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Buried for Pleasure
     

Buried for Pleasure

by Edmund Crispin
 

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In the sleepy English village of Sanford Angelorum, professor and amateur detective Gervase Fen is taking a break from his books to run for Parliament. At first glance, the village he's come to canvass appears perfectly peaceful, but Fen soon discovers that appearances can be deceptive: someone in the village has discovered a dark secret and is using it for

Overview

In the sleepy English village of Sanford Angelorum, professor and amateur detective Gervase Fen is taking a break from his books to run for Parliament. At first glance, the village he's come to canvass appears perfectly peaceful, but Fen soon discovers that appearances can be deceptive: someone in the village has discovered a dark secret and is using it for blackmail. Anyone who comes close to uncovering the blackmailer's identity is swiftly dispatched.

As the joys of politics wear off, Fen sets his mind to the mystery but finds himself caught up in a tangled tale of eccentric psychiatrists, escaped lunatics, beautiful women and lost heirs.

Product Details

ISBN-13:
9780099542124
Publisher:
Knopf Doubleday Publishing Group
Publication date:
11/24/2009
Pages:
176
Product dimensions:
5.08(w) x 7.80(h) x 0.39(d)

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Meet the Author

Edmund Crispin was the pseudonym of Robert Bruce Montgomery (2 October 1921 - 15 September 1978), an English crime writer and composer. Montgomery wrote nine detective novels and two collections of short stories under the pseudonym Edmund Crispin (taken from a character in Michael Innes's Hamlet, Revenge!). The stories feature Oxford don Gervase Fen, who is a Professor of English at the University and a fellow of St Christopher's College, a fictional institution that Crispin locates next to St John's College. The whodunit novels have complex plots and fantastic, somewhat unbelievable solutions, including examples of the locked room mystery. They are written in a humorous, literary and sometimes farcical style and they are also among the few mystery novels to break the fourth wall occasionally and speak directly to the audience.

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