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| Vincent Henry | Banjo, Guitar, Harmonica |
| David Rogers | Trumpet, Flugelhorn, Kazoo |
| Leroy Clouden | Percussion, Drums |
| Lafayette Harris Jr. | Conductor, Keyboards |
| Lucio Hopper | Bass, Electric Bass |
| Zane Mark | Clarinet, Flute, Bass Clarinet, Conductor, Keyboards, Alto Saxophone, Tenor Saxophone |
| Vincent Bingham | Tap Dance |
| Ann Duquesnay | Vocals, Track Performer |
| Baakari Wilder | Vocals, Tap Dance, Track Performer |
| Jeffrey Wright | Vocals, Track Performer |
| Savion Glover | Tap Dance, Track Performer |
| Jared Crawford | Percussion, Vocals |
| Raymond King | Percussion |
| Jimmy Tate | Tap Dance |
| David Hewitt | Engineer |
| Zane Mark | Director |
| James Nichols | Producer, Engineer |
| Daryl Waters | Orchestration |
| Neil Perry | Contributor |
| Phil Gitomer | Engineer |
| Paul Scher | Art Direction |
| Lawrence Manchester | Contributor |
| George C. Wolfe | Liner Notes |
| James P. Nichols | Producer |
Editorial Reviews
All Music Guide - Adam Greenberg
Savion Glover's smash Broadway hit Bring in 'da Noise Bring in 'da Funk took critics by storm, and this album is a live recording of a performance of the show. The album progresses through five main movements of black history and tap. "In 'da Beginning" pertains to the slave era. "Urbanization" portrays the Chicago black scene. "Where's the Beat" deals with the progression of dancing. "Street Corner Symphony" deals with the new urban era, and "Noise/Funk" is a demonstration of the prowess of Glover and his comrades in hittin', the new style of tap created by Glover, which involves less of the visual show associated with dance, and serves primarily to create music with ...