Burnt Mountain

( 104 )

Overview

Growing up, the only place tomboy Thayer Wentworth felt at home was at her summer camp - Camp Sherwood Forest in the North Carolina Mountains. It was there that she came alive and where she met Nick Abrams, her first love...and first heartbreak.

Years later, Thayer marries Aengus, an Irish professor, and they move into her deceased grandmother's house in Atlanta, only miles from Camp Edgewood on Burnt Mountain where her father died years ago in a car accident. There, Aengus and ...

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Burnt Mountain

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Overview

Growing up, the only place tomboy Thayer Wentworth felt at home was at her summer camp - Camp Sherwood Forest in the North Carolina Mountains. It was there that she came alive and where she met Nick Abrams, her first love...and first heartbreak.

Years later, Thayer marries Aengus, an Irish professor, and they move into her deceased grandmother's house in Atlanta, only miles from Camp Edgewood on Burnt Mountain where her father died years ago in a car accident. There, Aengus and Thayer lead quiet and happy lives until Aengus is invited up to the camp to tell old Irish tales to the campers. As Aengus spends less time at home and becomes more distant, Thayer must confront dark secrets-about her mother, her first love, and, most devastating of all, her husband.

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Editorial Reviews

From Barnes & Noble

When Thayer Wentworth and her Irish professor husband are invited to Camp Greyledge, she has reason to be pleased in a nostalgic way. It was in that pastoral summer retreat on Georgia's Burnt Mountain that, decades ago, she met the first love. The area has other, less fortunate associations as well: It was on a nearby road that her father met his death in a car accident. Now it is not simply memories that wash over her; there are discoveries too; revelations that will change her relationship with everything she knows. A well-reviewed novel by the author of Off Season and Sweetwater Creek; now in mass-market paperback and NOOK Book.

Publishers Weekly
Bestselling author Siddons combines American Southern and Irish folklore in her 12th novel (after Fault Lines) with lackluster results. Growing up around Georgia's wealthy elite, 17-year-old free spirit Thayer Wentworth finds herself unexpectedly pregnant. But a test shows that her baby is "badly... malformed" and she has an abortion. She makes a fresh start at college, where she falls for Dr. Aengus O'Neill, a gregarious but oddly childlike professor. When Thayer's favorite grandmother dies, she inherits her fairy tale–like Atlanta home and moves into it with O'Neill, now her husband. O'Neill, a famous storyteller (he's invited to speak at a nearby boy's camp) becomes so obsessed with disturbing scenes he remembers from his native Ireland that Thayer begins to think he's mad. Coincidentally enough, she's confronted with her past at the most opportune moment, showing her a clear way out. With anemic characters and many unresolved story lines, Siddons takes on too much and does too little with it. (July)
Stephen King (on Off Season)
Bravura writing...This is Siddons's best, maybe the book she was born to write."
Pat Conroy
"Anne Rivers Siddons's body of work is one of the most impressive in contemporary fiction. And, in her beautifully crafted and dazzling new novel OFF SEASON, Ms. Siddons delivers the goods more powerfully than ever. All her books are terrific, but this one is the best yet."
Booklist on BURNT MOUTNAIN
"Siddons mixes in a touch of the supernatural to bring the novel to an exciting climax, but what's most appealing here is the layered family drama and the lush world Thayer inhabits...A master storyteller with a remarkable track record, bestselling Siddons returns to her signature Southern setting in her newest blend of emotional realism and a sliver of magic."
From the Publisher
"One doesn't read Anne Rivers Siddons's books, one dwells in them."—Chicago Tribune

Bravura writing...This is Siddons's best, maybe the book she was born to write."—Stephen King (on Off Season)

"Anne Rivers Siddons's body of work is one of the most impressive in contemporary fiction. And, in her beautifully crafted and dazzling new novel OFF SEASON, Ms. Siddons delivers the goods more powerfully than ever. All her books are terrific, but this one is the best yet."—Pat Conroy

"The lyrical beauty of Siddons's writing shines...an elegant portrait of love, loss, longing; memories and mystery line the path to self-discovery in OFF SEASON....Siddons's fans will savor the story long after the last page has turned."—Charlotte Observer

Chicago Tribune
"One doesn't read Anne Rivers Siddons's books, one dwells in them."
Charlotte Observer
"The lyrical beauty of Siddons's writing shines...an elegant portrait of love, loss, longing; memories and mystery line the path to self-discovery in OFF SEASON....Siddons's fans will savor the story long after the last page has turned."
Library Journal
As a child, Thayer Wentworth adored Camp Greyledge on Georgia's Burnt Mountain, even if she did find first love and then first heartbreak there. So at first she's happy when she moves nearby with her new husband, Irish-born professor Aengus, and he's invited to the camp as storyteller. But then, as it often does, the past rears its ugly head. With a reading group guide and fun for many readers.
Library Journal - Audio
Thayer Wentworth's life starts fairy tale-like—beloved father and grandmother, rich family, idyllic Southern childhood—until her father dies in a terrible accident on Burnt Mountain. She discovers her first love at camp and loses him owing to her mother's betrayal. She later finds solace in her Irish college professor, marrying him in spite of her mother. Thayer eventually abandons her husband on Burnt Mountain, coming full circle. Sadly, what begins as a lush Southern saga filled with family drama ends as a disjointed Celtic fable with nothing linking the two. Thayer's growing dissatisfaction with her husband feels forced, and his decline into possible lunacy an afterthought. An incongruous time line with extraneous, underdeveloped characters, incoherent foreshadowing, and several abandoned story lines leave the listener utterly confused. Kate Reading's wonderful narration, unfortunately, doesn't save the audiobook. [See Prepub Alert, 1/9/11; the Grand Central hc, published in July, was a New York Times best seller.—Ed.]—Terry Ann Lawler, Phoenix P.L.
Kirkus Reviews

Summer camps play a pivotal role in the life of a young Atlanta heiress.

Thayer Wentworth has always been a disappointment to her mother, Crystal. Tomboyish, and too much like Crystal's distrusted mother-in-law, Caroline, known as "Grand," Thayer yearns for the life of the mind. In this Thayer resembles her father Finch, an educator, who died in an accident en route from a camp on Burnt Mountain. Grand, who refused to grant Crystal (a shopkeeper's daughter) entree to Atlanta's aristocratic Buckhead set, clearly favors Thayer over her more frivolous older sister Lily. When Grand moves into Crystal's house after Finch dies, she grooms Thayer to inherit her father's rarified legacy. First, there's a counselorship at Sherwood Forest, an exclusive girls' camp, where Thayer meets Nick Abrams, counselor at a nearby boys' camp. The two fall madly in love and vow to marry, however when Nick departs for Europe, Thayer learns she is pregnant. Nick never writes or phones as he promised, and Thayer is tricked by Crystal into having an abortion. After a difficult physical and emotional recovery, Thayer attends Sewanee University at Grand's urging, and there she meets and weds Celtic mythology professor Aengus. Crystal and Grand are no more thrilled about the Irish Aengus than they were about the Jewish Nick, however Grand is at least supportive. After a shocking betrayal (Crystal tells Aengus that the abortion left Thayer sterile), a permanent mother-daughter rift results. Grand dies, leaving Thayer and Aengus a rustic fieldstone house in a wooded Atlanta suburb. At first life is blissful, but then a local corrupt politician flatters Aengus into propagating Celtic lore at a boys' camp (which churns out the Atlanta equivalent of Stepford Teens) that's located, ominously enough, on Burnt Mountain. Suddenly Aengus' seemingly benign Celtic obsession turns into something menacing and Michael Flatley–like.

Siddons is at her usual incisive best at skewering the mores of socially pretentious Southerners, and her prose is limpid and mesmerizing, but the grand gignol denouement beggars belief.

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Product Details

  • ISBN-13: 9780446618229
  • Publisher: Grand Central Publishing
  • Publication date: 4/30/2013
  • Format: Mass Market Paperback
  • Pages: 336
  • Sales rank: 202,158
  • Product dimensions: 4.20 (w) x 6.70 (h) x 1.30 (d)

Meet the Author

Anne Rivers Siddons

BURNT MOUNTAIN is Anne Rivers Siddons's 18th novel. Her previous bestselling novels include Off Season, Sweetwater Creek, Islands, Nora Nora, Low Country, Up Island, Fault Lines, Downtown, Hill Towns, Colony, Outer Banks, King's Oak, Peachtree Road, Homeplace, Fox's Earth, The House Next Door, and Heartbreak Hotel. She is also the author of a work of nonfiction, John Chancellor Makes Me Cry. She and her husband, Heyward, split their time between their home in Charleston, SC and Brooklin, ME. For more information, visit www.anneriverssiddons.net.

Biography

Born in 1936 in a small town near Atlanta, Anne Rivers Siddons was raised to be a dutiful daughter of the South -- popular, well-mannered, studious, and observant of all the cultural mores of time and place. She attended Alabama's Auburn University in the mid-1950s, just as the Civil Rights Movement was gathering steam. Siddons worked on the staff of Auburn's student newspaper and wrote an editorial in favor of integration. When the administration asked her to pull the piece, she refused. The column ran with an official disclaimer from the university, attracting national attention and giving young Siddons her first taste of the power of the written word.

After a brief stint in the advertising department of a bank, Siddons took a position with the up and coming regional magazine Atlanta, where she worked her way up to senior editor. Impressed by her writing ability, an editor at Doubleday offered her a two-book contract. She debuted in 1975 with a collection of nonfiction essays; the following year, she published Heartbreak Hotel, a semi-autobiographical novel about a privileged Southern coed who comes of age during the summer of 1956.

With the notable exception of 1978's The House Next Door, a chilling contemporary gothic compared by Stephen King to Shirley Jackson's classic horror novel The Haunting of Hill House, Siddons has produced a string of well-written, imaginative, and emotionally resonant stories of love and loss -- all firmly rooted in the culture of the modern South. Her books are consistent bestsellers, with 1988's Peachtree Road (1988) arguably her biggest commercial success. Described by her friend and peer, Pat Conroy, as "the Southern novel for our generation," the book sheds illuminating light on the changing landscape of mid-20th-century Atlanta society.

Although her status as a "regional" writer accounts partially for Siddons' appeal, ultimately fans love her books because they portray with compassion and truth the real lives of women who transcend the difficulties of love and marriage, family, friendship, and growing up.

Good To Know

Although she is often compared with another Atlanta author, Margaret Mitchel, Siddons insists that the South she writes about is not the romanticized version found in Gone With the Wind. Instead, her relationship with the region is loving, but realistic. "It's like an old marriage or a long marriage. The commitment is absolute, but the romance has long since worn off...I want to write about it as it really is: I don't want to romanticize it."

Siddons' debut novel Heartberak Hotel was turned into the 1989 movie Heart of Dixie, starry Ally Sheedy, Virginia Madsen, and Phoebe Cates.

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    1. Also Known As:
      Sybil Anne Rivers Siddons (full name)
    2. Hometown:
      Charleston, South Carolina and a summer home in Maine overlooking Penobscot Bay
    1. Date of Birth:
      January 9, 1936
    2. Place of Birth:
      Atlanta, Georgia
    1. Education:
      B.A., Auburn University, 1958; Atlanta School of Art, 1958

Read an Excerpt

Burnt Mountain


By Siddons, Anne Rivers

Grand Central Publishing

Copyright © 2011 Siddons, Anne Rivers
All right reserved.

ISBN: 9780446527897

Prologue

We heard it first on an early morning in June. I thought then that it might have been going on for many mornings, but given what we know about it now, I realize that this must have been one of the first times that it sounded, perhaps the very first. This year, anyway.

It wafted into our bedroom on a soft green wind, along with the sleepy twitter of songbirds and the heartbreaking sweetness of wild honeysuckle from the woods behind the house. We had had one of Atlanta’s not-infrequent and unadvertised long, cold springs and had only slept with our windows open for the past month.

We had moved into our house just recently, and the sounds and smells of our new neighborhood were still unfamiliar to us, exotic in their strangeness. But we were learning. The sleep-murdering a.m. roar down the street had become the Suttles’ scowling teenage son starting his motorcycle; the choking miasma that often drifted over the lower end of the street was old Mr. Christian Wells, who had a widely known fear of West Nile virus, spraying his extensive lawn with a virulent pesticide; the shrill shriek that set every dog on Bell’s Ferry Road barking was Isobel Emmett across the street, who had forgotten once again that she had armed the house alarm.

This morning’s sound was different, though. This was the sound of children, many children, far away. Singing.

I lay for a moment without opening my eyes, trying to see if the sound tasted of dreams. It didn’t; the singing children seemed to be coming nearer, from somewhere in the west, and their song grew louder. I could almost make it out. It was a raucous shouted noise, somehow a summer song. I felt that. I knew it.

I turned over and looked at Aengus. He did not move, but his eyes were open. Even in the dimness, they burned the banked-fire blue that I had fallen in love with, the blue of the hot embers of coal. His crow’s wing of black hair fell over one eye. I had fallen in love with that, too. And the straight thick black eyebrows. I even loved the scattering of black freckles across his nose and cheeks. Aengus at the time I met him was as unlike any of the other young men in my small southern town and only slightly larger southern college as a raven to a flock of sparrows. The fact that my mother was appalled by him when I first brought him home from school lit my budding infatuation into a bonfire.

“Angus,” she had murmured sweetly, looking up at him from under her celebrated inch-long lashes. “Like the cows?”

“I wouldn’t be surprised,” Aengus said agreeably, in the rich lilt that could not have been cultivated in the Deep South or possibly anywhere else in the country.

Mother lifted her perfectly arched eyebrows and smiled.

“I don’t believe we know any Anguses, do we, Mother?” she said to my grandmother, who lay reading on the chaise on the screened porch where we had gathered.

“He has fire in his head,” my grandmother murmured, not looking up from her magazine.

We believe she’s starting Alzheimer’s, Mother mouthed confidently to Aengus. Don’t mind anything she says.

Grand gave a disgusted sniff, still not looking up. She was wearing one of the bright silk caftans she had brought home from India, and her vermeil hair was piled on top of her small, elegant head. I thought she looked beautiful.

“Well, she certainly knows her Yeats.” Aengus grinned. “I spell it that way, too, Mrs. Wentworth. With an A before the e. Nobody uses it like that but my mother, but there it is. Will you come dance with me in Ireland?”

“I have no idea what either of you is talking about,” my mother said dismissively. “Thayer, go get us some iced tea. The sweet, in the pitcher. There’s mint in the fridge.”

I got up, but before I left the porch I saw my grandmother lift her head and give Aengus her dazzling full smile. She had been a great beauty; everybody said so. When she smiled like that she still was.

“I will dance with you anywhere, Mr. O’Neill,” she said, and from that moment on she loved him almost as much as I did, until the day she died.

Aengus looked over at me now, half-smiling in the dimness.

“Do you hear that?” I said.

“Yep.”

“What on earth do you think it is?”

“The children of Llyr,” he said, stretching luxuriously. “Grieving for the human children they were before the Dagda turned them into swans.”

“I don’t want to hear any more of your damned Irish bog fairy tales,” I said. “Really, what do you think that is?”

We listened for a moment. The singing children were coming closer. Their song was a real shout now. Its familiarity tickled my tongue.

“Kids having a good time. They’re obviously going somewhere in a car or something, the way they’re moving closer.”

Another moment passed, and then I said, “I know what it is! It’s ‘The Cannibal King’! It’s a great kids’ song; we used to sing it endlessly on the bus to camp and coming home….”

Just then we heard the shushhhh of air brakes and the grinding of big gears changing.

“It is a bus,” I said. “Where on earth are those kids going this early in the morning on a bus? There aren’t that many kids around here….”

“Isn’t there a camp or something that all those assholes in Happy Hollow whomped up for their little darlings?” Aengus said peevishly. “God knows there are enough toddling scions and scionesses over there.”

Our street, Bell’s Ferry Road, ran through the hilly river forest surrounding the Chattahoochee River just to the west of Atlanta. Many of the big old houses had been summer places for well-to-do Atlantans for decades—ours was one of those—and the newer ones were gracefully and conservatively built to blend in. It was a cool ribbon of a street, winding its way down to the bridge that spanned the river.

On the other side of the bridge there was a gated community of houses so jaw-droppingly expensive and baroquely designed that first-time visitors were often stricken to silence—the few who were invited into the enclave. It was called Riverwood, and it gleamed, as my grandfather used to say, like new money on a bear’s behind and was as impenetrable as Gibraltar. It was a mark of distinction among many people we knew not to know anyone who lived there.

To get anywhere near the city or the freeway, the Riverwoodies had to drive back east up Bell’s Ferry Road toward town, and it was all I could do to stop Aengus from throwing rocks or squirrel turds at their Jaguars and Land Rovers and chauffeured limos. I don’t know why Riverwood and its denizens riled him so. Aengus had no temper to speak of, and had never seemed to care who lived where.

But Riverwood maddened him.

“I think it does have a camp,” I said now. “Up in North Georgia near Burnt Mountain, maybe. It’s private; only their kids can go. This would be the time of year for it to start and that was a bus, and that song…”

He grinned again.

“ ‘The Cannibal King’?”

“Yes. I don’t think there’s a southern kid alive who doesn’t know it.”

“Sing it.”

“Oh, Aengus…”

“Sing it, Thayer. I’ll perish if I can’t hear it.”

So I sat down on my side of the bed and sang:

Oh, the Cannibal King with the big nose ring

Fell in love with a dusky mai-ai-aid,

And every night in the pale moonlight

Across the lake he’d wa-a-a-ade.

He’d hug and kiss his pretty little miss

In the shade of the bamboo tree-ee-eee,

And every night, in the pale moonlight,

It sounded like this to mee-eee-eee:

“Aye-oomph! Aye-oomph! Aye-oomph-tiddy i-dee-aye…

Aye-oomph! Aye-oomph! Aye-oomph-tiddy i-dee-aye-aye-ay!”

“You were supposed to give your arm a big sloppy smack after all the ‘aye-oomphs,’ ” I said. I was smiling slightly; I could feel it on my lips. The hot, dusty cocoon of the yellow bus, and the blue and green young mountains of North Georgia flying by, and the smell of suntan oil and Popsicles, and sweet young voices shrieking at the tops of their lungs. Camp. Going to camp.

He laughed.

“I’ll never hear ‘The Cannibal King’ again without thinking of you,” he said.

I looked over at him, and suddenly, unaccountably, my eyes filmed with tears and my chest and throat constricted, and I saw, not Aengus’s dark, sloe-eyed face but another one: tanned nose peeling, sun-bleached hair hanging over gray-green eyes, chipped front tooth, a slow smile that made my breath stop. Always.

This is where we should get married, a deep voice said from the other pillow. A top bunk, I remembered…

I jumped to my feet and went to the window and looked out, not seeing the tender new green or smelling the sweet honey of the sun dappling through the branches onto our lawn. I was stony with pain and surprise. I had buried it all so deep…. It was so long ago….

Up at the end of the street I heard the bus’s air brakes hiss again and the gears growl as it made the turn onto the road that would take it to the freeway north. A last banner of song floated behind it: “Oh, the Cannibal King with the big nose ring…”

It did not sound cheeky and summer-day and young now. It sounded somehow menacing. Knowing, in a crawling, terrible way. Wrong.

I turned and ran across the rug and slipped into bed and buried my face in Aengus’s neck. He pulled me close to him, holding me hard against the long length of him.

“What’s the matter?” he said. “You’re shaking.”

“Cold,” I whispered. “Just cold.”

He held me that way for a long time, but I did not get warm again. At least not that day.

CHAPTER 1

You don’t know my mother.”

Once, in my freshman year at Sewanee, I lay in the infirmary shaking with influenza and tried to estimate the number of times I might conceivably have said those words to someone. Within five minutes I realized that even without the burning forehead and the throbbing bones I would have had more luck tallying stars.

“Why are you still wearing shoes? It’s the middle of June.”

“You don’t know my mother.”

“Those pigtails are geeky. I wouldn’t wear them if I was dead.”

“You don’t know my mother.”

“You told Sonny Etheridge you didn’t want to go to the prom with him? Are you out of your mind?”

“You don’t know my mother.”

“Sewanee? Nobody even knows where that is! Everybody else is going to Georgia. You could be a cheerleader without even trying out.”

“You don’t know my mother.”

I stopped there. It was a rhetorical statement, anyway. By that time almost everybody in my world knew my mother. Everyone except, perhaps, me.

She was the prettiest girl in Lytton. Everybody said so. Even today there are still people who will tell you that there was never a prettier girl in town than Crystal Thayer, and for all I know she still may be. I don’t go back to Lytton now and it has been a long time since I have seen my mother, but by the time I came along it was one of those small-town dogmas that had been repeated so often that it had passed into local mythology, like our toehold on history (“All them rails was twisted into knots by the Yankees; Sherman’s Neckties, they called ’em”) and the obligatory haunt in our cemetery. (“Nat Turnipseed. Folks have seen him skulkin’ around in that graveyard since he passed, and that’s been eighty, ninety years now. Wring your neck soon as he’d look at you.”)

And so: “Crystal Thayer is the prettiest girl we ever had in Lytton, and everybody thought we’d up and lose her when she married that schoolteacher from Atlanta. Reckon she kept him on a short rope, though, ’cause they never left there.”

They were right. Finch Wentworth never took his pretty bride back to Atlanta with him. Everything that came after turned on that, like a ball bearing.

My grandfather Thayer was a druggist, a kind, absentminded man who would have run a prosperous small-town drugstore if he had not been so bewildered by his flock of clamoring daughters and so apt to hand out healing potions free of charge to afflicted neighbors who could not pay for them. I don’t remember much about him; he died, still kind and still bewildered, when I was four. But I could remember the smell of the lemon drops he kept in his shirt pocket for my older sister, Lily, and me and feel on my cheek the white stubble of his chin.

My grandmother Leona I remember not at all. She slid away on the wings of one of her famous vapors before I was born. It was said around town, I heard later, that many of the women thought the sheer grandeur and excessiveness of my mother’s wedding to my father simply sank her.

“Don’t know what she expected, Crystal marrying one of those highfalutin Atlanta Wentworths,” was a consensus, if not the general one. “Ought to have known she couldn’t just put around some flowers and light a few candles.”

But in truth it had been my mother, and not the highfalutin Atlanta Wentworths, who had insisted on the spectacle of her marriage to Finch Wentworth III.

“Half the Piedmont Driving Club was there,” I heard my mother say silkily more than once. That they were there out of a sort of wincing allegiance to their Wentworth friends and not because “that’s the way they do it in Buckhead” never occurred to my mother. My father must have known, but he was oblivious to almost everything but the pretty, rose-gilt creature in his bed and was nearly as absentminded in his own scholarly way as my grandfather Thayer had been in his. If the thought struck my father, he never mentioned it.

And my mother’s open-armed welcome into the fabled Piedmont Driving Club, to which the baroque wedding was the springboard, never happened.

That she never thought to blame my grandmother Wentworth for that came to surprise me, for by the time I was old enough to speculate on the motivations of the adults in my family I knew that she blamed Grand for everything else that was awry in her marriage. But her most corrosive disappointment was aimed, always, at my father.

“We could have moved there,” I heard her say to him over and over. “You know your mother wanted you there with her. Everything in your world is there. All your friends. All your clubs. Your relatives back to Adam. It wasn’t me who wanted to stay in this one-horse town; I told you that over and over. You think I wanted my daughters to grow up where they could marry dry cleaners, or… feed sellers, for God’s sake? There’s not even a Junior League here.”

“I like Lytton,” my father would say in his mild, slow voice. It was a voice that I loved; many people did. I think it may have been one of the reasons he was such a good history teacher, and later such an effective school administrator. His voice promised, somehow, safety and acceptance.

“And,” he would go on, “I need to live where my school is. There’s no question of that. How would it look if I taught at Hamilton and lived in Atlanta? It would look like I didn’t think Lytton was good enough.”

“It isn’t!” I have heard my mother nearly scream, in exasperation. “Your precious mama would tell you that, if you asked her.”

But in truth my father’s mother had told him just the opposite.

“Your life is in Lytton with your wife and your work and your children,” she told him, even before he and my mother married. “Believe me when I say this. Crystal is a girl of great strength and purpose, and she would never be able to exercise those qualities effectively in Atlanta. She can at home; it’s her turf. She’s already a princess there. In the long run she would be bitterly disappointed here. And I believe you and perhaps your children would suffer for that. You have just the temperament to fit perfectly into a small town; it’s not as though you’d never see Atlanta again. You’d be plenty close to keep up with all your friends. And we’ll visit back and forth often.”

“Mom,” my father said, “she wants a big house. She wants nice things. For some reason she thinks we can’t have them in Lytton….”

“She shall have them in Lytton,” my grandmother Caroline said to her son, hugging him. “Your father and I are going to give you the grandest house we can in Lytton, and see that it’s fittingly furnished. Wouldn’t she like that?”

I’d love it, Ma, but I just don’t know about Crystal….”

“Crystal cannot live with us on Habersham Road,” his mother said crisply and finally. “Nor, I don’t think, anywhere else in Atlanta.”

“I just don’t see how I can tell her that,” my father said miserably. “She’s practically packed up already.”

“Don’t tell her,” Grand said. “Let her find out when we tell her about our wedding present. Surely a lovely furnished house of her own right there at home, where everyone can see how well she’s done, will take her mind off Atlanta.”

“You don’t really like her, do you?” my father said, and his mother hugged him harder.

“No, I really don’t, not much,” she said into his soft hair. “But you love her, and I’ll do anything I can to see that she’s happy, so that you will be, too.”

“Except have her here,” he whispered.

“Yes. Except that.”

(All this I learned later, in a talk with my grandmother Wentworth before she died.)

“So it was you all along, and not Daddy.” I smiled, picking up her thin hand.

“Oh yes,” she said. “But I really don’t think she suspected; do you?”

“No. Otherwise she’d have been all over you like a duck on a June bug. You were smart not to let her know.”

“It wasn’t because I was afraid of her, Thayer,” Grand said, reaching up to trace my face with her forefinger. “I’ve never seen the day that I couldn’t handle your mother six ways to Sunday. No, I did it for you. Believe it or not, Lytton is a much… sweeter place to grow up than the Northwest of Atlanta; at least as it was in those days.”

“But I wasn’t even born yet. How’d you know there would even be me?”

“I knew,” she said very softly. “I always knew there’d be you.”

Somehow, I always believed that she did know. I didn’t believe that of anyone else, though. I was born nine years after my older sister, Lily—the afterthought baby, the accidental child. Not that anyone ever called me those things, but I overheard my mother’s fluting laughter more than once, at this bridge game or that dinner party: “Oh, Thayer, my little wild child. We’d resigned ourselves to the fact that Lily would be an only, and then, poof! Here she comes, our little redheaded caboose. Didn’t even look like any of us; Finch used to tease me about the mailman. I was planning Lily’s wedding before Thayer even needed a bra.”

And she would ruffle my carroty hair and laugh, so that everyone would know it was our little joke. I learned to laugh, too, a dreadful, false little trill as much like my mother’s lilt as I could manage.

It did not occur to me until much later that being the family joke was not really anything to aspire to. It got you fond laughter but little else.

My father didn’t think I was a joke. My earliest memories are of him walking around the house or the garden with me in his arms and later riding piggyback on his shoulders, choking by then in a miasma of makeup and perfume and wet stockings and slips hanging corpselike on shower and towel rails, his naturally soft voice drowned under dinner-table talk of boys and dates and clothes and the shalts and shalt-nots of burgeoning genteel womanhood. I knew that he meant it when he said, “Come on, Red. Let’s get some fresh air and spit tobacco and tell lies.”

“You’ll be sorry when she grows up thinking she’s a boy!” Mother would call after us.

“Not in a million years!” my father would toss back. “This one’s going to leave them all in the shade.”

“Yeah, like that’s going to happen!” I heard Lily call after us once.

“What does she mean?” I asked my father, reaching up from my perch on his shoulders to snatch a chinaberry off the tree in our garden.

“She means she doesn’t want you to turn out prettier than she is,” Daddy said. “Think she’s scared you will.”

I could not get my mind around this. Nobody could be prettier than my mother and my older sister; everybody knew that. People called them the Wentworth girls, and indeed, they did seem of a piece, silkily blond and gentian eyed, with incredible complexions. In those days of “laying out” slathered with a mixture of baby oil and iodine, my mother and sister never let the sun fall on their faces if they could help it. Their skins were the translucent milkiness of Wedgwood or Crown Derby. My own face was, almost from the beginning, dusted with freckles. My hair burned in the sun like a supernova. My eyes were not blue but the amber of sea glass.

“Your grandmother Wentworth’s eyes,” my father would tell me. “Hair, too, before hers got the gray in it. In fact, you look almost exactly like the photos I’ve seen of her when she was your age.”

“That’s good, isn’t it?” I said. I did not see a lot of my grandmother Wentworth in those days. She spent a great deal of time traveling abroad, usually alone, to places with names like songs and poetry to me… Samarkand. Galapagos. Sri Lanka. Dubrovnik.

“Outrageous!” My mother sniffed. “What on earth do people think of her?”

“That she’s rich enough to do what she damn well pleases,” my father replied once, weary of it all. “And I very much doubt that she is alone, usually.”

“That’s just what I mean,” Mother said, but scarcely loud enough to be heard. My father would brook no complaints about his mother.

“Oh yes, that’s good,” he said to me that day in the garden. “That’s the best. Your grandmother is a great beauty. Always has been.”

“I thought that was Mama.”

“Your mama’s very pretty. It’s not the same thing.”

“You think that’s why she doesn’t like me?” I said. “Because I look like Grand? I don’t think she likes Grand very much.”

He swung me down and we sat together on the stone bench that overlooked the fishpond. It flashed with fat orange shapes, some black speckled. My mother called them koi. My father called them goldfish.

“Your mother loves you,” he said into my hair as I squirmed on his lap. “Don’t ever think she doesn’t. It’s just that she’s more tied up with Lily right now because Lily’s at an age when it’s really important to get things right. You don’t need that kind of fussing over. You’re a pretty easy little customer to deal with.”

“What would happen if Lily didn’t get things right?”

“God knows. She might run off and join the circus.”

“Cool! We could all get in free!”

He laughed.

“So we could, my funny valentine, but I don’t think that’s what your mother has in mind for her. Best we just go on our way rejoicing and leave them to it.”

“Okay.” I shrugged. “But if I look like Grand I don’t think Mama will like that much. She thinks Grand looks like one of those women Pisossa painted, all neck and eyes. I heard her tell Mrs. Etheridge that.”

He laughed again. “She does, does she? Well, in that case, you’ll be a raving beauty. His women are famous all over the world. It’s Picasso, by the way.”

After that, none of my mother’s carelessly chirped little darts hurt me. I looked like my grandmother Wentworth, and she looked like a lady this Picasso painted. We were famous all over the world.

There are maybe ten small towns and communities orbiting Atlanta like dwarf moons. Most of them are close enough to the city to lie, figuratively, under its canopy, like fruit dropped from a great tree. Since their settling, many of them have had a love-hate relationship with the city, insisting on their own uniqueness and autonomy but fed by the life force of the mother tree. If you could have bitten into one of them, like an apple, I think you would have tasted first Atlanta. But few Lytton dwellers ever admitted to wishing they lived in Atlanta instead.

“Too big, too loud, too smelly,” went the litany of my acquaintances. “Either Yankee tackpots or too good to piss in the same pot as anybody else. I wouldn’t live there for a million dollars. Lytton has everything you could ever want, without the traffic.”

Fully half of them shopped weekly in Atlanta, though, and sometimes more often. Dressed defiantly in their Sunday best, gloved, hatted, and handbagged, they surged into the city in waves, on Greyhound buses and in newly washed family sedans. A few of the Lytton men who were not merchants or farmers or makers or repairers of objects worked there. A scattering of lawyers, a big-town banker or two, airline personnel, toilers in the huge industries that besmirched the municipal skies with smoke and stink. But my father was the only Atlanta native I ever knew who chose to leave it and live and work in Lytton.

The Alexander Hamilton Academy, a well-endowed and -regarded boys’ preparatory school on Lytton’s northern outskirts, drew students from all over the South. The school was known to have been founded by an eccentric Atlanta millionaire who believed that the bucolic drowsiness of a small town would be the best atmosphere for learning, unfettered as it was by such distracting amenities as movie theaters, soda shops, or gaming establishments. Most students boarded, and undoubtedly would have mutinied and fled in droves except that the educations they received were first-rate.

To a man—or boy—they howled at the lack of recreational amenities, but most went on to colleges of their choice, and so, in turn, they sent their scowling sons there.

Lytton boys did not attend Hamilton Academy. Not that there were none qualified; a few would have done well. But the school was still owned by the family of the founding millionaire, and the curse of Atlanta still hovered over it. Lytton High had been good enough for generations of Lyttoners, and it was good enough, by God, for their sons. Or maybe that nice military school down in Newnan that was said to be stricter than the army itself.

How many Lytton boys might have found their futures smothered and shaped by Hamilton Academy will never be known.

I still wonder if any of the other Atlanta satellite towns could possibly have had the sheer animus toward it that Lytton pumped out. After all these years I still don’t understand. But it did not surprise me that none of Hamilton’s faculty lived in Lytton; no rental opportunities were ever offered them. I imagine most of them figured they were well out of Lytton, anyway.

And then came my father.

It was his great-grandfather, known to his associates to be crazier than batshit, who had founded the academy, and the family down to and including Finch’s mother and father had kept it viable, not as much for fun as for profit. Hamilton added a nice heft to the bag of profitable endeavors that the enterprising Wentworth men had cobbled together. By the time young Finch Wentworth, the only son of his generation, graduated from Princeton, the Wentworth clan was coining money and living at the top of Atlanta’s scanty social heap, on Habersham Road. Finch, who had studied history at Princeton and wanted only to teach it, was a natural for Hamilton, not only for a faculty position but also as incumbent owner of the school.

He had been teaching for scarcely two weeks, living at home on Habersham Road and beginning to think he should be nearer to Hamilton, both in fact and spirit, when he walked into my grandfather Thayer’s drugstore on Lytton’s main street and asked to see the owner. My grandfather Owen sauntered out from behind the drug window and asked what he could do to help him.

My mother, Crystal, sampling colognes behind the gift counter, sauntered out to see who this tall stranger might be.

My father saw my mother and forgot what he had come for.

“I think I need some Band-Aids,” he said, still looking at Crystal Thayer. In the soft artificial lighting of the gift department, smelling of My Sin, she burned on his retinas like a solar flare.

Recognizing the symptoms of his affliction—for she was by then almost MGM pretty—she smiled at him and faded back behind the counter. But she kept her ears open. Not too many tall, well-dressed strangers walked into her father’s drugstore.

My father jerked his head back around at my grandfather Thayer, waiting politely beside him, and stammered, “… Uh, uh—Oh! And some iodine and Mercurochrome, too, and aspirin, and a whole bunch of first-aid stuff, and soap and things like that, and I guess vitamins and cotton swabs… lots of those…”

My grandfather lifted his eyebrows.

“I’m buying them for the school,” my father said. “For Hamilton Academy. I guess I’ll be buying a good bit of stuff in bulk every month. Maybe I should open an account….”

“And your relationship to the school would be…?” my grandfather said a trifle coolly. This addled young man could be setting up a field hospital for terrorists, for all he knew.

“Well,” my father said, “I guess I own it. Or at least my family does. And I teach history there. Finch Wentworth,” he added hastily, putting his hand out.

“Owen Thayer,” my grandfather said, taking it.

My mother came out from behind her counter and wafted up beside her father.

“I’m Crystal Thayer,” she said, cocking her head winsomely up at my father. Her silvery hair swung over her cheek like a bell.

“You’re from Atlanta, aren’t you?”

“Ah… yeah,” he said. “But I’m thinking I really ought to find a place here, you know, with the school here and everything.”

“Well.” She dimpled. “That shouldn’t be any problem, should it, Daddy?”

“I don’t know of any places right off, honey,” Dr. Thayer said, “but I suppose I could look around….”

“Oh, shoot, Daddy, I can think of one place right off. You know our garage apartment’s just been sitting here since Memaw died. You were saying just the other day we ought to do something with it.”

“Well, you know, your mother…”

“I’ll talk to Mama.”

My grandfather went back behind his window to start gathering up my father’s supplies. He knew a done deal when he heard one.

CHAPTER 2

Even now, with all that has passed between and around us, I sometimes think that I am not entirely fair to my mother. Is any daughter, ever? What girl child can ever see the woman who bore her whole? The mask of mother is a totality; there are no fissures in it where the vast complexity of otherness can show through. I think comprehension can come later, on both sides, if both mother and daughter are willing to do the work. I never was. I think I simply grew too comfortable with the role of victim—dependent on it, really. It defined me so early that I never had to search for a legitimate self until much later.

But my mother was never simply a victimizer; she was a wife, a lover, and a mother in the best sense of the words, as well as the worst, a daughter and a dreamer, a yearner. Oh, a great, great yearner. As a larva might, if such things were possible, yearn for the completion of butterfly wings and endless nectar, my mother yearned for the perfect complexion and habitat for her specialness.

No one had ever told her that she was not special; from the time she could understand words, her mother told her of her beauty, her gifts, her talents, her destiny. She was to be, though I doubt if my grandmother ever came right out and said it, all that plain, frail little Leona Brumby was not and never had been. My grandmother Leona was in one respect a very tough cookie. I think she could have bent silver spoons if it had been her will. That will got her a handsome, wellborn druggist husband and one of Lytton’s more substantial homes. And as for all the other things… the looks, the vitality, the promise… she would have them. She knew this. If not for herself, through this last, porcelain daughter.

Like my father, my mother was a late-born child. Her clamorous older sisters were away at school or, in one case, married, so there was no competition for Crystal Thayer’s throne. She had childhood virtually to herself.

Leona Thayer was by then often bedridden with the frightening spells that left her white and gasping and kept Owen Thayer’s worried attention constantly upon her. The son of a physician, he adored medicine and he would have studied it himself if his IQ had matched his father’s. The drugstore was the next best thing, and fussing over Leona came as naturally to him as breathing. No doctor had ever seemed to diagnose her debilitating spells with any degree of certainty, but there could be no doubt that Leona Thayer was chronically and gravely afflicted. Most of Lytton thought she was lucky to have a handsome, attentive husband, a beautiful youngest child, and free medicine all her life. And everyone said how sweet that pretty child was to her mother, not going away to school as her sisters had done but staying close to her mother’s side. Crystal often politely refused invitations with a shy smile.

“I promised Mama I’d read to her this afternoon,” she would say. “We’re reading Wind in the Willows. Mama’s Ratty and I’m being Mole.”

By the time she was grammar-school age her bewitched father had offered boarding schools in six states, but Crystal refused to leave her mother.

“There’s plenty of time for that later, Daddy,” she would say tremulously, the “later” tolling like a funeral bell with import. And Owen Thayer would hug her with tears in his eyes. He knew that his wife would not live a great deal longer, even if he was not and never would be quite sure what it was she died from.

“You’re our special angel,” he would say to his daughter. The special angel would hug him back and go, sighing audibly, back to her classes at the little Lytton school. The truth was, she loved being head cheerleader, homecoming queen, best all-around everything, booked up months ahead for every dance, and being courted by every eligible young man in the area. Achieving all this in Lytton was a cakewalk. She was not entirely sure how she might have fared elsewhere.

She knew where elsewhere would be, though.

“Atlanta,” Leona would say to her over and over. “Atlanta was just made for you. You could have the richest husband and the biggest house in town. The Piedmont Driving Club, that’s where you belong. You can have it all without lifting a finger; you just wait and see. It won’t be too long now.”

Both Thayer women would allow tears to stand in their eyes for a moment. Both knew what Leona meant.

“What’s the Piedmont Driving Club, Mama?” Crystal had asked early on. “What do they drive?”

“It’s one of the fanciest private clubs in the world,” her mother assured her. “Everybody who’s anybody in Atlanta belongs to it. They don’t drive anything; it’s just an old-fashioned name. But there’s no other club like it.”

Leona Thayer had never been inside the sacred walls of the Piedmont Driving Club, but she had read the Atlanta Journal and Constitution society pages until she memorized them, every day.

And because she heard the litany so often and there was no one to disabuse her of it, the Piedmont Driving Club shone in Crystal’s not-too-capacious mind like the names of Paris, London, and Monte Carlo by the time she was in her teens. She also knew the names of the streets she would choose from to have her showplace of a home, and even the family names of some of the young men she might, with impunity, consider marriageable.

She did not recall at the time she met Finch Wentworth in her father’s store if his had been among the names, but she knew with her infallible butterfly antennae that this was what she had been bred and groomed for. The white satin knot was tied before the first feathering of My Sin smote my father’s nostrils.

He did indeed, without much coaching, rent the apartment over the garage where Crystal’s grandmother Thayer had lived. It seemed an arrangement made in heaven. For him my grandmother Leona rallied herself and wore crisp cottons and kitten heels and cologne, though never My Sin. She had her hair done and her nails lacquered pale rose at Ginger’s Beauty Nook, and hung on to my father’s every syllable with a murmuring interest Crystal had never seen before. In fact, she had never seen this woman before at any time. She could see now exactly why her father had married Leona Brumby; she had always wondered.

For Finch Wentworth, my grandfather lit up like a harvest moon and told seemingly endless stories of his own boyhood in Lytton, and took him duck hunting in the rich swamp of the Chattahoochee River where it cut in close around Lytton on its way to join the sea. I could never imagine my father hunting anything, but I know that he went. For him my grandmother’s cook, Bermuda, set dinners upon the mahogany dining room table that he still talked of when I was a child. No more meals at the yellow breakfast room table. Mahogany and starched linen for this young man.

For him my mother untied her pale hair from its ponytail and let it brush her shoulders. And doubled up on My Sin and shone like a pearl. It was all she had to do.

Finch Wentworth took her home to Buckhead to meet his parents before that quarter at Hamilton Academy was a month old. He may not have been able to read his future in that jewel-like October afternoon around his parents’ pool, but Caroline Wentworth did.

“I knew the minute she walked in that she was going to be my daughter-in-law,” Grand told me while I was still small.

“Were you excited?” I asked.

“Oh yes.” She smiled, putting on her sunglasses so I could not see the slanted amber eyes. “I was very excited.”

Whatever else she felt she never told me, but later I came to see that evening in Fellini-like detail. I did not know how, but I knew I was right. I’ve never had cause to doubt that.

My mother wore her black silk sheath, matchstick slim, that bared her golden shoulders, and her mother’s pearls around her neck. She had black high-heeled silk pumps to match, and a slim black satin clutch dotted with rhinestones. My grandfather took a picture of them as they got into my father’s modest blue Plymouth to leave for Atlanta. Daddy looks like just what he was: a tall, gangly young man in gray slacks and a blue blazer, his nice Coca Cola–ad face tilted down to my mother, beaming. My mother looked like a Vogue model out for a shimmering evening at the Pierre or the Carlyle.

My grandmother Leona had taken her daughter on many excursions to Atlanta, to shop at Rich’s and J.P. Allen and to drive the length of Peachtree Road, out to where it lost itself in the tangle of Buckhead. There were many fine and even palatial homes to see along its length, but they had never turned left off Peachtree and onto Peachtree Battle Avenue and the warren of quiet, curving, deep-forested streets that made up what Atlantans called, simply, the Northwest. I imagine my mother’s chatter slowing and finally stopping as Finch Wentworth turned the car onto Habersham Road and drove slowly up it.

Habersham, of all the golden streets in the Northwest, still shines brightest. It is a beautiful road, winding, swooping up small hills and down over little bridges, arched over with magnificent old hardwoods that have been fed and pruned almost since their birth. Deep emerald lawns sweep far back to large houses set like jewels into perfect flowering shrubbery and vibrant borders. More huge trees mass gracefully beside and behind them, spilling not a leaf anywhere and hiding, but hinting at, magnificent gardens and pools and who-knows-what-else… statuary, fountains, gazebos, guesthouses… all pristine and camera ready. There is nothing raw or raucous or ragged in the Northwest.

My father parked on the circular drive before the big gray stone house and carefully decanted my gaping mother.

“Everybody’s out back,” he said. “Let’s cut through the house.”

“Everybody?” squeaked my mother.

“Well, some friends of mine and I think Mom and Dad’s, too,” he said. “Everybody wants to meet you.”

“How nice,” Crystal said. It came out in a sheeplike bleat.

He took her hand and led her up the curved marble steps. The carved mahogany doors were closed but opened silently as he turned the knob. It flitted foolishly through Crystal’s head that she would never leave these doors unlocked if they were hers. She looked up and saw an ivy-covered turret with deep shuttered windows on either side of the house, decided then and there she would sleep in one of the rooms one day, and followed Finch into the cool dimness.

She could scarcely see but got the impression of a vast drawing room with dark, gleaming furniture; a silvery-green papered dining room with the largest oval table she had ever seen, shining like a skating pond, and two great cabinets holding intricate crystal and china in patterns that reminded her vaguely of the Renaissance; an enormous kitchen, all blinding white and as clean as an operating theater. The entire house had an indefinable smell, one she had never smelled but would never forget: rich, deep wood polish, the museum-like scent of old and very good fabric, a diffuse sweetness like the breath of flowers, and something else… money?

“Hi, Corella,” Finch said to the smiling black woman at the stove, who wore the only honest-to-God maid’s uniform Crystal had ever seen, complete with little frilled cap.

“This is Crystal; you be sweet to her. She’s special,” Finch said.

“She sho’ is,” Corella said. “Tell that by lookin’ at her. You mama ’n’ them are out by the pool.”

Crystal put out her hand and the black woman took it slowly, looking down at their joined hands, then back up with a wide smile.

“It’s nice to meet you,” Crystal trilled, realizing by Corella’s look and Finch’s small pause that one apparently did not shake hands with the help in Buckhead.

They stepped out onto a large, cool back porch carpeted with a faded Kilim and set about with flowered, deep-cushioned wicker sofas and chairs. Great bouquets of garden flowers and foliage—zinnias, asters, sunflowers, chrysanthemums, eucalyptus stems, feathery grasses—sat on the low glass tables. Small, shapely potted trees gave the porch the appearance of being nestled into an intimate forest. A ceiling fan turned lazily. Beyond the porch, down another flight of steps, lay the garden… and the pool, and the fountains, and the statuary and gazebo, and the guesthouse. It was the largest garden Crystal had ever seen outside House Beautiful. The sounds of splashing water and tinkling ice and low, amused conversation floated up to her. When it stopped, she knew that they had seen her.

There were perhaps ten of them: a striking woman sitting under an umbrella who looked nothing like Finch but was nevertheless undoubtedly his mother; a squat, dark man with a thick mat of wet hair over almost every inch of him, with a face like Julius Caesar’s and wet bathing trunks, who had Finch’s dark hair and profile and was, of course, his father; another couple of adults, deeply tanned and in swimsuits with half-filled glasses of something lime garnished; two tall, bronzed young men with crew cuts, also in tartan and madras swimsuits; and four girls with perfect white smiles, glowing tans, and little makeup, in swimsuits or sundresses. Every foot in the group was bare or sandaled. Most hair was wet and slicked simply back.

Every inch of Crystal felt as though she had had hot, shining black tar poured over her. The silk shoes seemed to have been suddenly magnified to Clydesdale proportions. She was able to furtively toss the flossy clutch into a potted ficus tree beside the back door, but otherwise there was no salvation at all for Crystal Thayer, come to be presented to the world of Habersham Road and the Piedmont Driving Club looking, as Bermuda would have said, like a mule dressed up in buggy harness.

Why didn’t you tell me?” she hissed at Finch, who had taken her arm preparatory to leading her down into the fatal garden.

“Tell you what?” he asked, mystified.

But his friends were streaming up the stairs to meet them and she did not reply. She herself did not know quite what she meant, only that her otherness was bone-deep and ineradicable, and always would be no matter what she wore.

They were wonderful to her. Never by so much as a raised eyebrow or the faltering of a smile did they let their condescension show. But Crystal heard it in every drawled syllable, saw it in every attentively cocked head. Perhaps it was not even there, but by the time the evening was over it did not matter. Hatred and a determination of a degree she had never known had been born in her breast. It did not truly die for as long as she lived.

“You’re just as pretty as Finch told us,” Caroline Wentworth said, hugging her lightly. Caroline’s skin against Crystal’s cheek was sun warmed and satiny, and she smelled of sun oil and tuberoses, and her amber eyes swallowed you whole. Her body, in a faded copper racing suit, was small and curved and neatly muscled. Crystal had never seen a muscular woman in her life. If a Lytton girl was so unfortunate as to have chiseled shoulders, she covered them no matter where she was. There was a vivid white scar like a lightning bolt that ran down Caroline’s polished calf; she did not seem to notice it.

The imperial-faced, frog-bodied man who was indeed Finch’s father hugged Crystal, too, a trifle too long and hard, and said, “No wonder that boy didn’t let you wear a bathing suit. You’d cause a riot.”

Crystal went hot all over, at both his frank appraisal of her body and what she wore on it. The lack of respect was like a pinch on a buttock. She could not imagine her father saying it to anyone, most certainly the person his child was in love with. She could not imagine anyone saying it, for that matter, except maybe Sonny Prichard and his crowd in Lytton, who hung around Buddy Slattery’s gas station and only dated girls from other towns, and only certain kinds of girls at that.

She darted a look at Finch, to see if he was going to defend her honor, but he only laughed, and the rest of the crowd did, too.

“Don’t mind Finch’s horrible father,” Caroline Wentworth said, raising her beautiful coppery eyebrows and flicking her husband lightly with the corner of a towel. “His testosterone level is sky-high. He’s been on the road too long.”

Everyone laughed again, so Crystal did, too. The dialogue might have come straight from a Cary Grant movie. No, not Cary Grant. Steve McQueen, maybe. Nobody in Lytton…

They ate at a long table under two vast umbrellas beside the pool. It was laid with a vividly colored runner Caroline Wentworth said was a tribal scarf from Morocco. Tiny white lights fringing the umbrella sparkled off heavy, square crystal tumblers and the heaviest and most ornate silver Crystal had ever seen. Japanese lanterns glowed from the low branches of the nearest trees, and the candles were set about everywhere. It was a lush blue velvet night and the mothy, warm darkness was fragrant with the thick scent of ivory magnolias in a bowl at the table’s center.

“Ron at Quelques Fleurs got them for me,” Finch’s mother said. “God knows where this time of year. But the garden at night has a kind of Moorish feel to it, I’ve always thought, and that thick, waxy smell always seems to me sort of exotic and Oriental. Besides, it covers up the bug spray. Wouldn’t you think the damned mosquitoes would be gone by now?”

The evening did seem out of the world entirely to Crystal. Shawls and soft sweaters had come out to bloom over the women’s shoulders, and the men had drawn polo shirts over their swimsuits. There was absolutely no sound besides the gentle lap of the pool and fountains and the droning of cicadas and the talk. Not a single street noise penetrated into the enchanted duskiness behind the house. There was not even the chink of silver on fine china. The perfectly broiled filets in mustard sauce Corella passed around were served on paper plates.

“Nobody but you, darling,” said one of the older women to Caroline.

“Well, it’s just a little backyard cookout, after all,” she replied.

The evening seemed endless to Crystal, stopped in time. Swimming in candlelight. She sat near one end of the table, with Finch opposite his mother at the far other one. His friends were grouped around them. They drank what looked to be endless glasses of a pale green wine, and leaned in to talk to one another so that the candles underlit their sun-flushed faces, and laughed, and chatted, and laughed some more. Crystal smiled brilliantly the entire evening. None of the talk seemed to be about her.

Oh, they tried. She could see them remembering, breaking off in mid-warble and turning to her and saying something like, “Are your men in Lytton as awful as they are here? Well, of course they are. All men are awful.”

And Crystal smiled.

All of them were, like Finch, out of college and into their lives. Crystal caught mention of bond sales and law clerking and volunteering at the Junior League. But all the talk seemed to center on schools.

“Do you remember him from freshman year? He told everybody his father was in oil and it turned out that he ran a gas station in Opp, Alabama, for God’s sake….”

“… no, no, he did date her for a long time, but he ended up marrying some girl he met at his cousin’s debut in Newark. I didn’t know they had debuts in Newark….”

“… swear to God she did; I saw it with my own eyes. She was at the Old South Ball with Corny Jarrett and they were doing this really fast jitterbug and he swung her around and one stocking just popped right out of her bra and dangled down the front of her dress to her waist. It looked like somebody was stuck down in there trying to get out….”

A long silence fell into the candlelight and they all stopped and wiped their eyes and shook their heads and then, as if given a cue, looked over at Crystal.

“Oh, my God, we are all so rude,” chirped a curly haired, snub-nosed girl who was, Crystal thought, some kind of docent somewhere, whatever that was.

“We’ve just been sitting here all night yucking it up about our own precious selves and leaving you out completely. You must think we’re barbarians….”

“No, no,” Crystal said, still smiling. “It’s all so interesting.”

“So where did you go to school?” the docent said, seeming to quiver slightly with interest.

They all looked at Crystal.

Crystal played her ace. She had been wondering desperately how to work it into the conversation. Her smile faded slightly and she looked down.

“I haven’t gone. Not yet. My… my mother is very ill and I’ve just sort of been, you know, sticking close. She… I… don’t think it will be forever….”

There was a hush, and then they flocked to her and hugged her and kissed her cheeks and murmured what an angel she was, and how brave, and how hard it must be.

“I don’t know how you do it,” one of the other girls whispered.

“Oh, you’d do the same, if it was your mother,” Crystal said softly, letting her gentian eyes slowly fill with tears and looking away.

When they said good night they all hugged her again and said they hoped her mother would be better soon and that they would look forward to seeing Crystal whenever Finch brought her home. More than one pair of eyes glistened.

Crystal smiled shyly around at them, stopping when she came to Caroline Wentworth. There were no tears in those amber eyes. Instead they sparkled with what appeared, incredibly, to be suppressed mirth. Slowly she inclined her head to Crystal.

After the good-byes and the plans to meet again and another too-hard, too-long hug from Finch’s father, Crystal and Finch got into the car and ghosted down the drive and back down Habersham Road. It was true dark and smelled of honeysuckle, and a few of the huge houses had lit windows, but the purring of the motor was the only sound that broke the sweet autumn night. They rode in silence until they turned back out onto Peachtree Road again and the world flowed abruptly back around them.

“Well,” Finch said, taking her small, warm hand in his. “What do you think?”

“About what?” she said carelessly, hugging herself in secret glee. No matter how it had started out, this night was hers.

“Oh, everybody. You know. The house…”

“I thought it must be like living in the Taj Mahal,” she said with a rich little hill of laughter in her voice. “What happened to your mother’s leg?”

“Oh… she fell off a racing camel in Kabul. It was a long time ago. I’m still not sure where that is.”

Crystal threw back her head and laughed, a throaty little laugh of sheer exuberance with a sort of purr in it. In a moment he joined in, hugging her hard. She knew he had no idea under the sun why she laughed but loved the laughter anyway. And she knew that when they got home, before they went into her father’s house, Finch would ask her to marry him. She knew that as surely as she knew that the sun would rise the next morning, or that the night would follow.

And of all the scenes from the jeweled, faultless tapestry of her life that unrolled before her, this was indeed her finest hour.

But she did not know that.

CHAPTER 3

About an hour and fifteen minutes above Atlanta, on State Highway 575, a smaller road, Talking Rock Road, cuts east and up into the ragged edges of the Blue Ridge Mountains. These are old mountains, among the oldest on earth, and they have been gentled by aeons of weather so that their peaks, though high, are rounded, voluptuous, instead of jagged like the newer, more savage, and often still-smoking mountains of the West. You will not drive long before you come to Burnt Mountain, the last of that dying chain, a great, wild excrescence that did not go gentle into the good night as its sister hills did but raged against the dying of the light.

Burnt Mountain is high, smoke blue from far away, a wild disgorged green when you are upon it. Its right flank, facing the distant bowl that holds the city, is gentler, the spiraling road open to wide vistas and scenic overlooks and friendly little lanes leading off through the woods to undoubtedly even friendlier places. For the first part of your ascent, the hollows and the foothills themselves are drowned, throttled in virulent seas of kudzu. It has taken houses, barns, cars, whole farms, a few telephone poles. Even these toy topiary habitats are beautiful, in a surreal way, if you don’t think of them as ever having harbored life, ever having been slowly strangled by the inexorable green.

The left slope of Burnt Mountain is an almost sheer drop of shale and gravel ledges and great green cliffs to the valley floor. In that valley robust signs of human enterprise—gated communities, tiny strip malls—flourish. If human life flourishes up on that slope of the mountain proper, there is very little sign of it.

It was to Burnt Mountain that Finch Wentworth brought his bride, still in her car-spilling soufflé of seed-pearled white satin, for their honeymoon. They were headed for a small colony of old cottages in an enclave called Burnt Cove that rode the ridge of Burnt Mountain down to an icy little blue inlet of War Woman Lake. Burnt Cove had been the wilderness retreat for a small number of Atlanta families for many generations. There had always been Wentworths in the Cove, Finch said.

“Is it private?” Crystal asked when he told her about it, envisioning gates mounted with carved eagles and a discreet log sentry house. Beyond it, bridle paths and a low stone clubhouse.

“Jesus, no… or I don’t think so, anyway,” Finch said. “It’s just kind of always been the same bunch of people. I don’t guess all that many new people would appreciate the Cove now. It’s seen better days. But I’ve always loved it. I used to come here with Dad a lot when I was a kid. You know I told you it’s not fancy, honey, but it’s all I have time for in the rest of Christmas break. Later on, in the summer, I’ll take you anywhere you want to go. Mexico, the Caribbean… anywhere.”

“The Piedmont Driving Club?”

“Food’s awful and the nearest wildlife are the mosquitoes on the tennis court.”

He laughed, liking it that his new wife was relaxing enough to joke about the lares and penates of his privileged life.

She wasn’t.

A gravel road dipped down into the hollow that sheltered the approach to Burnt Cove. The road wound around a kudzu-garlanded shack—“caretaker’s place,” Finch said—and past a small, canted white board church. Its bare, swept yard had a hand-lettered sign that read: Holiness Church of the Pentecostal Fire.

“Isn’t that great?” Finch said, looking over at Crystal. Her face was blank.

“Is that where y’all go to church?” she said finally.

“Well, no,” he said, looking closer to see if she was still making jokes. It was impossible to tell.

“It’s just an old mountain Pentecostal church; I’m not sure who goes to it. I’m sure of this, though: Whoever they are, they holler. It’s been there as long as I’ve been coming up here. I just kind of like it.”

“We could have gotten married there,” Crystal said, and this time she was smiling.

He laughed aloud with relief. “Oh, right. That wedding would have blown the roof right off old Holiness.”

“It was pretty, wasn’t it?” Crystal said dreamily.

“It was spectacular,” he said.

The little gray stone Methodist church in Lytton sat on the corner across from the post office. It was as old as the town, well over a century. Crystal had fretted when her mother insisted on having the wedding there.

“It won’t hold half of Finch’s friends and family,” Crystal said. “And everything inside is all dull and…old. And Reverend Lively snorts when he inhales.”

“It won’t look dull and old when I’m through with it,” Leona said. “And Reverend Lively won’t have enough to say to snort. Besides, a woman is always married in her own church. Where were you thinking of having it, the Piedmont Driving Club?”

“Well, the Wentworths go to St. Philip’s Cathedral in Buckhead….”

“You would be laughed out of Atlanta,” Leona said, and that was that.

True to her word, the Methodist church looked neither dull nor particularly old on the day of the winter solstice, when Crystal Thayer married Finch Wentworth. It looked, as Caroline Wentworth said privately to her friend Ginny Hughes, “like a Christmas sale at Rich’s. A good one, of course.” The old wooden pews were garlanded in pink poinsettias and the altar was forested with them. Ruby the florist had almost lost her mind rounding up enough pink poinsettias to satisfy Leona Thayer.

“They all go to Sears and Kmart,” Ruby said aggrievedly. Leona persisted, and the church billowed in a froth of pink, accented with fragrant evergreen boughs and garlands of smilax. Before the altar great crystal vases held huge, blooming magnolia boughs, their green leaves shining in the light of hundreds of flickering white tapers. (“And if you think it’s easy to find blooming magnolias in December…,” Ruby huffed.)

As a nod to the festivity of the season, Leona had tucked sprays of holly here and there in the greenery and woven tiny twinkling white lights through the altar magnolias.

“Where’s the goddamn Santa Claus?” Big Finch groused in Caroline’s ear, none too softly.

But the church glowed in the winter dimness and smelled of candle smoke and cedar, a really lovely smell, and Gladys Abbott on the ancient organ did not produce a single wheeze or squeal. When Crystal swept into the sanctuary on her father’s arm in many yards of pearl-seeded white satin, carrying calla lilies with a few chaste holly berry stems, a great sigh rose to the eaves and hung there like a cloud. She looked, Finch thought, truly angelic, a vision of Raphael or Fra Angelico. Crystal had been born for this moment. In her chaste bridal glory she had moved even herself to tears, before the full-length mirror in the dressing room. They floated down the aisle on white rose petals strewn by her sister’s youngest child, finger in nose, and ten bridesmaids—fellow cheerleaders and her two married sisters, one vastly pregnant—turned incandescent faces to her. Their holly-green velvet gowns drifted just so. Beside and behind Finch, his best man and groomsmen, most of them prep school friends, looked black and white and elegant, and stunned. The tiny tuxedoed ring bearer, looking like a grotesque munchkin, dropped the ring and wailed, but it was retrieved in one neat swipe by the best man and slipped onto Crystal’s finger as if fitted for her, which of course it was. The Reverend Lively did not snort when he pronounced them man and wife, and when Gladys Abbott boomed out Mendelssohn the church bells pealed as if to salute a new millennium.

And so they were married.

There was no reception.

“Let us give you one when you get back,” Caroline Wentworth said. “You’re both worn out and you really don’t have much honeymoon time. I promise we’ll pull out all the stops.”

“Where?” Crystal asked, envisioning once more the Piedmont Driving Club, with flowers and candles, all eyes on her.

“Surprise,” Caroline said, smiling.

So it was that when they drove over the small, rattling bridge that spanned the inlet and into Burnt Cove, Crystal was still in satin and Finch in his tuxedo. In their bags, in the trunk of Finch’s father’s Mercedes, there were only jeans and slacks and sweaters and boots, because, Finch said, Burnt Cove gave new luster to the word “casual” and it would be cold. Crystal, however, had tucked in some velvet pants and a long wool skirt, for the club. Just in case.

But there was no club. In fact, there was no sign of life in any of the rambling old houses that crowned the ridge nestled next to the long meadow that ran down to War Woman Lake. They were faded board and batten or age-scummed stone, and the trees leaning close in around them lifted straggling bare fingers to the steely sky. No chimney spouted sweet wood smoke. There were no cars.

Crystal looked over at her husband. Husband…? He was grinning with pleasure. She composed her face into a smile of anticipation.

“Is it just us?” she said.

“Probably. Nobody much comes for Christmas. But there’ll be some people up afterwards, over New Year’s. There’s always a holiday hunt. Are you sure you really don’t want to spend this Christmas with your folks? I know what we said, but…”

“Oh no,” she said, squeezing his arm. “I want this Christmas to be just Mr. and Mrs. Finch Harrison Wentworth the Third.”

She got her wish. The Wentworth house sat near the top of the ridge, looking far down on other houses and the muddy road and the frigid gray lake. It was large and sprawling, painted a weathered green almost indistinguishable from the moss that clung to its roof. Dead vines that would be luxuriant in the summer snaked up its small entrance porch and onto the steeply sloped roof. Behind the house the crest of Burnt Mountain beetled darkly against the wide, empty sky. A cluster of small buildings and sheds were scattered among the saplings behind the house. For one horrified moment Crystal thought one of them might be an outhouse. But then she saw that the windows were cheerfully lit and smoke curled from the stone chimney, and reason prevailed.

“This looks cozy,” she said.

Finch got out of the car and came around and helped her out, and swept her up, satin and all, and carried her up the steps. Sharp spits of sleet hit their faces.

“Poor baby.” He smiled into her hair. “It looks like six miles of hard road in winter. All the Cove does. But it is cozy. You’ll see.”

There was a swag of fresh cedar on the back door, tied with a bright red satin ribbon. And the kitchen, when he carried her in and set her down on her high satin heels, shimmered with warmth and smelled like heaven. A battered copper kettle on the equally battered stove simmered and sang. Crystal breathed in cloves and cinnamon and other spices, things that spoke of the mysterious East, and smiled in spite of herself.

“Russian tea,” Finch said. “I don’t really know what’s in it, but Corella makes it every Christmas. She and Mother were up several times this week, and she came back up today to fix us some supper. Oh, she’s not here now; she and Osgood have gone to Macon to see their kids. But I’ll bet there’s plenty of food in the fridge. Come see the rest.”

Shadows leaped on the high living room walls, cast by the roaring fire in the great blackened stone fireplace and the lit candles set around the room. They were great, leaping things that seemed alive; the light didn’t extend to the corners or the ceiling. There was a threadbare but once good Oriental rug on the floor, worn through to the boards in places, and sofas and chairs slumped around the room, none of the fabrics discernible in the dim light. Big islands of tables and trunks and benches and—Was that a piano?—loomed, and the walls were hung with what seemed to Crystal to be many kinds of violins and fiddles, plus a moth-eaten deer’s head, forested with antlers, over the fireplace.

Crystal winced. Finch followed her gaze.

“Don’t worry about ol’ Buckhead. He didn’t die at Wentworth hands. My father couldn’t hit the side of a barn, so he bought him in a gun place somewhere in Alabama. We never said it wasn’t his, of course.”

“I’ll remember,” Crystal said faintly, looking around. There were wreaths and garlands of fresh greenery all about, and urns of holly bright with berries, and on the table behind the spavined couch stood a small fresh cedar tree trimmed in pinecones and strings of cranberries and popcorn, with apples and oranges for color, and white lichens for snowflakes. There were no lights, but on top rode a great, misshapen tin star, with shear marks still on some of its points.

“I made the whole thing, including the star, for the first time when I was about ten,” Finch said, grinning. “We always said it was our Cove tree.”

Under the tree were piles of wrapped packages. A couple of large ones sat by the fireplace. On the coffee table, which looked very much like a great barrel top, was a platter of cookies in the shapes of stars and bells and angels, all frosted with glittering white icing.

“Corella again,” said Finch. “She always makes them, whether or not anybody wants them. Let’s take a look in the kitchen.”

The tiny, pine-paneled kitchen was darkened with the smoke of a hundred fires, and on one side many-paned glass doors looked out into blackness. The other walls were hung with an astonishing array of pots, pans, knives, cleavers, spoons, strainers, brushes, brooms, flypaper, and other things that Crystal could put no name to. A bulletin board held elderly messages, stained recipes, yellowing photos of adults and children on the hills and by the lake, accompanied by numerous dogs of no particular breeds. In all of them it was summer. In all of them everyone was laughing. Crystal wondered if she would ever know who any of them were.

The pine counters were stacked with bowls and toasters and brown paper bags and foil-wrapped bundles. When Finch opened the door of the chugging antique refrigerator she saw that it was overflowing with food: ham, roast beef, several pies, eggs, milk, bacon, butter, casseroles of every description, many bottles of wine, and one of champagne, with a red ribbon around it. A tag on the ribbon said: TONIGHT! On the middle shelf, alone, sat a small, beautiful wedding cake on a crystal plate, frosted and shining and embellished with flowers and tiny Christmas candies. On its top were a miniature bride and groom of spun sugar. Around the cake, more vivid holly rimmed the bowl. A note in Caroline Wentworth’s distinguished back-slant hand said: “You’ll have a much grander one at your reception, but you must go to sleep on your wedding night with a slice of wedding cake under your pillow.” From the oven came the smell of something rich and winey and buttery.

“Isn’t Ma something?” Finch said happily, and put his arms around Crystal and pulled her close to him. She put her arms around his neck, tipped her face up to be kissed, and then stopped. All of a sudden something—everything—the smells, the food, the leaping, lurching shadows, the utter blackness and stillness outside… all congealed at the base of her throat and she retched.

“Oh, Finch, I’m going to be sick!” she wailed, pulling away. “Where—”

“Here,” he said swiftly, and jerked a door open. She stumbled into a small bathroom, with only a toilet and a washbasin in it. She just had time to see that the room was papered with New Yorker covers, most of them yellowing, before she jerked up the toilet lid and began to vomit.

She vomited for a long time. It felt as if she would never stop, that there was nothing inside her that would not be heaved from her stomach into this toilet on Burnt Mountain. But finally she did. She leaned weakly against the wall and finally gathered the strength to look at herself in the speckled mirror. Then she began to cry.

Her beautiful coiled blond hair hung in her face in wet, lank strands. He face was swollen and blotched. As much of her chest and shoulders as she could see was splotched with vomit, and the white pearled satin bodice had come unfastened and hung, splattered and stained, off one shoulder. She closed her eyes again, and cried and cried.

Finch hammered at the door.

“Baby! Let me in! God, Crystal, you sound like you—”

“No! Don’t come in! Don’t you dare!”

“Then come out—”

“I am not ever coming out!” she wailed, and he wrenched the door open and stared at her.

“Oh, my God, darling, what’s the matter? Come here and let me see you!”

“No! I smell!”

He leaned her back against the wall and stared at her. Then murmuring and crooning, he held her close, rocking her as if she were a child.

“Finch, you’ll get it all over you! Please just let me…”

He let her go and picked up fresh towels, wrung them out in hot water, and mopped her face and neck. With a damp washcloth he cleaned her hair and hands. He turned her around, carefully unbuttoned the tiny round satin buttons of her bodice and caught it when it fell to the floor, and put the whole satin bundle into the dirty-clothes hamper. Crystal stood, shivering and crying, her hands over her eyes.

“Step out of your shoes,” he said, and she did, and then he unhooked the satin bra and slid the silk and lace panties down her legs and off and tossed them after the dress into the hamper. With warm, wet towels he continued to clean her beautiful naked body until it was polished, and had her wash her mouth out with a glass of icy springwater, and when she finally turned to him, white and shaking and unable to speak, he reached into the closet and pulled out an enormous terry robe, its fluff worn away but smelling of bleach and sweet soap, and wrapped her in it. And then he picked her up and carried her into the living room and lay down with her on the sofa before the fire.

For a while he simply held her. Then when the shaking began to subside and she began to whisper horrified apologies, he pushed himself up on one arm and looked down at her.

“Do you feel better?”

“Yes, but… I must look just so terrible.…”

“You are the most beautiful thing in the world to me,” he said, and kissed her face all over, and her neck.

“But I looked so pretty….”

“Well, you look just like you did, only you’re naked. Do you think you weren’t going to be naked on your wedding night?”

“Not like this! And you’ve still got all your wedding clothes on….”

He got up, stripped off the clothes and tossed them behind the sofa, and stood for a moment looking down at her in the fire- and candlelight.

“One way’s as good as another,” he said.

She stared up at him, this tall, lean man who shone in the light like a young pagan god, who looked to her just as she had imagined he would in the long nights in her bed in Lytton, when she could not sleep. Deep in her stomach, something old and slow turned over, curled, stretched. It was warm, almost hot. She opened her arms to him and, without even knowing she did, raised her hips on the prickly old sofa cushion, and moved them slowly.

“Yes, it is,” she whispered.

It was.

I gave my mother her honeymoon. I gave it to her, backward from the future, not long after my own. By that time so much had been corrupted by her discontent, scalded by her bile, that it occurred to me, shamefully for the first time, that of all of us, her pain must be the worst. She lived so long with it, could not, as others could, walk away from it.

“My God,” I said to the man who was my refuge, “she must be scarred on the inside from her brain to her stomach. Why didn’t I know that about her? All this time and I didn’t even know….”

“I don’t imagine you were much in the way of being healed yourself until recently,” he said. “Couldn’t look till then. Now that you can, do you think you might begin to see her a bit differently? I don’t think it would help her much, but it might do you a mite of good.”

“I just honest to God don’t know. I don’t even know if I want to. It’s not like there’s ever going to be some great, tearstained reconciliation scene. We can’t be anything else to each other than what we are. Can’t you see that?”

“Yep.” He breathed in a great, sweet-smelling lungful of smoke from the pipe he had recently affected and blew it back out, watching it curl into the twilight dimness of our back porch. The pipe had annoyed me at first, but I didn’t think he liked it very much himself; he seldom smoked it. There was no sense fussing about it.

“But,” he went on, in the thick, soft lilt that was like music to me still, “p’raps it would give you closure. Isn’t that the word they’re usin’ now? ‘Closure’?”

“P’raps it would,” I said. And from then on, every so often, tentatively, as if I were afraid the memory might burn me, I began to look back at my mother, metaphorically narrowing my eyes so that the naked sight of her would not sear my retinas.

Not long after that I lay in my bath and opened my mind to my mother. I stirred the popping bubbles in the eucalyptus bath salts with my foot and consciously thought about her. I would, I thought, begin with her in a place I knew she was happy and see where that woman led me.

“I’m starting with her honeymoon,” I told my husband when he ambled in and sat down on the edge of the tub, as he often did. “Then, at least, I assume she was happy.”

“Sure of that, are you?” he said, popping bubbles with his long fingers.

“Well… why wouldn’t she be? She’d just had that humongous wedding and she was alone with him for the first time, up in that mountain cabin….”

“You must remember as vividly as I do how she talked about her honeymoon,” my husband said, grinning as the last mass of bubbles disappeared.

I looked at him.

“You know, ‘That dinky little cabin up there on that god-awful bare mountain, and cold as hell, and I threw up all over my wedding dress and it never came clean and I wanted Lily to wear it, and then it iced and we couldn’t get out for days, and I read old Mary Roberts Rinehart novels till I thought I’d scream, and of course with nothing else to do we got Lily, I bet by the second night….’ ”

“She was just talking… you know how she does, when she tells a story about herself or Dad….”

He continued to look at me, a deep blue-eyed stare.

No. My mother had not had a happy honeymoon. So I lay back in my vanishing bubbles and gave her one.

It did continue to ice and snow lightly on Burnt Mountain. In the dark early mornings, before the gray winter light came creeping into the bedroom, they could see the dancing stipple of snow light on the old ceiling and hear it ticking softly against the old glass panes and they would turn in to each other under the deep-piled quilts and the old goose-feather mattress would take them deep and they would make love again, sleepily, deeply, their skin hot against each other’s. And they would cry out in joy and contentment, and go back to sleep, and when they awoke again, it was mid-morning and they would race, yelping, into the icy little bathroom and pull on soft sweats and socks and sweaters, and build up the living room fire that never really went out, and put on coffee to perk and then they would lie, intertwined, on the old couch under the thick old Chief Joseph blanket that belonged to it, and look up through the skylight at the opaque sky and watch the snow fall. Softly. Softly.

And my mother was happy. She had not really expected to be. Oh, she knew that her feelings for Finch Wentworth were strong and that she loved to look at him, and feel the hard pressure of his arms around her, but she had thought that their first coupling would be in a different bed, a sweet-smelling one with satin coverlets, perhaps at the Cloister at Sea Island, where so many young Atlantans honeymooned, perhaps even in the big tower room on Habersham Road that she had decided long ago would one day be their bedroom. Perhaps even there.

She had not expected Burnt Mountain, and she had not expected that the long body next to and around and inside her could give her so much abiding sensation and ecstasy. She had not expected to willingly, even eagerly, spend so much time in bed and on sofas and even kitchen tables with him. It was the first great gift of her marriage, his to her. Those first few landlocked days she was steeped in him, tasted of him, swollen with him, aching for him. She, who had hoped to get the matter of where they would live, among other things, settled while they were on the mountain, thought of nothing but the next time he would take her into bed.

Days passed thus.

On the morning of New Year’s Eve she woke up and looked over at him in bed. Before he could reach for her, she said, “Darling, I want to go home. I want to spend New Year’s Eve at home. We always have scalloped oysters and eggnog and set off fireworks on New Year’s Eve. I want to spend this first one with people and things I always have. Can we go home?”

He looked at her for a long while, smiling slightly, and then got out of bed, naked and shivering, and scrooched into his sweats and socks, and said, “I think so. Let me see.”

She heard him on the telephone in the next room but could not hear what he was saying. When he came back into the bedroom he was grinning widely.

“Yeah, we can go home. In fact, it’s a good time for it. Hop up and get dressed and let’s get the car loaded. It’s snowing in Atlanta, so we’ll have to take it slow down the mountain. Should be a pretty drive.”

“How do you know it’s snowing?”

“I talked to them at school, to tell them to get the apartment ready early. It’ll all be done when we get there.”

He had decided that for the first few days they would stay in the apartment at Hamilton Academy that was set aside for the headmaster.

“It’s not big, but it’s big enough for the two of us, and it’s perfectly comfortable when all the furniture’s in place. I was having it redone while I was at your folks’ house, and they tell me they can move the furniture in today and even stock the kitchen. We can go right there, and then on to your folks’, if you want to.”

She had not been happy about that at first…. “You mean live at your school? With all those children?”

“It’s on another floor entirely. You wouldn’t necessarily see a single student; most of them are at home for the holidays, anyway. And besides, it’s your school, too, now.”

“My school…,” she had said slowly. “My school…”

She had not thought of Hamilton Academy in those terms before.

“We’ll decide when we get there where we’re going to live,” he said. “I expect Mother and Dad will have some ideas about that….”

Buckhead bloomed full and living in Crystal’s mind. Of course. Somewhere in Buckhead, near the big house on Habersham Road. Why had she ever worried about that?

“Let’s go, then,” she said, jumping out of bed. The floor did not even seem cold to her bare feet.

“What should I wear?”

“Oh, honey, anything. Something warm. They said it hadn’t gotten above freezing down there in two days.”

When he locked the door to the cottage in Burnt Cove, Crystal got into the car and did not look back. She never did, all the way down the winding, treacherous road to the interstate. She would never in her life remember the snow on Burnt Mountain, though my father would speak of it often as one of the most beautiful sights he had ever seen.

It was early dark, with light snow still falling silently, when they turned off the highway below Atlanta onto the smaller one that led up to the big wrought-iron gates of Hamilton Academy. The road home, so familiar to Crystal, was a strange snowscape, another country, rather eerie. Lit houses made holes in the darkness, but it was hard for her to identify them in the blue dusk. Only the one arch over the gates, with Hamilton Academy chiseled on it, was familiar. Once inside the gates, the road that led up to and around the school was dark and blue and white, punctuated only by occasional streetlights, and the lit mass of the school itself seemed small and far away. My father did not pull up to it but continued on the road around it, and beyond.

“Where are you going?” my mother said, wiping at the windshield and peering out. She saw nothing but darkness. Darkness and snow.

He smiled and continued on.

The road ended at a pair of stone gateposts that had once held an elaborate wrought-iron gate. The gate was open, and the pair of iron lampposts on either side of it were dark. A wrought-iron fence stretched away on either side of it, marking off a yard that could not be seen.

He stopped.

“This is the old McClaren place,” she said, looking at him in puzzlement and annoyance. “What are you doing back here? There’s been nobody in this old heap since that old lunatic died; I can’t remember how long it’s sat empty. It’s falling down.”

He smiled again and tapped the horn. The world bloomed into light.

The lamps lit, soft, yellow, snow collared. The long, straight drive down to the house flowered with lights; ground lights studded its border, the overhanging great trees, into uplit statuary. Torches and flambeaus had been set along the way, flickering on the snow, dancing off the drifted limbs and the smooth white gardens beyond. At the end of the drive a great three-storied Greek Revival house stood, its flat roof a field of shining white, its twin chimneys sending blue curls of smoke up into the night. Its four white Corinthian columns were twisted with greenery and its three black iron balconies draped with more. Every window shone with light, many with candles, and the massive oak front doors were open. Each wore a great Della Robbia wreath with fruits and red ribbons. From the car Crystal could see that the house was thronged with people.

It was a beautiful house, classically beautiful, shining with health and love, looking every inch as the old man who built it had envisioned that one day it would.

Crystal opened her mouth, but no sound came. My father put his hands tenderly on either side of her face and kissed her on her open mouth. There were tears in his eyes and on his cheeks.

“Mother and Dad have spent the last few months doing all of this,” he said. “It’s furnished, too. It’s your wedding present and your Christmas present all rolled into one. And it’s your wedding reception. Don’t you remember? They promised you it would be special. Welcome, my baby. Let’s go home.”

He opened the door on his side and people flowed out into the night, people in long gowns and tuxedos, holding glasses aloft, smiling and cheering and calling out.

These next things I know: I know that my father’s heart reached out to the house in sheer joy, for he loved it always. And I know that my sister, Lily, still barely joined cells in my mother’s womb, reached out to it, too, for she also loved River House, as my mother but no one else called it. Maybe not as our father did, but in her own way. Even I, so long yet to be even dreamed of, but there, in him and in her, disparate cells waiting to become me, certainly must have held out arms-to-be, for the house was for a long time my one true haven and my home.

I did not try to see my mother’s face. At that moment, I quit trying at all. I could give her a honeymoon, but neither I nor anyone else could give her a home.



Continues...

Excerpted from Burnt Mountain by Siddons, Anne Rivers Copyright © 2011 by Siddons, Anne Rivers. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Customer Reviews

Average Rating 3
( 104 )
Rating Distribution

5 Star

(29)

4 Star

(17)

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(16)

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(17)

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(25)

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See All Sort by: Showing 1 – 20 of 105 Customer Reviews
  • Posted June 29, 2011

    more from this reviewer

    an entertaining southern drama

    In Atlanta, seventeen year old Thayer Wentworth is pregnant, but prenatal tests show that her unborn is severely malformed. Though she is heartbroken, she chooses an abortion. Thayer goes on to college where she meets and is attracted to extroverted storyteller Dr. Aengus O'Neill. They marry.

    When Thayer's affluent grandmother dies, she inherits her incredible Atlanta home not far from Burnt Mountain's Camp Edgewood where her father died in a car accident. She and Aengus take up residence in the luxurious mansion. However, he begins to recall upsetting memories from his childhood in Ireland that disturbs Thayer who fears her husband is losing his mind. At the same time she looks into has past at her mom and her first love Nick Abrams who broke her heart at Camp Sherwood Forest in North Carolina.

    Burnt Mountain is an entertaining southern drama that fans of the author will enjoy. Thayer is an intriguing individual facing relationship issues. The story line is at its best when the focus is entirely on the heroine's inner turmoil although too many subplots are left dangling. Still she has decisions to make even if happenchance assists her on the most critical. Although not Anne Rivers Siddons's best work, readers will still appreciate touring the North Carolina Mountains with Thayer as their guide.

    Harriet Klausner

    10 out of 14 people found this review helpful.

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  • Posted July 22, 2011

    more from this reviewer

    Burnt Out?

    Let me begin by saying I am a major fan of Ms. Siddons, having read every one of her novels. And while I looked forward to reading this her latest book, I must admit it was a disappointment. While the writing is classic Siddons, the plot is anything but. The beginning is believable, if only predictable, but when it gets into Celtic mysticism the story becomes derailed. The character change in Aengus was so weird that it was not plausible and what precipitated it was not really explained, leaving too many questions unanswered. Due out last year, the publishing date was postponed many months so my assumption is that Siddons herself, struggled with this one. I won't go into any more details so as not to spoil it for other readers. I only hope that this is just a temporary slump & Siddons will be back in form with her next book.

    9 out of 9 people found this review helpful.

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  • Anonymous

    Posted July 31, 2011

    Very disappointing!

    Full of undelivered potential. The characters were quite interesting but the story was very disjointed. I felt let down when the story ended abruptly with an epilogue instead of story completion. There were too many unresolved story lines. I have been a Siddons fan for years and have read all her books.

    5 out of 5 people found this review helpful.

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  • Anonymous

    Posted July 23, 2011

    I am disappointed.

    No text was provided for this review.

  • Anonymous

    Posted October 17, 2011

    Really terrible

    The worst anne rivers siddons book i have ever read. What a letdown and a waste of money

    3 out of 3 people found this review helpful.

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  • Posted August 2, 2011

    very unsatisfying

    The plot was absurd and at the end it totally feel apart into nonsense.

    3 out of 3 people found this review helpful.

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  • Posted February 12, 2012

    more from this reviewer

    I Also Recommend:

    Just Alright

    I adore this author. I've enjoyed everything written by her. But this book was disappointing. Strange ending, and not a good kind of "strange."

    2 out of 3 people found this review helpful.

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  • Posted September 5, 2011

    more from this reviewer

    Big Disappointment

    Having read many books by this author, I was looking forward to a slightly formuleic but satisfying Southern novel-the set up was there but the ending blew-i think she had a deadline and just rushed it. This was a waste of money and time.

    2 out of 2 people found this review helpful.

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  • Posted August 22, 2011

    Somewhat simple... no substance

    This was my first book by Anne Rivers Siddons. I read it for a book club that I attend. It did not keep my interest and I found that it lacked "guts" and substance.

    2 out of 2 people found this review helpful.

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  • Posted July 24, 2011

    Simply Awful

    What a huge disappointment. The worst book she has written.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted May 28, 2013

    Not worth reading

    I rarely write reviews, but I often read them. I wish I had read the reviews before wasting my money on this book. I thought the first half of the book was well written and had good potential, but then the plot, characters, and story essentially walked the reader off a cliff. The ending seemed to just suddenly appear with very little resolution. I was left feeling cheated as if someone had ripped out several chapters. In fact, I threw the book away rather than giving it to a friend or good will.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted March 30, 2012

    Sickening

    I felt sickened by the outcome of this marriage. In this respect I would have to call it a powerful story.
    But Aengus Oneill is a pervert and for that reason I found the book vulgar. It is a dark, dark book.

    1 out of 1 people found this review helpful.

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  • Posted November 30, 2011

    more from this reviewer

    any book by Siddons promises to be a great read...

    Reviewed by Janet J for Readers Favorite


    Natalie Goldberg makes this comment about southern writers: ¿Often when a southerner reads, the members of the class look at each other, and you can hear them thinking, gee, I can't write like that. The power and force of the land is heard in the piece. These southerners know the names of what shrubs hang over what creek, what dogwood flowers bloom what color, what kind of soil is under their feet."

    ¿I tease the class, ¿Pay no mind. It's the southern writing gene. The rest of us have to toil away.¿¿

    And on the subject of southern women, Blanche McCrary Boyd says: ¿My sister says Southerners are like other people, only more so."

    Anne River Siddons¿ "Burnt Mountain" paints detailed portraits of three generations of one family of southern women: Grand (grandmother), Crystal, her daughter-in-law, and Crystal¿s daughters Lily and Thayer. Crystal and Lily are more like sisters; Thayer resembles her father and Grand in her face and in her soul. They are all, as Boyd says, strong personalities who are like other people, only more so.

    After her father¿s untimely death due to an auto accident, Thayer lives in numbed misery, feeling unloved by anyone other than Grand, until she finds peace, exuberance and freedom at summer camp in the North Carolina mountains. However, her last summer there, when she is seventeen, ends in tragedy, betrayal and heartbreak. In a daze, Thayer goes on to attend a liberal arts college high in the mountains of Tennessee, only returning to her true nature when she meets Angus, an unconventional and passionate Irish professor, whose personality seems bigger than life.

    Crystal¿s lifelong ambition is to live among the ¿right people¿ in Atlanta, which she sees as her only possible destiny. When circumstances disappoint her, she grooms Lily, her favorite, for the perfect high society life of a southern woman. Instead, Lily elopes with a football player named Goose.

    It is Thayer who inherits with Grand¿s stately home just outside of Atlanta, where every day in the summer she and Angus hear the children singing on the bus that is headed for the nearby summer camp on Burnt Mountain. This brings unsettling and haunting memories of summer camp and her father¿s death on the mountain to Thayer. At the same time "Burnt Mountain" pulls Angus deeper and deeper into its dark forests and their promise of ancient magic.

    As always, Siddons¿ prose is lush and richly descriptive. Her characters are flawed, colorful and believable. She infuses the book with vivid sensory images of the south and its traditions.

    This audio version is well done. The story itself works well until the last section of the book, when I felt there was a jarring disconnect leading to the rather bizarre and confusing ending, which didn¿t seem to fit with the rest of the carefully constructed plot. It feels as if several chapters of critical plot development are missing for the reader who is deeply involved in the story.

    Still, the book is well worth reading, and perhaps the reader¿s imagination can guide their interpretation of the storyline on a more logical path to the conclusion.

    I am a great admirer of Siddons' work ("Peachtree Road", etc.) and I look forward to reading more of her books. With the rich combination of southern locales and characters and her gift for storytelling, any book by Siddons promises to be a great read.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted August 19, 2014

    Not her best work

    This is probably the fifth or sixth Anne Rivers Siddons book I have read. I loved the others, but did not like this one at all. Most of the characters were just unlikable and the plot became very choppy towards the end. Not a very satisfying read.

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  • Anonymous

    Posted May 9, 2014

    This was the first book I have read by the author. It moved a

    This was the first book I have read by the author. It moved along with some good plot twists and turns until the ending then it became silly. You go from this young woman who is in love with a man who becomes a lunatic. It was a very strange ending and as I said before silly. Was there sexual abuse happening at the camp, were the boys becoming robots under the spell of Aengus? It really was a rediculous ending. Then all of a sudden Thayer's camp boyfriend comes back into her life. If this is an example of Ms. Siddon's writing then I think this will be my only book that I will read.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 24, 2013

    Silverpaw

    Hids in the shadows

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 25, 2013

    Snow

    Pads to result 1

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted November 25, 2013

    Southern places

    Such an odd cast of character. Strange people and magic places. good read. again on my beach reading list because I will read this again.

    Was this review helpful? Yes  No   Report this review
  • Posted August 22, 2013

    Not as good as other Anne River Siddons books

    Not as good as most of Anne Rivers Siddons books. She is one of my favorite authors and I have always loved her books, but this one doesn't stack up to her others. In fact, it didn't seem as if I was reading one of her books as I read it. It was rather a strange story.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted August 18, 2013

    Did you read this?

    Thayer did not choose an abortion. She was clueless. She thought her mother was taking her to the doctor to confirm her pregnancy. Her mother arranged the abortion without her consent. The baby was not malforned. That was a lie her mother told her. She was tricked into being anesthetized and aborted without her knowledge or consent Her response to this? Cry and go to bed.

    Was this review helpful? Yes  No   Report this review
See All Sort by: Showing 1 – 20 of 105 Customer Reviews

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