu non sai - Gioachino Rossini & Avril Bardoni (2:27)
  5. 5 Bianca e Falliero, opera: Moderato. Lasso! cessar di vivere - Gioachino Rossini & Avril Bardoni (2:50)
  6. 6 Bianca e Falliero, opera: Cabaletta. Ma più che onore e vita - Gioachino Rossini & Avril Bardoni (3:06)
  7. 7 Andronico, opera: Allegro. Vanne se alberghi in petro! - Saverio Mercadante & Avril Bardoni (2:32)
  8. 8 Andronico, opera: Andantino. O voce soave, D'un tenero affetto - Saverio Mercadante & Avril Bardoni (3:55)
  9. 9 Andronico, opera: Vivace. Quanto è barbaro il mio fato!... - Saverio Mercadante & Avril Bardoni (3:10)
  10. 10 Elisabetta, regina d'Inghilterra, opera: Cavatina. Quant' è grato - Gioachino Rossini & Avril Bardoni (4:05)
  11. 11 Elisabetta, regina d'Inghilterra, opera: Cabaletta. Questo cor ben lo comprende - Gioachino Rossini & Avril Bardoni (3:33)
  12. 12 Il desìo, bravura duet for 2 singers - Luigi Arditi & Avril Bardoni (8:40)
  13. 13 Amelia (or Otto anni di costanza), opera: Scena. Oh! com'è tristo. Per me quest' ogg' il sol - Lauro Rossi & Avril Bardoni (2:34)
  14. 14 Amelia (or Otto anni di costanza), opera: Cavatina. L'alma mia che in Adolfo s'apprese - Lauro Rossi & Avril Bardoni (3:04)
  15. 15 Amelia (or Otto anni di costanza), opera: Cabaletta. Se de' miei palpiti, Del mio dolore - Lauro Rossi & Avril Bardoni (2:25)
  16. 16 Carlo di Borgogna, opera: Scena. Ove siam? Feral d'intorno - Giovanni Pacini & Academy of St. Martin-in-the-Fields (3:49)
  17. 17 Carlo di Borgogna, opera: Duetto. L'ombra mira di colei - Giovanni Pacini & Academy of St. Martin-in-the-Fields (3:25)
  18. 18 Carlo di Borgogna, opera: Andantino. Carlo quel talamo - Giovanni Pacini & Academy of St. Martin-in-the-Fields (4:05)
  19. 19 Carlo di Borgogna, opera: Stretta. Perdon chiedi?...Già segnata è la tua sor - Giovanni Pacini & Academy of St. Martin-in-the-Fields (3:36)
  20. 20 Temistocle, opera: Cavatina. Tacete! ohimè, quei cantici - Giovanni Pacini & Avril Bardoni (4:07)
  21. 21 Temistocle, opera: Cabaletta. Ah! di quest' anima - Giovanni Pacini & Avril Bardoni (3:45)
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Album Credits

Performance Credits
Jennifer Larmore Primary Artist
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  • Anonymous

    Posted October 1, 2010

    A New Queen Reigns in Bel Canto Singing

    Jennifer Larmore is one of those rare artists whose career seems more pointed toward solid, strong development of the voice and the repertoire than to the glamour that the opera world seduces artists to define. Larmore is a consummate vocalist whose technique and musicality are so solid that she doubtless will be on the performing stages for many years. And here is a sparkling CD of bel canto arias and ensembles that shows her strengths and musical intelligence. Arias by such composers as Sir Michael Costa, Luigi Arditi, Lauro Rossi, and Giovanni Pacini don't exactly ring familiar bells with the general public, but here Larmore gives this fine music the communication it needs to acquaint us with some splendid operas. Larmore is well known for her Rossini roles of the known works of the composer so it is with a bow to her musicality that she offers here arias from the lesser known operas 'Bianca e Falliero' and 'Elisabetta, regina d'Inghilterra'. She also gives us portions of Mercadante ('Andronico') not readily available on the stage, and while these arias are somewhat obscure Larmore delivers them with a rich, robust vocal color and facile technique that make them important. These arias were the territory of the infamous Pauline Viardot and Maria Malibran who in many ways 'created' bel canto, and like her predecessors Joan Sutherland and Marilyn Horne, she is up there with the best of them. Various conductors and orchestras are represented on this collection (some from previous recordings of entire operas) and the support from the conductors and other singers with whom she sings ensembles is consistently fine. Jennifer Larmore's time has come and this album is titled appropriately! Grady Harp

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