Bug Boy

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Overview

It is the summer of 1934, and even at the height of the Great Depression, money is no object for the socialites at posh Saratoga Race Course. The trouble is times are tough for everyone else, especially penniless track workers like fifteenyear- old Jack Walsh. When Jack suddenly graduates from exercise rider to apprentice jockey, or bug boy, he is an overnight sensation. Success brings him all sorts of attention, including that of a brainy blond beauty who is more involved with the gritty underbelly of the track than she lets on and a vicious thug who presses Jack to break his code as a jockey for a payoff that could solve all his family’s problems.

Set amid the rough backstretch of Thoroughbred racing, this edge-of-your-saddle read follows the course of a young athlete whose rise to glory in the most popular sport in America is accompanied by ever-increasing pressure to do something that could leave him trampled in the dirt.

Editorial Reviews

Mary Schmutz
"Shabby" Jack Walsh is only 15 years old and has just hit the big time in horse racing. The Great Depression has hit everyone and everything except the ponies. People still flock to Saratoga to try and make a buck. Jack just wants to work with the best horses. He's already led a very hard childhood, what with being sent away from his family because they couldn't afford to feed him and his sister. Sleeping in the barns is much better for Jack anyway, he thinks. Bigger trials await Jack, though, when he's tempted to fix the biggest race of his life. Even at the very young age of 15, Jack leads a very adult life and has to make very adult choices. Jack must decide what is more important in the horse business—winning the big race or winning at life. Reviewer: Mary Schmutz
School Library Journal
Gr 6–8—In 1934, at the Saratoga Race Track, Jack finally gets his chance to be an apprentice jockey, or bug boy. Only 15 and on his own, he has to deal with a vicious thug who wants him to throw a race, a duplicitous girl "bookie," and his father's betrayal after he comes to Jack for help. He eventually triumphs over the adversities facing him as he also copes with the death of his favorite racehorse. This well-written, engaging story effectively captures the desperate times of the Depression and the hard-edged world of horse racing. Jack has a strong moral compass in contrast to the characters who are willing to sacrifice others to ensure their own well-being. Although he learns some bitter lessons, the teen still manages to follow his dream of working with racehorses.—Carol Schene, formerly at Taunton Public Schools, MA
Kirkus Reviews
Fifteen-year-old Jack Walsh is elevated from head exercise rider to "bug boy," or apprentice jockey, after another jockey is severely injured during a race. The Saratoga Race Course in 1934 is vividly realized in Jack's believable first-person, present-tense narration, as he navigates the dangers success brings. A gangster pressures him to deliberately lose a big race, a wealthy young female bookie energetically seduces him, his father arrives back on the scene after abandoning him as a child to a physically and sexually abusive horse trainer, and he endures the constant, graphically portrayed imperative to lose large amounts of weight quickly in order to be light enough to race. Luper is at his best depicting races that are both thrilling and plausible as Jack strategizes his way past more experienced but less clever riders. Occasional violence, sexuality and Jack's extreme weight-loss efforts make this a more suitable read for older teens, who will find themselves thundering through the home stretch in order to discover whether Jack will win, place or show in this first-rate novel. (Historical fiction. 13 & up)

Product Details

  • ISBN-13: 9780374310004
  • Publisher: Farrar, Straus and Giroux
  • Publication date: 7/21/2009
  • Edition description: First Edition
  • Edition number: 1
  • Pages: 256
  • Sales rank: 705,863
  • Age range: 14 - 17 Years
  • Lexile: 780L (what's this?)
  • Product dimensions: 5.60 (w) x 8.40 (h) x 1.00 (d)

Meet the Author

ERIC LUPER lives in Albany, New York, and is an avid horseracing fan. Of Big Slick, his first novel, Kirkus Reviews said, “Luper’s authentic first-person narrative captures teen frustrations, feelings of confinement, and the mottled world of poker . . . Powerful momentum.”

Read an Excerpt

 

I

AFTER BEING COOPED UP IN THAT BOXCAR FROM Belmont to Saratoga, Fireside seems just about as desperate to run as I am to ride. That horse tugs at the reins in the hopes I’ll let them loose, and he puffs like a steam engine each time his lead leg strikes the ground. Riding any racehorse for its first workout after traveling is like setting off a stick of dynamite—all that energy needing to get out.

And Fireside is no different.

Sure, it’s the morning of opening day and all. Heck, everyone’s excited. But Fireside is jumpier than usual and it makes me wonder if he knows something about this here racing season that I don’t.

“Take that horse through his paces, Jack,” Mr. Hodge calls to me from the rail. “I want him working hard at least six furlongs.”

“Sure thing.” I jerk my knees, and Fireside springs into a canter. You never work a horse hard the same day he’s racing, but the down days are different. They say every extra pound a horse carries takes a length off at the finish line, and boy do they put on weight fast. You’ve got to keep them running or they get a belly on them. As far as I know, Fireside won’t be competing for a few weeks, so it’s extra important to keep him trim.

Fireside is the biggest and fastest horse I’ve ever had the chance to put my legs around. His sleek, gleaming coat is charcoal gray, nearly black, and his chest is as broad as the end of a barn. Despite his size, he’s surprisingly nimble, able to skitter in and out of the pack like a sparrow darting between branches.

“Pick up the pace!” Mr. Hodge hollers, but I can’t barely hear him. He’s already long behind us, swallowed up by the morning mist. It’s my favorite time of day, when the sun peeks over the tops of the pine trees and makes the fog look like a cloud decided to settle itself down on the track.

I give Fireside two taps with the whip and cluck in his ear. By my estimate, we cut two seconds off our next furlong. To top it off, Fireside’s ears are still twitching, which means he ain’t too serious about the run. This horse has a lot more to offer.

As we breeze past the next post, I give Fireside some slack. He takes every inch of those reins and really pours it on. Anyone who says that racing is cruel—that horses don’t like digging down for that mile or so—has never been in the saddle of a world-class Thoroughbred as it’s begging to tear down the stretch. Centuries of breeding’s done it to them. Racing is in their blood. It’s in their blood like it’s in mine.

When we circle around to the backstretch, the only thing sparkling brighter than Mr. Hodge’s pocket watch is his smile. It makes the creases in his leathery face seem even deeper. “Great time, son,” he calls as we gallop past.

Bucky, one of the other exercise boys and my best chum in the horse business, is waiting for me on the outside rail. He brings his pony alongside Fireside, and we loop back, making sure to get ourselves out of the way of other riders coming through. Sweat glistens on Fireside’s withers. “You sure were moving there,” Bucky says. “Let me guess. You were thinking about driving one of those Alfa Romeos in the Monaco Grand Prix.”

“Actually, it was a Bugatti in the Belgian.”

“It’s always Bugattis with you.”

“What can I say? I like Bugattis.”

After we make our way back to Mr. Hodge, I wait for him to look up at me from his notes. “Fireside lifted his head again,” I say. “He was doing the same thing back at Belmont, remember?”

Mr. Hodge takes off his felt fedora and picks invisible lint off it like he does every time he thinks hard on something.

“Given any more thought to that shadow roll?” I ask. A shadow roll is a fluffy pad that rests across the bridge of a horse’s nose. It would block the lower part of Fireside’s vision to keep him from getting spooked by shadows underfoot.

Mr. Hodge studies Fireside while he chews that cigar of his. The smoke smells like the applewood my family burns back home. “Fit him up for one,” he says. “We’ll make a champion out of that horse yet.” Then he looks up at me. “And a jockey out of you.”

That’s just about the nicest thing Mr. Hodge has ever said to me. I smile so big he could stick a muck shovel in my mouth without it touching my cheeks. I snap the reins and head off the track alongside Bucky.

“Did you hear that?” Bucky bounces in his saddle like a puppy waiting to chase after a stick. “Mr. Hodge is gonna bump you up to jockey soon.”

“He didn’t say anything about soon.”

“But someday,” Bucky says. “Someday. Me, I’ll be lucky to shine your riding boots.”

“Don’t talk down about yourself that way.”

“Aw, you know it and I know it, Jack. I’m no better at riding horses than Fireside here is at knitting.”

“Pipe down,” I tell him. “Fireside’s a good knitter. He made me a scarf last Christmas.”

Bucky grins at that, and his two front teeth press down so hard I think he might bite his bottom lip clean off. With teeth like his, Bucky’s nickname didn’t take too much figuring out.

“I grew up on horseback,” I say. “My grandpa used to tell me I came into the world holding the birth cord like it was a set of reins and I ain’t stopped since.”

The thought of my family makes my thighs tense up around my mount. I wonder what my baby sister, Penny, looks like now. I haven’t seen her—or the rest of my family—in over three years, not since I was twelve and my dad sent me off with that rat Tweed McGowan to learn the horse business.

“The first thing you gotta do if you want to start riding better is raise those irons up,” I say to Bucky, pointing to his stirrups. “You ain’t never going to get comfortable if you keep riding Western like you do.”

Bucky ignores me. “You watch,” he says. “You’ll be bumped up to bug boy, win your first forty races right in a row, and be a full jockey in no time. Then, you’ll forget all about the rest of us.”

“How could I forget about you?” I say. “You owe me a quarter.”

“A quarter? When you start riding for real, you won’t bother stooping down for a crisp, new Ben Franklin, let alone a quarter. Things are going to take off for you, Jack. I can feel it.”

“Does that mean I’m not getting my quarter?”

Fireside gives a little buck right then, and I hunch forward so as not to get tossed. I pat him on the neck and he seems to settle down some. When he bucks a second time, I know someone must be coming. Fireside gets jittery around strangers.

Then I see him.

In his gray suit and black fedora, the man is dressed too fancy to be a track worker. Even so, I can tell he ain’t no pencil pusher. His nose is pushed in so bad it looks like he took a few too many shots to the snot locker. A few thousand too many.

“That’s one fine horse you’ve got there,” the man says.

One of the first things Mr. Hodge told me when I started working with Pelton Stables was never to converse with strangers who show up around the stable. He said folks like that are always looking for trouble. I nod to the man out of common politeness and guide Fireside to the far end of the shed.

“Yes, sir,” the man continues as he trails alongside me. “That horse looks as sure as a Roosevelt dollar, he does.”

As usual, Niles, Fireside’s groom, is waiting for us. Niles always wears the same getup: a white, long-sleeved shirt and baggy pants with suspenders. He always wears the same eyes too—the kind that tell you his mouth is smiling just a few inches below. Even though I’m the one supposed to do it, Niles always hot-walks Fireside. He says the walking is as good for him as it is for the horse. Niles can say what he wants, but I’m glad to hand the bridle over. Leading a horse around and around in a circle until it cools down is a bigger bore than watching McIntoshes grow on the branch during a drought. Not to mention that all you need to do it is one good arm and the ability to turn to the left.

“Everything all right there, Mr. Jack?” Niles asks. His eyes flick toward the shifty guy.

“Fine,” I say.

Niles helps me to the ground. After I thank him, I start toward the barn. Most of us workers sleep at local boardinghouses, but if there’s a free stall at whatever track we’re working, I take it. The chirping of the crickets and the snorting and stomping of the horses set me at ease.

When I get to my stall, I make sure everything is the way I left it. My unmade cot sits against one wall. Spoons, the spider monkey I picked up in a dice game down at Hialeah, is rolled up in the blankets, snoring away like an idling twostroke engine. He has pulled off his black cap, but he’s still wearing the purple and white striped silk jacket Mrs. Dalton, the boardinghouse keeper down in Belmont, made for him. Sure, that monkey is a pain in the keister, always stealing fruit and knocking things over, but his beady black eyes and the fuzzy ring of white fur around his wrinkled old-man face grow on you. Not to mention that he settles the horses down something serious.

The apple crate next to my cot is stacked high with things I like to look at before I go to sleep: old horse journal clippings, some car brochures, a few comic books, and some French postcards. I begin to straighten out the piles.

Someone clears his throat behind me. The phlegmy rattle sounds like one of those newfangled chain saws I saw at the fair ripping through a log. “So, what do you think of Fireside?” the guy in the suit says.

“Who are you?” I say right back. “You ain’t even supposed to be back here.”

He holds out his hand. “Name’s Jasper Cunningham.”

I don’t want to shake on account of I don’t trust the guy, so I spend some extra time taking off my helmet and hanging it on the hook I’ve nailed to the wall. The helmet’s seen better days. The silk is frayed to bare threads, and the cardboard skullcap is tattered and soggy. Nevertheless, it was my first helmet and the thing’s brought me nothing but good luck. And a new one costs two and a half bucks. Who’s got that kind of money?

Jasper gets the hint and slips his hand back into his pocket. “Listen, kid,” he says. His voice goes quiet and he steps toward me. “I know what life is like for you exercise boys. You’re treated worse than these here horses. What are you, fourteen?”

I want to correct him, to tell him I’m fifteen, but I keep my mouth shut and take my good old time hanging up my crop. Neither of us says a word for a while, but being around the track so long, I know the sound of fingers riffling through cash.

I turn around.

Jasper’s smile wrinkles that lump of a nose of his so bad it looks like a chewed up wad of gum. He knows he’s got my attention. “Look, I have an offer for you, kid,” he says, stepping close enough that he could grab me if he wanted. “I have an offer for you, and I think it’s one you’ll have a hard time turning down.”

Copyright © 2009 by Eric Luper All rights reserved

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Average Rating 4.5
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Sort by: Showing all of 3 Customer Reviews
  • Anonymous

    Posted February 24, 2012

    Spectacular

    I usually hate sports books but this is a must read

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  • Posted August 9, 2009

    more from this reviewer

    Reviewed by Sally Kruger aka "Readingjunky" for TeensReadToo.com

    BUG BOY takes readers deep into the world of horse racing. Eric Luper, author of BIG SLICK, a book that highlights card playing, brings the behind-the-scenes images of horse racing alive.

    Jack "Shabby" Walsh says he has loved horse racing since "his diaper hit the saddle." He is now sixteen and has been gone from home for years. His father first set him up with a character named Tweed. From Tweed, Jack learned the ins and outs of the horse racing circuit, but he also learned how evil a human being can get.

    When the story starts, Jack has a pretty good thing going with Mr. Hodge and Mr. Pelton. He does everything from working the horses along with trainer Mr. Hodge to mucking out the stalls. The job pays enough to allow him to send money home to his family and to keep him alive. He still dreams of working as a real jockey some day.

    Jack's luck changes with the bad luck of a jockey named Showboat. A fatal accident in the starting gate opens up a spot for a new rider. Jack is now officially a bug boy; in other words, a jockey in training. His luck holds when he is able to place in the first two races of his career. Things look fantastic for a quick rise to the top.

    Amidst the training and racing activities, Jack connects with Elizabeth. She is horse racing's first female bookie. Even though she is from a world far different than Jack's and she towers over him, she wants him with her constantly and insists on showing him the town with his newfound wealth. Along with her attention, Jack finds himself in the sights of a creep named Jasper who wants to use Jack's inside connections to fix a race.

    BUG BOY may start out focusing on a quiet stable boy, but the action ramps up quickly and doesn't slack off as the horses and characters race to the end. Readers who enjoyed BIG SLICK will be equally impressed with Luper's new book, and it is sure to win him many new fans, as well.

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  • Posted July 18, 2009

    I Also Recommend:

    Bug Boy is a sure bet!

    Though it sounds like a some kinda super hero insect (half beetle, half boy, all American!), Bug Boy is a great look back at the heyday of horse racing in Saratoga. Told through the eyes of 15 year old "Shabby" Jack Walsh, an exercise boy at the race grounds, Eric's second novel captures this rags-to-riches story with excitement and true emotion as it charts Jack's rise to become a famous bug boy (a rookie racer). To me, it's a perfectly told tale that will rank among the great horse stories (think Seabiscuit meets Rocky) and captures a unique era of Americana as good or better than Al Capone Does my Shirts. This horse has got legs and is a sure bet to win. Check it out!

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