Carnalities: The Art of Living in Latinidad
In Carnalities, Mariana Ortega presents a phenomenological study of aesthetics grounded in the work of primarily Latinx artists. She introduces the idea of carnal aesthetics informed by carnalities, creative practices shaped by the self’s affective attunement to the material, cultural, historical, communal, and spiritual. For Ortega, carnal aesthetics offers a way to think about the affective and bodily experiences of racialized selves. Drawing on Gloria Anzaldúa, Chela Sandoval, José Esteban Muñoz, Alia Al-Saji, Helen Ngo, Maurice Merleau-Ponty, Roland Barthes, and others, Ortega examines photographic works on Latinx subjects. She analyzes the photography of Laura Aguilar, Verónica Gabriela Cárdenas, and Susan Meiselas, among others, theorizing photography as a carnal, affective medium that is crucial for processes of self-formation, resistance, and mourning in Latinx life. She ends with an intimate reading of photography through a reflection of her own crossing from Nicaragua to the United States in 1979. Motivated by her experience of loss and exile, Ortega argues for the importance of carnal aesthetics in destabilizing and transforming normative, colonial, and decolonial subjects, imaginaries, and structures.
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Carnalities: The Art of Living in Latinidad
In Carnalities, Mariana Ortega presents a phenomenological study of aesthetics grounded in the work of primarily Latinx artists. She introduces the idea of carnal aesthetics informed by carnalities, creative practices shaped by the self’s affective attunement to the material, cultural, historical, communal, and spiritual. For Ortega, carnal aesthetics offers a way to think about the affective and bodily experiences of racialized selves. Drawing on Gloria Anzaldúa, Chela Sandoval, José Esteban Muñoz, Alia Al-Saji, Helen Ngo, Maurice Merleau-Ponty, Roland Barthes, and others, Ortega examines photographic works on Latinx subjects. She analyzes the photography of Laura Aguilar, Verónica Gabriela Cárdenas, and Susan Meiselas, among others, theorizing photography as a carnal, affective medium that is crucial for processes of self-formation, resistance, and mourning in Latinx life. She ends with an intimate reading of photography through a reflection of her own crossing from Nicaragua to the United States in 1979. Motivated by her experience of loss and exile, Ortega argues for the importance of carnal aesthetics in destabilizing and transforming normative, colonial, and decolonial subjects, imaginaries, and structures.
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Carnalities: The Art of Living in Latinidad

Carnalities: The Art of Living in Latinidad

by Mariana Ortega
Carnalities: The Art of Living in Latinidad

Carnalities: The Art of Living in Latinidad

by Mariana Ortega

eBook

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Overview

In Carnalities, Mariana Ortega presents a phenomenological study of aesthetics grounded in the work of primarily Latinx artists. She introduces the idea of carnal aesthetics informed by carnalities, creative practices shaped by the self’s affective attunement to the material, cultural, historical, communal, and spiritual. For Ortega, carnal aesthetics offers a way to think about the affective and bodily experiences of racialized selves. Drawing on Gloria Anzaldúa, Chela Sandoval, José Esteban Muñoz, Alia Al-Saji, Helen Ngo, Maurice Merleau-Ponty, Roland Barthes, and others, Ortega examines photographic works on Latinx subjects. She analyzes the photography of Laura Aguilar, Verónica Gabriela Cárdenas, and Susan Meiselas, among others, theorizing photography as a carnal, affective medium that is crucial for processes of self-formation, resistance, and mourning in Latinx life. She ends with an intimate reading of photography through a reflection of her own crossing from Nicaragua to the United States in 1979. Motivated by her experience of loss and exile, Ortega argues for the importance of carnal aesthetics in destabilizing and transforming normative, colonial, and decolonial subjects, imaginaries, and structures.

Product Details

ISBN-13: 9781478060246
Publisher: Duke University Press
Publication date: 11/08/2024
Sold by: Barnes & Noble
Format: eBook
Pages: 344
File size: 156 MB
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About the Author

Mariana Ortega is Associate Professor of Philosophy, Women’s, Gender, and Sexuality Studies, and Latina/o Studies at Pennsylvania State University. She is the author of In-Between: Latina Feminist Phenomenology, Multiplicity, and the Self and coeditor of Constructing the Nation: A Race and Nationalism Reader and Theories of the Flesh: Latinx and Latin American Feminisms, Transformation, and Resistance.

Table of Contents

Preface: Skin of Light  ix
Acknowledgments  xi
Introduction  1
I. Carnal Crossings: Eye and Mouth  27
1. Affected by the Eye: A Prelude to a Carnal Aesthetics  29
2. To Be a Mouth: Anzalduan Carnalities  56
3. Spilling Herself in Trees: Autoarte and Laura Aguilar’s Queer Erotics  87
II. Border Crossings: Sorrow and Memory  131
4. Sorrow, Aesthetic Unsettlement, and Sonic Rupture in the Mexico-US Borderlands  133
5. Crossing and Feeling Brown: Verónica Gabriela Cárdenas’s Carnal Light  171
6. Something Very Extraordinary: Incandescence and the Wounding Photograph  210
Notes  233
Bibliography  287
Index  309
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