Brown Girl Dreamingby Jacqueline Woodson
Jacqueline Woodson, one of today's finest writers, tells the moving story of her childhood in mesmerizing verse.
Raised in South Carolina and New York, Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and/i>
Jacqueline Woodson, one of today's finest writers, tells the moving story of her childhood in mesmerizing verse.
Raised in South Carolina and New York, Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement. Touching and powerful, each poem is both accessible and emotionally charged, each line a glimpse into a child’s soul as she searches for her place in the world. Woodson’s eloquent poetry also reflects the joy of finding her voice through writing stories, despite the fact that she struggled with reading as a child. Her love of stories inspired her and stayed with her, creating the first sparks of the gifted writer she was to become.
Praise for Jacqueline Woodson:
Ms. Woodson writes with a sure understanding of the thoughts of young people, offering a poetic, eloquent narrative that is not simply a story . . . but a mature exploration of grown-up issues and self-discovery.”The New York Times Book Review
Written in verse, Woodson’s collection of childhood memories provides insight into the Newbery Honor author’s perspective of America, “a country caught/ between Black and White,” during the turbulent 1960s. Jacqueline was born in Ohio, but spent much of her early years with her grandparents in South Carolina, where she learned about segregation and was made to follow the strict rules of Jehovah’s Witnesses, her grandmother’s religion. Wrapped in the cocoon of family love and appreciative of the beauty around her, Jacqueline experiences joy and the security of home. Her move to Brooklyn leads to additional freedoms, but also a sense of loss: “Who could love/ this place—where/ no pine trees grow, no porch swings move/ with the weight of/ your grandmother on them.” The writer’s passion for stories and storytelling permeates the memoir, explicitly addressed in her early attempts to write books and implicitly conveyed through her sharp images and poignant observations seen through the eyes of a child. Woodson’s ability to listen and glean meaning from what she hears lead to an astute understanding of her surroundings, friends, and family. Ages 10–up. Agent: Charlotte Sheedy Literary Agency. (Aug.)
* “Mesmerizing journey through [Woodson’s] early years. . . . Her perspective on the volatile era in which she grew up is thoughtfully expressed in powerfully effective verse. . . . With exquisite metaphorical verse Woodson weaves a patchwork of her life experience . . . that covers readers with a warmth and sensitivity no child should miss. This should be on every library shelf.” — School Library Journal, STARRED REVIEW
* “Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned. For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share.” — Kirkus Reviews, STARRED REVIEW
* “[Woodson’s] memoir in verse is a marvel, as it turns deeply felt remembrances of Woodson’s preadolescent life into art. . . . Her mother cautions her not to write about her family but, happily, many years later, she has and the result is both elegant and eloquent, a haunting book about memory that is itself altogether memorable. — Booklist, STARRED REVIEW
* “A memoir-in-verse so immediate that readers will feel they are experiencing the author’s childhood right along with her. . . . Most notably of all, perhaps, we trace her development as a nascent writer, from her early, overarching love of stories through her struggles to learn to read through the thrill of her first blank composition book to her realization that ‘words are [her] brilliance.’ The poetry here sings: specific, lyrical, and full of imagery. An extraordinary—indeed brilliant—portrait of a writer as a young girl.” — The Horn Book, STARRED REVIEW
* “The effect of this confiding and rhythmic memoir is cumulative, as casual references blossom into motifs and characters evolve from quick references to main players. . . . Revealing slices of life, redolent in sight, sound, and emotion. . . . Woodson subtly layers her focus, with history and geography the background, family the middle distance, and her younger self the foreground. . . . Eager readers and budding writers will particularly see themselves in the young protagonist and recognize her reveling in the luxury of the library and unfettered delight in words. . . . A story of the ongoing weaving of a family tapestry, the following of an individual thread through a gorgeous larger fabric, with the tacit implication that we’re all traversing such rich landscapes. It will make young readers consider where their own threads are taking them.” — The Bulletin of the Center for Children's Books, STARRED REVIEW
* “Woodson uses clear, evocative language. . . . A beautifully crafted work.” — Library Media Connection, STARRED REVIEW
Gr 4–7—"I am born in Ohio but the stories of South Carolina already run like rivers through my veins" writes Woodson as she begins her mesmerizing journey through her early years. She was born in Columbus, Ohio in 1963, "as the South explodes" into a war for civil rights and was raised in South Carolina and then New York. Her perspective on the volatile era in which she grew up is thoughtfully expressed in powerfully effective verse, (Martin Luther King is ready to march on Washington; Malcom X speaks about revolution; Rosa Parks refuses to give up her seat only seven years earlier and three years have passed since Ruby Bridges walks into an all-white school). She experienced firsthand the acute differences in how the "colored" were treated in the North and South. "After the night falls and it is safe for brown people to leave the South without getting stopped and sometimes beaten and always questioned; We board the Greyhound bus bound for Ohio." She related her difficulties with reading as a child and living in the shadow of her brilliant older sister, she never abandoned her dream of becoming a writer. With exquisite metaphorical verse Woodson weaves a patchwork of her life experience, from her supportive, loving maternal grandparents, her mother's insistence on good grammar, to the lifetime friend she meets in New York, that covers readers with a warmth and sensitivity no child should miss. This should be on every library shelf.—D. Maria LaRocco, Cuyahoga Public Library, Strongsville, OH
A multiaward-winning author recalls her childhood and the joy of becoming a writer.Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is "a country caught / / between Black and White." But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father's people in Ohio and her mother's people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah's Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe's Stevie and Langston Hughes' poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that "[W]ords are my brilliance." Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)
Read an Excerpt
february 12, 1963
I am born on a Tuesday at the University Hospital
a country caught
between Black and White.
I am born not long from the time or far from the place where my great, great grandparents worked the deep rich land unfree dawn till dusk unpaid drank cool water from scooped out gourds looked up and followed the sky’s mirrored constellation to freedom.
I am born as the south explodes,
too many people too many years enslaved then emancipated but not free, the people who look like me keep fighting and marching and getting killed so that today—
February 12, 1963
and every day from this moment on,
brown children, like me, can grow up free. Can grow up learning and voting and walking and riding wherever we want.
I am born in Ohio but the stories of South Carolina already run like rivers through my veins.
second daughter’s second day on earth
My birth certificate says: Female Negro
Mother: Mary Anne Irby, 22, Negro
Father: Jack Austin Woodson, 25, Negro
In Birmingham, Alabama, Martin Luther King Jr.
is planning a march on Washington, where
John F. Kennedy is president.
In Harlem, Malcolm X is standing on a soapbox talking about a revolution.
Outside the window of University Hospital,
snow is slowly falling. So much already
covers this vast Ohio ground.
In Montgomery, only seven years have passed since Rosa Parks refused to give up her seat on a city bus.
I am born brown-skinned, black-haired
I am born Negro here and Colored there
and somewhere else,
the Freedom Singers have linked arms,
their protests rising into song:
Deep in my heart, I do believe
that we shall overcome someday.
and somewhere else, James Baldwin is writing about injustice, each novel,
each essay, changing the world.
I do not yet know who I’ll be
what I’ll say
how I’ll say it . . .
Not even three years have passed since a brown girl named Ruby Bridges walked into an all-white school.
Armed guards surrounded her while hundreds of white people spat and called her names.
She was six years old.
I do not know if I’ll be strong like Ruby.
I do not know what the world will look like
when I am finally able to walk, speak, write . . .
the nurse says to my mother.
Already, I am being named for this place.
Ohio. The Buckeye State.
My fingers curl into fists, automatically
This is the way, my mother said,
of every baby’s hand.
I do not know if these hands will become
Malcolm’s—raised and fisted
or Martin’s—open and asking
or James’s—curled around a pen.
I do not know if these hands will be
and fiercely folded
calmly in a lap,
on a desk,
around a book,
to change the world . . .
it’ll be scary sometimes
My great-great-grandfather on my father’s side was born free in Ohio,
Built his home and farmed his land,
then dug for coal when the farming wasn’t enough. Fought hard in the war. His name in stone now on the Civil War Memorial:
William J. Woodson
United States Colored Troops,
Union, Company B 5th Regt.
A long time dead but living still among the other soldiers on that monument in Washington, D.C.
His son was sent to Nelsonville lived with an aunt
William Woodson the only brown boy in an all-white school.
You’ll face this in your life someday,
my mother will tell us over and over again.
A moment when you walk into a room and
no one there is like you.
It’ll be scary sometimes. But think of William Woodson
and you’ll be all right.
I cannot write a word yet but at three,
I now know the letter J
love the way it curves into a hook that I carefully top with a straight hat the way my sister has taught me to do. Love the sound of the letter and the promise that one day this will be connected to a full name,
that I will be able to write
Without my sister’s hand over mine,
making it do what I cannot yet do.
How amazing these words are that slowly come to me.
How wonderfully on and on they go.
Will the words end, I ask whenever I remember to.
Nope, my sister says, all of five years old now,
and promising me
Saturday night smells of biscuits and burning hair.
Supper done and my grandmother has transformed the kitchen into a beauty shop. Laid across the table is the hot comb, Dixie Peach hair grease,
horsehair brush, parting stick and one girl at a time.
Jackie first, my sister says,
our freshly washed hair damp and spiraling over toweled shoulders and pale cotton nightgowns.
She opens her book to the marked page,
curls up in a chair pulled close to the wood-burning stove, bowl of peanuts in her lap.
The words in her books are so small, I have to squint to see the letters. Hans Brinker or The Silver Skates.
The House at Pooh Corner. Swiss Family Robinson.
Thick books dog-eared from the handing down from neighbor to neighbor. My sister handles them gently,
marks the pages with torn brown pieces of paper bag, wipes her hands before going beyond the hardbound covers.
Read to me, I say, my eyes and scalp already stinging from the tug of the brush through my hair.
And while my grandmother sets the hot comb on the flame, heats it just enough to pull my tight curls straighter, my sister’s voice wafts over the kitchen,
past the smell of hair and oil and flame, settles like a hand on my shoulder and holds me there.
I want silver skates like Hans’s, a place on a desert island. I have never seen the ocean but this, too, I can imagine—blue water pouring over red dirt.
As my sister reads, the pictures begin forming as though someone has turned on a television,
lowered the sound,
pulled it up close.
Grainy black-and-white pictures come slowly at me
Deep. Infinite. Remembered
On a bright December morning long ago . . .
My sister’s clear soft voice opens up the world to me.
I lean in so hungry for it.
Hold still now, my grandmother warns.
So I sit on my hands to keep my mind off my hurting head, and my whole body still.
But the rest of me is already leaving,
the rest of me is already gone.
the butterfly poems
No one believes me when I tell them
I am writing a book about butterflies,
even though they see me with the Childcraft encyclopedia heavy on my lap opened to the pages where the monarch, painted lady, giant swallowtail and queen butterflies live. Even one called a buckeye.
When I write the first words
Wings of a butterfly whisper . . .
no one believes a whole book could ever come from something as simple as butterflies that don’t even, my brother says,
live that long.
But on paper, things can live forever.
On paper, a butterfly never dies.
Meet the Author
Jacqueline Woodson (www.jacquelinewoodson.com) is the 2014 National Book Award Winner for her New York Times bestselling memoir BROWN GIRL DREAMING, which was also a recipient of the Coretta Scott King Award, a Newbery Honor Award, the NAACP Image Award and the Sibert Honor Award. Woodson was recently named the Young People’s Poet Laureate by the Poetry Foundation. She is the author of more than two dozen award-winning books for young adults, middle graders and children; among her many accolades, she is a four-time Newbery Honor winner, a three-time National Book Award finalist, and a two-time Coretta Scott King Award winner. Her books include THE OTHER SIDE, EACH KINDNESS, the Caldecott Honor Book COMING ON HOME SOON; the Newbery Honor winners FEATHERS, SHOW WAY, and AFTER TUPAC AND D FOSTER, and MIRACLE'S BOYS which received the LA Times Book Prize and the Coretta Scott King Award and was adapted into a miniseries directed by Spike Lee. Jacqueline is also the recipient of the Margaret A. Edwards Award for lifetime achievement for her contributions to young adult literature, the winner of the Jane Addams Children’s Book Award, and was the 2013 United States nominee for the Hans Christian Andersen Award. She lives with her family in Brooklyn, New York.
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Can I give this more than 5 stars? I fell in love with this book. I teach 8th grade at an all girls' public school and I cannot wait to order 115 copies. This is a book that every brown girl should read. You will LOVE this book. It' inspired me as a woman, teacher and brown girl that's all grown up now.
It’s like a soft blanket, the voice of Morgan Freeman reading out loud to me, the purring of a kitten, Woodson words were warm and heartfelt as I read Brown Girl Dreaming, not wanting to put the book down. The words just flowing along like a babbling brook even though the text itself is not tranquil, it is the way the author strings the words together that brought harmony to its composition. Written in verse, Jacqueline tells her families story. Her father is content and determined to maintain his Northern upbringing while her mother loves the South. There is conflict among the parents but in the end, mother returns to her childhood home with the children. The South, the home is surrounded with love, laughter, restrictions and family. Shared with their grandparents, the privilege of massaging grandmother’s feet after she returns from daywork, put smiles on my face. The children’s anticipation of her stories, the author created this beautiful picture of this loving exchange between the generations. Mother wants to create her own home and heads North, the children staying with the grandparents where they influence the children more as the South engrains more into their minds. Jacqueline honesty and the ability to see the world through her eyes has me laughing and smiling as she sees and says things firsthand. It’s a story only Jacqueline can tell, for if anyone else were to tell the same story, it would not have the same effect. It’s a fantastic book, definitely worth reading once, twice or many times. “Our mama shushes us, says, It’s too late for presents and the like. But we want presents and the like. “ (their Uncle Robert came to see them) “And when we are called by our names my grandmother makes them all one HopeDellJackie but my grandfather takes his own sweet time, saying each as if he has all day long or a whole lifetime.”
Telling the story of Jacqueline Woodson’s childhood, beginning in Ohio, then living in the South in the middle of the Civil Rights movement and ultimately ending up in New York City, the city of dreams and light. Beautifully told in verse, Woodson’s story shares their triumphs of life and love of family. It’s really a love letter to her family, whether it be good or bad, and a snapshot of her childhood life. Woodson doesn’t hold any punches in her writings. She discusses without sugarcoating her religious upbringing in the Jehovah’s Witnesses, her absentee father, her unwed mother and the surprise of a younger half white sibling and what his arrival meant to her family. Jackie’s time in the South is marked by sit-ins, black’s only restrooms, and the trying times her family endures when fighting for their own rights in this controversial period of American history. Gorgeously written, Woodson’s story speaks to the human experience. Covering such taboo topics as religion, race, poverty, education, incarceration, death, sickness, unplanned pregnancies, learning disabilities, absentee parents and growing up. This story is so much more than a coming of age novel, it’s a historical document testifying to our past and giving us hope for our future.
I picked this book up because it met a reading challenge category and I glanced at the first page, curious but not ready to read it since I was already reading another book, and suddenly I'd read the entire book. Beautiful, heartbreaking, inspiring, family, friendship, love, child-curiosity... a memoir written in free verse that moves you through Jaqueline's life filling you with every emotion. The second I finished reading it I turned back to the first page wanting to read it again to not miss a single beautiful word.
A emotional amazing book. You read with your eyes but some how this book finds its way to your heart. You will not put down this book once you pick it up. Nothing is as powerful as a book can make you feel, and in that case this is one of the most powerful books ever. For all ages. A laugh cry book. Out of my Mind.
This book is great if our dedicated i presonally loved the entire thing you shod read this book if your up for some tears or should i say alot
Brown Girl Dreaming is Jacqueline Woodson’s autobiography and she tells it in a poetic prose and free-verse style. I read it in a couple of sittings and could not put it down until I got the whole story. She shares her rich legacy and her life which started in Ohio, moved to the sunny south landscape of South Carolina and later into New York’s Brooklyn. She acknowledges that her timely birth in 1963 put her in the midst of many historic events that affected our country and consequently, her life. She finds her voice through writing as she witnesses the loss of loved ones; separation of parents and moving from state to state. For lovers of Woodson’s works, this book offers great insight into what shaped this prolific writer, whose books span across several genres.
Fascinating life, told in verse. I would love to use this as a read aloud for my students.
This book and the poems within had me go through a myriad of emotions. I laughed, cried, I was hopeful and saddened...at the end, I wanted more.
This book is simply exquisite! I've read many books that have won awards and have scratched my head and wondered "why?. This book deserves every literary award there is.
This is such a good book.i loved it it is such a embracing book.it really is such a open poetry book.!!!!!!!!!!!!!!!!
I just enjoyed this book! Niclely written, really put me right within the pages.
The book was not was I expected. However, I think this would be excellent for a young reader. Overall I greatly enjoyed her story and way of writing.
I believe this book is more for teens than anyone under the age of 12. I had to read this for school and stopped reading it because there were things in this book that I did not feel comfortable reading. A girl was being raped and they talked about sex.
I struggled to finish this book! Can't imagine why it would appeal to the age group it was intended for. I finished reading it only because of book club!
Kiss your hand and post this on three other books and an iphone five wio