British Guitar Music

Editorial Reviews

All Music Guide - Blair Sanderson
Julian Bream urged several British composers to compose for the guitar, to expand both the repertoire and the instrument's possibilities beyond the styles and conventions of Spanish guitar music. Yet it is odd to note how they turned, almost reflexively, to Spanish music for inspiration, and how many of their pieces retained its most salient features. Despite the modernist touches, the "Bagatelles 5" by William Walton are not that far removed from the moods or techniques found in flamenco music or in modern concert works by Spanish composers. The same may be said for the pieces by Lennox Berkeley -- the "Sonatina," the "Theme and Variations," and "Pi?ces 4" -- and ...
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Editorial Reviews

All Music Guide - Blair Sanderson
Julian Bream urged several British composers to compose for the guitar, to expand both the repertoire and the instrument's possibilities beyond the styles and conventions of Spanish guitar music. Yet it is odd to note how they turned, almost reflexively, to Spanish music for inspiration, and how many of their pieces retained its most salient features. Despite the modernist touches, the "Bagatelles 5" by William Walton are not that far removed from the moods or techniques found in flamenco music or in modern concert works by Spanish composers. The same may be said for the pieces by Lennox Berkeley -- the "Sonatina," the "Theme and Variations," and "Pièces 4" -- and Richard Rodney Bennett's "Impromptus 5"; if played in a blindfold test, it is likely that the average listener would mistake these pieces for Rodrigo or Ponce, so strong are the similarities. Exceptions to this stylistic imitation may be found in the folk-ish "Farewell to Stromness" by Peter Maxwell Davies, and in the fairly abstract "Elegy" by Alan Rawsthorne; but these short works do not represent significant departures, and do little to alter the strong Iberian flavor of this CD. Guitarist Graham Anthony Devine plays the works with sensitivity and great technical control, and Naxos offers its usual fine sound quality.
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Product Details

  • Release Date: 1/18/2005
  • Label: Naxos
  • UPC: 747313204021
  • Catalog Number: 8557040
  • Sales rank: 153,525

Tracks

Disc 1
  1. 1–5 Bagatelles (5) for guitar - William Walton & Graham Anthony Devine (13:37)
    Composed byWilliam Walton
    1. 1 Allegro
    2. 2 Lento
    3. 3 Alla Cubana
    4. 4 (Lento)
    5. 5 Con Slancio
  2. 6 Farewell to Stromness, piano interlude from "The Yellow Cake Revue", J. 166 - Peter Maxwell Davies & Graham Anthony Devine (3:49)
    Composed byPeter Maxwell Davies
  3. 7 Elegy for guitar (completed by Julian Bream - Alan Rawsthorne & Graham Anthony Devine (7:24)
    Composed byAlan Rawsthorne
  4. 8–10 Sonatina for Guitar, Op. 52/1 - Lennox Berkeley & Graham Anthony Devine (12:32)
    Composed byLennox Berkeley
    1. 8 Allegretto
    2. 9 Lento
    3. 10 Rondo - Allegro non troppo
  5. 11 Theme and Variations for guitar, Op. 77 - Lennox Berkeley & Graham Anthony Devine (6:52)
    Composed byLennox Berkeley
  6. 12–15 Pièces (4) for guitar, Op. Posth. - Lennox Berkeley & Graham Anthony Devine (9:31)
    Composed byLennox Berkeley
    1. 12 Moderato ma con brio
    2. 13 Andante con moto
    3. 14 Lento (Sarabande)
    4. 15 Allegro, energico
  7. 16–20 Impromptus (5) for guitar - Richard Rodney Bennett & Graham Anthony Devine (8:07)
    Composed byRichard Rodney Bennett
    1. 16 Recitativo
    2. 17 Agitato
    3. 18 Elegiaco
    4. 19 Con fuoco
    5. 20 Arioso
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Album Credits

Performance Credits
Graham Anthony Devine Primary Artist
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