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Publishers WeeklyIn 11 short essays by some of the world's premier novelists, this volume explores a simple question: why write? Contributor Paul Auster may put the query best: "Surely it is an odd way to spend your life-sitting alone in a room with a pen in your hand, hour after hour, day after day, year after year, struggling to put words on pieces of paper." In response, Pico Iyer delivers a moving account of a Burmese trishaw driver living under political oppression, who for years composed (by candlelight) letters to the author, many of which were censored. Orhan Pamuk also explores this intense human hunger for stories and creative freedom with an anecdote from his March 1985 tour of Turkey, on which he introduced Arthur Miller and Harold Pinter to Turkish writers who had suffered "repression, cruelty and outright evil" in a military coup. Francine Prose, on the other hand, makes a lively attempt to separate literature from politics (in which she cops to her own political biases in her choice of examples). The disparate voices produce a complex of reasons that drive writers, though all agree that, as observed by Morrison (wearing both editor and contributor caps), it's a "bleak, unlivable, insufferable existence... when we are deprived of artwork."
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