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The Buried Temple

Overview

I speak, for those who do not believe in the existence of a unique, all-powerful, infallible Judge, for ever intent on our thoughts, our feelings and actions, maintaining justice in this world and completing it in the next. And if there be no Judge, what justice is there? None other than that which men have made for themselves by their laws and tribunals, as also in the social relations that no definite judgment governs? Is there nothing above this human justice, whose sanction is rarely other than the opinion, ...
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The Buried Temple

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Overview

I speak, for those who do not believe in the existence of a unique, all-powerful, infallible Judge, for ever intent on our thoughts, our feelings and actions, maintaining justice in this world and completing it in the next. And if there be no Judge, what justice is there? None other than that which men have made for themselves by their laws and tribunals, as also in the social relations that no definite judgment governs? Is there nothing above this human justice, whose sanction is rarely other than the opinion, the confidence or mistrust, the approval or disapproval, of our fellows? Is this capable of explaining or accounting for all that seems so inexplicable to us in the morality of the universe, that we at times feel almost compelled to believe an intelligent Judge must exist? When we deceive or overcome our neighbour, have we deceived or overcome all the forces of justice? Are all things definitely settled then, and may we go boldly on: or is there a graver, deeper justice, one less visible perhaps, but less subject to error; one that is more universal, and mightier?
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Product Details

  • ISBN-13: 9781438595061
  • Publisher: Standard Publications, Incorporated
  • Publication date: 4/22/2010
  • Pages: 128
  • Product dimensions: 7.50 (w) x 9.25 (h) x 0.27 (d)

Meet the Author

Maurice Maeterlinck (1862-1949), born in Ghent, Belgium, came from a well-to-do family. He was educated at a Jesuit college and read law, but a short practice as a lawyer in his home town convinced him that he was unfit for the profession. He was drawn toward literature during a stay in Paris, where he associated with a number of men of letters, in particular Villiers de l'Isle Adam, who greatly influenced him. Maeterlinck established himself in Paris in 1896 but later lived at Saint-Wandrille, an old Norman abbey that he had restored. He was predominantly a writer of lyrical dramas, but his first work was a collection of poems entitled Serres chaudes [Ardent Talons]. It appeared in 1889, the same year in which his first play, La Princesse Maleine, received enthusiastic praise from Octave Mirbeau, the literary critic of Le Figaro, and made him famous overnight. Lack of action, fatalism, mysticism, and the constant presence of death characterize the works of Maeterlinck's early period, such as L'Intruse (1890) [The Intruder], Les Aveugles (1890) [The Blind], and the love dramas Pelléas et Mélisande (1892), Alladine et Palomides (1894), and Aglavaine et Sélysette (1896). The shadow of death looms even larger in his later plays, Joyzelle (1903) and Marie Magdeleine (1909), Maeterlinck's version of a Paul Heyse play, while L'Oiseau bleu (1909) [The Blue Bird] is marked by a fairy-tale optimism. Le Bourgmestre de Stilemonde (1919) [The Burgomaster of Stilemonde] was written under the impact of the First World War.
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