Capturing Radiant Light & Color in Oils and Pastels

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Overview

"Everything was alive, pulsing with light and color."&#151Susan Sarback

This is more than a how-to-paint book. It's a how-to-see book—specifically, how to tune in to nature's glorious subtleties of light and color.

Forget complex theories. "Full-Color Seeing" is based on direct observation. It's about overcoming preconceptions and perceiving true color based on the colors that surround it, the way light hits it, time of day, season, weather conditions, and too many other factors for a mere formula to incorporate. You'll learn to see your subject&#151any subject&#151just as life truly presents it to you. This...

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Overview

"Everything was alive, pulsing with light and color."&#151Susan Sarback

This is more than a how-to-paint book. It's a how-to-see book—specifically, how to tune in to nature's glorious subtleties of light and color.

Forget complex theories. "Full-Color Seeing" is based on direct observation. It's about overcoming preconceptions and perceiving true color based on the colors that surround it, the way light hits it, time of day, season, weather conditions, and too many other factors for a mere formula to incorporate. You'll learn to see your subject&#151any subject&#151just as life truly presents it to you. This is the secret to capturing the living, breathing sense of atmosphere so celebrated in the works of the Impressionist painters.

A revision of Susan Sarbacks' illuminating Capturing Radiant Color in Oils, this book offers twelve more years of fresh insights, new paintings and expanded coverage on soft pastels. The concepts explored here have been handed down through generations of artists: Sarback was taught "Full-Color Seeing" by master painter Henry Hensche, who learned it from Charles Hawthorne, a contemporary of Claude Monet. This step-by-step approach will add greater vitality to your artwork and forever change the way you see.

Product Details

  • ISBN-13: 9781581809992
  • Publisher: F+W Media, Inc.
  • Publication date: 3/28/2007
  • Edition description: New
  • Pages: 128
  • Sales rank: 485,263
  • Product dimensions: 8.50 (w) x 10.90 (h) x 0.50 (d)

Meet the Author

Susan Sarback is the founder of the School of Light and Color in Fair Oaks, California. She has lectured about color at over 100 art schools, museums, universities and art associations and taught workshops throughout the United States and Europe. Her work has appeared in The Artist's Magazine and American Artist, as well as other publications.

Table of Contents


Introduction     8
Seven Ways to Paint with Color     10
Local Color
Expressive Color
Color Theory
Personal Color
Imaginary Color Symbolic Color
Full-Color Seeing
How We See
Seeing Beauty
How to See in Full-Color     18
Relaxation and Alertness
Scanning
Exercises for Better Vision Painting While Relaxed
Seeing with Freshness
Preconceptions Preferences
Moving Beyond Limits
A New Way of Seeing
Painting a Simple Color Study in Oils or Soft Pastels     30
Supplies for Oil Painters
Supplies for Soft Pastel Artists
Color Studies Begin with Blocks
Painting Stage One
Simple Block Study
Soft Pastels, A Simple Tree Study
Simple Color Studies
Seeing and Painting Radiant Color with Any Subject     44
Beauty in Color Relationships
Painting Stage Two
Painting Stage Three
Painting Stage Four Types of Edges
The Four Stages, Seeing and Painting Color Variations
The Four Stages to Radiant Color
Applying the Principles of Full-Color Seeing and Painting
Using Color to Create Light and Build Form
Seeing and Painting the Color of Cast Shadows
Types of Cast Shadows
Painting the Landscape with Full-Color     68
Start with Strong Compositions
Choosing a Landscape Subject
Improving Composition with Thumbnail Sketches Compositional Patterns and Rhythms
Full-Color Seeing in Landscape
Seeing and Painting Patterns of Light Quick Plein Air Paintings
Painting Water
Using Light to Unify a Complex Scene
How Paint Strokes Create Form andDistance
Painting the Light Key: The Many Qualities of Light     96
What Is the Light Key?
How to Identify Light Keys
The Difference a Day Makes An Overall Atmosphere
Seeing the Whole
Learning to Paint the Light Key Light Keys Change
Comparing Light Keys
Light Key Studies
Natural Light vs. Artificial Light
Keys to Masterful Painting in Full-Color     116
Three Keys to Masterful Painting
Shibui: The Ultimate in Beauty Questions and Answers about Full-Color Seeing Painting at The School of Light and Color

Customer Reviews

Average Rating 3.5
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Sort by: Showing all of 4 Customer Reviews
  • Posted March 30, 2012

    Excellent! Wonderful inspiration

    When you know something is missing in your painting. Susan shows how to put the light and aliveness is your work.

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  • Anonymous

    Posted May 12, 2008

    OUT STANDING!

    Wonderful book,,,and ***god*** bless the autor of this book.....Mighty man of ***god*** rev. Brenda gravette

    0 out of 3 people found this review helpful.

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  • Anonymous

    Posted May 31, 2010

    No text was provided for this review.

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    Posted February 4, 2010

    No text was provided for this review.

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