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| Buster Poindexter | Primary Artist, Vocals |
| Patti Scialfa | Background Vocals |
| Crispin Cioe | Alto Saxophone, Baritone Saxophone |
| Joe d'Elia | Organ, Piano |
| Bob Funk | Trombone |
| Tony Garnier | Bass, Bass Guitar |
| Carl Hall | Background Vocals |
| Hollywood Paul Litteral | Trumpet |
| Brian Koonin | Acoustic Guitar, Banjo, Mandolin, Electric Guitar |
| Lisa Lowell | Background Vocals |
| Tony Machine | Drums |
| Soozie Tyrell | Violin, Vocals, Background Vocals |
| Louise Bethune | Background Vocals |
| Brian Koomin | Banjo, Guitar, Mandolin, Electric Guitar, Sitar |
| Fred Wolcott | Percussion |
| Arno Hecht | Tenor Saxophone |
| Wynonie Harris | Composer |
| Neil Young | Composer |
| Tony Machine | Contributor |
| Hank Medress | Producer |
| Bill Sheniman | Engineer |
| Louis Innis | Composer |
| Jim Doris | Composer |
| M. Myrie | Composer |
| Public Domain | Composer |
| Traditional | Composer |
| Charles E. Calhoun | Composer |
| Bill Sheniman | Engineer |
Editorial Reviews
All Music Guide - William Ruhlmann
After two albums as lead singer of the punk rock New York Dolls and five as a power pop solo artist, David Johansen surprised his fans by woodshedding in a bar off Irving Place in New York City, toying with a new musical persona he called Buster Poindexter, a tuxedo-clad lounge lizard leading a horn-filled backup band called the Banshees of Blue. The question "Is he kidding or what?" was inevitable, but the repertoire he developed and the group's approach to it demonstrated that this was more in the realm of an affectionate pastiche than a parody. With his cavernous bass-baritone and outsized personality, Johansen always had at least an implicitly humorous side, ...