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Bring on the Comets

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Editorial Reviews

All Music Guide - Jason Lymangrover
Instead of trying to create a futuristic Daft Punk dance-funk on Bring on the Comets, VHS or Beta borrow from the decadent '80s, taking notes on forming pop songs from their alt predecessors, Depeche Mode and Tears for Fears. The grooves that were once the cornerstone for their early work are much less noticeable here, as they've been draped with grandiose, sweeping choruses. Becoming more concise and memorable songwriters is a good thing, but now the result is too much like straight-up '80s pop sprinkled with dance-punk sensibilities. The songs are so polished and dipped in sheen that they beg for a raw moment where the smooth knob is turned to the left. Glistening ...
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Editorial Reviews

All Music Guide - Jason Lymangrover
Instead of trying to create a futuristic Daft Punk dance-funk on Bring on the Comets, VHS or Beta borrow from the decadent '80s, taking notes on forming pop songs from their alt predecessors, Depeche Mode and Tears for Fears. The grooves that were once the cornerstone for their early work are much less noticeable here, as they've been draped with grandiose, sweeping choruses. Becoming more concise and memorable songwriters is a good thing, but now the result is too much like straight-up '80s pop sprinkled with dance-punk sensibilities. The songs are so polished and dipped in sheen that they beg for a raw moment where the smooth knob is turned to the left. Glistening keyboard arpeggios melt behind the Simon LeBon-like vocal crooning while kick thump and delayed guitar riffs are stacked upon track after track until all the tracks blend together in bland mediocrity. This isn't to say that the songs are monotonous. There are interesting chord changes prevalent, especially in moments like the chorus of "Can't Believe a Single Word" marinated in Rick Springfield guitar chunks or the surprising swing to the XTC hook of "Love in my Pocket," and it wouldn't be accurate to call Bring on the Comets predictable, but the stylish gloss of it all just sounds, well, samey. The songs aren't remarkable and they aren't bad, they're just there. Big catchy hooks are interesting at first, especially on "Fall Down Lightly," but the disc ultimately doesn't merit more than a couple listens before cooling off and becoming passé. The good news is that the band seems to be moving towards a bright white light, away from the Killers style dance-punk, evolving, and getting closer to finding their own style. They're not quite there yet, but they're definitely on the hunt, rummaging around for something better.
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Product Details

  • Release Date: 8/28/2007
  • Label: Astralwerks
  • EAN: 5099950247325
  • Catalog Number: 02473

Album Credits

Performance Credits
VHS or Beta Primary Artist
Jim James Acoustic Guitar, Background Vocals
Carl Broemel Pedal Steel Guitar
Bo Koster Piano
Mark Palgy Bass
Craig Pfunder Guitar, Piano, Vocals
Mark Guidry Drums
Technical Credits
Fred Kevorkian Mastering
Brandon Mason Producer, Engineer
Greg Foley Cover Art
Mark Petaccia Engineer
Mark Palgy Composer
Craig Pfunder Composer
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Customer Reviews

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Sort by: Showing 1 Customer Reviews
  • Posted October 1, 2010

    I Also Recommend:

    Great stuff!

    This record is not groundbreaking or super new and different, and that's okay. This is the first VHS or Beta record I bought and will not be the last. It has been in my CD changer since I bought it more than two years ago and I listen to it at least 3 to 4 times a week all the way through. Bring on the Comets is good, solid alternative rock.

    Was this review helpful? Yes  No   Report this review
Sort by: Showing 1 Customer Reviews