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| Jovanotti | Primary Artist |
| Piero Odorici | Flute, Saxophone |
| Horacio "El Negro" Hernández | Drums |
| Rudy Trevisi | Soprano Saxophone |
| Damiano Puliti | Cello |
| Edoardo Bennato | Harmonica |
| Saturnino Celani | Basso Continuo |
| Marco Tamburini | Trumpet |
| Dario Cecchini | Clarinet, Baritone Saxophone |
| Pier Foschi | Drums |
| Vieri Bugli | Violin |
| Franco Santarnecchi | tastiere |
| Roberto Rossi | Trombone |
| Jovanotti | Composer |
| Simon Duffy | Engineer |
| Pino Pischetola | Engineer |
| Celso Valli | Arranger, Director, Producer, Writer, Script |
| Chris Athens | Mastering |
| Luca Bignardi | Engineer |
| Alex Neri | Composer |
| Marco Baroni | Composer |
| Saturnino Celani | Composer |
| Sergio Pappalettera | Graphic Design |
| Maurizio Nicotra | Engineer |
| Domenico "GG" Canu | Composer |
Editorial Reviews
All Music Guide - Mariano Prunes
This 2005 release finds Jovanotti in good form after the slightly disappointing Il Quinto Mondo. Buon Sangue's great moments recall the laid-back, sunny approach of Capo Horn, as in "Voglia di Libertà" and "La Valigia," or in the hidden bonus track that gives the record its title, a throwback to Jovanotti's trademark melodic hip-hop. As usual with Jovanotti's records, however, the best three tracks are placed right at the beginning of the album, the funky opening "Tanto" and the hypnotic, sensitive love songs "Per Me" and "Mi Fido di Te" -- the latter being the one absolute classic that all Jovanotti albums seem to feature. After this powerful opening salvo, the album ...