The Burning Soul (Charlie Parker Series #10)

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Overview

There are some truths so terrible that they should not be spoken aloud. Here is one of those truths: aft er three hours, the abduction of a child is routinely treated as a homicide.

When a girl disappears from a small Maine town, her neighbor—a recluse named Randall Haight—starts receiving anonymous letters that contain tormenting references to a different teenage girl, murdered long ago. For many years, Randall has kept a secret: when he was fourteen, he was convicted of killing that girl. Now, his former life has returned to haunt him, and he hires private detective Charlie Parker to make it go away. But in a town built on blood and shadowed by old ghosts, where too many of the living are hiding secrets, the past cannot be dismissed so easily. As Parker unravels a twisted, violent history involving a doomed mobster and his enemies, the police, and the FBI, his search returns again and again to Randall Haight. Because Randall is still telling lies. . . .

Product Details

  • ISBN-13: 9781439165270
  • Publisher: Atria Books
  • Publication date: 9/6/2011
  • Pages: 416
  • Sales rank: 57,574
  • Series: Charlie Parker Series , #10
  • Product dimensions: 6.10 (w) x 9.10 (h) x 1.30 (d)

Meet the Author

John Connolly
John Connolly

John Connolly is the author of Every Dead Thing, Dark Hollow, The Killing Kind, The White Road, Bad Men, Nocturnes, and The Black Angel. He is a regular contributor to The Irish Times and lives in Dublin, Ireland. For more information, see his website at JohnConnolly.co.uk.

Biography

John Connolly was born in Dublin, Ireland in 1968 and has, at various points in his life, worked as a journalist, a barman, a local government official, a waiter and a dogsbody at Harrods department store in London. He studied English in Trinity College, Dublin and journalism at Dublin City University, subsequently spending five years working as a freelance journalist for The Irish Times newspaper, to which he continues to contribute.

His first novel, Every Dead Thing, was published in 1999, and introduced the character of Charlie Parker, a former policeman hunting the killer of his wife and daughter. Dark Hollow followed in 2000. The third Parker novel, The Killing Kind, was published in 2001, with The White Road following in 2002. In 2003, John published his fifth novel - and first stand-alone book - Bad Men. In 2004, Nocturnes, a collection of novellas and short stories, was added to the list, and 2005 marked the publication of the fifth Charlie Parker novel, The Black Angel.

John Connolly is based in Dublin but divides his time between his native city and the United States, where each of his novels has been set.

Author biography courtesy of Atria Books.

Good To Know

Some fun and fascinating facts gleaned from our interview with Connolly:

"I once worked as a debt collector, although I didn't know it at the time. I was just delivering the letters for a courier company, and only discovered they were final notices when a little man chased me out of his sawmill with an ax."

"I did my graduate thesis on the first closure of Jerusalem to the Palestinians, during the course of which I a) was involved in a car crash on the Gaza Strip, which provided the residents with their entertainment for the day; b) was imprisoned briefly by Egyptian immigration officials, an experience I can heartily advise everyone to avoid; and c) discovered that I was a worse photographer than a writer, as none of my pictures came out."

"While interviewing my idol, James Lee Burke, for The Irish Times, I managed to get lost in the Rattlesnake Wilderness while out walking with Burke. His dogs found me. Eventually."

"I can cook a pretty good Cajun meal. I know a bit about wine, but only South African wine." "I love going to the movies, but think cell phones have made it a less enjoyable experience than before. In fact, I think cell phones have made life that little bit less bearable, and I can't imagine how awful it will be when people can use them on aeroplanes. In the last couple of books I've written, people have died terrible deaths because of their fascination with cell phones. I always feel a little calmer after I've killed someone in print."

"Rather embarrassingly, the only pseudonym I've used is a woman's name. Earlier this year, one of the editors at Hodder Ireland, the Irish arm of my U.K. publisher, announced that she was putting together a book of stories, entitled Moments, for tsunami relief, with all of the contributions to be written by female writers. She asked if I might be interested in submitting a story under a pseudonym, just to see if anyone would spot the interloper. I agreed to try, although admittedly there was alcohol taken at the time and had she asked me to swim naked down the Amazon with ‘Pirahna Food' written on my back I would probably have agreed to that as well. The story was called ‘The Cycle' and appeared under the pseudonym ‘Laura Froom' in the book, which was the name of the vampire in one of the short stories in my Nocturnes collection. So there: my secret shame has been revealed."

    1. Hometown:
      Dublin, Ireland
    1. Date of Birth:
      May 31, 1968
    2. Place of Birth:
      Dublin, Ireland
    1. Education:
      B.A. in English, Trinity College Dublin, 1992; M.A. in Journalism, Dublin City University, 1993
    2. Website:

Read an Excerpt

CHAPTER I

Gray sea, gray sky, but fire in the woods and the trees aflame. No heat, no smoke, but still the forests burned, crowning with red and yellow and orange; a cold conflagration with the coming of fall, and the leaves resignedly descending. There was mortality in the air, borne on the first hint of winter breezes, the threatening chill of them, and the animals prepared for the coming snows. The foraging had begun, the filling of bellies for leaner times. Hunger would make the more vulnerable creatures take risks in order to feed, and the predators would be waiting. Black spiders squatted at the corners of their webs, not yet slumbering. There were still stray insects to be had, and further trophies to be added to their collections of withered husks. Winter coats grew thick, and fur began to lighten, the better to blend in against the snow. Contrails of geese arrowed the skies like refugees fleeing a coming conflict, abandoning those forced to stay and face what was to come.

The ravens were motionless. Many of their far-northern brethren had headed south to escape the worst of the winter, but not these birds. They were huge yet sleek, their eyes bright with an alien intelligence. Some on this remote road had noticed them already, and if they had company on their walks, or in their automobiles, they commented on the presence of the birds. Yes, it was agreed, they were larger than the usual ravens, and perhaps, too, they brought with them a sense of discomfort, these hunched beings, these patient, treacherous scouts. They were perched deep among the branches of an ancient oak, an organism approaching the end of its days, its leaves falling earlier each year, so that by the end of every September it was already bare, a charred thing amid the flames, as though the all-consuming fire had already had its way with it, leaving behind only the smoke smudges of long-abandoned nests. The tree stood at the edge of a small copse that jutted slightly at this place to follow the curvature of the road, with the oak as its farthest point. Once there were others like it, but the men who built the road had cut them down many years before. It was now alone of its kind, and soon it too would be gone.

But the ravens had come to it, for the ravens liked dying things.

The smaller birds fled their company, and regarded the intruders warily from the cover of evergreen foliage. They had silenced the woods behind them. They radiated threat: the stillness of them, their claws curled upon the branches, the bladelike sharpness of their beaks. They were stalkers, watchers, waiting for the hunt to begin. The ravens were so statuesque, so immobile, that they might have been mistaken for misshapen outcroppings of the tree itself, tumorous growths upon its bark. It was unusual to see so many together, for ravens are not social birds; a pair, yes, but not six, not like this, not without food in sight.

Walk on, walk on. Leave them behind, but not before casting one last anxious glance at them, for to see them was to be reminded of what it is to be pursued, to be tracked from above while the hunters follow remorselessly. That is what ravens do; they lead the wolves to their prey, and take a portion of the spoils as payment for their labors. You want them to move. You want them to leave. Even the common raven was somehow disturbing, but these were not common ravens. No, these were most uncommon birds. Darkness was approaching, and still they waited. They might almost have been slumbering were it not for the way the fading light caught the blackness of their eyes, and how they captured the early moon when the clouds broke, imprisoning its image within themselves.

A short-tailed weasel emerged from the rotted stump that was her home and tested the air. Its brown fur was already altering, the darkness growing out of it, the mammal becoming a ghost of itself. She had been aware of the birds for some time, but she was hungry and anxious to feed. Her litter had dispersed, and she would not breed again until the new year. Her nest was lined with mouse fur for insulation, but the little larder in which she had stored her surplus of slain rodents was now empty. The weasel had to eat forty percent of her own body weight each day in order to survive. That was about four mice a day, but the animals had been scarce on her regular routes.

The ravens seemed to ignore her appearance, but the weasel was too shrewd to risk her life on the absence of movement. She turned herself so that she was facing into her nest, and used her black-tipped tail as bait to see if the birds were tempted to strike. If they did, they would miss her body in aiming for her tail and she would retreat to the safety of the stump, but the ravens did not react. The weasel’s nose twitched. Suddenly there was sound, and light. Headlights bathed the ravens, and now their heads moved, following the beams. The weasel, torn between fright and hunger, allowed her belly to choose. She disappeared into the woods while the ravens were distracted, and was soon lost from sight.

The car wound its way along the road, traveling faster than was wise and taking the bends more widely than it should, for it was hard to see vehicles approaching from the opposite direction, and a traveler unfamiliar with this route might easily have found himself in a head-on collision, or tearing a path through the bushes that lined the road. He might, were this the kind of road that travelers took, but few visitors came here. The town absorbed their impact, the apparent dullness of it dissuading further investigation, then spat them back the way they came, over the bridge and toward Route 1, there to continue north to the border, or south to the highway and on to Augusta and Portland, the big cities, the places that the peninsula’s residents strove so hard to avoid. So no tourists, but strangers sometimes paused here on their life’s journey, and after a time, if they proved suitable, the peninsula would find a place for them, and they would become part of a community with its back to the land and its face set hard against the sea.

There were many such communities in this state; they attracted those who wished to escape, those who sought the protection of the frontier, for this was still an edge state with boundaries of wood and sea. Some chose the anonymity of the forests, where the wind in the trees made a sound like the breaking of waves upon the shore, an echo of the ocean’s song to the east. But here, in this place, there were forest and sea; there were rocks ringing the inlet, and a narrow causeway that paralleled the bridge linking the mainland and those who had chosen to set themselves apart from it; there was a town with a single main street, and enough money to fund a small police department. The peninsula was large, with a scattered population beyond the cluster of buildings around Main Street. Also, for administrative and geographic reasons long forgotten, the township of Pastor’s Bay stretched across the causeway and west to the mainland. For years the county sheriff policed Pastor’s Bay until the town looked at its budget and decided that not only could it afford its own force, it might actually save money in the process, and so the Pastor’s Bay Police Department was born.

But when locals spoke of Pastor’s Bay it was the peninsula to which they were referring, and the police were their police. Outsiders often referred to it as “the island,” even though it was not an island because of the natural connector to the mainland, although it was the bridge that received the most traffic. It was wide enough to take a decent two-lane road, and high enough to avoid any risk of the community being entirely cut off in foul weather, although there were times when the waves rose and washed over the road, and a stone cross on the mainland side attested to the former presence on this earth of one Maylock Wheeler, who was washed away in 1997 while walking his dog, Kaya. The dog survived, and was adopted by a couple on the mainland, for Maylock Wheeler had been a bachelor of the most pronounced sort. But the dog kept trying to return to the island, as those who are born of such places often will, and eventually the couple gave up trying to hold on to it, and it was taken in by Grover Corneau, who was the chief of police at the time. It remained with Grover until his retirement, and a week separated the deaths of the dog and its owner. A photograph of them together remained on the wall of the Pastor’s Bay Police Department. It made Kurt Allan, Grover’s replacement, wonder if he also should acquire a dog, but Allan lived alone, and was not used to animals.

It was Allan’s car that now passed beneath the old oak and pulled up before the house across the road. He looked to the west and shielded his eyes against the last of the setting sun, bisected by the horizon. There were more cars coming. He had told the others to follow. The woman would need them. Detectives from the Maine State Police were also on their way following the confirmation of the AMBER Alert, and the National Crime Information Center had automatically been notified of a missing child. A decision would be made within the coming hours on whether to seek further assistance from the FBI.

The house was a ranch-style dwelling, neatly kept and freshly painted. The fallen leaves had been raked and added to a compost pile at the sheltered side of the building. For a woman without a man to help her, a woman not of this place, she had managed well, he thought.

And the ravens watched as Allan knocked on the door, and the door opened, and words were spoken, and he stepped inside, and there was no sound or movement from within for a time. Two more cars arrived. From the first vehicle stepped an elderly man with a worn leather physician’s bag. The other was driven by a woman of late middle age wearing a blue overcoat that caught in the car door as she rushed to the house. It tore, but she did not stop to examine the damage after wrenching it free. There were more important matters to which to attend.

The new arrivals had come together and were halfway across the yard when the front door opened wide and a woman ran toward them. She was in her late thirties, carrying a little weight on her waist and her thighs, her hair flying loose behind her. They stopped suddenly at the sight of her, and the middle-aged woman raised her arms as though expecting the other to fall into her embrace, but instead the younger woman pushed her way past them, jostling the doctor, one of her shoes falling from her foot, and the white stones on the drive tore at her skin so that she left smears of blood across them. She stumbled and landed heavily, and when she rose again her jeans were ripped, and her knees were scratched, and one of her fingernails was broken. Kurt Allan appeared in the doorway, but the woman was already on the road and her hands were at her mouth and she screamed a name over and over and over…

“Anna! Anna! Anna!”

She was crying now, and she wanted to run, but the road curved to the right and to the left, and she did not know which way to turn. The middle-aged woman came to her and wrapped her in her arms at last, even as her charge fought against her, and the doctor and Allan were approaching as she screamed the name again. Birds took flight from the surrounding trees, and unseen creatures burst from brush and scrub as though to carry the message.

The girl is gone, the girl is gone.

Only the ravens remained. The sun was at last swallowed by the horizon, and true darkness began to fall. The ravens became part of it, absorbed by it and absorbing it in turn, for their blackness was deeper than any night.

Eventually the weasel returned. The fat corpse of a field mouse hung limply in her jaws, and she could taste its blood in her mouth. It was all that she could do not to tear it apart as soon as she had killed it, but her instincts told her to control her urges. Her self-restraint was rewarded, though, for a smaller mouse had crossed her path as she returned to her home, and she fed on that instead before hiding its remains. Perhaps she would retrieve them later, once her larger prize was safely stored away.

She did not hear the raven’s approach. Her first awareness of it came with the impact of its talons upon her back, tearing through her coat and into her flesh. It pinned her to the ground, then slowly began to peck at her, its long beak carving neat holes in her body. The raven did not feed upon her. It simply tortured her to death, taking its time over her agonies. When it had reduced her to a mess of blood and fur, it left the corpse for the scavengers and rejoined its companions. They were waiting for the hunt to begin, and they were curious about the hunter who was to come.

No, the one who had sent them was curious about him, and they watched on his behalf.

For he was the greatest predator of them all.

© 2011 John Connolly

Customer Reviews

Average Rating 4
( 32 )

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See All Sort by: Showing 1 – 20 of 32 Customer Reviews
  • Posted September 6, 2011

    more from this reviewer

    Great Thriller That Will Keep You on Your Toes

    The story begins with the disappearance of a 14 year old girl from a mall. But we soon learn that Randall Haight along with a friend, Lonny, killed a 14 year old girl. Randall and Lonny did 18 years in prison but were offered that chance to start new when they got out with new identities.

    Randall has been living quietly in Pastor's Bay as a reclusive accountant. But someone has learned about his past and is starting to send him pictures and video. Charlie is asked by Randall's attorney to find out who is blackmailing him. But Charlie thinks there is more to Randall's story then he is being told. Plus there is a little girl that needs to be found, hopefully alive.

    This is the 10th Charlie Parker mystery from John Connolly. I have to admit that I didn't know what to expect since this is the first book in this series that I have read. I have to say that I was pleasantly surprised. There was a really good story with lots of twists and turns. I kind of figured out the end, but it was still really good.

    But there are a couple things that I did not agree with. There is a short jaunt where these two guys save a 14 year old girl from prostitution, which I cannot figure out why it was even in the book. The other thing that got to me was the fact that the story dragged on and on with all the description. Don't get me wrong, it made the book really vibrant but it also made the story longer than it needed to be.

    This is one book that I recommend people read if they like mysteries. I even started getting other books in this story so I can start from the beginning.

    I received this book free from Simon & Schuster Galley Grab.

    1 out of 1 people found this review helpful.

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  • Posted August 24, 2011

    more from this reviewer

    a superb mystery

    In Pastor's Bay, Maine Randall Haight consults with attorney Aimee Price over unsigned threatening letters he receives in the mail at a time when fourteen years old Anna Kore vanished from a strip mall. The anonymous author knows who Randall was. When he was fourteen years old William Lagenheimer and a buddy raped and killed a teenage African-American girl. He was convicted and did time. Upon his release, the state court granted him a new identity.

    Aimee persuades private investigator Charlie Parker to look into who the pen pal is and if the timing is deliberate to make Haight the suspect in the Kore case. Although Charlie detests doing anything for a rapist-killer, he begins his inquiry into Haight's claims of being a victim, a town without pity horrific heritage and the Kore clan's bloody secrets.

    The latest Charlie Parker investigation (see The Whisperers) is a superb mystery as readers will understand troubled Parker's self flagellation as he realizes perhaps too late his arrogance could harm the abductee. The story line starts slow but a few chapters in accelerates into a terrific running out of clock thriller with a great late twist as Parker and law enforcement know each hour a kidnap victim remains a captive means it is less likely finding the person alive. Readers will appreciate Parker's doubts as he wonders if he is doing more harm than good.

    Harriet Klausner

    1 out of 2 people found this review helpful.

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  • Anonymous

    Posted March 17, 2012

    Good but not one of Connolly's best

    Rather tame for Charlie Parker novel.

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  • Anonymous

    Posted November 29, 2011

    Not up to Normal Standard

    After being impressed by the first 9 books in the series, number 10 was a severe letdown. The plot was thin, the characters were wooden, and JC seemed at times to be trying to overcome a weak plot with excessive wordiness. The only time he seemed to come to life was when he was pushing his political agenda. If this had been the first book in the series I would not be compelled to read another.

    I hope JC can return to the standard he set with the first 9 novels when he produces the next Charlie Parker novel.

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  • Anonymous

    Posted November 28, 2011

    Highly Recommended

    Charlie Parker is by far my favorite fictional character. John Connolly has a superb way of drawing the reader in from the very 1st page and make it extremel hard to put down the book until it is finished.

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  • Posted November 2, 2011

    NOT YOUR NORMAL MYSTERY

    DO NOT READ THE SYNOPSIS ON THE COVER. THE AUTHOR INTRODUCES CHARACTERS IN SUCH A MANNER THAT YOU KEEP WONDERING WHAT THEIR CONNECTION IS. I WAS KEPT GUESSING ABOUT THE OUTCOME UNTIL THE VERY END. I ONLY READ THE COVER SYNOPSIS AFTER FINISHING THE BOOK. THIS IS AN EXCELLENT TO WHILE AWAY A FEW HOURS WHEN THE TV PROGRAMMING IS SO VERY BAD.

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  • Posted November 1, 2011

    Good - but not his best!

    I've been a fan of the Charlie Parker novels written by John Connolly for years. "The Burning Soul" was entertaining and many of the great characters created by Connolly in this series made an appearance in the novel. However, the story did slow down a bit for me at times, and I had to do some backtracking to keep up with the plot. If you are new to this series, this probably isn't the best novel to start with. Go back to some of the earlier stories like "The Reapers" to get a better appreciation for this author's work.

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  • Posted November 1, 2011

    more from this reviewer

    Well Done

    It's nice to see a well-written novel that takes the reader seriously, not playing any games, but just taking us on the ride to see how the story develops and what interesting devices the author has created to move the story along. The Burning Soul is a good read, and I return the author's respect.

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    Posted January 5, 2012

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    Posted March 16, 2012

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