Cargo Cult as Theater: Political Performance in the Pacific
Why did half the people on New Hanover, a small island north of New Guinea, vote for Lyndon Baines Johnson to be their ruler in 1964? Dorothy K. Billings believes that this sort of action-seen in New Guinea and other parts of Melanesia-is part of the "cargo cult" phenomenon, or micronationalist movements which are principally regarded as responses to European colonialism. Based on thirty-five years of fieldwork and observation, Cargo Cult as Theater demonstrates how the 'Johnson Cult,' originally mocked and ridiculed by the outside world, should be seen as an ongoing political performance meant to consolidate local power and advance economic development. This fascinating study follows the changes in this community ritual, from the time of the white 'master' to post-colonial self-determination, and reveals the history of this people's attempt to gain intellectual, moral, economic, and political control over their own lives.
1126650140
Cargo Cult as Theater: Political Performance in the Pacific
Why did half the people on New Hanover, a small island north of New Guinea, vote for Lyndon Baines Johnson to be their ruler in 1964? Dorothy K. Billings believes that this sort of action-seen in New Guinea and other parts of Melanesia-is part of the "cargo cult" phenomenon, or micronationalist movements which are principally regarded as responses to European colonialism. Based on thirty-five years of fieldwork and observation, Cargo Cult as Theater demonstrates how the 'Johnson Cult,' originally mocked and ridiculed by the outside world, should be seen as an ongoing political performance meant to consolidate local power and advance economic development. This fascinating study follows the changes in this community ritual, from the time of the white 'master' to post-colonial self-determination, and reveals the history of this people's attempt to gain intellectual, moral, economic, and political control over their own lives.
48.59 In Stock
Cargo Cult as Theater: Political Performance in the Pacific

Cargo Cult as Theater: Political Performance in the Pacific

by Dorothy K. Billings
Cargo Cult as Theater: Political Performance in the Pacific

Cargo Cult as Theater: Political Performance in the Pacific

by Dorothy K. Billings

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$48.59 

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Overview

Why did half the people on New Hanover, a small island north of New Guinea, vote for Lyndon Baines Johnson to be their ruler in 1964? Dorothy K. Billings believes that this sort of action-seen in New Guinea and other parts of Melanesia-is part of the "cargo cult" phenomenon, or micronationalist movements which are principally regarded as responses to European colonialism. Based on thirty-five years of fieldwork and observation, Cargo Cult as Theater demonstrates how the 'Johnson Cult,' originally mocked and ridiculed by the outside world, should be seen as an ongoing political performance meant to consolidate local power and advance economic development. This fascinating study follows the changes in this community ritual, from the time of the white 'master' to post-colonial self-determination, and reveals the history of this people's attempt to gain intellectual, moral, economic, and political control over their own lives.

Product Details

ISBN-13: 9780739152812
Publisher: Bloomsbury Publishing
Publication date: 05/28/2002
Sold by: Barnes & Noble
Format: eBook
Pages: 296
File size: 1 MB

About the Author

Dorothy K. Billings is Professor of Anthropology at Wichita State University.

Table of Contents

Part 1 Part One: Introduction
Chapter 2 The Research So Far
Chapter 3 Field Work
Part 4 Part Two: Interviews and Documents
Chapter 5 The Johnson Cult
Part 6 Part Three: Analysis, Interpretation, and Conclusion
Chapter 7 Analysis and Interpretation
Chapter 8 Theories: Cults, Movements, Ceremonies, Culture
Chapter 9 Cargo Cult as Political Theatre
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