Brice Marden: Paintings and Drawings

Overview

Perhaps the most important artist of his generation, Brice Marden has not once but twice given new life to abstract painting. First, in the 1960s, and again, in the 1980s, he has given the lie to the pronouncements of abstract paintings' demise.
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New York 1992 Hardcover First edition Good in Very Good jacket 1992, First Edition. Hardcover, small folio. Illustrated throughout. 239 pp. Good copy in a Very Good dust jacket. ... Signs of dampstaining visible on the covers; but the contents are clean and unmarked and show no signs of damage. The DJ has some light crinkling and scratching; spine faded a touch. DJ now in mylar cover. A large and heavy book that may require extra postage. Read more Show Less

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Hardcover Good 0810936275 Binding solid, pages crisp and clean, no markings found. Not ex-library but there is a small faint spill spot at base edge of text block and cloth ... covered board. Dust jacket bright and shiny with small chip at top of spine and small tear at base, also some scratches, scuffs and dents. Extremities lightly bumped with minimal tip wear. No expedited or oversize shipping. Read more Show Less

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Hardcover Good 0810936275 Good in a Good Jacket; Hardcover; 1992, Abrams Publishing; Former library copy with standard library markings; Jacket is shelfworn and edgeworn, but ... is present and intact (Now fitted with a new, Brodart jacket protector); Moderate wear to boards; Library stamps to endpapers; Text pages clean & unmarked; Good binding with straight spine; Large Format; White dust jacket with art illustration, and title in black lettering; 252 pages; "Brice Marden: Paintings and Drawings, " by Klaus Kertess. Read more Show Less

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Overview

Perhaps the most important artist of his generation, Brice Marden has not once but twice given new life to abstract painting. First, in the 1960s, and again, in the 1980s, he has given the lie to the pronouncements of abstract paintings' demise.
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Editorial Reviews

Publishers Weekly - Publisher's Weekly
Brice Marden's art is deceptively austere. Within the seemingly narrow color range of his paintings and drawings, he orchestrates remarkable thematic variations of color, light, scale and mood. His monochromatic gray palette of the 1960s, expressing a ``vocabulary of ambiguities,'' gave way to limpid motions and a neoclassical exploration of color-and-light relationships. Kertess, a curator at New York City's Whitney Museum, links the elemental grace of Marden's more recent works to this American artist's summer sojourns on Hydra, a Greek island in the Aegean Sea. In Marden's organic, cellular structures, Kertess sees the influence of Chinese calligraphy and Marden's trips to the Far East. Illustrated with 158 plates (133 in color), this handsome monograph follows Marden's metamorphosis from a pure abstractionist to an artist seeking to objectify the spiritual, as he does in his Annunciation series and in the Elements, which are symbolic paintings rooted in medieval alchemy. (Nov.)
Library Journal
This liberally illustrated retrospective look at Marden's work provides the first comprehensive visual overview of his creative output from the 1950s through the 1980s. In a brief accompanying essay, Kertess, formerly Marden's art dealer and now with the Whitney Museum of American Art, gives a tantalizing glimpse into the life and works of the artist. Unfortunately, discussions of the works illustrated in the book are not cited by page or plate number, making quick reference difficult. Still, the extensive bibliography and detailed list of exhibitions make this a useful research tool. Recommended for large collections on U.S. or contemporary art. --Martin R. Kalfatovic, Natl. Museum of American Art/Natl. Portrait Gallery Lib., Smithsonian Inst., Washington, D.C.
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Product Details

  • ISBN-13: 9780810936270
  • Publisher: Abrams, Harry N., Inc.
  • Publication date: 9/1/1992
  • Pages: 252
  • Product dimensions: 12.02 (w) x 15.71 (h) x 1.34 (d)

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