“Enthusiasm, insight, and engaging detail propel Berglund’s perceptive study.”ForeWord
Cannibal Fictions: American Explorations of Colonialism, Race, Gender, and Sexualityby Jeff Berglund
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Objects of fear and fascination, cannibals have long signified an elemental "otherness," an existence outside the bounds of normalcy. In the American imagination, the figure of the cannibal has evolved tellingly over time, as Jeff Berglund shows in this study encompassing a strikingly eclectic collection of cultural, literary, and cinematic texts.
Cannibal Fictions brings together two discrete periods in U.S. history: the years between the Civil War and World War I, the high-water mark in America's imperial presence, and the post-Vietnam era, when the nation was beginning to seriously question its own global agenda. Berglund shows how P. T. Barnum, in a traveling exhibit featuring so-called "Fiji cannibals," served up an alien "other" for popular consumption, while Edgar Rice Burroughs in his Tarzan of the Apes series tapped into similar anxieties about the eruption of foreign elements into a homogeneous culture. Turning to the last decades of the twentieth century, Berglund considers how treatments of cannibalism variously perpetuated or subverted racist, sexist, and homophobic ideologies rooted in earlier times. Fannie Flagg's novel Fried Green Tomatoes invokes cannibalism to new effect, offering an explicit critique of racial, gender, and sexual politics (an element to a large extent suppressed in the movie adaptation). Recurring motifs in contemporary Native American writing suggest how Western expansion has, cannibalistically, laid the seeds of its own destruction. And James Dobson's recent efforts to link the pro-life agenda to allegations of cannibalism in China testify still further to the currency and pervasiveness of this powerful trope.
By highlighting practices that preclude the many from becoming one, these representations of cannibalism, Berglund argues, call into question the comforting national narrative of e pluribus unum.
Meet the Author
Jeff Berglund is assistant professor of English at Northern Arizona University.
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The assistant professor of English at Northern Arizona U. analyzes how there 'emerged [in American society] a deeply ambivalent discourse, simultaneously estranging and familiarizing the barbaric cannibal.' P. T. Barnum's exhibition of 'Fiji Cannibals' in the 1870s was one of the first coherent, widespread examples of this ambivalence involving fear and fascination with the cannibal. In it, the 'cannibals' were confined and thus tamed for the amusement of the public. Earlier instances of the U.S. European, white public's unsettled feelings about cannibals representing the foreign and wild are seen in works of Melville, Poe, and other pre-Civil War writers. With Edgar Rice Burroughs' turn-of-the-century book 'Tarzan and the Apes,' a white European male becomes a part of the cannibalistic world, and in some ways exceeds even the cannibals in their ferocity and freedom from the restraints of civilization. Generally overlooked aspects of the popular book and movie 'Fried Green Tomatoes' uncover recent dispositions regarding cannibalism and the concept of the other and the repressed it stands for. By analysis of such texts, other media, and aspects of past and modern-day culture, Berglund sheds considerable light on the continual and changing play between the figure of the cannibal without and cannibalistic characteristics, urges, and designs within.