Canon: A Collection

( 4 )

Editorial Reviews

Barnes & Noble
Ani DiFranco adds new recordings of five old songs to her double-disc retrospective, Canon. "Napoleon," "Shameless," "Your Next Bold Move," "Both Hands," and "Overlap" have been re-recorded with bassist Todd Sickafoose and drummer Allison Miller. The collection anticipates DiFranco's next album, her first since becoming a mother.
All Music Guide - Thom Jurek
The easy part is the facts: that there are 36 cuts on these two CDs, taken from Ani DiFranco's catalog over a 14-year time span. There are many familiar songs here: "Firedoor" (the Like I Said version), "Coming Up," "Hello Birmingham," "Buildings and Bridges," "Joyful Girl," "Marrow," and ...
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Editorial Reviews

Barnes & Noble
Ani DiFranco adds new recordings of five old songs to her double-disc retrospective, Canon. "Napoleon," "Shameless," "Your Next Bold Move," "Both Hands," and "Overlap" have been re-recorded with bassist Todd Sickafoose and drummer Allison Miller. The collection anticipates DiFranco's next album, her first since becoming a mother.
All Music Guide - Thom Jurek
The easy part is the facts: that there are 36 cuts on these two CDs, taken from Ani DiFranco's catalog over a 14-year time span. There are many familiar songs here: "Firedoor" (the Like I Said version), "Coming Up," "Hello Birmingham," "Buildings and Bridges," "Joyful Girl," "Marrow," and "Manhole," to name just a few. It's even easy to write that, in addition to the original songs, there are five new versions of old favorites in "Napoleon," "Shameless," "Your Next Bold Move," "Both Hands," and "Overlap." That's all simple. What's difficult is tracking it all from 1993 through to 2007 through a staggering 16 studio albums, three live offerings, and a few EPs and singles tossed in. It seems that the same person who writes and plays these songs has only gotten sharper, cleverer, wrier, and less wordy, perhaps, but that's just language and the practice of craft seasoning. But in listening to this set it's nearly impossible to chart her development as a very original guitarist who plays in no style but her own, the way she can convey more by using her voice less, and her depth as a musical collaborator with some of the best in the biz from Sara Lee and Jay Bellerose to Jon Hassel, Andrew Bird, Todd Sickafoose, Patrick Warren, and many others. Her wide-ranging sense of musical adventure has only grown, along with her lasting commitment not only to what she believes, but to continuing to offer contrasting, sometimes contradictory views that all come off as on the money. Her humor now is as caustic as her rage, which has grown itself into a wizened, complex, and even diffident anger, where the poetry in the songs is more sophisticated but no less accessible than it was when she began. Canon is a document to be sure, a "best of," but it's also a testament to something else: that through the biz and media trends, from riot grrrl to the rise of the '90s and 2000s troops of female singer/songwriters who come and go, DiFranco is always here, has been present, and has not paying attention to the machinations of such things. She's on a path, and the music here offers that it's a wildly divergent one sometimes, but it is unquestionably hers, and she doesn't let go of anything she collects -- until she's ready to, that is, and even then you can see the traces of her own scratch marks all over that thing: fascination, Eros, agape, heartbreak, betrayal, love, violence, celebration, and anger both righteous and petty (she discovers these things herself, it's not a critical judgment). Or maybe, she simply weaves them all into her own quilt, thread by thread, to be identified and grabbed when needed most. Her street smarts remain intact after nearly two decades of being in the public eye and she has created a place for herself without owing a debt to anyone. Forget the stories and interviews: it's all in the music on Canon. This is a whopper of an introduction to a contemporary singer/songwriter for any young or old person coming to her work anew, but it needs to be. This is actually economical and sharpened to a point of only what's really necessary -- while one can get a solid clue from a single song, the picture is so much more complex than that, and it needs to be proffered as such. For those who have followed her career from the start or jumped on the DiFranco train with Dilate or anywhere else along the way, the music here offers a sense of continuity, and a context; not merely a mixtape or "progression." That last thing will be a mystery long after the second disc has finished playing. There isn't anything about Canon that feels like a money grab or a "hold 'em over til we get something new" effort. It's as honest and sincere as a retrospective can be. DiFranco is an impure poet, a wild, loopy musician who lives in her tunes but is not limited to them, and will not be corralled, and this double-disc set is not only proof, but reason for celebrating the fact that there are still those who can -- by the sheer force of desire and the guts to see it all through -- refuse to be told they can't, and show us in many shades, textures, shapes, colors, and forms, how they not only can, but do. [Canon was also released as a bonus CD.]
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Product Details

  • Release Date: 9/11/2007
  • Label: Righteous Babe
  • UPC: 748731705527
  • Catalog Number: 55
  • Sales rank: 50,845

Tracks

Disc 1
  1. 1 Fire Door (2:58)
  2. 2 God's Country (2:48)
  3. 3 You Had Time (5:47)
  4. 4 Buildings and Bridges (4:02)
  5. 5 Coming Up (2:30)
  6. 6 Cradle & All (4:17)
  7. 7 Shy (4:46)
  8. 8 32 Flavors (6:07)
  9. 9 Dilate (4:46)
  10. 10 Distracted (1:08)
  11. 11 Gravel (4:13)
  12. 12 Untouchable Face (3:37)
  13. 13 Joyful Girl (4:29)
  14. 14 Little Plastic Castle (4:03)
  15. 15 Fuel (4:00)
  16. 16 As Is (4:06)
  17. 17 Napoleon (4:37)
  18. 18 Shameless (4:11)
Disc 2
  1. 1 Hello Birmingham (5:18)
  2. 2 This Box Contains (0:28)
  3. 3 Grey (5:10)
  4. 4 Prison Prism (1:34)
  5. 5 Marrow (5:18)
  6. 6 Here for Now (3:06)
  7. 7 Subdivision (3:45)
  8. 8 Rain Check (4:00)
  9. 9 Swim (3:05)
  10. 10 Paradigm (4:33)
  11. 11 Manhole (3:44)
  12. 12 Studying Stones (3:50)
  13. 13 Hypnotized (4:11)
  14. 14 78% H2O (3:30)
  15. 15 Millennium Theater (3:16)
  16. 16 Your Next Bold Move (4:58)
  17. 17 Both Hands (3:21)
  18. 18 Overlap (5:20)
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Album Credits

Performance Credits
Ani DiFranco Primary Artist, Acoustic Guitar, Bass, Guitar, Percussion, Piano, Bass Guitar, Electric Guitar, Steel Guitar, Vocals, Thumb Piano, Vibes, Shaker, Wurlitzer, Sounds, Guitar (Tenor)
David Torkanowsky Bass, Percussion, Keyboards, Wurlitzer
Jon Blondell Trombone
Mike Dillon Percussion, Vibes
Greg Dulli Wurlitzer
Niki Haris Vocals
Jerry Marotta Drums
Michael Ramos Hammond Organ, Hammond B3
Tony Scherr Electric Guitar
Andy Stochansky Percussion, Drums, Vocals
Hans Teuber Clarinet, Flute, Saxophone, Vocals
Patrick Warren Piano, Sampling, chamberlain
Jay Bellerose Percussion, Drums
Julie Wolf Organ, Piano, Accordion, Vocals, Clavinet, Melodica, fender rhodes
Rory McLeod Harmonica
Jason Mercer Bass, Electric Bass, Bass Guitar, Bowed Bass
Joseph Arthur Background Vocals
Sara Lee Bass, Bass Guitar, Vocals
John Mills Baritone Saxophone
Alisdair Jones Bass
Andrew Bird Violin, Glockenspiel, Human Whistle
Daren Hahn Percussion, Drums, Shaker
Todd Horton Trumpet, Flugelhorn
Shane Endsley Trumpet, Shaker
John H.R. Mills Baritone Saxophone
Noe Venable Vocals
Gary Slechta Trumpet
Todd Sickafoose Bass, Piano, Bass Guitar, Acoustic Bass, Pump Organ, Upright Bass, Wurlitzer, String Bass
Allison Miller Percussion, Drums
Ravi Best Trumpet, Vocals
Alisdair Jones Bass Guitar
Technical Credits
Ani DiFranco Composer, Producer, Art Direction, Audio Production, Instrumentation
Mike Napolitano Engineer
Danny Clinch Cover Photo
Bruce Barielle Mastering
Brian Grunert Art Direction
Thomas Kegler Paintings
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Customer Reviews

Average Rating 4.5
( 4 )
Rating Distribution

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(1)

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Sort by: Showing all of 4 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    A New Love

    I've heard of Ani DiFranco many times over a span of many years, but I've never heard her music. Everyone who has spoken of her has given her music big thumbs up, so I finally took some time to give her a listen.And...I regret not doing so sooner. If I could give 100 stars on this site, I most definatly would. I'm a heavy metal girl(which is why I wasn't interested for a while), but this is a beautiful change. She has a beautiful voice and is deeply talented with writing. I would recommend Ani DiFranco to everyone...And I mean EVERYONE!

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  • Anonymous

    Posted December 3, 2008

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  • Anonymous

    Posted November 6, 2008

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  • Anonymous

    Posted August 23, 2009

    No text was provided for this review.

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