Bruch: Violin Concerto No. 1; Swedish Dances; Symphony No. 1

Editorial Reviews

All Music Guide - James Leonard
This is a truly great performance of Bruch's justly famous "First Violin Concerto," a warm-hearted, big-toned performance of stunning virtuosity and consummate musicianship. Pamela Frank clearly loves the work and lavishes all her affection and attention on it. Neville Marriner may not love the work as much as Frank, but he clearly loves making music as much as she does, and he supports her interpretation like a father supports a daughter. When this performance was recorded in 2001, the Academy of St. Martin-in-the-Fields was no longer a chamber orchestra, but rather a full-bodied and deep-toned romantic orchestra with the richer colors and lusher textures that better ...
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Editorial Reviews

All Music Guide - James Leonard
This is a truly great performance of Bruch's justly famous "First Violin Concerto," a warm-hearted, big-toned performance of stunning virtuosity and consummate musicianship. Pamela Frank clearly loves the work and lavishes all her affection and attention on it. Neville Marriner may not love the work as much as Frank, but he clearly loves making music as much as she does, and he supports her interpretation like a father supports a daughter. When this performance was recorded in 2001, the Academy of St. Martin-in-the-Fields was no longer a chamber orchestra, but rather a full-bodied and deep-toned romantic orchestra with the richer colors and lusher textures that better suited Bruch's music. Coupled with the concerto are equally great performances of Bruch's unjustly neglected "Swedish Dances" and "First Symphony." Marriner's enthusiastic conducting and the Academy's energetic playing make Bruch's "Swedish Dances" sound nearly on a par with Brahms' "Hungarian Dances" or Dvorák's "Slavonic Dances" and his "First Symphony" sound almost as fine as Schumann's "First" or Bruckner's "First." Anyone who knows Bruch's "First Concerto" will want to hear Frank's performances of it, and anyone who knows Bruch's concerto will want to get to know his "Swedish Dances" and "First Symphony," too. Hänssler's sound is acceptable overall, but a bit constricted in climaxes and a little thin on top.
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Product Details

  • Release Date: 8/1/2004
  • Label: Hanssler Classics
  • UPC: 040888839026
  • Catalog Number: 98390

Tracks

Disc 1
  1. 1–3 Violin Concerto No.1 in G minor, Op. 26 - Max Bruch & Neville Marriner (23:35)
    Composed byMax Bruch
    Conducted byNeville Marriner
    Performed byNeville Marriner, Academy of St. Martin-in-the-Fields, Kenneth Sillito
    1. 1 Introduction - Allegro moderato
    2. 2 Adagio
    3. 3 Finale: Allegro energico
  2. 4 Swedish Dances, 15 pieces in 2 books for violin & piano (also orchestrated and arranged for solo piano), Op. 63: (Series I) Einleitung (Langsam) - Max Bruch & Neville Marriner (2:22)
    Composed byMax Bruch
    Conducted byNeville Marriner
    Performed byNeville Marriner, Academy of St. Martin-in-the-Fields, Kenneth Sillito
  3. 5 Swedish Dances, 15 pieces in 2 books for violin & piano (also orchestrated and arranged for solo piano), Op. 63: (Series I) Sehr massig - Max Bruch & Neville Marriner (1:26)
    Composed byMax Bruch
    Conducted byNeville Marriner
    Performed byNeville Marriner, Academy of St. Martin-in-the-Fields, Kenneth Sillito
  4. 6 Swedish Dances, 15 pieces in 2 books for violin & piano (also orchestrated and arranged for solo piano), Op. 63: (Series I) Ruhig bewegt - Max Bruch & Neville Marriner (1:27)
    Composed byMax Bruch
    Conducted byNeville Marriner
    Performed byNeville Marriner, Academy of St. Martin-in-the-Fields, Kenneth Sillito
  5. 7 Swedish Dances, 15 pieces in 2 books for violin & piano (also orchestrated and arranged for solo piano), Op. 63: (Series I) Frisch, mit Energie - Max Bruch & Neville Marriner (1:45)
    Composed byMax Bruch
    Conducted byNeville Marriner
    Performed byNeville Marriner, Academy of St. Martin-in-the-Fields, Kenneth Sillito
  6. 8 Swedish Dances, 15 pieces in 2 books for violin & piano (also orchestrated and arranged for solo piano), Op. 63: (Series I) Langsam, nicht schleppend - Max Bruch & Neville Marriner (1:10)
    Composed byMax Bruch
    Conducted byNeville Marriner
    Performed byNeville Marriner, Academy of St. Martin-in-the-Fields, Kenneth Sillito
  7. 9 Swedish Dances, 15 pieces in 2 books for violin & piano (also orchestrated and arranged for solo piano), Op. 63: (Series I) Ziemlich schnell - Max Bruch & Neville Marriner (2:55)
    Composed byMax Bruch
    Conducted byNeville Marriner
    Performed byNeville Marriner, Academy of St. Martin-in-the-Fields, Kenneth Sillito
  8. 10 Swedish Dances, 15 pieces in 2 books for violin & piano (also orchestrated and arranged for solo piano), Op. 63: (Series I) Lebhaft - Max Bruch & Neville Marriner (1:07)
    Composed byMax Bruch
    Conducted byNeville Marriner
    Performed byNeville Marriner, Academy of St. Martin-in-the-Fields, Kenneth Sillito
  9. 11–14 Symphony No.1, in E flat, Op. 28 - Max Bruch & Neville Marriner (27:39)
    Composed byMax Bruch
    Conducted byNeville Marriner
    Performed byNeville Marriner, Academy of St. Martin-in-the-Fields, Kenneth Sillito
    1. 11Allegro maestoso
    2. 12Scherzo
    3. 13Quasi Fantasia. Grave
    4. 14Finale. Allegro guerriero
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Album Credits

Performance Credits
Pamela Frank Primary Artist
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