From the Publisher
“A man who knows exactly what he is writing about and has written it marvelously well.” —Ernest Hemingway
“Like Henry James, O’Hara could create a world where class and social structures are all-important but not openly discussed.” —The Village Voice
“O’Hara understood better than any other American writer how class can both reveal and shape character.... [His] genius was in his unerring precision in capturing the speech and the milieus of his characters, whether the setting was Pennsylvania, Hollywood, or New York.” —Fran Lebowitz
"O'Hara occupies a unique position in our contemporary literature... He is the only American writer to whom America presents itself as a social scene in the way it once presented itself to Henry James, or France to Proust." —Lionel Trilling, The New York Times
“An author I love is John O’Hara. . . . I think he’s been forgotten by time, but for dialogue lovers, he’s a goldmine of inspiration.” —Douglas Coupland, Shelf Awareness
“One of the great novels of New York in the Depression . . . [O’Hara’s] novels of the mid-thirties are his classics, and they deserve to be much more famous than they are.” —Lorin Stein, editor of The Paris Review, from the Introduction
What People are saying about this
From the Publisher
Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books
Winner of the 2014 Type Directors Club Communication Design Award
Praise for Penguin Drop Caps:
"[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering."
“Vibrant, minimalist new typographic covers…. Bonus points for the heartening gender balance of the initial selections.”
—Maria Popova, Brain Pickings
"The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of Great Expectations? Because they’re beautiful objects. Paul Buckley and Jessica Hische’s fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen’s A (Pride and Prejudice) is formed by opulent peacock feathers and Charlotte Bronte’s B (Jane Eyre) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf."
—Rex Bonomelli, The New York Times
"Classic reads in stunning covers—your book club will be dying."