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| When We Are Lost | 3 | |
| Now | 4 | |
| Washing My Face | 5 | |
| Lines Written in Dejection, Oklahoma | 6 | |
| Manhattan Island Poem | 7 | |
| Daffodil Poem | 8 | |
| The Bridge | 9 | |
| Silence | 10 | |
| The Doll | 11 | |
| The Dinner | 12 | |
| The Wooden Dancer | 13 | |
| The Girl with 18 Nightgowns | 14 | |
| The Room | 15 | |
| "Transients Welcome" | 16 | |
| The Fast | 17 | |
| The Sleeping Angel | 18 | |
| The Ambassadors | 19 | |
| Making Beasts | 23 | |
| In an Empty Field at Night | 24 | |
| Poem to the Body | 25 | |
| Sunrise | 26 | |
| Poem to the Mother | 27 | |
| Poem for My Dead Mother | 28 | |
| For Brynhilde | 29 | |
| Nakedness | 31 | |
| Climbing the Falls | 32 | |
| Going Out | 33 | |
| Beginning | 34 | |
| Poem ("This life like no other.") | 35 | |
| Waterfall at Night | 36 | |
| Poem ("One man climbs inside a thorntree") | 37 | |
| October | 38 | |
| The Meadow | 41 | |
| Love Poem ("A black biplane crashes through the window") | 42 | |
| For Naoko, Standing Alone in the Field | 43 | |
| Love Poem ("We wake up and in the lumps of coal in our hands") | 44 | |
| Sleepless Night | 45 | |
| A Marriage | 46 | |
| A Final Aubade | 47 | |
| Getting Dressed | 48 | |
| Trying to Sleep | 49 | |
| Song of the Salamander | 50 | |
| Withdrawing | 51 | |
| Sleeping Alone in a Small Room | 52 | |
| Singing the Pain Back into the Wound | 53 | |
| For Good | 54 | |
| The Stone That Is Fear | 57 | |
| A Stone's Poem of Pain | 58 | |
| Remembering Her Kiss | 59 | |
| The Stone in Winter | 60 | |
| The Animals | 61 | |
| The Vampire | 62 | |
| A Late Night Visitor | 63 | |
| The Clearing | 64 | |
| Concerning the Stone | 65 | |
| Late at Night | 66 | |
| A Courting Poem | 67 | |
| At the Wedding in the Woods | 68 | |
| After the Marriage | 69 | |
| A Parable | 70 |
Anonymous
Posted December 27, 2000
Gregory Orr is one of the best poets writing today. This book was his first, published in the mid 1970s. The images and the clarity of the images are just wonderful, and it is a craft he honed for later books.
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