A Fishing Boat's Men Shape Up a Pampered Mama's Boy
Which version of CAPTAINS COURAGEOUS am I reviewing? Not the original 1897 novel by Rudyard Kipling but a 2002 Great Illustrated Classics issue adapted by Malvina Vogel and illustrated by Ken Landgraf. It is called the Library Edition, bare-boned, no notes, chapter summaries, etc. There are as many pages of pen and ink sketches as there are of text. And the Vogel text is perhaps 85 % shorter than Kipling's original. Well-known adapter Vogel aims at readers ten years old and up. *** I, who am 76 years old and blessed with six grandsons and two granddaughters, have little doubt that the Vogel-Landgraf shortened, illustrated edition will be a hit with the youngsters whom it targets. The plot is simple enough: Around 1895 Harvey ("Harve") Cheyne falls off an ocean liner, is rescued by a fishing schooner and spends three months learning to be a cod fisherman. Back in the schooner's home port of Gloucester, Massachusetts, Harve telegraphs his multi-millionaire father in San Diego, is soon reunited with his parents and plans a sea-related future. He has been transformed from a self-centered, pampered mama's boy into a thoughtful, caring young man. *** My review focuses on what there is for adults in the Vogel-Landgraf adaptation. I assume that you already know the original novel. It abounds in symbolism (sea and baptism, a bloody nose and the sacrament of Confirmation, a fishing boat as monastery with abbot (Captain Troop), prior (co-owner Uncle Salters) and eight (temporarily) celibate male monks who welcome novice Harve to their fellowship. Several religions and superstitions appear in the novel. CAPTAINS COURAGEOUS is also a critique of then rapidly rising destructive economic values of America's Gilded Age. All this is layers deeper than the simple tale of a spoiled rich kid growing up quickly through obedience and hard work, especially through male-bonded teamwork. *** Those depths are not there in the Vogel-Landgraf adaptation. Malvina Vogel adds sentences here and there, initially one that makes young Harve Cheyne look more impolite than Kipling did. She eliminates some key scenes. But she also does some things right, from an adult's point of view. Take the three film retellings of CAPTAINS COURAGEOUS. In the first, Manuel the fisherman who pulls Harve out of the Atlantic -- played for an Oscar by Spencer Tracy -- is killed off at sea. In the second Harve has no mother. In the third he has neither mother nor father. Admittedly, Kipling devotes relatively few words to the only two important female characters: Constance Cheyne, Harve's mother, and to the mother of the only other boy on the schooner We're Here. But those women exist and make a difference. To her credit Malvina retains them, and all other characters of the 1897 novel. And illustrator Landgraf sketches both of them, too. *** In the 1870s Kipling's own mother had told Kipling's Headmaster that her son had a soft feminine streak. In CAPTAINS COURAGEOUS, Kipling says that Harve inherited brains from his self-made tycoon father and sensitivity from his mother. At novel's end, previously hysterical Constance wins the hearts of every man on the We're Here and overcomes her Unitarian disdain of Catholics to make a large bequest to Harve's savior Manuel's church on the hill in Gloucester. Kipling hinted at some strengths of character in Mrs Cheyne. And the Vogel-Landgraf team keeps her very much alive, caring and credible. -OOO-
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