Captain Alatriste

Captain Alatriste

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by Arturo Pérez-Reverte

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The novels of Arturo Pérez-Reverte have captivated readers around the world and earned him a reputation as “the master of the intellectual thriller” (Chicago Tribune). His books have been published in fifty countries. Now, beginning with Captain Alatriste, comes Pérez-Reverte’s most stunning creation to date: a rivetingSee more details below

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The novels of Arturo Pérez-Reverte have captivated readers around the world and earned him a reputation as “the master of the intellectual thriller” (Chicago Tribune). His books have been published in fifty countries. Now, beginning with Captain Alatriste, comes Pérez-Reverte’s most stunning creation to date: a riveting series featuring the adventures of an iconic hero.

Captain Alatriste is the story of a fictional seventeenth-century Spanish soldier who lives as a swordsman-for-hire in Madrid. Needing gold to pay off his debts, Alatriste and another hired blade are paid to ambush two travelers, stage a robbery, and give the travelers a fright. “No blood,” they are told.

Then a mysterious stranger enters to clarify the job: he increases the pay, and tells Alatriste that, instead, he must murder the two travelers. When the attack unfolds, Alatriste realizes that these aren’t ordinary travelers, and what happens next is only the first in a riveting series of twists and turns, with implications that will reverberate throughout the courts of Europe.

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Editorial Reviews

Janet Maslin
Equipped with a quick-witted, charismatic hero and much to provoke and goad him, Mr. Pérez-Reverte has the makings of a flamboyantly entertaining series. Captain Alatriste ends with a wicked flourish, an evil laugh and a strong likelihood that the best is yet to come.
— The New York Times
Denver Post
Captain Alatriste serves up the goods and whets the appetite for the rest of the five-book series to come.
Publishers Weekly
International bestseller Perez-Reverte (The Club Dumas) offers a winning swashbuckler set in 17th-century Spain. Hooded figures, apparently acting on the behalf of Fray Emilio Bocanegra, "president of the Holy Tribunal of the Inquisition," hire famed soldier Capt. Diego Alatriste to murder two Englishmen who have come to Madrid. One of the hooded figures, however, begs Alatriste (out of earshot of the others) only to wound the pair. When Alatriste and his fellow assassin, an ill-humored Italian, surprise the British, the captain is impressed by the fighting spirit they show, and he prevents the assassination from taking place. (The Italian, infuriated, swears eternal revenge.) When the Englishmen turn out to be on an important mission, Alatriste suddenly finds himself caught between a number of warring factions, Spanish and otherwise. Splendidly paced and filled with a breathtaking but not overwhelming sense of the history and spirit of the age, this is popular entertainment at its best: the characters have weight and depth, the dialogue illuminates the action as it furthers the story and the film-worthy plot is believable throughout. Agent, Howard Morhaim. (May 5) Copyright 2005 Reed Business Information.
Library Journal
That master of the international thriller here reinvents a hero of Spain's 16th-century imperial warfare. The basis of a forthcoming film starring Viggo Mortensen. Copyright 2005 Reed Business Information.
Kirkus Reviews
The first of a projected five historicals from Perez-Reverte (The Queen of the South, 2004, etc.) about the dashing fighter and gallant Alatriste. When he's 13, in 1620 or so, I-igo Balboa goes to live for good with Captain Alatriste, I-igo's own father being dead (he'd been a comrade in arms with Alatriste) and it being Alatriste's honor to care for the boy. Having achieved high fame as a soldier, Alatriste now earns his living as a hired killer in the dangerous streets and Byzantine politics of imperial Madrid. This doesn't mean he's not good, but certainly that he's dangerous-and that his skills of stealth, cunning and swordplay bring danger to him. Take the case, for example, that comes his way right about the time young I-igo arrives on the scene-a very remunerative matter of quietly snuffing two lone English travelers as, very late at night, they approach their destination. The deed is all but done when something about the victims-something noble-stays Alatriste's blade as he spares the travelers and also awakens the eternal vengeance of his co-hit man, an especially blood-curdling Italian, not to mention the wrath of-yes, of the Inquisition itself, the institution, we learn, behind the attempted killing. And who were the near-victims? Well, of high rank indeed, enough so that their deaths might have altered the fate of nations-and enough so that Alatriste is now in grave danger of losing his own life as one who has foiled the high powers of oppression. How lucky that little I-igo is in the picture, after all, not just so he can tell the story, but so that, as on one especially dark and dangerous night, he can do no less than save Alatriste's life, ensuring that there may be newdeeds aplenty in future. A pleasure of swash, buckle and atmosphere, along with tidy infomercials on topics such as the poetry, theater and the traditions of the day. Film rights to director Agust'n D'az Yanes and Estudios Piccaso/Origen Producciones Cinematograficas S.A., with Viggo Mortensen starring in the Spanish-language film, reportedly budgeted at $24,000,000, which would make it the most expensive Spanish film ever made

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Penguin Publishing Group
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He was not the most honest or pious of men, but he was courageous. His name was Diego Alatriste y Tenorio, and he had fought in the ranks during the Flemish wars. When I met him he was barely making ends meet in Madrid, hiring himself out for four maravedís in employ of little glory, often as a swordsman for those who had neither the skill nor the daring to settle their own quarrels. You know the sort I mean: a cuckolded husband here, outstanding gambling debts there, a petty lawsuit or questionable inheritance, and more troubles of that kind. It is easy to criticize now, but in those days the capital of all the Spains was a place where a man had to fight for his life on a street corner lighted by the gleam of two blades.

In all this Diego Alatriste played his part with panache. He showed great skill when swords were drawn, even more when with left-handed cunning he wielded the long, narrow dagger some call the vizcaína, a weapon from Biscay that professionals often used to help their cause along. If a knife will not do it, the vizcaína will, was the old saying. The adversary would be concentrating on attacking and parrying, and suddenly, quick as lightning, with one upward slash, his gut would be slit, so fast he would not have time to ask for confession. Oh yes, Your Mercies, those were indeed harsh times.

Captain Alatriste, as I was saying, lived by his sword. Until I came into the picture, that "Captain" was more an honorary title than a true rank. His nickname originated one night when, serving as a soldier in the king's wars, he had to cross an icy river with twenty-nine companions and a true captain. Imagine, Viva España and all that, with his sword clenched between his teeth, and in his shirtsleeves to blend into the snow, all to surprise a Hollandish contingent. They were the enemy at the time because they were fighting for independence. In fact, they did win it in the end, but meanwhile we gave them a merry chase.

Getting back to the captain-the plan was to stay there on the riverbank, or dike, or whatever the devil it was, until dawn, when the troops of our lord and king would launch an attack and join them. To make a long story short, the heretics were duly dispatched without time for a last word. They were sleeping like marmots when our men emerged from the icy water, nearly frozen, shaking off the cold by speeding heretics to Hell, or wherever it is those accursed Lutherans go. What went wrong is that the dawn came, and the morning passed, and the expected Spanish attack did not materialize. A matter, they told later, of old jealousies among the generals and officers in the field. Fact is, thirty-one men were abandoned to their fate, amid curses and vows, surrounded by Low Dutch disposed to avenge the slashed throats of their comrades. With less chance than the Invincible Armada of the good King Philip the Second.

It was a long and very hard day. And in order that Your Mercies may picture what happened, only two of the Spanish made it back to the other bank of the river by the time night fell. Diego Alatriste was one of them, and as all day long he had commanded the troops-the authentic captain having been rendered hors de combat in the first skirmish with two handspans of steel protruding from his back-the title fell to him, though he had no opportunity to enjoy the honor. Captain-for-a-day of troops fated to die, and paying their way to Hell at the cost of their hides, one after another, with the river to their backs and blaspheming in good Castilian Spanish. But that is the way of war and the maelstrom. That is the way it goes with Spain.

Well, then. My father was the other Spanish soldier who returned that night. His name was Lope Balboa; he was from the province of Guipuzcoa, and he, too, was a courageous man. They say that Diego Alatriste and he were very good friends, almost like brothers, and it must be true, because later, on the bulwarks of Julich, where my father was killed by a ball from a harquebus-which was why Diego Velázquez did not include him in his painting of the Surrender of Breda, as he did his friend and fellow Diego, Alatriste, who is indeed there, behind the horse-he swore that he would look after me when I grew out of childhood. And that is why, when I turned thirteen, my mother supplied me with shirt and breeches, and a rosary and a crust of bread tied up in a kerchief, and sent me to live with the captain, taking advantage of a cousin who was traveling to Madrid. Thus it was that I came to enter the service, at a rank somewhere between servant and page, of my father's friend.

A confidence: I very much doubt whether, had she known him well, the mother who gave me birth would so gaily have sent me to his service. But I suppose that the title of captain, though apocryphal, added sheen to his character. Besides, my poor mother was not well and she had two daughters to feed. By sending me off she had one fewer mouth at table and at the same time was giving me the opportunity to seek my fortune at court. So, without bothering to ask further details, she packed me off with her cousin, together with a long letter written by the priest of our town, in which she reminded Diego Alatriste of his promise and his friendship with my deceased father.

I recall that when I attached myself to the captain, not much time had passed since his return from Flanders, because he carried an ugly wound in his side received at Fleurus, still fresh, and the source of great pain. Newly arrived, timid, and as easily frightened as a mouse, on my pallet at night I would listen to him pace back and forth in his room, unable to sleep. And at times I heard him softly singing little verses, interrupted by stabs of pain: Lope's verses, then a curse or a comment to himself, partly resigned and almost amused. That was typical of the captain: to face each of his ills and misfortunes as if they were a kind of inevitable joke that an old, perverse acquaintance found entertaining to subject him to from time to time. Perhaps that was the origin of his peculiar sense of harsh, unchanging, despairing humor.

That was a long time ago, and I am a bit muddled regarding dates. But the story I am going to tell you must have taken place around sixteen hundred and twenty-something. It is the adventure of masked men and two Englishmen, which caused not a little talk at court, and in which the captain not only came close to losing the patched-up hide he had managed to save in Flanders, and in battling Turkish and Barbary corsairs, but also made himself a pair of enemies who would harass him for the rest of his life. I am referring to the secretary of our lord and king, Luis de Alquézar, and to his sinister Italian assassin, the silent and dangerous swordsman named Gualterio Malatesta, a man so accustomed to killing his victims from behind that when by chance he faced them, he sank into deep depressions, imagining that he was losing his touch. It was also the year in which I fell in love like a bawling calf, then and forever, with Angélica de Alquézar, who was as perverse and wicked as only Evil in the form of a blonde eleven- or twelve-year-old girl can be. But we will tell everything in its time.

-- from Captain Alatriste by Arturo Perez-Reverte, Copyright © 2005 Arturo Perez-Reverte, published by G. P. Putnam's Sons, a member of Penguin Group (USA) Inc., all rights reserved, reprinted with permission from the publisher

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