Cabo Verdean Rhythms: Kolá San Jon, Spatialization, and the Performance of Creolidade
Cabo Verdean Rhythms examines the rhythms, movements, and performances of Kolá San Jon, a performative tradition central to Cabo Verde’s Festas Juninas, as a lens for understanding the ongoing negotiations of social and cultural boundaries in Cabo Verde.

The book examines Kolá San Jon as a site of spatialization and creolization, processes that are closely linked to the colonial and postcolonial histories of the archipelago. Beginning with an examination of the concept of Creolidade as a dynamic and contested process, the book goes on to trace the historical connections between the islands of São Vicente and Santo Antão, exploring how these inter-island relationships have shaped the Kolá San Jon tradition. It analyzes the construction of identity and sense of belonging through drumming and dance, and considers processional performances as key moments of spatial and social organization. Through the concept of ritual failure, the book reflects on the fragility and contested nature of these practices.

Bringing together the interdisciplinary fields of ethnomusicology, postcolonialism, and spatial politics, Cabo Verdean Rhythms offers novel perspectives for understanding the nexus of sound, space, and identity, which will be of interest to both researchers and postgraduate students.

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Cabo Verdean Rhythms: Kolá San Jon, Spatialization, and the Performance of Creolidade
Cabo Verdean Rhythms examines the rhythms, movements, and performances of Kolá San Jon, a performative tradition central to Cabo Verde’s Festas Juninas, as a lens for understanding the ongoing negotiations of social and cultural boundaries in Cabo Verde.

The book examines Kolá San Jon as a site of spatialization and creolization, processes that are closely linked to the colonial and postcolonial histories of the archipelago. Beginning with an examination of the concept of Creolidade as a dynamic and contested process, the book goes on to trace the historical connections between the islands of São Vicente and Santo Antão, exploring how these inter-island relationships have shaped the Kolá San Jon tradition. It analyzes the construction of identity and sense of belonging through drumming and dance, and considers processional performances as key moments of spatial and social organization. Through the concept of ritual failure, the book reflects on the fragility and contested nature of these practices.

Bringing together the interdisciplinary fields of ethnomusicology, postcolonialism, and spatial politics, Cabo Verdean Rhythms offers novel perspectives for understanding the nexus of sound, space, and identity, which will be of interest to both researchers and postgraduate students.

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Cabo Verdean Rhythms: Kolá San Jon, Spatialization, and the Performance of Creolidade

Cabo Verdean Rhythms: Kolá San Jon, Spatialization, and the Performance of Creolidade

by Martin Ringsmut
Cabo Verdean Rhythms: Kolá San Jon, Spatialization, and the Performance of Creolidade

Cabo Verdean Rhythms: Kolá San Jon, Spatialization, and the Performance of Creolidade

by Martin Ringsmut

Hardcover

$190.00 
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Overview

Cabo Verdean Rhythms examines the rhythms, movements, and performances of Kolá San Jon, a performative tradition central to Cabo Verde’s Festas Juninas, as a lens for understanding the ongoing negotiations of social and cultural boundaries in Cabo Verde.

The book examines Kolá San Jon as a site of spatialization and creolization, processes that are closely linked to the colonial and postcolonial histories of the archipelago. Beginning with an examination of the concept of Creolidade as a dynamic and contested process, the book goes on to trace the historical connections between the islands of São Vicente and Santo Antão, exploring how these inter-island relationships have shaped the Kolá San Jon tradition. It analyzes the construction of identity and sense of belonging through drumming and dance, and considers processional performances as key moments of spatial and social organization. Through the concept of ritual failure, the book reflects on the fragility and contested nature of these practices.

Bringing together the interdisciplinary fields of ethnomusicology, postcolonialism, and spatial politics, Cabo Verdean Rhythms offers novel perspectives for understanding the nexus of sound, space, and identity, which will be of interest to both researchers and postgraduate students.


Product Details

ISBN-13: 9781032895062
Publisher: Taylor & Francis
Publication date: 06/19/2025
Series: SOAS Studies in Music
Pages: 220
Product dimensions: 6.00(w) x 9.00(h) x (d)

About the Author

Martin Ringsmut is a postdoctoral University Assistant for Ethnomusicology at the University of Vienna, Austria.

Table of Contents

Preface

 

Acknowledgements

 

Chapter 1: Enter the Garden of the Hesperides

 

Chapter 2: Performing Creolidade

 

Chapter 3: Barlavento Constellations

 

Chapter 4: Rhythms of Belonging

 

Chapter 5: San Jon Revoltiód

 

Chapter 6: The Walking Community

 

Chapter 7: The Weakness of San Jon

 

Chapter 8: Conclusion - The Rhythms of Kolá San Jon

 

References

 

Index

 

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