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| Men at Work | Primary Artist |
| Greg Ham | Flute, Keyboards, Saxophone, Vocals |
| Colin Hay | Guitar, Vocals |
| Jerry Speiser | Drums, Vocals |
| Ron Strykert | Guitar, Vocals |
| John Rees | Bass, Vocals |
| Bruce Dickinson | Reissue Producer |
| Greg Ham | Composer |
| Colin Hay | Composer |
| Peter McIan | Producer, Engineer |
| Peter McLan | Producer, Engineer |
| Paul Ray | Engineer |
| Ron Strykert | Composer, Cover Art |
| Mark Wilder | Mastering |
| Russell Deppeler | Management |
| Howard Fritzson | Art Direction |
| Triana DOrazio | Packaging Manager |
Editorial Reviews
All Music Guide - Stephen Thomas Erlewine
Cargo was bashed out fairly quickly, but its release was delayed because of the success of Men at Work's debut, Business as Usual. Though it was recorded on the road, Cargo is considerably more diverse -- but not necessarily more ambitious -- than its predecessor. Again, the album is anchored by two extraordinary singles. Fortunately, the soaring ballad "Overkill," and the satiric, anti-nuclear "It's a Mistake," aren't rewrites of "Who Can It Be Now?" and "Down Under,"; demonstrating more depth than anything on Men at Work's debut. Despite this growth, the remainder of Cargo is weighed down by filler. "Dr. Heckyll and Mr. Jive" might be goofy fun, and "High ...