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Buckland's Book of Spirit Communications is for anyone who wishes to communicate with spirits, as well as for the less adventurous who simply want to satisfy their curiosity about the subject. Explore the nature of the physical body and learn how to prepare yourself to become a medium. Experience for yourself the trance state, clairvoyance, psychometry, table tipping, levitation, talking boards, automatic writing, spiritual photography, spiritual healing, distant healing, channeling, and development circles. Also...
Buckland's Book of Spirit Communications is for anyone who wishes to communicate with spirits, as well as for the less adventurous who simply want to satisfy their curiosity about the subject. Explore the nature of the physical body and learn how to prepare yourself to become a medium. Experience for yourself the trance state, clairvoyance, psychometry, table tipping, levitation, talking boards, automatic writing, spiritual photography, spiritual healing, distant healing, channeling, and development circles. Also learn how to avoid spiritual fraud.
This revised and expanded edition of Buckland's popular Doors to Other Worlds has over one hundred new pages, including a completely new chapter on electronic spirit contact. It features additional photographs and illustrations, an index, a new preface, and a workbook format with study questions and answers for each chapter.
From the painting known as “The Sorcerer” in the Caverne des Trois
Frères, in Ariége, France (see page 2), it can be seen that a member of the tribe would dress in the skins of a stag and wear the mask and horns, or antlers, of the animal—playing the role of the God of Hunting—in order to lead a ritual designed to bring success to the hunt that would follow. As part of his role, the person playing the part of the Hunting God would almost certainly have spoken as that deity, directing the hunters in their pantomimed actions. So what he might well have been doing, whether or not he realized it, was “channeling” the deity; actually allowing the Hunting
God to speak through him.
Channeling is a phenomenon that has become popular in recent years, with any number of people publicly going into trance and allowing “entities” to speak through them to their audiences. In public halls, on television, on video tapes, these channelers can be seen and heard. Though not claiming to be a plenipotentiary for “God,” many of them do claim that they are bringing the voice, and the teachings, of an entity who has never previously lived on this earth but who dwells, or has dwelled, on some far distant planet or even in some other dimension. (I’ll speak more on this in lesson 15.)
Channeling can be found throughout the ages; from those early cave-dwelling days continuously through to present-day examples. The ancient
Egyptian priests would frequently play the part of one or another of their many gods and goddesses. Once again we have extant examples of the paraphernalia used (for example, the mask worn when representing Anubis, the jackal-headed god). The sibyls of ancient Greece were regularly consulted by a populace who desired to speak with their deities.
The Romans, too, had their soothsayers and seers, who passed on the words of the dwellers on Mount Olympus. In the Mayan temples the priests played the part of their gods, giving or relaying instructions and advice to the people. In the Bible, in 1 Corinthians 12 and 14, there are exhortations for all to use their gifts of prophesy and other spiritual gifts. Throughout the Middle Ages it was common to consult with those who had access to the land beyond death through the rituals of necromancy. In eighteenth- and nineteenth-century Haiti, the slaves developed their own form of religion to produce Voodoo, a combination of their native African beliefs and practices, mixed in with those of the indigenous Indians, and with what they saw as the power of the Catholic Church. In Voodoo, the sole purpose of many of the gatherings is to speak to the deities, who “appear” by possessing one or another of the worshippers and speaking through them. In modern-day Panchmuda, India (northwest of Calcutta), similar rites are held each year at the Temple of Manasa for the Snake Festival, when the Serpent Mother takes possession of her worshippers. Writers, musicians, and artists have long composed through a process of channeling.
Wolfgang Mozart heard music in his head and simply wrote down what he heard, never changing or modifying it. In the mid-nineteenth century came the birth of the present-day Spiritualist movement, with the Fox sisters of New York, in 1848, discovering a simple method to communicate with the spirits of the dead (see lesson 3).
A medium is a connecting link between this physical world and the world of spirit. Anyone can learn to act as that link. Anyone can become a medium.
Lady Ann M. Burdock
It can be seen, then, that there is nothing new in channeling, be it bringing messages from those who have died and passed on, producing advice from extraterrestrial entities, or speaking the words of divinities. The channel is a medium through which the information is produced. (What that information is, how accurate it may be, and from whence it comes, are questions we will address later in this book.) Anyone can act as such a channel, or medium. Some people seem more readily attuned to the position than others, but we all have the capability.Most mediums and channels work consciously and have, indeed, spent time in training to achieve their results, yet some act completely spontaneously and unconsciously.
Mediumship is not the same thing as possession. In possession an undesirable spirit or entity takes over the body of a living human, forcing out and overriding that human’s spirit. It possesses and refuses to give up possession unless driven out . . . though there are actually far fewer cases of true possession than late-night movies and the sensational media would have you believe. In mediumship the living human may voluntarily allow another spirit to make use of his or her vocal cords, hand and/or arm muscles, or other parts of the body; but never giving up total control of the entire body . . . it is a mutual agreement that can be terminated at any time. Under the proper circumstances there is absolutely no harm that can come to the medium, though it may be wise to use some precautionary measures “just in case.” These I’ll deal with, in detail, elsewhere.
In many types of mediumship, however, there is no giving up of any of the medium’s organism whatsoever. For example, with clairvoyance and clairaudience the medium is simply seeing and hearing and then relaying what he or she sees or hears. It is only in such forms as direct voice, automatic writing, and the like that there is ever any degree of use of the medium’s body.
In this book I will be dealing mainly with mediumship in the sense of obtaining information from the spirits of those who have died and passed on but, toward the end of the book, I’ll also look into channeling of other entities. Throughout the book I’ll address developing your own abilities in the various aspects of mediumship.Here practice will be the keyword.
But with practice, one thing needs to be borne in mind: don’t overdo things. Don’t try to do something —be it crystal-gazing, clairvoyance, or psychometry —and keep trying till you are blue in the face! Apart from getting discouraged, you’ll rapidly terminate your interest in that specific art, and perhaps the whole field of mediumship, and you’ll drag down your psychic defenses to the point where you could suffer both physically and emotionally. It is much better to take small bites on a regular basis; then you’ll progress, gain in strength, and much sooner reach the goals you have set for yourself.
At the root of all psychic development is good breathing. In my book Amazing Secrets of the Psychic World (coauthored with Hereward Carrington), I spoke of the life-giving property of fresh air and the fact that simply by breathing fully you contribute to living fully. Some of the exercises I gave were:
1. Stand before an open window, or out of doors, free from all restrictive clothing. Exhale forcibly, bending the body forward and relaxing the muscles. Then stand up straight and place both hands over your abdomen. Now breathe as deeply as possible against those hands, expanding the abdomen as much as possible without allowing the chest or ribs to expand at all.Again exhale forcibly.
2. After five or six such breaths, place your hands on either side against your ribs. Now breathe in deeply, pressing out the ribs but without allowing either the abdomen or the upper chest to expand more than a little.
3. After five or six breaths, place your hands on your upper chest, just below the neck,
and breathe with this portion of the lungs,
without allowing either the ribs or the abdomen to expand.
4. You will find that it’s not so easy to control your breathing. After you have mastered it,
however, you can go on to the next step,
the complete breath:
5. Take a number of good, deep breaths, starting with expanding your abdomen, then the ribs, then the upper chest, one after the other in the one breath. Try to control this intake in the three stages, one after the other. Then, as you become more accomplished, merge them one into the next so that you have something akin to a rolling motion as the breath moves up the body. Breathe in through your nose and out through either your nose or mouth.
From there continue with establishing a mental image of the breath as you breathe it, in the form of light. See it coming into your body and filling it. As you breathe out, see the light forcing out all the negativity in the form of dark colors: black, dark browns, greens, and reds. You can imagine the light entering from wherever seems most comfortable to you—through the third eye; into the heart; up from the ground through your feet . . . whichever you prefer. Just be consistent and always see it entering at the same place.
For the exit of the negativity, see it being driven out of all your bodily orifices, one after the other,
and end with it leaving through all the pores of the skin. End with the whole body—every little extremity
—completely filled with fresh, vibrant, positive light.
Trance Development and Chakra Enhancement
Analyze your “falling asleep” pattern. Try to catch yourself at just the point of falling asleep and to “hold on to yourself,” as it were, as long as possible in that state until you can hold no more and you actually do fall asleep. This is excellent practice so that you will always be in control of yourself, no matter how deep the trance you enter.
Spirits do not belong perpetually to the same order. All are destined to attain perfection by passing through the different degrees of the spirithierarchy.
This amelioration is effected by incarnation .
The physical body is connected to the etheric or spiritual body at centers known as chakras (pronounced
“shock-ruz”). Part of the development of any psychic and spiritual ability is to stimulate those chakras by raising what is known as the kundalini power—power that travels through the body and generates energy. The chakras are linked with actual physical glands, and there are seven of them.
The first, lumbar (or base) chakra, is at the gonads;
the second, spine chakra, is at the adrenals; the solar plexus chakra is at the lyden; the heart chakra is at the thymus; the throat chakra is at the thyroid; the third eye chakra is at the pineal, and the crown chakra is at the pituitary. Here is what I say about chakras and kundalini in my book Buckland’s Complete
Book ofWitchcraft (Llewellyn, 2002):
In meditation the mysterious psychic energy can be sent up through these centers. This very potent force is called the kundalini, or “Serpent
Power.” As this mighty force begins to flow within you, these vital psychic centers—the chakras—begin to open in successive order.
As the vital forces begin to flow through the nervous system, the individual achieves a sense of well-being and peace. The subconscious begins to clear itself of the negative and undesired patterns of feelings and images that have been programmed into it through your lifetime. The cosmic force of the kundalini very naturally operates in a calm, relaxed, contemplative atmosphere. As the succession of opening chakras continues, your awareness and perception of life flows continually from within. A new vibrancy permeates your being.
Getting the kundalini power to flow through the chakras very definitely sets up a new vibrancy. But how to get that power to flow? The first step is to do your deep breathing, as in the exercises above, then to awaken the chakras as follows.
Each of the seven centers is associated with a color, going through the spectrum. The base chakra is red, the spine chakra is orange, the solar plexus chakra is yellow, the heart chakra is green, the throat chakra is blue, the pineal chakra is indigo, and the crown chakra is violet. Imagine each of these centers,
one at a time, and see it enveloped in its specific color.
Introduction . . . xvii
Lesson One: What is Mediumship? . . . 1
Beginnings. Channeling. Possession. Exercises.
Trance. Development and chakra enhancement.
Exercise. Raising your vibrations. Lesson one examination questions.
Lesson Two: The World of Spirits . . . 11
Looking into the spirit world. Meeting “God.” The spiritual body. Spirit speech and travel. Other life forms. “Evil” entities. Transition. Lesson two examination questions.
Lesson Three: The History of Spiritualism,
Part One—The Early Years . . . 21
The episode at Hydesville. Andrew Jackson Davis.
The Fox sisters. Denunciation and retraction. French forerunner. Lesson three examination questions.
Lesson Four: The History of Spiritualism,
Part Two—Later Development . . . 35
Development in England. Development in America.
Development Circles. Spiritualism as a religion.
Spiritualism in Europe and South America. Lesson four examination questions.
Lesson Five: Spirit Guides . . . 49
Meditation. Exercise. Safeguards. Exercises. Spirit guides and guardian angels. The doorkeeper. Finding your spirit guide. Exercises. Lesson five examination questions.
Profile—Leonora E. Piper
Lesson Six: Spirit Communication . . . 61
Mediumship. Exercises—affirmations. The problem of connecting. Atmospherics. Dates, names,
and ideas. Symbolism and its interpretation. Interpreting actions. Triviality in messages. Names, colors and lights. Lesson six examination questions.
Profile—Eileen Jeanette Garrett
Lesson Seven: Talking Boards . . . 73
Ancient form of communication.Commercial faults.
Do-it-yourself talking board. Record keeping and a spokesperson. Procedure and verification. Cross correspondence.
Solitary use. Pencil planchette. Caution.
Lesson seven examination questions.
Lesson Eight: Automatic Writing and Spirit Photography . . . 87
The hand that writes by itself. Don’t try to direct.
Types of messages. Check what you receive. Either hand. Character of the messages received. Patience
Worth. Inspirational writing. Typewriters and computers.
Great composers return.Automatic art. Spirit photography—unexpected visitors. British experiments.
Repeatable phenomena.Your own spirit photographs.
Photographs without a camera. Exercises.
Lesson eight examination questions.
Lesson Nine: Trance Work . . . 107
Levels of brainwave activity. Spontaneous trance.
Trance experience. The best way to enter trance.
Exercise. Early symptoms of mediumship. Return from trance. Rules for development. Exercises. Lesson nine examination questions.
Profile—Sir Arthur Conan Doyle
Lesson Ten: Spirit Sights, Sounds,
and Sensing . . . 119
Clear seeing. Clear hearing and sensing. Exercises.
Scrying or crystal gazing. Clairvoyant exercises.
Clairaudient exercises. Lesson ten examination questions.
Lesson Eleven: Touching the Past . . . 133
Psychometry exercises. Spirit speaks first. Side benefits.
Different readings for different mediums. Psychometry as a tool in spirit communication. Billets and billet reading. Flower reading. Lesson eleven examination questions.
Lesson Twelve: Physical Mediumship . . . 145
Eusapia Paladino. Spirits take charge. Transfiguration.
Ectoplasm and materialization.Apports. Developing physical mediumship. Lesson twelve examination questions.
Lesson Thirteen: Table Tipping and Levitation . . . 161
Choice of table. Circle of hands. Thumps of intelligence.
Question and answer. Levitation. Under or over? Early French methods. Lesson thirteen examination questions.
Profile—Sir William Crookes
Lesson Fourteen: Healing . . . 173
Spiritual healing. Edgar Cayce. Some British spiritual healers. Becoming a healer. Chakras. The human aura. Three layers of light. Train yourself to be sensitive.
You, the healer. Distant healing. Lesson fourteen examination questions.
Lesson Fifteen: Channeling . . . 187
Channeling versus mediumship. Origins. Channeled material. How to channel. Exercise. Real or imagined?
Channeled or inspirational? Lesson fifteen examination questions.
Profile—Lily Dale Assembly
Lesson Sixteen: Development and Development Circles . . . 197
Lack of good mediums. New wave of psychics. Full circle. Development Circles. Exercises—your own development circle. Into mediumship. Record keeping is important. Rescue circles. Lesson sixteen examination questions.
Lesson Seventeen: Electronic
Spirit Contact . . . 207
Modern tools of communication. Exercises—your own EVPS and ITC. From slates to laptops.
Afterword . . . 215
Appendix A: Fraudulent Practices . . . 217
Appendix B: Answers to Examination Questions . . . 227
Glossary . . . 243
Bibliography . . . 249
Index . . . 257
Many thanks to all the people at Llewellyn who made this book possible.
Thanks also to the National Spiritualist Association of Churches, the Lily Dale Assembly,
Ron Nagy and Joyce LaJudice of the Lily Dale Museum for their support and encouragement.
Posted July 18, 2009
this is another amazing book by buckland, if you liked the "Complete Book of Witchcraft", you will love this one too! A must have for any new age library!
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I absolutely love this book. It's informative, educational, and fun. It's never boring, but it's also never cheesy like some spirit communication books I've read. I'm not highly into the whole communication with the dead thing, but I really enjoyed reading about it in this. I've used K2 meters, and EMF detectors with some of the suggestions in this book, and while I can't say I was very successful, I also didn't freak out about small things like I did before I read this book.
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Posted January 9, 2006
This book makes it easy to learn how to communicate with spirits. And also goes through some history of people that have communicated with spirits in the past, some of them being famous... Also at the end of each chapter you are given study questions to test yourself to see if you are really ready to go on to the next chapter... Very well written... I love it!
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Posted December 25, 2012
With a title such as "Book Of Spirit Communications" , Ray Buckland really does know what hes talking about as be brings to the table 50 years worth of his personal knowledge with this subject. Starting out relatively modest, you start with a foundation of knowledge,namely history of spiritualism, and well noted spiritualist members such as the founders the fox sisters and avid and famous supports such as Sir Arthur Doyle. From there you'll learn an astonishing amount of ways the spirits communicate. Touching on psychic communications via the four main clairs (clauidence,clairsentience,claircognasentice,clairvoyance) and discovering a few new clairs you may not have known about. Delving not just on how spirits communicate with us on what Bucklands calls "The First Level" , but how they are believed to exist on another plane of existence as well as how they function and how they can interact with us are also included. In addition, spirit activity such as table tipping, levitation of both people and objects, apport, aports are also theorized and discussed as well as learning to communicate with your spirit guide's are also mentioned. Though not just a book completely focusing on spirit communications, Buckland also focuses on psychic abilities such as healing, both in person and distant, Telepathy, chakra work, and Magical protective visualizations. This Book is a must have for any occultist's library, or for the adventurous average joe with a taste for the paranormal.
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Posted March 3, 2010
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