Breakup Song

Editorial Reviews

All Music Guide - Heather Phares
Over the course of their ten previous albums, Deerhoof wrote more songs about milkmen and dogs than falling in, or out, of love, but Breakup Song evens the score a little bit. In true Deerhoof fashion, though, this album is less about moping -- the title track even has "hell yeah" in the chorus -- and more about relationships, and songs, falling apart into exciting new forms. The band takes the album's name quite literally on a musical level; nearly every track is rife with jagged textures and jarring contrasts. "There's That Grin" throws together bubbly electro beats and ping-ponging electric guitars and snippets, and though its initial randomness sounds like the whole ...
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Editorial Reviews

All Music Guide - Heather Phares
Over the course of their ten previous albums, Deerhoof wrote more songs about milkmen and dogs than falling in, or out, of love, but Breakup Song evens the score a little bit. In true Deerhoof fashion, though, this album is less about moping -- the title track even has "hell yeah" in the chorus -- and more about relationships, and songs, falling apart into exciting new forms. The band takes the album's name quite literally on a musical level; nearly every track is rife with jagged textures and jarring contrasts. "There's That Grin" throws together bubbly electro beats and ping-ponging electric guitars and snippets, and though its initial randomness sounds like the whole album condensed and then tossed into a blender, there's a method to Breakup Song's seeming madness. Deerhoof use some of their favorite tricks on these songs, such as wild juxtapositions of sound and mood, but use them in far bolder ways than they have in some time, distilling these twists and turns into concentrated blasts of weirdo-pop that grow more addictive with repeated listens. The way that heavy synths shift to a boogie rock beat on "To Fly or Not to Fly," for example, might be more startling than the band's approach on albums such as Deerhoof vs. Evil, but it resolves itself into a kind of anti-hook that just might be more memorable than something that was catchy from the start. Of course, there are also plenty of immediately hooky moments as well, such as the fittingly pixilated sounds of the imaginary video game jingle "Mario's Flaming Whiskers III Out Now," but Breakup Song's best moments pair the album's frantic sonics with lyrics that are more grounded in a reality familiar to most listeners than many of the band's previous songs. "Zero Seconds Pause" manages to capture the rush of being on the dancefloor while not being particularly danceable in its own right, while "The Trouble with Candyhands" soundtracks Satomi Matsuzaki's realization that her guy has been a "bad boy" when he brings her flowers with mambo rhythms and bouncy guitar pop, making for one of the band's best singles in some time. "Fete D'Adieu" closes the album with a pretty musical and romantic truce as Matsuzaki sings about "a muscle in the heart," the kind that can only get stronger with some wear and tear. Deerhoof pack love lost and won again -- along with dancing, parties, and video games -- into an album the length of the average sitcom, and while the band releases albums so frequently that they risk burnout among all but the most dedicated fans, Breakup Song is fresh and addictive enough to make listeners fall in love all over again.
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Product Details

  • Release Date: 9/4/2012
  • Label: Polyvinyl Records
  • UPC: 644110024428
  • Catalog Number: 244
  • Sales rank: 16,354

Album Credits

Performance Credits
Deerhoof Primary Artist
Technical Credits
John Dieterich Composer, Engineer, Mastering
Greg Saunier Composer, Engineer, Mastering
Satomi Matsuzaki Composer, Engineer, Mastering
Ed Rodriguez Composer, Engineer, Mastering
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