Respected film expert and historian James Curtis offers a comprehensive and intriguing dive into the life and career of actor, comedian, and filmmaker Buster Keaton (1895-1966). Narrator David Pittu is an ideal choice for this lengthy but entertaining audiobook. While Pittu’s nuanced, sensitive performance is a bit slow-paced, it’s entirely absorbing—simply superb. Pittu slightly alters his voice when directly quoting voices beyond the author’s and Keaton’s. All of Keaton’s vaudeville performances, along with his comedic “shorts” and feature films, are discussed, including behind-the-scenes stories and vignettes. His personal life is presented without a hint of the now-common sensationalism and exaggeration. Boomers may well become nostalgic as they remember Keaton’s cameos in several beach party films of the 1960s. Treat yourself to the fun of Buster Keaton. W.A.G. © AudioFile 2022, Portland, Maine
**One of Literary Hub's Five “Most Critically Acclaimed” Biographies of 2022**
From acclaimed cultural and film historian James Curtis-a major biography, the first in more than two decades, of the legendary comedian and filmmaker who elevated physical comedy to the highest of arts and whose ingenious films remain as startling, innovative, modern-and irresistible-today as they were when they beguiled audiences almost a century ago.
"It is brilliant-I was totally absorbed, couldn't stop reading it and was very sorry when it ended."-Kevin Brownlow
It was James Agee who christened Buster Keaton “The Great Stone Face.” Keaton's face, Agee wrote, "ranked almost with Lincoln's as an early American archetype; it was haunting, handsome, almost beautiful, yet it was also irreducibly funny. Keaton was the only major comedian who kept sentiment almost entirely out of his work and . . . he brought pure physical comedy to its greatest heights.”
Mel Brooks: “A lot of my daring came from Keaton.”
Martin Scorsese, influenced by Keaton's pictures in the making of Raging Bull: “The only person who had the right attitude about boxing in the movies for me,” Scorsese said, “was Buster Keaton.”
Keaton's deadpan stare in a porkpie hat was as recognizable as Charlie Chaplin's tramp and Harold Lloyd's straw boater and spectacles, and, with W. C. Fields, the four were each considered a comedy king--but Keaton was, and still is, considered to be the greatest of them all.
His iconic look and acrobatic brilliance obscured the fact that behind the camera Keaton was one of our most gifted filmmakers. Through nineteen short comedies and twelve magnificent features, he distinguished himself with such seminal works as Sherlock Jr., The Navigator, Steamboat Bill, Jr., The Cameraman, and his masterpiece, The General.
Now James Curtis, admired biographer of Preston Sturges (“definitive”-Variety), W. C. Fields (“by far the fullest, fairest and most touching account we have yet had. Or are likely to have”-Richard Schickel, front page of The New York Times Book Review), and Spencer Tracy (“monumental; definitive”-Kirkus Reviews), gives us the richest, most comprehensive life to date of the legendary actor, stunt artist, screenwriter, director-master.
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From acclaimed cultural and film historian James Curtis-a major biography, the first in more than two decades, of the legendary comedian and filmmaker who elevated physical comedy to the highest of arts and whose ingenious films remain as startling, innovative, modern-and irresistible-today as they were when they beguiled audiences almost a century ago.
"It is brilliant-I was totally absorbed, couldn't stop reading it and was very sorry when it ended."-Kevin Brownlow
It was James Agee who christened Buster Keaton “The Great Stone Face.” Keaton's face, Agee wrote, "ranked almost with Lincoln's as an early American archetype; it was haunting, handsome, almost beautiful, yet it was also irreducibly funny. Keaton was the only major comedian who kept sentiment almost entirely out of his work and . . . he brought pure physical comedy to its greatest heights.”
Mel Brooks: “A lot of my daring came from Keaton.”
Martin Scorsese, influenced by Keaton's pictures in the making of Raging Bull: “The only person who had the right attitude about boxing in the movies for me,” Scorsese said, “was Buster Keaton.”
Keaton's deadpan stare in a porkpie hat was as recognizable as Charlie Chaplin's tramp and Harold Lloyd's straw boater and spectacles, and, with W. C. Fields, the four were each considered a comedy king--but Keaton was, and still is, considered to be the greatest of them all.
His iconic look and acrobatic brilliance obscured the fact that behind the camera Keaton was one of our most gifted filmmakers. Through nineteen short comedies and twelve magnificent features, he distinguished himself with such seminal works as Sherlock Jr., The Navigator, Steamboat Bill, Jr., The Cameraman, and his masterpiece, The General.
Now James Curtis, admired biographer of Preston Sturges (“definitive”-Variety), W. C. Fields (“by far the fullest, fairest and most touching account we have yet had. Or are likely to have”-Richard Schickel, front page of The New York Times Book Review), and Spencer Tracy (“monumental; definitive”-Kirkus Reviews), gives us the richest, most comprehensive life to date of the legendary actor, stunt artist, screenwriter, director-master.
Buster Keaton: A Filmmaker's Life
**One of Literary Hub's Five “Most Critically Acclaimed” Biographies of 2022**
From acclaimed cultural and film historian James Curtis-a major biography, the first in more than two decades, of the legendary comedian and filmmaker who elevated physical comedy to the highest of arts and whose ingenious films remain as startling, innovative, modern-and irresistible-today as they were when they beguiled audiences almost a century ago.
"It is brilliant-I was totally absorbed, couldn't stop reading it and was very sorry when it ended."-Kevin Brownlow
It was James Agee who christened Buster Keaton “The Great Stone Face.” Keaton's face, Agee wrote, "ranked almost with Lincoln's as an early American archetype; it was haunting, handsome, almost beautiful, yet it was also irreducibly funny. Keaton was the only major comedian who kept sentiment almost entirely out of his work and . . . he brought pure physical comedy to its greatest heights.”
Mel Brooks: “A lot of my daring came from Keaton.”
Martin Scorsese, influenced by Keaton's pictures in the making of Raging Bull: “The only person who had the right attitude about boxing in the movies for me,” Scorsese said, “was Buster Keaton.”
Keaton's deadpan stare in a porkpie hat was as recognizable as Charlie Chaplin's tramp and Harold Lloyd's straw boater and spectacles, and, with W. C. Fields, the four were each considered a comedy king--but Keaton was, and still is, considered to be the greatest of them all.
His iconic look and acrobatic brilliance obscured the fact that behind the camera Keaton was one of our most gifted filmmakers. Through nineteen short comedies and twelve magnificent features, he distinguished himself with such seminal works as Sherlock Jr., The Navigator, Steamboat Bill, Jr., The Cameraman, and his masterpiece, The General.
Now James Curtis, admired biographer of Preston Sturges (“definitive”-Variety), W. C. Fields (“by far the fullest, fairest and most touching account we have yet had. Or are likely to have”-Richard Schickel, front page of The New York Times Book Review), and Spencer Tracy (“monumental; definitive”-Kirkus Reviews), gives us the richest, most comprehensive life to date of the legendary actor, stunt artist, screenwriter, director-master.
From acclaimed cultural and film historian James Curtis-a major biography, the first in more than two decades, of the legendary comedian and filmmaker who elevated physical comedy to the highest of arts and whose ingenious films remain as startling, innovative, modern-and irresistible-today as they were when they beguiled audiences almost a century ago.
"It is brilliant-I was totally absorbed, couldn't stop reading it and was very sorry when it ended."-Kevin Brownlow
It was James Agee who christened Buster Keaton “The Great Stone Face.” Keaton's face, Agee wrote, "ranked almost with Lincoln's as an early American archetype; it was haunting, handsome, almost beautiful, yet it was also irreducibly funny. Keaton was the only major comedian who kept sentiment almost entirely out of his work and . . . he brought pure physical comedy to its greatest heights.”
Mel Brooks: “A lot of my daring came from Keaton.”
Martin Scorsese, influenced by Keaton's pictures in the making of Raging Bull: “The only person who had the right attitude about boxing in the movies for me,” Scorsese said, “was Buster Keaton.”
Keaton's deadpan stare in a porkpie hat was as recognizable as Charlie Chaplin's tramp and Harold Lloyd's straw boater and spectacles, and, with W. C. Fields, the four were each considered a comedy king--but Keaton was, and still is, considered to be the greatest of them all.
His iconic look and acrobatic brilliance obscured the fact that behind the camera Keaton was one of our most gifted filmmakers. Through nineteen short comedies and twelve magnificent features, he distinguished himself with such seminal works as Sherlock Jr., The Navigator, Steamboat Bill, Jr., The Cameraman, and his masterpiece, The General.
Now James Curtis, admired biographer of Preston Sturges (“definitive”-Variety), W. C. Fields (“by far the fullest, fairest and most touching account we have yet had. Or are likely to have”-Richard Schickel, front page of The New York Times Book Review), and Spencer Tracy (“monumental; definitive”-Kirkus Reviews), gives us the richest, most comprehensive life to date of the legendary actor, stunt artist, screenwriter, director-master.
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Product Details
BN ID: | 2940176006100 |
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Publisher: | Penguin Random House |
Publication date: | 02/15/2022 |
Edition description: | Unabridged |
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