A Brief History of the Masses: Three Revolutionsby Stefan Jonsson
Pub. Date: 07/30/2008
Publisher: Columbia University Press
Stefan Jonsson uses three monumental works of art to build a provocative history of popular revolt: Jacques-Louis David's The Tennis Court Oath (1791), James Ensor's Christ's Entry into Brussels in 1889 (1888), and Alfredo Jaar's They Loved It So Much, the Revolution (1989). Addressing, respectively, the French Revolution of 1789, Belgium's/i>/i>/i>
Stefan Jonsson uses three monumental works of art to build a provocative history of popular revolt: Jacques-Louis David's The Tennis Court Oath (1791), James Ensor's Christ's Entry into Brussels in 1889 (1888), and Alfredo Jaar's They Loved It So Much, the Revolution (1989). Addressing, respectively, the French Revolution of 1789, Belgium's proletarian messianism in the 1880s, and the worldwide rebellions and revolutions of 1968, these canonical images not only depict an alternative view of history but offer a new understanding of the relationship between art and politics and the revolutionary nature of true democracy.
Drawing on examples from literature, politics, philosophy, and other works of art, Jonsson carefully constructs his portrait, revealing surprising parallels between the political representation of "the people" in government and their aesthetic representation in painting. Both essentially "frame" the people, Jonsson argues, defining them as elites or masses, responsible citizens or angry mobs. Yet in the aesthetic fantasies of David, Ensor, and Jaar, Jonsson finds a different understanding of democracy-one in which human collectives break the frame and enter the picture.
Connecting the achievements and failures of past revolutions to current political issues, Jonsson then situates our present moment in a long historical drama of popular unrest, making his book both a cultural history and a contemporary discussion about the fate of democracy in our globalized world.
- Columbia University Press
- Publication date:
- Columbia Themes in Philosophy, Social Criticism, and the Arts Series
- Edition description:
- New Edition
- Product dimensions:
- 6.20(w) x 9.10(h) x 1.00(d)
- Age Range:
- 18 Years
Table of Contents
List of Illustrations1789: Jacques-Louis David, The Tennis Court Oath 1. Seizing the Floor2. The Shadow of Democracy3. The Number of People4. The Swinish Multitude5. Social Depths6. The Hydra7. Marianne8. Les Misérables9. The Barricade10. Making Monkey11. Smokescreens12. Mass Grave1889: James Ensor, Christ's Entry Into Brussels in 1889 13. The Crucified14. The Belgian's Glory15. Divorce16. Hallucinations17. Society Degree Zero18. The Nigger19. The Modern Breakthrough20. Songs of the Fool21. Homo Sacer1989: Alfredo Jaar, They Loved It So Much, the Revolution 22. The Beloved23. The Backside of the State24. The Empty Throne25. Political Violence26. With Nails of Gold27. Of Men and Beasts28. Desperados29. Autoimmunity30. Saints31. Complaints32. The Baggage of the Barbarians33. DepartureAfterwordNotesIndex
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