Bridging Textures

Editorial Reviews

All Music Guide - William Ruhlmann
After a career as a music executive, Jim Hudak moved to San Francisco and began working as a full-time pianist, performing in clubs, hotels, and elsewhere. He also began recording albums that he released on his own Brainstorm Records label, discs devoted to well-known pop songs, but with a handful of originals mixed in. On his fifth album, Bridging Textures, he has finally turned to all originals, and he has even gotten new age stalwart Will Ackerman to produce the disc, so this seems intended to be something more than just another CD to sell at gigs. The compositions go back quite a few years, dating all the way back to the closing piece, "Song of Achievement," which ...
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Editorial Reviews

All Music Guide - William Ruhlmann
After a career as a music executive, Jim Hudak moved to San Francisco and began working as a full-time pianist, performing in clubs, hotels, and elsewhere. He also began recording albums that he released on his own Brainstorm Records label, discs devoted to well-known pop songs, but with a handful of originals mixed in. On his fifth album, Bridging Textures, he has finally turned to all originals, and he has even gotten new age stalwart Will Ackerman to produce the disc, so this seems intended to be something more than just another CD to sell at gigs. The compositions go back quite a few years, dating all the way back to the closing piece, "Song of Achievement," which he wrote when he was 12 years old. In addition to his acoustic piano (and, on two tracks, acoustic guitar), he has brought in occasional bass, percussion, saxophone, violin, and accordion, though there are never more than four musicians playing on a track, and usually only two or three. Although these are originals, a career of working with songwriters at the licensing agencies ASCAP and SESAC has given Hudak a mainstream pop sensibility that comes out in light, attractive melodies and simple, seamless playing. In fact, much of the time it's possible to suppose that the music is an interlude in some song by a '70s singer/songwriter like Joni Mitchell or Carole King, who is just about to come back in with the next verse. Instead, the pieces flow on calmly until they conclude or fade. It's easy to imagine that Hudak has been slipping these tunes in here and there among the familiar tunes he plays at his engagements without anyone being the wiser, since they sound enough like something familiar themselves not to disturb the diners who happen to hear them.
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Product Details

  • Release Date: 3/13/2007
  • Label: BRAINSTORM RECORDS
  • UPC: 837101119504
  • Catalog Number: 1005

Album Credits

Performance Credits
Jim Hudak Primary Artist, Guitar, Piano
Michael Manring Fretless Bass Guitar
Mary Fettig Saxophone
Tracy Silverman Violin
Suzy Thompson Cajun Accordion
Derrik Jordan Percussion
Technical Credits
Will Ackerman Producer
Steve Savage Engineer
William Sullivan Composer
Corin Nelsen Engineer, Mastering
Jim Hudak Composer, Producer, Liner Notes
Taylor Barefoot Engineer
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