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"Caroline holds up a picture postcard to Maria Shriver, who screamed: 'That's the President.' Caroline disagreed: 'No. No. It's not. That's my Daddy." That vignette captures the paradox of public and private, a paradox heightened in the Kennedys' case by the premature deaths of so many of its fathers, sons, husbands, and wives. Capturing Camelot captures that impermanence with the unforgettable Kennedy photographs of Stanley Tretick, a camera man who died the same week as John F. Kennedy Jr.