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| Thelonious Monk | Primary Artist, Piano, Celeste, Soloist |
| Ernie Henry | Alto Saxophone |
| Oscar Pettiford | Bass |
| Max Roach | Drums, Timpani |
| Sonny Rollins | Tenor Saxophone |
| Clark Terry | Trumpet |
| Harry Barris | Composer |
| Jack Higgins | Engineer |
| Orrin Keepnews | Producer, Liner Notes, Reissue Producer, Audio Production, Annotation |
| Thelonious Monk | Composer |
| Joe Tarantino | Remastering |
| Paul Bacon | Cover Design |
| Gordon Clifford | Composer |
| Larissa Collins | Art Direction |
Editorial Reviews
All Music Guide - Ken Dryden
Thelonious Monk's third album for Riverside was a good bit more adventurous than his first two, which were designed to make him a little more accessible. Lining up Sonny Rollins on tenor sax and Ernie Henry on alto, with drummer Max Roach and bassist Oscar Pettiford, everything seemed like it would fall into place. But as producer and liner note writer Orrin Keepnews explained, some of Monk's compositions were difficult, especially "Brilliant Corners," which given the lack of rehearsal necessitated that multiple takes be spliced together, though the result is clearly worth the effort. Monk's new blues "Ba-Lue Bolivar Ba-Lues-Are" has a jaunty air in its extended debut. ...