Bruce Davidson: Subway

Overview

Bruce Davidson's groundbreaking Subway, first published by Aperture in 1986, has garnered critical acclaim both as a documentation of a unique moment in the cultural fabric of New York City and for its phenomenal use of extremes of color and shadow set against flash-lit skin. In Davidson's own words, "the people in the subway, their flesh juxtaposed against the graffiti, the penetrating effect of the strobe light itself, and even the hollow darkness of the tunnels, inspired an aesthetic that goes unnoticed by ...
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Hardcover New Bruce Davidson's groundbreaking Subway, first published by Aperture in 1986, has garnered critical acclaim both as a documentation of a unique moment in the ... cultural fabric of New York City and for its phenomenal use of extremes of color and shadow set against flash-lit skin. In Davidson's own words, the people in the subway, their flesh juxtaposed against the graffiti, the penetrating effect of the strobe light itself, and even the hollow darkness of the tunnels, inspired an aesthetic that goes unnoticed by passengers who are trapped underground, hiding behind masks and closed off from each other. In this third edition of what is now a classic of photographic literature, a sequence of 118 (including 25 previously unpublished) images transport the viewer through a landscape at times menacing, and at other times lyrical and soulful. The images present the full gamut of New Yorkers, from weary straphangers and languorous ladies in summer dresses to stalking predators and homeless persons. Da Read more Show Less

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2011 Hardcover New 9781597111942. Flawless copy, brand new, pristine, never opened--140 pages; 119 color illustrations.

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Overview

Bruce Davidson's groundbreaking Subway, first published by Aperture in 1986, has garnered critical acclaim both as a documentation of a unique moment in the cultural fabric of New York City and for its phenomenal use of extremes of color and shadow set against flash-lit skin. In Davidson's own words, "the people in the subway, their flesh juxtaposed against the graffiti, the penetrating effect of the strobe light itself, and even the hollow darkness of the tunnels, inspired an aesthetic that goes unnoticed by passengers who are trapped underground, hiding behind masks and closed off from each other." In this third edition of what is now a classic of photographic literature, a sequence of 118 (including 25 previously unpublished) images transport the viewer through a landscape at times menacing, and at other times lyrical and soulful. The images present the full gamut of New Yorkers, from weary straphangers and languorous ladies in summer dresses to stalking predators and homeless persons. Davidson's accompanying text tells the story behind the images, clarifying his method and dramatizing his obsession with the subway, its rhythms and its particular madness.
Bruce Davidson (born 1933) is considered one of America's most influential documentary photographers. He began taking photographs when he was ten, and studied at the Rochester Institute of Technology and the Yale University School of Design. In 1958 he became a member of Magnum Photos, and in 1962 he received a Guggenheim Fellowship to document the civil rights movement. After a solo exhibition at The Museum of Modern Art in 1963, Davidson spent two years photographing in Harlem, resulting in the book East 100th Street. In 1980, after living in New York City for 23 years, Davidson began Subway, his startling color essay of urban life.
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Editorial Reviews

Photo District News
The brilliant flash, combined with fluorescent lighting, intense colors and Davidson's probing vision, produced images that are dramatic and at times surreal.
— Holly Stuart Hughes
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Product Details

  • ISBN-13: 9781597111942
  • Publisher: Aperture Foundation
  • Publication date: 9/30/2011
  • Pages: 144
  • Product dimensions: 11.90 (w) x 11.50 (h) x 0.70 (d)

Meet the Author

Bruce Davidson

     Bruce Davidson worked as a freelance photographer for Life Magazine and joined Magnum Photos in 1958. As a documentary photographer, he produced two photo essays, "Brooklyn Gang" and the "Freedom Rides."  He photographed the Civil Rights Movement, including a rally in Harlem, Ku Klux Klan cross burnings, and the marches in Birmingham and Selma, Alabama. In 1966 he won the first photography grant from the National Endowment for the Arts to document East 100th Street in Harlem; this work was exhibited at the Museum of Modern Art.

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