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The Bread of Angels: A Journey to Love and Faith [NOOK Book]

Overview

A riveting memoir about one woman's journey into Syria under the Baathist regime and an unexpected love story between two strangers searching for meaning.
 
When Stephanie Saldaña arrives in Damascus, she is running away from a broken heart and a haunted family history that she has crossed the world to escape. Yet as she moves into a tumbling Ottoman house in the heart of the Old City, she is unprepared for the complex world that ...

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The Bread of Angels: A Journey to Love and Faith

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Overview

A riveting memoir about one woman's journey into Syria under the Baathist regime and an unexpected love story between two strangers searching for meaning.
 
When Stephanie Saldaña arrives in Damascus, she is running away from a broken heart and a haunted family history that she has crossed the world to escape. Yet as she moves into a tumbling Ottoman house in the heart of the Old City, she is unprepared for the complex world that awaits her: an ancient capital where Sunni and Shia Muslims, Christians, Alawites, Kurds, and Palestinian and Iraqi refugees share a fragile co-existence.

Soon she is stumbling through the Arabic language, fielding interviews from the secret police, and struggling to make the city her own. But as the political climate darkens and the war in neighboring Iraq threatens to spill over, she flees to an ancient Christian monastery carved into the desert cliffs, where she is forced to confront the life she left behind. Soon she will meet a series of improbable teachers: an iconoclastic Italian priest, a famous female Muslim sheikh, a wounded Iraqi refugee, and Frédéric, a young French novice monk who becomes her best friend.

What follows is a tender story of a woman falling in love: with God, with her own life, with a country on the brink of chaos, and with a man she knows she can never have. Wise, funny, and heartbreaking, The Bread of Angels celebrates the hope that appears even in war, the surprising places we can call home, and the possibility of true love.

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Editorial Reviews

Kirkus Reviews
A pious, studious Fulbright scholar's year in Syria, learning about Christianity from the Muslim point of view. In 2004, Saldana arrived in Damascus, where she learned Arabic, studied the Quran, mingled with the micro-societies inhabiting the old city and frequented the Mar Musa monastery, where she rekindled her Christian faith. Raised in San Antonio, Texas, to a half-Mexican Catholic family with a history of manic depression and violence, Saldana fled to the Middle East after college, where she felt strangely safer. She reinvented herself as a journalist in Lebanon, before moving back stateside to attend Harvard Divinity School. The author arrived in Damascus during the second Iraq war, as U.S. bombs were dropping on Baghdad, yet she received no hostility from the denizens of the Christian quarter Bab Touma, where she found a room off Straight Street. She happily ensconced herself in this "neighborhood of exiles," full of Assyrians, Palestinians and Iraqis fleeing violence, and befriended the shopkeepers, recognizing soon that her medieval Arabic was unusable and laughable. Yet taking a practical language class at Damascus University only yielded tedious sentences full of current terminology like "guns," "bombs," "politics" and "explosion." A month's stint undergoing rigorous spiritual exercises at the Mar Musa monastery plunged her into meditation on what her calling was-to become a nun, or a writer? Ultimately, she resolved to engage in the "messiness" of life, and fell in love with a young French monk, Frederic. In the second half of her memoir, the author chronicles her apprenticeship under a famous teacher of the Quran. This "lesson in personal humility" is the most affecting partof the book, and the American author's reading of the Quran in Arabic proves gracious and moving. A beautifully woven exploration of language and spirituality. Agent: Judy Heiblum/Sterling Lord Literistic
From the Publisher

“Beautiful. . . . A lovely book, filled with human longing and redemption and dazzling discoveries about faith in its many forms.” —The Oregonian

“[A] poignant memoir about hitting rock bottom in love and faith. . . . Inspired and powerful. . . . This is a fresh, courageous book that gives new meaning to the word memoir.” —Dallas Morning News

“A Middle Eastern Eat, Pray, Love.” —The Washington Post Book World
 
“Tragic, hopeful, bittersweet, tender and insightful.” —Austin American-Statesman
 
“Beautifully written. . . . The Bread of Angels is simultaneously a window into an alien culture, a spiritual journey, and a love story.” —The Free Lance-Star (Fredericksburg, VA)

“Brace yourself for an intense inner and outer journey. The Bread of Angels is a many-layered personal story, ricocheting from Damascus to Texas to the desert fathers to scruffy Cambridge. A passionate young scholar confronts war, love, the mysteries of language, and God. Stephanie Saldaña is up to the task. A brilliant debut.” —Frances Mayes, author of Under the Tuscan Sun
 
“A fascinating, back-alley travelogue of contemporary Damascus, as well as journey to the core of the Quran. Most of all, [The Bread of Angels] is an inspiring document of battle-tested faith.” —San Antonio Express-News
 
“What sets Saldaña’s book apart from so many others is the very convincing way in which she writes about prayer—and the difficulty of praying.” —Newsweek
 
“A remarkable, wise, and lovely book from a truly gifted new writer, The Bread of Angels brims with originality and insight. There is poetry here—the language and the depth of attention recall the young Annie Dillard. But this is, above all, a love story, and a compelling one. Not many people can write transcendent, mystical prose and also create a page-turner that keeps you up nights. Stephanie Saldaña’s achievement is extraordinary.” —Geraldine Brooks, Pulitzer Prize-winning author of March
 
“Saldaña vividly evokes life in [Damascus], where Arab and Armenian Christians have lived for centuries. . . . Her perceptive comments on life in Syria, her account of teaching in a Muslim school and her friendship with a female Islamic scholar who taught her about the Koran and the Muslim Jesus further enrich an already superior work. . . . Luminously rendered.” —Richmond Times-Dispatch
 
“In the tradition of Elizabeth Gilbert’s Eat, Pray, Love, Stephanie Saldaña’s The Bread of Angels is a stunning memoir that is both a contemporary spiritual quest and a sweet, surprising love story.” —Julia Alvarez, author of How the Garcia Girls Lost Their Accents
 
The Bread of Angels is an elegant and brave memoir about the spiritual journey that transformed Stephanie Saldana’s life. The unlikely setting . . . infuses her story with delightful characters and anecdotes, and powerful historical and religious associations. . . . Immensely readable and moving.” —Haaretz
 
“Stephanie Saldaña has created something of beauty out of her transformation from a life of chaos and her search for peace. [The Bread of Angels is] an elegant, dazzling memoir of a life lost and found in the ancient city of Damascus.” —Shelf Awareness
 
“A fragrant, elegantly observed journey that captures the dilapidated glory of Damascus and the resilient wit of its people. Saldaña’s tale of spiritual dislocation and self-discovery is remarkable for its poignancy and keen intelligence.” —Azadeh Moaveni, author of Lipstick Jihad and Honeymoon in Tehran
 
“Many readers will value the book for its cultural importance, for the sharp observations Saldaña makes about Americans in the Middle East, based on her knowledge of the region and her ability to demolish certain stereotypes about Christian-Islamic relations. . . . This is the type of memoir, recounting a journey to the depths of the soul, that makes the personal universal.” —America magazine
 
The Bread of Angels is dazzling, delicious, wise, brilliantly funny, endearing in every way. It is a love letter to the Middle East and to one’s own entire life, replete with doubt and fear, faith and deep connection. A masterpiece.” —Naomi Shihab Nye, author of 19 Varieties of Gazelle: Poems of the Middle East

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Product Details

  • ISBN-13: 9780385532648
  • Publisher: Knopf Doubleday Publishing Group
  • Publication date: 2/9/2010
  • Sold by: Random House
  • Format: eBook
  • Pages: 320
  • Sales rank: 903,084
  • File size: 3 MB

Meet the Author

Stephanie Saldaña grew up in Texas and received a B. A. from Middlebury College and a master’s degree from Harvard Divinity School. She was a Watson and Fulbright scholar and has won several awards for her poetry. She lives in Jerusalem and teaches at the Honors College for Liberal Arts and Sciences, a partnership of Bard College and Al-Quds University.




From the Trade Paperback edition.
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Read an Excerpt

1.
September 2004

I’ve finally found a house in Damascus.

   By house, I mean a room in a house—in this case my very own corner of a majestic, three-story Ottoman giant I stumbled upon early last week, when I was knocking on doors in the Christian Quarter of the Old City, searching for a place to live. My house was so thoroughly hidden behind high external walls that I was lucky to have noticed it at all. But from my room inside of those walls I can hear the entire world outside: church bells ringing and the call to prayer drifting through the air from distant mosques, the woman next door gossiping with her husband and the nearby vendors shouting out the prices of their wares. Every morning my neighbors scrub their laundry by hand in our single marble fountain, and in the afternoon I watch from my window as the courtyard fills up with their shirts hung out to dry, some of the arms pinned up in the air, others with their sleeves wide open, embracing the light.
 
   When I arrived in Damascus from Boston ten days ago, I had little more to my name than two black wheeled suitcases, an outdated Syrian guidebook, and a modest supply of textbook classical Arabic. I didn’t have a single friend in the city, a place to live, or even a concrete plan for what I was going to do with the next twelve months of my life. I also had no idea how to navigate the local real estate market, which is how I ended up doing the only thing that I could think of under the circumstances and knocking door-to-door in the neighborhood of Bab Touma, asking total strangers if they had any interest in giving shelter to this young, lost American girl for a year. 

   It was the beginning of September, and the summer heat was still beating down on the cobbled streets and infusing them with a blinding, almost white quality. I walked close to the alley walls, where external balconies and opposing walls would every now and then cast a thin sliver of shade that I could find respite in as I made my way from house to house. I ended up in a neighborhood just off Straight Street, the famous road where St. Paul took shelter after falling and being blinded by a flash of light on his way to Damascus. Two thousand years later, it looked more like Istanbul than ancient Rome, a labyrinth of tiny alleyways and sprawl­ing old houses pressed up so closely to one another that the roofs over­lapped into layers of red tiles. Only the very tops of the houses were visible behind the alley walls, and though every now and then a set of windows peeked out into the street, it was impossible to know if behind any given door was a tiny apartment or a palace.

   I had been searching all day, but by late afternoon I still hadn’t found anything. Several old women had rejected me outright, which is perhaps understandable when an American goes knocking door-to-door in Syria during the height of the Iraq war, asking for favors. Two other women who offered to show me their homes led me into ancient Ottoman houses that looked as if they hadn’t been renovated in a hundred years. One small, windowless room had clearly been a broom closet in its previous incarnation and had been emptied out to make just enough space for a poor and desperate student. In the second house a single toilet was being shared by all of the house’s inhabitants, who by my count numbered at least ten.

   By the time I trudged down a nondescript alley back toward the main road, I was so deflated that I was ready to retire to my grimy hotel and give up for the rest of the afternoon. I might not have knocked on the door in front of me at all, had it not been marked mysteriously by a white license plate imprinted with the English words 10 Downing Street. The rest of the house was completely concealed except for a pair of badly painted brown double doors, an iron lantern, a cluster of doorbells with their wires exposed and labeled with illegible Arabic names, and this single, enticing sign marked with the address of the British prime minister.

   So I knocked.

   A few seconds later, an old man peeked his head out of the door and, seeing me, smiled broadly as though he had been waiting all afternoon for my arrival. I liked the look of him. A thin layer of white hair had been carefully combed across his head, and he had a bristly mustache without a beard, rosy cheeks, and an oversized belly held up by polyester brown pants and a belt cinched too tightly across the waist. In fact he looked remarkably like the Wizard from The Wizard of Oz.

   “Ahlan wa sahlan!”
he announced. “Welcome! Welcome!”

   “Do you have any rooms to rent?” I asked him in my fumbling Arabic.
 
   I waited for him to shake his head and close the door in my face, but instead he beamed, swinging the front doors open with great theatricality and gesturing inside.

   “Ahlan wa sahlan! Welcome! Welcome!” he announced again.

   I could only hope that this meant yes.


I followed the Wizard through a narrow corridor and into the central courtyard, where a sprawling house unfolded before my eyes. It was a miracle of a house, completely enclosed and concealed from the outside world, the entire rectangular complex facing toward itself, with all of the rooms looking in on a marble fountain at the center of the tiled open-air courtyard. Behind wooden shutters, glass windows at all angles peered down from at least a dozen rooms. A series of outdoor staircases began in the courtyard and wound their way up to the second and third floors and the roof, making each level of the house wholly independent and yet part of the single, unwieldy whole—less a house than a miniature village. It was roughly the size of four normal houses, and my guess was that at one time an entire family of aunts, cousins, brothers, sisters, and in-laws had shared this single complex, the architecture granting them privacy from the outside world.

   The Wizard removed a heavy, ancient key hanging from a nail on the wall, the kind I had seen only in films when heroes are presented the keys to entire cities, and unlocked two wooden doors opening into a room on the ground floor. It was a generous room, containing little except for two beds, old spearmint-painted wooden beams crossing the high ceiling, and spare furniture painted with gold baroque outlines inspired by Louis XIV and left over from the French Mandate. In the front of the room, two large arched windows looked out into the courtyard to face the fountain, and I could imagine myself sitting there and writing in the mornings with the sun coming in. I knew from the instant that I saw it that this room would be mine. That it was already mine.

   The man pointed to the crumbling walls. “What could you possibly want more than this?” he asked me in Arabic so heavy with dialect that I could barely understand him. “You won’t find a better room anywhere in Damascus. This is the most beautiful room in all of Bab Touma!”

   The room was beautiful, but in that particular way that ruins are beautiful, or certain old women whose faces take on a peculiar serenity just before they die. Dust-stained curtains sagged over the windows, and large patches of white plaster were disintegrating from the walls. The courtyard doors had eroded at the bottom, and the rose and gray marble floor tiles were faded in color. Yet the room also wore a thin, almost translucent dress of light, and from the front windows I could see the branches of a citrus tree growing from the courtyard floor and extending to the highest level of the three-story house.

   The most beautiful room in Bab Touma—along with a separate kitchen with pipes held together by electrical tape, a nonflush toilet in a tiny closet near the refrigerator, and a room connected to the opposite side of the kitchen with a metal basin to wash—would cost me one hundred and forty dollars a month, including utilities. I had no idea if I was paying too much, but it was one-fourth of what I had paid for a much smaller room in a house in Boston. I shook the man’s hand to confirm our arrangement.

   “My name is Juanez,” he told me. “You know, the name from Brazil, Juanez? I lived many years in Brazil.”

   “My name is Stephanie.” 
  
   "Stephanie? Stefanito!” He mimicked an Italian accent, raising his eyebrows suggestively and talking in the air with his hands. “Ciao Stefanito! Stephanissimo!” He abruptly changed accents and began speaking in a deep, suave voice. “Bonjour, Stefanito. Tu parles Francese?”

   “No.”

   He shrugged. “Too bad. Ju parle Francese. Do you speak Portuguese? Italiano? Turki? Armenian?” He chuckled. “I speak all of these languages très bien. Do you understand me? Très bien. If you need anything here you come to me, do you hear me? You don’t go to anyone else. I can take care of everything.

   “Ahhh, Stefanito,” he continued. “Are you studying Arabic here? What is this Arabic you speak? Where did you learn that? Don’t you know that no one speaks like that? You must learn to speak Arabic the way we speak it. I’m Armenian and I can speak Arabic just like the Arabs. Where are you from?”

   Just trying to understand his sentences was exhausting me. “Amer­ica,” I told him.

   He snorted. “America? Do you know George Bush? Ha, ha.”

   I turned to shut the door to my new room, but then I felt his hand on my shoulder. He leaned in close to my face. “Stefanito, it really is the best room in Bab Touma,” he assured me. “It isn’t noisy like other places. Here people will leave you alone.”


The next day I was awakened at seven in the morning by church bells chiming from the direction of the Roman Catholic church down the street, faintly, but still in long and rapid succession. A few minutes later a set of louder, more insistent bells joined from the opposite direction of the Greek Catholic church across the road. Soon, bells from what must have been the Greek Orthodox church started ringing from the west, and finally what I guessed were the Armenians from the east, until I resigned myself to the cacophony that clearly would awaken me each day.
After fifteen minutes the bells quieted down, and I managed to slowly coax myself back to sleep. But, just as I was drifting off, the sound of men yelling and the violent clapping of horse hooves against stone jolted me awake.

   Maharim! Maharim! Maharim! Maharim!


   Gaz! Gaz! Gaz! Gaz!


   Watermelons, twenty lire! Watermelons, twenty lire! I have peaches! Peaches! Peaches!


   I crawled out of bed, and, mindful of my modesty even in my half-awakened state, I threw on a pair of jeans and a long-sleeved T-shirt. Then I walked across the courtyard, ducking beneath the clothes hung out the night before, which were now dry and gleaming under the early morning sun. On the other side of the clotheslines I found my way through the corridor and to the front door and peered cautiously outside. Somehow, in the previous five minutes, the alley in front of my house had morphed into a one-ring circus. Just in front of me, a tissue-paper vendor was pacing back and forth, steering a cart piled high with mountains of Kleenex wrapped in plastic bags and shouting at the top of his lungs:

   Maharim! Maharim! Maharim! Maharim!


   Ahead of him, a gas vendor with a cap perched on his head was bouncing up and down on a wagon drawn by a black horse festooned with ostrich feathers, beating a metal wrench against the tin gas canisters like he was playing brass cymbals in a marching band. 

   Gaz! Gaz! Gaz! Gaz!


   Cantaloupe and banana carts wove back and forth, taxis honked, and neighbors greeted one another by yelling above the traffic.

   Sabah-al kheir! How’s your health? How’s your family? My God, it’s hot today, isn’t it?


   I closed the door, snapped the latch back into place, and made my way through the laundry again and back to my bedroom. It was only my third morning in Damascus, I was still jet-lagged and exhausted from my marathon house search, and I was determined to get at least a few hours’ more sleep. But the street vendors had set in motion a series of events that I could not undo. Five minutes later, I heard a knocking on the window, and when I got up to pull the dusty curtains aside, the grinning, whiskered face of the Wizard was staring back at me.

   “Yalla, Stefanito!” he shouted. “It’s time for coffee!” And so my first day in the house off Straight Street began, to a strong glass of muddy Arabic coffee, in the most beautiful house in Bab Touma, where everyone will leave you alone.


I had come to Damascus on a Fulbright fellowship to study the prophet Jesus in Damascus, the Muslim prophet who many locals believed would one day descend from heaven and alight upon the eastern minaret at the Umayyad Mosque, just a few minutes from my new house, to announce the coming of the end of time. It was perhaps not the most obvious research topic for a Catholic from Texas, but then little had seemed obvious in my life for a long time. I had spent much of my twenties working and studying in the Middle East, and what I had discovered about Islam had surprised me. In Egypt and in Lebanon, in Jordan and in the West Bank, I had often heard Muslims speaking of Jesus and Mary with reverence, calling Jesus by his Islamic name—The prophet 'Issa, peace be upon him—and even quoting to me the stories of his life. More than once, I came upon Muslim women in their headscarves visiting Christian shrines to the Virgin Mary, or Maryam, paying homage to the woman in the Quran who is known for her piety.

   My fellowship was specifically to study Islam for a year in Syria, the American government’s modest attempt to foster greater American understanding in a post–September 11 world. But I was just as eager to learn about Christians living and practicing their faith in an Islamic country, which was why I was excited about finding a house in the ancient Christian neighborhood of Bab Touma. Growing up in Catholic schools, I had always been taught that Christianity was a “Western religion” and Islam an “Eastern religion,” but my journeys in the previous years had turned all of that on its head. I had visited nearly-two-thousand-year­-old Christian communities in Egypt and talked to Arabic-speaking Christians living in Palestinian cities who dated their origins back to the time of Jesus. I had stared at ancient Christian maps on church floors in Jordan and walked through villages of Arab Christians still speaking the language of Jesus. I traveled through the cities in Turkey where St. Paul had spread the gospel. In time I learned that Christianity had come of age largely in countries we now see as Eastern and Muslim. None of those countries fascinated me more than Syria, where the famous Umayyad Mosque was once a cathedral holding the relics of St. John the Baptist and where over a million Arabic-speaking Christians still live in one of the most vibrant Islamic countries in the world.

   For the past two years I had been preparing myself for this journey, studying Arabic, Eastern Christianity, and Islam at divinity school, reading as much as I could about the history of Islam in Syria, where Muslims and Christians had been living side by side for more than a thousand years, ever since St. John of Damascus had served under the Umayyad government in the eighth century and had famously mistaken Islam for just another Christian heresy. My plan was to study enough Arabic in Damascus so that I could finally read the Quran in the original language and have a chance to speak to Muslims about the role of Jesus and Mary in their faith.

   That is, at least, what I told myself as I settled into my room in Damascus. The truth was, I was running away from a broken heart.

From the Hardcover edition.

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Reading Group Guide

1. In the beginning of the book, Stephanie is faced with a difficult decision: pursue a Fulbright scholarship in Damascus—an utterly foreign place—or stay in Cambridge, where she is comfortable with a man she loves, but who doesn’t love her in the same way. Have you ever been confronted with a dilemma like hers? How have you resolved or coped with it? Looking back on it, would you have done anything differently?

2. When Stephanie arrives in Syria, she is faced with many intimidating challenges, such as learning Arabic through the “vocabulary of war” and navigating a culture that often clashes with her own experiences. How well do you think she handles these obstacles? If you were in her place, how would you have reacted? Could she have done things differently?

3. The narrative paints a fascinating portrait of Damascus, a city of paradoxes, where members of opposing faiths, ideologies, and cultures live side-by-side peacefully—and frequently under the threat of war. What do you think it would be like to live in a society like that? How do you think you would approach the demands and daily interactions of your life if you lived in a place like Damascus

4. A major theme in the book is the individual quest to find God. This search for faith can be carried out in many ways. What is your opinion of how Stephanie pursued this? Reflecting on your own situation, have you experienced a similar search for meaning or significance in something in your life? How have you pursued that?

5. Multiple characters reveal that they draw on aspects of different cultures, traditions, and religions to form their own beliefs and decisions. What factors, if any, do you think have influenced your outlook, actions and beliefs?

6. Out of the many people Stephanie meets on the streets of Damascus and in the monastery, who is your favorite and why? What qualities or characteristics do you like and/or dislike about this character? What do you think they exemplify about Stephanie’s struggle and life in the Middle East?

7. Stephanie refers to her lessons on the Quran as “lessons in humility.” What about studying the Quran is so difficult for her? What does she learn about herself and her own faith through this experience? Have you ever had a similar experience in which you understood some new aspect of yourself only by confronting someone or something very different?

8. In the monastery, the mosque, and in Damascus, Stephanie meets some incredible women. How did they influence and challenge her? What surprised you most about their lives?

9. While Stephanie is struggling in the aftermath of the Spiritual Exercises, Frédéric tells her: “You don’t believe in resurrection.” What do you think he means? Does Stephanie succeed in finding resurrection by the end of her journey?

10. At one point in her journey, Stephanie prays that she might learn how to be a “novice in love.” What did you think of that request? By the end of her journey, who and what are some of the things she has learned how to love that she couldn’t before?

11. The ending of The Bread of Angels is open, leaving the reader to imagine what happens next. What do you think happens?

(For a complete list of available reading group guides, and to sign up for the Reading Group Center e-newsletter, visit www.readinggroupcenter.com.)

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Customer Reviews

Average Rating 3.5
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Sort by: Showing all of 11 Customer Reviews
  • Posted March 11, 2010

    Be true to yourself in all things.

    I absolutely love this book. For its beautiful prose, its beautiful love story, its search for meaning, the way it shares other cultures, especially ones that are so foreign to many in these trying times. It teaches us that we are all one, that we are more alike than different, and the differences we have are not so scary. I admire Stephanie for her courage to travel alone to places I would not dare to go alone, I admire her for opening her heart so that we could learn from her journey. This is a book I will keep on my bookshelf forever to read and reread. Thank you Stephanie Saldana.

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  • Anonymous

    Posted February 9, 2010

    gorgeously romantic memoir

    This story of the author's year in Damascus, Syria, is filled with almost unimaginable riches. There's something in this narrative for everyone - from the romantic who will be stirred by the author's love story, to the reader interested in the Middle East who will be enlightened by the author's unpretentious insights into the region and its people, to the seeker who will be moved by the author's journey to renewed faith. Highly recommended.

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