Caprice and Rondo: The Seventh Book of the House of Niccolo

Overview

With the bravura storytelling and pungent authenticity of detail she brought to her acclaimed Lymond Chronicles, Dorothy Dunnett, grande dame of the historical novel, presents The House of Niccolò series. The time is the 15th century, when intrepid merchants became the new knighthood of Europe. Among them, none is bolder or more cunning than Nicholas vander Poele of Bruges, the good-natured dyer's apprentice who schemes and swashbuckles his way to the helm of a mercantile ...

See more details below
Other sellers (Paperback)
  • All (53) from $1.99   
  • New (9) from $10.23   
  • Used (44) from $1.99   
Caprice and Rondo: The Seventh Book of the House of Niccolo

Available on NOOK devices and apps  
  • NOOK Devices
  • Samsung Galaxy Tab 4 NOOK
  • NOOK HD/HD+ Tablet
  • NOOK
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook)
$9.99
BN.com price

Overview

With the bravura storytelling and pungent authenticity of detail she brought to her acclaimed Lymond Chronicles, Dorothy Dunnett, grande dame of the historical novel, presents The House of Niccolò series. The time is the 15th century, when intrepid merchants became the new knighthood of Europe. Among them, none is bolder or more cunning than Nicholas vander Poele of Bruges, the good-natured dyer's apprentice who schemes and swashbuckles his way to the helm of a mercantile empire.
Winter 1474 finds Nicholas exiled in the frozen port of Danzig, Poland. His Machiavellian exploits in Scotland have cost him friends and family—not to mention countless riches. As the ice melts, temptations arise. Will he assist the Muslim Prince Uzum Hasan against the Turks? Will he lose himself among the secret, scented gardens of the Crimea in the arms of a close friend's bride? As Nicholas pursues his future, his estranged wife, Gelis, seeks the truth about his past, only to discover the secret identity of his latest comrade in arms—a tantalizing ghost from the past poised to deal him the crowning death blow.
Shimmering with detail, alive with intrigue, Caprice and Rondo is Dorothy Dunnett's quicksilver evocation of a world where joy is fleeting, love is unexpected, and truth the rarest commodity of all.

Read More Show Less

Editorial Reviews

From the Publisher
"Dazzling—dense, intelligent and subtle—Dunnett has fashioned a vast tale firmly set in her grasp of the early Renaissance world." —Newsday

"Tantalizing—fascinating—a remarkable variety of situations present the reader with complex and volatile imaginings.....The finest living writer of historical fiction." —The Washington Post Book World

Kirkus Reviews
The seventh volume (To Lie with Lions, 1996; The Unicorn Hunt, 1994, etc,) chronicling the extraordinary adventures of Nicholas de Fleury, a Machiavellian 15th-century merchant who is, as this hefty installment opens, still locked in battle with greedy, incompetent kings, a shadowy rival trading empire, and his estranged wife, Gelis, one of a very few figures who have been a match for him in terms of wit, passion, and cunning. Since Nicholasþs efforts to outwit those trying to destroy his influence have made much of Western Europe too hot for him, he turns eastward, toward Russia and the yet more mysterious lands beyond. Dunnett continues to demonstrate a distinctive ability to evoke not just the sights and sounds of the early Renaissance but, more importantly, its mindset; her characters are far more often moved by questions of respect, family (a particularly touchy subject for the mysterious Nicholas), and power than by more mundane emotional upheavals. By novelþs end, de Fleury, an engaging mix of ruthlessness and honor, seems closer to winning Gelis back, has helped preserve yet another kingdom, and has, for the time being, once more outflanked his foes. Those devoted to this unique series will be relieved to hear that it has not yet reached its conclusion.
Read More Show Less

Product Details

  • ISBN-13: 9780375706127
  • Publisher: Knopf Doubleday Publishing Group
  • Publication date: 7/28/1999
  • Series: Vintage
  • Edition number: 1
  • Pages: 576
  • Sales rank: 796,179
  • Product dimensions: 5.23 (w) x 7.96 (h) x 1.40 (d)

Meet the Author

Dorothy Dunnett was born in 1923 in Dunfermline, Fife, Scotland. Her time at Gillespie's High School for Girls overlapped with that of the novelist Muriel Spark. From 1940-1955, she worked for the Civil Service as a press officer. In 1946, she married Alastair Dunnett, later editor of The Scotsman.

Dunnett started writing in the late 1950s. Her first novel, The Game of Kings, was published in the United States in 1961, and in the United Kingdom the year after. She published 22 books in total, including the six-part Lymond Chronicles and the eight-part Niccolo Series, and co-authored another volume with her husband. Also an accomplished professional portrait painter, Dunnett exhibited at the Royal Scottish Academy on many occasions and had portraits commissioned by a number of prominent public figures in Scotland.

She also led a busy life in public service, as a member of the Board of Trustees of the National Library of Scotland, a Trustee of the Scottish National War Memorial, and Director of the Edinburgh Book Festival. She served on numerous cultural committees, and was a Fellow of the Royal Society of Arts. In 1992 she was awarded the Office of the British Empire for services to literature. She died on November 9, 2001, at the age of 78.

Read More Show Less

Read an Excerpt

Chapter 1

THE WIND BLEW from the north, from Siberia, and the clatter of hail on his shutters woke the captain. He had only been in bed for an hour, but land noises disturbed him. He grunted, considered, then dragged on his robe and, without taking a lamp, made his way to the leeward side of the villa. He had built this one only last year, and put in a brick chimney-wall: warmth from the stove below mellowed the air and his mood, although his throat was wrung dry, and he was still wearing his wrinkled day shirt and hose, as when he had dropped-or been dropped-on his bed. The sleeping rooms creaked and groaned as he passed them: his house was always full. Only the single chamber, as he half expected, was empty; the door ajar, the window unshuttered. Through it he could see a paring of moon, coarse as pomegranate. He walked over and looked down below, at the blood on the snow. Then he looked beyond his gates, at the city in which his fine house was set. At the walls, the watchtowers and the icy huddle of dwellings, above which reared the stiff-necked herd of her churches, scanning the west. Danzig, at four hours after midnight in the deep cold of January, 1474.

There were others awake. Beneath the congealed thatches there glimmered jointed hair-lines of light, fine as lettering. A squat figure, forced by the wind, plunged across a cake of pink light and disappeared. Here, the alleys were snow-filled and crooked. In the New Town, there were more lamps than shrines. In the New Town, the streets built by the Knights drove across and down to the river like prison-grilles, their crowns rutted and black with wheeled traffic. The Knights, the bastards. He was still celebrating Danzig's victory over the Knights. Everyone was celebrating.

Within the room, the quality of the air underwent a change. He smiled. He said, his back to the door, 'So, how was she?'

'Whetting her claws,' Colà said. He was the only man known to the captain who could move as silently as himself, despite his height. They engaged in these exercises sometimes, stalking one another, testing, deceiving. It was part of the return the captain compelled from his guests. In winter, a seaman required to be entertained. Der harte Seevogel, Tough Seabird, they called him.

Colè said, 'Is there some problem? You need a friend to help with your buttons?' He had picked up tinder, and was lighting the lamp by his bed. Pañel closed the shutters and turned.

'I was contemplating the scene of the slaughter. You look as if the girl got to you first, then the father.'

Colè blinked. His eyes were like pewter platters, and his real name was not Colè. The captain knew what it was, and had called him by it throughout the campaign in the north, where they had met. Then, after the better part of two years, a merchant's train coming in from the west had insisted on bringing their friend to the guild hall, even though they had only just met him in Lébeck two weeks ago-such a lively, remarkable fellow was he. Name of Colà z Brugge. A one-time merchant who had decided to let his business go hang and see the world. And Captain Pañel Benecke, looking up at this bland, bristle-chinned figure, had said slowly, 'Oh, yes? Decided to give up your business?'

'Yes,' had said the newcomer meekly.

'And come to Poland?'

'Why not?' had said the big man in a reasonable voice. 'I could see, from the little experience I had, that its people needed advice. Some hints about etiquette. A touch of help as to manners and culture. A bit of-'

Here, he had been forced to desist by the pack of genial, hard-fisted arms that rose and fell on him: it had evidently happened often before, and he accepted it amiably. When, at last, the two were alone, the captain had set himself to pin the newcomer down in another way. 'So, what's the point of all this? Of course they will find out who you are. You have an agent here, haven't you?'

'Straube, yes. He's gone to Portugal for the winter. Oh, they'll find out,' said the man they called Colè. 'But they'll also know by the time he comes back that he isn't my agent any more. I've retired from my company.'

'Why?' had said Benecke. He remembered trying to kill this man once. He remembered that the first time they met, this man had broken his arm, and later his leg.

'Why do you think?' the newcomer had said.

Benecke considered. So far as he knew, the fellow had been good at his job. The business had prospered. If he'd cheated, he hadn't been found out. That left only women. There had been two: a harridan of a wife, so he'd heard, and a little virgin who thought she was a boy. That is, there had been a lot more than two, but none spoken of seriously. The captain said, 'I think you just wanted some fun. But since you ask, I'll guess you killed the wife and raped the little girl-brother Kathi. I liked her,' said the captain with a catch in his voice. 'If you've raped her, I'll kill you.' They were both, by this time, quite full of ale.

'You think you could?' Colà said; and ducked as the captain got out his knife. Someone took it from him quite soon, and they settled to drink again. Eventually Pañel had to ask. 'So what happened?'

'You weren't far wrong,' Colà had said. 'The wife flung me out, and the girl married somebody else. So I thought I'd get out.'

'So why here?'

'I thought I'd get out to where somebody owed me a favour. Are you busy this winter?'

The captain sat up. 'You want a job?' There were no jobs in winter. Danzig was sealed in by ice. There would be no ships in the port until March.

'No,' said Colè. 'Or not until spring. Or not until I decide where I'm going'. I just want to pass an entertaining winter with my inferiors.'

Ten minutes later, picking themselves up from the snow outside the Artushof: 'They'll never let you back in,' Benecke said.

'Yes, they will. Anyway, you started the fight, and they'll forgive you. Do I get a bed?'

'No,' had said Pañel Benecke. 'You'd spoil my winter complaining about your women.'

'I shouldn't,' said Colè.

'You'd get into bed with my women.'

'Of course,' had said Colè. 'You couldn't stop me. That's why you don't want me to come.'

That time, no one separated them, and it was three days before either of them could talk without lisping. Colà had been living in his house ever since, and Danzig would never forget him, nor would Pañel Benecke. He would never have to forget him. He was going to keep him in Danzig for the rest of his life. Despite the blood on the snow.

Now he said, 'So where have you left her?'

'Never mind. Anyway, she's not yours, she's mine. I got a doctor to see to the boy.'

'I thought his arm was going to come off. You ought to be chained up and put in a lazar house.'

'Come on,' Colà said. 'I'm going to tame her. Then I'm going to sell her to you.'

'Before or after you pay me for your lodging?' Pañel Benecke said. He gazed with fascination at the scratches all over the other man's neck and arms. He said, 'What if she's diseased?'

'You're worried?'

'No,' said Benecke. 'But I'm thirsty, and the look of you is spoiling my thirst. Good night, fool.'

He left, slamming the door. You found a man you could enjoy winters with, and he still behaved, at times, like an idiot. In their first weeks together, he had discovered it. Ingenuity, yes; lunacy even, to a degree-those were acceptable, those were what the merchants from Lébeck had enjoyed. But these escapades led by Colà were suicidal.

Three weeks after he came, the situation had come to a head over the bison hunt. Then they had been out of the city, travelling over snow to the forests, with their dogs, their nets, their spears and arrows. Colà had learned, God knew from where, that the beasts were enraged by red cloth, and had brought some. It had ended with the death of two men, while Colà cavorted round one of the animals in snow-crusted boots, whirling the fabric round his fur hat and calling and whistling.

It had been funny, all right. In the midst of the extreme danger that threatened them all, it was still funny to see the big man addressing the bison in prose, song and verse, while two thousand pounds of massive beast lowered its horns and skittered backwards and forth, its eyes red as lamps and the snow flying in clods from its coat as the cloth whisked about, almost touching. Then a dog got tossed in the air, and a man; and after the second man died, Pañel gave the order and they all ran in with their spears and took the beast, to the risk of their own lives. Pañel had led the party that harnessed the big man to a sledge and whipped him back to their lodge; he ran them into a tree on the way, and was arranging to hang Pañel with the harness when they got hold of him again. They were none of them sober.

That was close to being all right. Winters were spent in rough play and rough punishment. But when they were back home, and had broken the news to the two men's wives, and had the bison taken off to be jointed, Benecke had got hold of Colà and sat him down by the stove and said, 'Stop it, or get out. I'm not sick of life yet. Neither were my two lads.'

'I'm culling them for you,' Colà said. 'I thought it was a tough life at sea.'

'Some seamen need to be tougher than others,' Benecke said. 'He was a pilot, one of those boys. But I notice they're all the same to you, anyway.' He waited. Then he said, 'Why don't you want to go home, my big man? Perhaps you are more of a poltroon than any of us.'

A moment passed. 'That's unlikely,' said the other man. His gaze had fallen on his own arms and hands: a bloody rut on one forearm ran into another similar gouge long-since healed. 'The bolting Bonasus,' he said thoughtfully, 'whose fart can cover three acres, and set a whole forest on fire.'

'What?' said Benecke.

'A classical allusion. Ignore it. I mean that I am staying; I wish to stay; I have no immediate plans to get rid of you, unless you start preaching three times a day, in which case your own men will drown you before I do. Is there no ale, or are you drinking nothing but buttermilk now?'

And from that time, although their pastimes had been wild enough, they had been tempered with some sort of reason. The ritual of girlhunting played its part as the winter progressed, and days became heavy and dark. Then, the young gallants would assemble their sleighs and bowl their way over the snow in a sparkling chain, bearing pasties and sweetmeats and flasks from one great timber dwór to another, and bringing out pretty captives, smothered in furs, to be returned flushed at dusk. Every red-blooded man enjoyed that, and the homeward course through the snowfields by night, when flickering brands danced in the void, and the throb of deep voices in harmony was matched with the far, surfing trill of the bells.

Colè had, it seemed, learned some sort of lesson. And even today, although he had been reckless, it had not been quite without reason, the exploit he had proposed. The boy's hurt could not have been avoided. Unless, of course, they had been more sensible still, and killed instead of bringing back their beautiful captive. But only Colà would propose to tame a live lynx.

The captain went to see him while he was at work in a half-empty warehouse. A cage had been made, and the big man was hunkered quietly outside it, speaking at intervals. He had some meat on a stick. His voice, of an exceptional richness, kept the rhythm and cadence of song; Benecke could not make out the words. When the speaker broke off at his step, Benecke gave way to a bellow of mirth. 'Crooning, by God! Are ye taming it or giving it suckle?'

Colè jerked up his chin. Squealing, the animal flung itself back, its ruff stiff. The bars thrummed. Pañel waited, loosening his shoulders, his hand hanging close to his dagger. The would-be tamer, instead of whirling about, thoughtfully brought up the rod and, detaching the meat, dropped it inside the cage without speaking. Then he rose and turned mildly. His face, though manufacturing anger, held the vanishing trace of another, less likely expression. Behind, the cat glared, a growl in her throat.

'A woman would be easier,' Benecke pointed out.

'Some women,' said Colè. His composure, if lost, had returned. 'What is it?' Recently, he had become more observant.

The rest of the warehouse was empty. Benecke said, 'Do you know that they say you are a spy?'

'They?'

'At the Artushof, the taverns, the wharves. They say you are an agent of Germany, planning to bring the Knights back.'

The Order of the Teutonic Knights, once so holy, had just been prised free of Danzig. Danzig and all her wealthy cluster of satellite towns was now part of Royal Prussia, and hence Poland. The King had come once to Danzig.

Colè laid the bar on his shoulder. He said, 'Well, I'm not. Haven't they noticed the agents of Germany, watching me? The King's agents as well. I don't mind. I'm not going back. I'm betraying no secrets, stealing no business. They'll see.'

'You could pass secrets on,' Benecke said.

'In winter?' Every movement was noticed in winter. From a bustling, free-flowing port, Danzig in winter was a snug Germanised town, its few foreigners remarked on and counted; its astute, inquisitive gaze, its rumbustious merriment all turned in on itself. Because it was winter, Danzig had had time to study Colà and reach an opinion. That it liked him was something quite separate.

'In spring,' said Benecke. 'There's to be a Burgundian mission passing through Poland in spring. Someone you know. The aristocratic uncle of your married, seraphic virgin, and a patriarch sent by the Pope.'

Colè's eyes were sharp as the cat's, but bigger, and grey. 'Why?' he said. And then, 'Because of what you did?. Because you seized a Burgundian ship and its cargo?'

'Among other things.' Pañel Benecke gave a prosaic answer to a prosaic question. He was a pirate. That was his career. He was a sea-borne mercenary leader of skill and renown, whose highly paid interventions might change the fate of a crusade, or a duchy, or a group of powerful towns like the Hanse. He sailed under letters of marque, empowered by kings, and his booty paid for cropland, and castles, and villas.

Read More Show Less

Table of Contents

Read More Show Less

Reading Group Guide

1. For Discussion: Caprice and Rondo

A single exchange of letters, puzzles, music and numbers, constitutes the only adult meeting of Nicholas and his grandfather, Thibault de Fleury. What do you think of this brilliant and enigmatic figure? How does he help change the relationship between Nicholas and Gelis? Do you think he foresaw or intended this consequence?

2. Dorothy Dunnett puts Hans Memling's massive and elegant painting of "The Last Judgement" to many uses in the novel; one of them, surely, symbolic of the protagonist. In what respects does Nicholas fit each category in the painting, the Elect, the Saved, the Damned? What are the signs of a self destructive spirit, of a redeemable spirit, in him in the first half of the novel?

3. Two of the men who have vexed and manipulated Nicholas de Fleury for decades become humanized, their motives clarified, during the course of Caprice and Rondo. What view emerges, finally, of the subtle Greek aristocrat Nicholai Giorgio de' Acciajuoli? Of the boisterous Latin Patriarch Ludovico da Bologna?

4. Two nations-in-the-making come to grief in this novel—one in the East, one in the West. A new Persia might have consolidated itself in a Western-assisted strike at the Turkish empire, a new Burgundy might have arisen to dominate the European heartland from the North Sea to the Middle Sea. How much are these failures a matter of the tides of "history"? the sway of political interests? the imperfections of key individuals? How do these failures affect the life of Nicholas?

5. What does Anna want from Nicholas, and why? How does she produce the opposite of what she wants? Or does she, in the end, get what she wants? How is her "caprice" a "rondo" of Gelis's actions in the previous novel?

6. Throughout the eight books of the House of Niccolò, a series a picture emerges of Sophie de Fleury, the mother of Fro.
For Discussion: The House of Niccolò, Nicholas, and of her centrality in the life of her son. Can you put this picture together now — the Sophie of rumor and gossip, the Sophie of Nicholas's slowly revealed memories, of his maturer judgement, of Andro Wodman's reporting? Are there still some mysteries and obscurities in this portrait?

7. The House of Niccolò series offers a sustained and in many ways highly sophisticated version of the changes in intellectual, political and psychological structures which mark the transition from the medieval to the modern world. But like any good set of historical novels it abounds too in individual scenes and characters of great emotional, dramatic, and visual power, or stylistic verve, "set pieces" which hang in the memory even longer, perhaps, than the plot or the author's philosophy of history. What are some of your favorites here—scenes of comic impact or tragic illumination? Best-drawn villain or victim, most vexatious female adolescent? Most breathtaking fight or chase? Most engrossing moment of romance? Most stunning surprise?

8. At the opening of the second volume of the series, and at the closing of the last volume, the voice of an astrologer-character replaces that of the novelist-narrator. What do you make of this—some invitation to compare and contrast those two professions?

9. Some readers will have come to the Niccolò series after reading the Lymond Chronicles, to which they are a 'prequel'; others have now finished the Niccolò series and will go on to the sequel, the Lymond Chronicles. What are some of the dividends of doing it the first way? The second way? How (after a reading of both) are these two heroes, these two worlds, these two intricate plots, alike and different?

Read More Show Less

Customer Reviews

Be the first to write a review
( 0 )
Rating Distribution

5 Star

(0)

4 Star

(0)

3 Star

(0)

2 Star

(0)

1 Star

(0)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously
Sort by: Showing all of 7 Customer Reviews
  • Anonymous

    Posted January 27, 2011

    No text was provided for this review.

  • Anonymous

    Posted December 3, 2008

    No text was provided for this review.

  • Anonymous

    Posted May 27, 2011

    No text was provided for this review.

  • Anonymous

    Posted May 31, 2010

    No text was provided for this review.

  • Anonymous

    Posted November 7, 2010

    No text was provided for this review.

  • Anonymous

    Posted August 2, 2011

    No text was provided for this review.

  • Anonymous

    Posted December 18, 2011

    No text was provided for this review.

Sort by: Showing all of 7 Customer Reviews

If you find inappropriate content, please report it to Barnes & Noble
Why is this product inappropriate?
Comments (optional)