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Steven Moore[Frey's] ambition may have been to write the definitive novel of L.A., to do for that city what Joyce did for Dublin, Dos Passos did for Manhattan or Durrell did for Alexandria. If so, he may have succeeded; Joyce boasted that if Dublin were to disappear, it could be reconstructed from his Ulysses, and Frey could make the same claim for Bright Shiny Morning…[it] reads quickly, has great dialogue and some expertly paced dramatic moments, teaches you more about L.A. than you ever knew, and makes the case (posited by an artist near the end) that Los Angeles is the new New York, on its way to becoming the cultural capital of the world. Or it could all be a stinging satire of the most violent, corrupt, polluted, pretentious, money-mad place in America. Works either way.
—The Washington Post