Can I See Your I.D.?: True Stories of False Identities: True Stories of False Identitiesby Chris Barton, Paul Hoppe
True crime, desperation, fraud, and adventure: From the impoverished young woman who enchanted nineteenth-century British society as a faux Asian princess, to the sixteen-year-old boy who "stole" a subway train in 1993, to the lonely but clever Frank Abagnale of Catch Me if You Can fame, these ten vignettes offer riveting insight into mind-blowing/i>
True crime, desperation, fraud, and adventure: From the impoverished young woman who enchanted nineteenth-century British society as a faux Asian princess, to the sixteen-year-old boy who "stole" a subway train in 1993, to the lonely but clever Frank Abagnale of Catch Me if You Can fame, these ten vignettes offer riveting insight into mind-blowing masquerades. Graphic panels draw you into the exploits of these pretenders, and meticulously researched details keep you on the edge of your seat. Each scene is presented in the second person, a unique point of view that literally places you inside the faker's mind. With motivations that include survival, delusion, and plain, old-fashioned greed, the psychology of deception has never been so fascinating or so close at hand.
In 10 vignettes, Barton profiles successful imposters, both men and women. Some assumed false identities for criminal purposes, others for self-preservation. Possibly the most famous of the 10 is Frank Abagnale, a master con-artist whose exploits were immortalized in the Steven Spielberg film Catch Me if You Can. Asa Earl Carter, a longtime Ku Klux Klan member, adopted the new first name of Forrest and passed himself off as a Cherokee to publish a fake memoir, The Education of Little Tree, a bestseller that became a favorite of middle- and high-school teachers. On the other side of the spectrum is Solomon Perel, a Polish Jew whose Aryan features enabled him to pass as an ethnic German, enroll in the Hitler Youth and survive the Holocaust. Ellen Craft's light-skinned features enabled her to pass as white. With her husband, William, posing as her slave, they audaciously boarded a train in Charleston, S.C., and journeyed to freedom in Philadelphia. Barton's use of the second-person point of view gives these stories dramatic tension and a sense of immediacy. Hoppe's graphic panels enhance this effect. The brevity of these profiles will appeal to reluctant readers and work well for reading aloud, but a little more back story for some characters might have clarified the motives for their masquerades. Teens in the thick of creating identities themselves will find this riveting. (bibliography) (Nonfiction. 12 & up)
Meet the Author
Chris Barton blew his cover as an ordinary husband, father, and chicken owner by winning a 2010 Sibert Honor. He lives in Austin, Texas.
Paul Hoppe is a freelance illustrator and a graduate of at New York's School of Visual Arts. He lives in the wilds of Brooklyn, where he most often poses as himself.
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I thought this book was okay... you would think it would be good if you read what it's about, but the thing that bothered me was that it it written in 2nd person. If you don't know what that means, it is when the author says "you" instead of "he/she" or "I". Another thing: this book isn't all one story. There are many stories on different teenagers who use a fake identity. However, some of them were good, some of them not-so-good. If you think you still might enjoy it, go ahead and buy it. I'm just warning everyone that it is written in 2nd person, and not all of the stories are good. It wasn't a page-turner for me.
I like these kind of books about true crime.
It sucks i hate it so bad
I loved this book, second person or not!!