Canaries on the Rim

Canaries on the Rim

by Chip Ward

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In the late 1970s Chip Ward and his wife left the Sleeping Rainbow Ranch in Capitol Reef National Park to raise their children in the classic small-town American setting of Grantsville, Utah. There, on the edge of the Great Basin Desert, disturbing tales of local sickness and death interrupted an idyllic life. A seven-year quest to understand a hidden history of


In the late 1970s Chip Ward and his wife left the Sleeping Rainbow Ranch in Capitol Reef National Park to raise their children in the classic small-town American setting of Grantsville, Utah. There, on the edge of the Great Basin Desert, disturbing tales of local sickness and death interrupted an idyllic life. A seven-year quest to understand a hidden history of ecocide followed. Canaries on the Rim is Ward’s firsthand account of that quest and how lessons learned in the wilderness were later applied to building opposition to toxic waste disposal, chemical weapons incineration, industrial pollution, and nuclear waste storage. The secret holocaust that is unfolding along the toxic shadow of America’s Great Basin Desert is grim, but Ward’s colorful and often-humorous story is not. Canaries on the Rim is a warning and a call to arms, but it is also a compelling drama and a lively primer on environmental activism. If civil action took place in Edward Abbey’s West, this is the book that would result.

Editorial Reviews

Sierra Club
“This book is a must read. For the beauty of the nature writing, for the humor, the intelligence, and the details on a community organization becoming a national power ... The experiences of Chip Ward need a series of books detailing his successes and failures. We could all learn from him.”
Boston Globe
“Not just a memoir but a manual for citizen activism. It may be a manifesto, but its humor and informality – in and among the hair-raising details – make it an entertaining one.”
Salt Lake City Weekly
“Chip Ward is a local hero of moxie, vision and passion.”
From the Publisher
“Not just a memoir but a manual for citizen activism. It may be a manifesto, but its humor and informality—in and among the hair-raising details—make it an entertaining one.”—Boston Globe

“This book is a must read. For the beauty of the nature writing, for the humor, the intelligence, and the details on a community organization becoming a national power ... The experiences of Chip Ward need a series of books detailing his successes and failures. We could all learn from him.”—Sierra Club

“This call to clipboards for local activism is both hopeful and damning: a gift to the next generation and a warning that, in the end, there is no upwind.”—Publishers Weekly

City Weekly
[W]ell worth reading.
Sierra Club Books in Review
This book is a must read. For the beauty of the nature writing, for the humor, the intelligence, and the details on a community organization becoming a national power. My only criticism is the short length. The experience of Chip Ward needs a series of books detailing his successes and failures. We could all learn from him.

—October-November 1999

Publishers Weekly - Publisher's Weekly
In his ardent memoir, Ward, who has fought for the health of the Great Basin Desert, tells the story of his awakening as an environmentalist. He had been living a quiet family life in Grantsville, Utah, in the late 1970s when he began to suspect that the various industries in the region, including a magnesium refinery that expelled the rancid smell of chlorine and an army depot that demolished old weapons, were polluting the region. His community, he realized, risked becoming a new generation of downwinders (named after those who became ill after living downwind of nuclear testing). "We knew that the more you look for something, the more you see it, until it looms large in your perspective," he writes. "But when you realize that there is cancer in every third house you pass, the evidence becomes compelling." Once he recognized the relationship between environmental and human health (which he refers to as "the gospel of eco-human-health"), he had no choice but to act. Ward's ode to the intricate desert and the planet's interconnectedness, following writers like Edward Abbey and Terry Tempest Williams, sets up a fast-paced account of Utah's betrayal by the military, the turn-the-other-cheek attitude of state regulators, the blind eye of corporate hardball and the steadfast labor of whistleblowers and citizens forced to step up and take action. Though Ward attempts to put himself on a middle ground, his sometimes bitter attacks on the people and systems he's worked with can come off as a bit wild-eyed. Nonetheless, this call to clipboards for local activism is both hopeful and damning: a gift to the next generation and a warning that, in the end, there is no upwind. (Jan.) Copyright 1999 Cahners Business Information.
This is a paperbound reprint of a 1999 book, about which Book News wrote: This regional and personal biography begins when the author and his family moved to Grantsville, Utah for purposes of small-town neighborliness and safety. Tales began to circulate about local cases of cancer, birth defects, and respiratory problems, spurring a seven- year search that uncovered a history of ecocide and caused Ward to organize opposition to hazardous waste disposal, chemical weapons incineration, industrial pollution, and nuclear waste storage. Ward manages Utah's public library development program and is an activist in several environmental organizations. Neither index nor notes accompany this less academic addition to Verso's more scholarly Haymarket Series. Annotation c. Book News, Inc., Portland, OR (
Lawrence Ferlinghetti
The Great Basin is military terrain: testing ground for bombs; burial ground for obsolete weapons; laboratory for biological and chemical warfare. Chip Ward blows it all up as he exposes the dark secrets and mythology maintained in the name of "national security." He is a local hero who has found his greatest defense for the landscape he loves is his pen. This local history becomes a document of deceit. Canaries on the Rim is a deeply patriotic book. (Terry Tempest Williams, author of Refuge: An Unnatural History of Family and Place) REVIEW: Chip Ward has written a lesson on how not to live downwind in the American West and how to think about living without burning up the natural world at the same time. Bravo!
Sandra Steingraber
Chip Ward has become a witness to the ongoing struggle between the inhabitants of the West desert and those who seek to turn this land into a toxic graveyard for military waste. His voice we need to hear.
Carl Pope
Inside the Beltway, indeed inside the newsrooms on both coasts, flourishes the stereotype of the rural Westerner indifferent to air and water pollution, an independent cowboy battling federal regulators who want to curb his freedom in the name of the environment. In the real West Chip Ward vividly portrays a very different reality; of the rural west as a sacrifice zone for callous government and private interests who find the wide open spaces a useful place to hide their toxins from the public, and of rural westerners who fight back for their communities and their future.
Lois Gibbs
Chip Ward's evolution into an activist fighting to protect the Utah desert is a lesson for all those who want to stop the poisoning of their communities. His description of the land and the grassroots efforts to protect it from those who would turn it into a sacrifice zone are inspiring.
Rebbeca Solnit
This is the new classic tale of American heroism that not enough people are telling: how ordinary citizens in small towns, reservations, and remote regions take on the military and industrial sites contaminating us with a free hand and how sometimes the little guys win. With modesty, humor, proportion and a fine mastery of the scientific and political intricacies, Chip Ward tells of how he became one of these unintentional heroes and of the battles he took on.

Product Details

Verso Books
Publication date:
Haymarket Series
Edition description:
Product dimensions:
4.90(w) x 7.20(h) x 0.80(d)

Read an Excerpt

Chapter One


A child of the East, I had never seen a desert. My eyes had been conditioned to see beauty in the pastoral landscapes of Vermont, the rich forest green of the Adirondaks, and the classic alpine vistas of Switzerland. As I approached Capitol Reef across an open horizon of gray and treeless mesas, I was struck by the bare, unfinished, almost ruined qualities of the land. "My God," I thought, "this is the world's largest construction site."

    It was hot and I remember how Factory Butte and Caineville Mesa stood out as if they were all that was left of the surface of the planet after it was excavated. As we drove along, flat cracked plains alternated with huge graceful mounds of muted ash, elephantine evidence of ancient volcanic activity. Maybe it was the Moon. I turned to my wife, Linda, and said, "What the Hell was Bill thinking?"

    We were on our way to Capitol Reef National Park to visit Linda's brother, Bill Hauze, who had just landed a job as a seasonal ranger in the heart of Utah's vast complex of redrock canyons. It was our first trip "out West." We were headed for San Francisco to wear flowers in our hair. Although it was 1973 and the sixties had faded fast, we still regarded ourselves as hippies, two kids just-married, childless and eager to explore. We had vagabonded around Europe the year before and the West was next.

    Bill had also lived in Europe. After a couple of years in a German medical school, he became disillusioned with the prospect of practicing Westernmedicine, which he argued was too focused on dispensing pills to manipulate symptoms rather than understanding and addressing causes and contexts. He had become interested in herbs and chakras long before they were fashionable. I remember sitting on a curb in Cologne and sharing an impromptu lunch of bratwurst and sauerkraut with him while he explained the Sun's influence on the pineal gland and the importance of the resulting metatosin in regulating moods. I thought he might be nuts and humored him. It would be another ten years before I heard about seasonal affective disorder on a television news show.

    When he returned to America, for the first time in his life he had no plan. It was exhilarating. A friend offered him a ride to Arizona and he took it. He had never been west of the Mississippi. I wanted to give him a going away gift and came across Ed Abbey's Desert Solitaire in a bookstore. I read several pages while standing in the isle and it seemed interesting, so I bought it and gave it to Bill. He read it on his way across the country and was so inspired by Abbey's account of his life as a seasonal ranger in Arches National Monument, Utah, that he made a beeline to Saguaro National Monument near Tucson and talked his way into a job as a seasonal ranger. Capitol Reef was a transfer assignment. Over the years, three brothers, a sister, and his parents would follow his lead and land in Colorado and Utah, a small migration inadvertently set in motion by Ed Abbey's pen.

    Eventually, desert gave way to sandstone canyons. We began to relax and look up. My worries about the mental condition of my brother-in-law subsided. I liked what I saw. Redrock is an acquired taste even if you enjoy your first bite. A couple of years later as a guest ranch operator, I had the opportunity to observe how first-time visitors respond to Southwest landscapes that differ radically from the Walden Pond paradigm of Easterners. Most were intrigued and fascinated. Maybe their expectations had already been primed by those coffee-table books by photographers who captured the fractured and stained canyon walls as art. Maybe they had seen John Wayne riding across Monument Valley in She Wore a Yellow Ribbon or Robert Redford jumping off a slickrock ledge in Butch Cassidy and the Sundance Kid. Even so, it took them a while to appreciate fully what was right in front of their eyes.

    A canyon wall-may seem beautiful on initial viewing but it is only the first act. Canyons capture light and texture over time. The picture shifts from morning to night, with each passing cloud, and from season to season. Rain changes everything and so does snow. Rain creates dramatic and unexpected waterfalls, washes away dust to reveal new tones of color. Snow outlines canyon wall fracture patterns in bright contrast. Rocks also carry aromas that tell you if they are hot, cold, or wet. And they carry sound, absorbed or echoed, so that the voice of each canyon is different from another. Loving a canyon completely requires the time and patience to wait for all her moods and nuances to appear and reveal themselves to all the senses. Today, I am thankful I had the opportunity in my life to have that time and find that patience.

    Capitol Reef's main claim to fame is its colorful geology, especially the multicolored layers of rock along the Scenic Drive. Spires and domes of white Navajo sandstone sit on top of big broken red walls. Layers of chocolate Moenkopi and pastel mounds of violet, lavender, and gray ash follow beneath. The Navajo name for this phenomenon translates as "sleeping rainbow." In the middle of the park, eleven miles by dirt road from the visitor center and the small Park Service community, was a guest ranch owned by Lurt and Alice Knee, also named the Sleeping Rainbow.

Although at the time we first visited Capitol Reef we did not even dream it, the Sleeping Rainbow was to be our home for almost four years. A year later, during a second visit to the park, we met the Knees and ended up staying. They made an offer and we made a snap decision. We started out caretaking so Lurt and Alice could spend winters in Arizona, warming their old bones and sharing time with dear companions. Eventually, we leased the guest ranch from them and opened it up as our own business.

    The "ranch" was actually a long motel unit with a spectacular view that perched on the edge of a small mesa at the confluence of three canyons above Pleasant Creek. It included a log lodge, a house trailer, a cabin, and various out buildings. Alice's Arabian horses galloped through green pastures below. Where it temporarily breaks free of its narrow canyon confines above the Sleeping Rainbow, Pleasant Creek makes a small oasis of tall grasses, cottonwoods, and sagebrush. The profusion of petroglyphs, pictographs, pottery shards, arrowheads, and ancient Anasazi granaries that are found in the area testify that the creek has been "pleasant" for a very long while. A hay shed, some stalls, and a tack room clustered under the shade from a huge stand of old cottonwood trees that once sheltered the Ephraim Hanks polygamist ranch.

    Southern Utah's first white settlers were sent down by Mormon leader Brigham Young to colonize the area and look for resources. They endured incredible scarcity and hardship in a landscape that could not have been more alien to those the settlers understood from their English and Scandinavian pasts. Mormon polygamists, fleeing harsh federal laws against their newly adopted theology and lifestyle, also fled south where they hoped they could escape prosecution. Scarcity was also the rule for them, since they brought with them the scant resources of refugees. I often thought of those early white explorers and colonists and wondered what we held in common. Linda and I were also poor, starting out, and unfamiliar with this startling landscape that was so unlike our Eastern environment.

    The ruins of the Hanks wives' cabins could be faintly traced on the other side of Pleasant Creek from the Sleeping Rainbow Ranch. Up the creek was a room carved into the rock wall of a canyon with a weathered old door frame built around the entrance. Legend had it that ol' Ephraim and his first wife spent their first winter on the land in that rock room. It is said that the wife became desperate and delusional at one point and Ephraim, fearing she would wander away and get lost, kept her in that stone cell by rolling a stout boulder in front of the door when he left each morning.

    True or not, the Hanks were long gone by the time Lurt bought the place in the 1950s. Lurt Knee was originally from Colorado but his dad was killed while working on the Silverton to Durango train and the family wandered to California. Lurt's sister married Harry Goulding, who had a trading post in Monument Valley. Harry got tired of trying to make a living off of the Navajos alone and went to Hollywood where he camped out in John Ford's office until the director agreed to see the tall cowboy who wouldn't go away. Harry had some photos of the unique landscape around his place. As a result, Ford and other directors were soon making movies in Monument Valley and using Goulding's trading post as a staging area. The lesson was not lost on Lurt, who hunted for a place of his own and found it on the border of what was then Capitol Reef Monument. When the monument became a full-fledged national park, Lurt found himself within its boundaries, an ideal situation that gave him the competitive edge over other local tourist accommodations.

    Still, despite his scenic location, he struggled to make ends meet. Utah's redrock deserts were still relatively unknown in the fifties. The hordes of German vacationers, American mountain bikers, and camera buffs you can find on any sunny day today had not yet shown up. So, he tried uranium mining briefly but the mine went nowhere and his first wife left him. Not to be deterred, he eventually found Alice, who had old Philadelphia money and an urge to live in the wilderness.

    She was a great big-boned woman with a square face and a high-pitched voice that seemed out of place in such a tall and handsome body. When Lurt met her she was acting as a privately sponsored one-woman peace corps to the Navajo nation. When we told Alice that Linda was pregnant she clapped her hands together, grinned widely, and informed us that although we were seventy miles from the nearest hospital we shouldn't worry. She had delivered two Navajo babies with "nothing but a sharp stick." We cringed, took note, and made sure the gas tank of our car was always full.

    Winters were idyllic. In the morning there was time to hunt for cougar tracks in the fresh snow before feeding horses, checking for frozen pipes, and chopping wood. In the afternoon, our chores done, we would hike the trails of Capitol Reef with Bill or read under a crisp cobalt-blue sky. By evening, we would begin the ritual of loading the lodge hearth with pinion and juniper logs to burn for warmth and entertainment. There was no television and only a ham radio at the ranch. Sometimes snow or mud would block the lone road from the ranch to the park border and we would be isolated. Such solitude can test a marriage for compatibility and Linda and I became each other's best friends. There was plenty of time to be lovers, too.

    Early spring meant it was time to clear and burn brush away from the irrigation ditches that carried creek water to our garden and pastures. Drifts of tumbleweed that the wind had corralled behind the garden fences over the winter had to be removed so vegetables could be planted. Guestrooms had to be cleaned, repairs made, supplies purchased, advertising lined up, and reservations made. The late spring, summer, and fall were filled with long hours entertaining guests, shopping, cooking, cleaning, and pulling weeds in the one-acre garden where we grew enough food to feed ourselves and the daily load of hungry customers. Even when the days were long and dictated by a rigid schedule for cleaning rooms and preparing and then serving meals, we could still squeeze in time to hike up canyon and splash in the creek to cool off. The nights still pulsed with the sudden light of meteors arcing across a crystalline sky.

    When our first child was born, we added tending the baby to our list of cares. We could dote on Brian during the winter in our warm cabin, or carry him with us in a tight yellow sling as we climbed the narrow passage up the cliff wall behind the lodge on our daily trip to a stand of old trees we called "the bonsai grove." There we would look out on Mount Ellen in the distance, where a herd of buffalo still roamed free. We would count our blessings and wander home past ancient Anasazi Indian carvings and a nest of peregrine falcons. Hours passed like prayers, quiet and hopeful. We were humbled and awed by the beauty and mystery unfolding around us.

During our years in the wilderness, we learned compelling, fundamental, and ancient lessons that we had missed during our modern education while immersed in the American Way. For the first time in our lives, the connections between our bodies and the water and soil that nourished us appeared short and simple. Back in the city, water was an abstraction. It poured magically from a tap on an underground network of pipes that drained a faraway reservoir I had never seen and probably couldn't locate offhand. To keep it flowing, I merely paid a bill. At the ranch, our drinking and irrigation water gathered on the Aquarius Plateau and tumbled down the face of Boulder Mountain, our view to the east, where it fed the riparian oasis under our window. I was responsible for clearing the irrigation headgate and ditches of flood debris, cleaning the filters on the drinking water cistern under the lodge, and maintaining the pump that pulled it up from a spring beside the creek. When the pump failed, we literally carried our water each day. One winter we had to melt snow for cooking and drinking when a pipe between the spring and lodge froze.

    Our water supply was a daily concern and the cycles that replenished it were at hand and sometimes dramatic. In the summer we could watch thunderheads build and burst, then wait for a flash flood to rumble down Pleasant Creek an hour later. Days later, a carpet of fresh growth would fill in the flood path and deer, bees, and birds would seek the tender grass and wildflowers that embroidered the flood's green wake. Over time, then, if we were attentive and patient enough, the stone-loaded percussion of a flash flood would be followed by a chorus of birdsong and bee buzz.

    In eastern America where water is everywhere, water's life sustaining role is hidden in the lush background. In the baked desert lands of the West, water's gift becomes foreground that is underlined boldly. As any desert dweller will readily attest, water is life. Humans, too, are fluid creatures. I do not mean that we are graceful and agile, though some are, but that we blister, bleed, urinate, salivate, sweat, and cry. Our bodies are a community of fluids. While living on the ranch, the ways water reached our habitat from the sky and how we incorporated it became obvious.

    Likewise, years of growing the corn, tomatoes, and melons that attracted and pleased hungry guests taught us that the nutrients our bodily fluids carry arise from soil that was once leaf, limb, stone, root, bone, carcass, carapace, and flower. It was churned, swallowed, and excreted by worms, ants, mites, millipedes, beetles, and bacteria so it could feed the plants we tended in our garden that, in turn, used the generous chemical energy of the Sun to make food available to us and our wilderness pilgrims. Under the Sleeping Rainbow, our continual bodily communion with the whole wide world was a biological fact of life and the walls we had built between the personal and the planetary during a previous education melted away.

We made a good life under the Sleeping Rainbow but it was not the life I expected to lead. I had lived in big stimulating cities like New York, Boston, and Cologne. I thought I would teach or become an anthropologist, hobnob with intellectuals and engage in fascinating conversations. Instead, the canyons and desert spoke to me and I stayed to listen carefully. I found out "what the Hell" Bill was thinking. My life, too, was drawn and turned by the land.

    There were times while I was living there that I felt guilty. I thought of myself as someone who was involved in the world of politics and committed to causes. During my previous existence, I had marched, sat in, written letters, and gone door to door. In Capitol Reef, I was as socially isolated as I could imagine one could be in this day and age. I had left a familiar and noisy world far behind. Friends from college wrote and worried about me. "You've dropped off the map," they said. "Come back."

    Now I know I needed that time and place. The most important lessons of my life were learned there, under the Sleeping Rainbow. Those lessons became the lens for the next phase in my life as we moved to northern Utah and lived on the rim of another desert, the Great Basin, where we raised our kids and made our modest careers. We inadvertently moved from the grandest wilderness area in the contiguous United States to the most extensive environmental sacrifice zone in the nation. In an odd twist of fate, lessons learned living in the wilderness gave me the insight and resolve I needed when I found myself on the rim of apocalyptic ecocide.

    The stark contrast of those experiences revealed to me how our bodies are grounded in ecosystems and how we all live downwind and downstream from one another. Those lessons made me understand how the collective decisions we make about what we allow into our air, water, and soil are translated into flesh and blood and living daily experience. I also learned how the mythic West of our pop culture hides a shameful legacy of environmental abuse, toxic wastefulness, and betrayal. This is the story of how I learned those lessons and how I learned to fight back. It is about deserts and how we use them. It is about the people who live on the desert rim, whose unacknowledged suffering should signal a loud warning to us all.

Meet the Author

Chip Ward manages Utah’s public library Development Program.

Mike Davis is the author of several books including Planet of Slums, City of Quartz, Ecology of Fear, Late Victorian Holocausts, and Magical Urbanism. He was recently awarded a MacArthur Fellowship. He lives in Papa’aloa, Hawaii.

Michael Sprinker was Professor of English and Comparative Literature at the State University of New York at Stony Brook. His Imaginary Relations: Aesthetics and Ideology in the History of Historical Materialism and History and Ideology in Proust are also published by Verso. Together with Mike Davis, he founded Verso’s Haymarket Series and guided it until his death in 1999.

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